Images at Librifly

Intemperance, from Vice and Virtues, 1528, Engraving, Sheet: 3 1/4 × 2 1/2 in. (8.2 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Contest between Apollo and Marsyas, ca. 1543, Etching, sheet diameter: 12 13/16 in. (32.5 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Drawings and Prints, Print, Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, Artist, Artist, Formerly attributed to, After, Andrea Schiavone (Andrea Meldola), Jacques Androuet Du Cerceau, Battista

Still Life with Pansies, 1874, Oil on canvas, 18 1/2 x 22 1/4 in. (47 x 56.5 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), According to a list of Fantin's paintings compiled by his wife, this still life is one of

Billiard, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Drawings and Prints, Print, Plate 12: Psyche'sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Publisher, Artist,

Face of Christ on St. Veronica's Cloth, 1649, Engraving; second state of two (copy?), sheet: 19 3/8 x 15 9/16 in. (49.2 x 39.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Tom Jones & the Landlord, Partridge & Susan, Mrs Waters & the Landlady, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British,

Drawings and Prints, Photograph, Card Number 7, Miss Zeffie Tilbury, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Hercules Raping Jole from The Labors of Hercules, 1544, Engraving, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Jewelry of the Child Myt, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Myt, Temple of Mentuhotep II, Pit 18, mummy of Myt, 1921, Gold, carnelian, silver, glass, blue paste,

Singing Couples and Violin, 1610–85, Etching, Sheet: 4 11/16 × 3 1/2 in. (11.9 × 8.9 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Print, Outside Half Hanger, Hanging Guard, Inside Half Hanger, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827

Four Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Versailles, France, 1923, Albumen silver print from glass negative, 17.8 x 21.9 cm (7 x 8 5/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Although he studied drama in Paris in the mid-1870s and was an itinerant

The Scolding Woman and the Cackling Hen, ca. 1568, Engraving, Plate diameter: 7 1/16 in. (18 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Jan (Johannes) Wierix (Netherlandish, Antwerp

Caricature of Jules de Prémaray, 1859, Black chalk on brown paper, Sheet: 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm), Drawings, Hippolyte Mailly (French, 1829–1863), After Nadar (French, Paris 1820–1910 Paris

Part of Tangier from aboue, without the Water-gate, 1670, Etching; second state of three, Sheet: 4 13/16 × 8 9/16 in. (12.3 × 21.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), From a series of five plates and

Henry Watterson, The Louisville Courier Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors'

Plan by T. Cole, Esq. for the Capitol of Ohio, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.5 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Central Salon of the Alexander Palace at Tsarskoe Selo, 1792–96, Pen and black ink, brush with gray, green, pink, blue, brown, and yellow wash, over ruled construction lines in graphite. Fragments of framing lines in black ink, 14-5/8 x

The Alternative of WIlliams-Burg, February 16, 1775, Mezzotint, plate: 14 x 10 in. (35.5 x 25.4 cm), Prints, Attributed to Philip Dawe (British, 1745?–?1809

Horned Owl, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of

Drawings and Prints, Print, Saint Christopher, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1506

Drawings and Prints, Print, A Cully Pillag'd, Artist, Publisher, Thomas Rowlandson, John Raphael Smith, British, London 1757–1827 London, British, baptized Derby 1751–1812 Doncaster, Rowlandson, Thomas, Smith, John Raphael, 1757,

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811, Etching, aquatint and mezzotint; first state of six (Finberg), plate: 7 x 10 3/8 in. (17.8 x 26.4 cm), Prints, Turner distilled his ideas about

Plate 10: Agamemnon and Menelaus seated in a boat accompanied by other figures including Vulcan (Agamennone et Menelao Argn. condoti da Vulcano), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand

Miss Abel, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50 cards

La Danse Chinoise (The Chinese Dance), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 7/8 x 21 3/4 in. (42.8 x 55.2 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Red Bird of Paradise, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in

Front and back covers of a phamplet relating to a story 'The thieves and the National Valley' with illustration of indigenous men and women are being herded by men in military uniforms towards a train, on the other side 'Dance of the Snake' and a

Two Soldiers and Child Holding a Helmet, July 19, 1779, Etching, Sheet: 8 11/16 x 6 in. (22 x 15.2 cm), Prints, Etched and published by Robert Blyth (British, ca. 1750–1784), After John Hamilton Mortimer (British, Eastbourne 1740–1779

Designs for Five Stickpins, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Five designs for a stickpin with a precious stone, all executed in silver. Each pin is

Life in Camp, Part 2: The Girl He Left Behind, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of

Banquet of the Piacevoli, various men are seated at long tables around the perimeter of a large room, a man seated to the right giving a dog table scraps, curtains are draped around the image, Medici coat of arms at top center, 1627, Etching,

Abraham, ca. 1408–10, Tempera on wood, gold ground, Overall 26 x 16 7/8 in. (66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm), Paintings, Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence

Copy of Attilius Regulus, from Roman Heroes, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Horseman, 1650, Etching; third state of four, Sheet: 5 1/2 × 8 1/2 in. (14 × 21.6 cm), Prints, After Jan Wildens (Flemish, 1586–1653), A horseman galloping to right along a country road; chapel flanked by farm houses on the bank of a

Different Scenes from the Gospels and from Acta Aposotolorum, ca. 1530, Etching; second state of two, sheet: 11 5/8 x 15 1/2 in. (29.5 x 39.4 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

The Charles River, 1890, Etching; trial proof a or b, image: 6 3/8 x 14 5/16 in. (16.2 x 36.4 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Plate 28, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Bertha Hastings, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Drawings and Prints, Photograph, Card Number 142, Irene Verona, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Sancho Panza, from Don Quixote, Subject, Etcher, Artist, Etching attributed to, After, Miguel de Cervantes Saavedra, Thomas Rowlandson, John Hamilton Mortimer, Spanish, Alcalá 1547–1616 Madrid, British,

Drawings and Prints, Print, Chap. VI: Je ne pouvais pas aller à pied (I no longer walk anywhere), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Publisher, Lithographer, Artist, Sazerac and Duval, Langlumé, Victor

Frontispiece from 'Fiesole Destroyed' ('Fiesole Distrutta'), two seated women, one wearing a laurel wreath and the other wearing a hat crowned with laurel, with the Medici arms and the crown of the grand duchy above, 1619, Etching, sheet: 7

Hans Bol, 1593, Engraving, 10 1/4 x 7 3/16 in. (26 x 18.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Alphonse III Delbène, Bishop of Orléans, Engraving, sheet: 12 x 8 3/4 in. (30.5 x 22.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Virgin and Child, ca. 1520, Oil on wood, Overall 10 x 8 1/4 in. (25.4 x 21 cm), with added strip of 3/8 in. (1 cm) at top; painted surface 9 5/8 x 8 1/4 in. (24.4 x 21 cm), Paintings, Attributed to Simon Bening (Netherlandish, Ghent (?)

Jupiter and Antiope, Engraving, sheet: 6 5/16 x 11 9/16 in. (16 x 29.4 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Louis Hesselin, 1660, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 9/16 in. (31.5 × 24.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Naues Mercantoriæ Hollandicæ, vulgo, VLIET (A Dutch freighter), 1647, Etching; second state of two with number abraded., Sheet: 5 13/16 × 9 1/4 in. (14.7 × 23.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A

Forest Landscape with a Clearing, 1911–24, Red chalk, Image: 8 7/8 × 15 11/16 in. (22.5 × 39.8 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Drawings and Prints, Print, Mercury Entering Herse's Room After Changing Agraulos to Stone, from Ovid, Metamorphoses, Book II, Artist, After, Hendrick Goltzius, Anonymous, Dutch, 17th century, Netherlandish, Mühlbracht 1558–1617

Standing Man with a Putto, ca5–1616, Black chalk, Sheet: 9 5/8 × 5 1/4 in. (24.4 × 13.4 cm), Drawings, Attributed to Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Harper's: May, 1897, Lithograph, Sheet: 18 9/16 × 13 1/4 in. (47.1 × 33.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, The Nativity, Artist, After, Pieter de Jode I, Bartholomeus Spranger, Netherlandish, Antwerp 1570–Antwerp 1634, Netherlandish, Antwerp 1546–1611 Prague, Jode Pieter de, I, Spranger, Bartholomeus,

Cadwallader David Colden, Mayor of New York City, ca. 1825, Engraving; first state of two, Plate: 12 1/2 x 9 3/4 in. (31.8 x 24.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), Peter

Baths of Diocletian, Rome, 17th century, Etching, second state of two, sheet: 2 11/16 x 4 3/16 in. (6.9 x 10.7 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp), Baths of Diocletian in Rome, seen from

A shepherd on horseback in the middle of a stream, facing left, dogs, goats and cows follow to left and right, a large tree to left and mountains to right in the background, from 'Four large landscapes' (Quatre grands paysages en hauteur), ca.

Corsica, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Two Riders, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 7/16 in. (6.1 × 8.8 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A rider, at left, faces right and aims his gun at a second rider, at right,

A woman standing in the countryside pointing to a tub of water, ? José Guadalupe Posada (Mexican, 1851–1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830–1895 Mexico City), ca 1890–1910

Pygmalion and Galatea, ca. 1890, Oil on canvas, 35 x 27 in. (88.9 x 68.6 cm), Paintings, Jean-Léon Gérôme (French, Vesoul 1824–1904 Paris), Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of

Studio, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Drawings and Prints, Photograph, Card Number 82, Mlle. Debauch, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Death of St. Joseph, 1766, Engraving, sheet: 11 x 14 15/16 in. (28 x 38 cm), Prints, After Alonso Cano (Spanish, Granada 1601–1667 Granada

Two Children, One Holding a Basket with Flowers, 1738–45, Etching and engraving, Sheet: 11 7/8 × 17 11/16 in. (30.2 × 45 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris

Drawings and Prints, Print, Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Publisher, Artist, After, Antonio

Order of the Crown of Wurtemberg, Wurtemberg, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series

From the Girls and Children series (N65) promoting Richmond Straight Cut Cigarettes for Allen & Ginter brand tobacco products, ca. 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and

St. Paul (adaptation), after 1512, Woodcut, hand-colored, Sheet: 2 1/2 × 1 15/16 in. (6.3 × 5 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45, Etching, image: 3 1/8 x 6

The Reign of Heavens, late 17th century, Brush and gray ink, sheet: 7 13/16 x 12 1/16 in. (19.8 x 30.6 cm), Drawings, Anonymous, German, 17th century

Frieze with Children, 1517–32, Etching; state one, sheet: 1 7/8 x 7 7/8 in. (4.7 x 20 cm), Prints, Conrad Baur (German, active 1517–32

Drawings and Prints, Photograph, Card Number 630, Josie Knight, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Speculum Romanae Magnificentiae: Doric Base, 1528, Engraving, sheet: 4 7/16 x 6 15/16 in. (11.3 x 17.7 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Headband: Two Infants with a Cardinal's Hat, a Third with a Banderole, Engraving, sheet: 2 7/16 x 5 1/4 in. (6.2 x 13.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Disegni Varii di Polifilo Zancarli, 1628 before, Etching, Plate: 9 5/16 x 5 11/16 in. (23.6 x 14.4 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Vertical panel design

Yoke-Form Vessel, mid-4th–mid-5th century, Guatemala, Mesoamerica, Maya, Ceramic, H. 11 x W. 8 1/4 in. (27.9 x 21 cm), Ceramics-Containers, A unique combination of forms, this ceramic vessel joins the U-shaped element commonly considered

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), 1600–1602, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and

Hotel de Cluny, Paris, ca. 1851, Salted paper print from paper negative, 32.4 x 24.2 cm (12 3/4 x 9 1/2 in. ), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray, the most important early French photographer, is best known for his

Christ Crowned with Thorns, 1606, Etching, Plate: 7 1/16 × 5 5/16 in. (18 × 13.5 cm), Prints, Annibale Carracci (Italian, Bologna 1560–1609 Rome

Ruffled Grouse, 1935, Drypoint; second state, plate: 8 7/8 x 10 5/8 in. (22.5 x 27 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Drawings and Prints, Print, Sir Galahad (from Tennyson's Poems, New York, 1903), Artist, Engraver, After, Dante Gabriel Rossetti, William James Linton, British, London 1828–1882 Birchington-on-Sea, British, London 1812–1897 New

Drawings and Prints, Print, Landscape with a Fallen Tree, Artist, Hubert Robert, French, Paris 1733–1808 Paris, Robert, Hubert, 1733, 1808, 1764, 1764

Cassowary, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a set of 50

Carrie Behr, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Title page for François de Sales, Introduction à la vie dévote, 1641, Etching; second state of three (BN), sheet: 13 7/16 in. (34.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Portraits of Turkish Sultans, late 16th century, Engraving and etching, sheet: 13 3/4 x 17 11/16 in. (35 x 45 cm), Prints, Anonymous

Renard is Sentenced to Death from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 9/16 in. (9.4 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Sardine, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889

Two Rabbits in a Wood, possibly a 'Wiggle Much' design, ca. 1910, Watercolor and black ink, Image: 2 7/8 × 5 1/16 in. (7.3 × 12.8 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

L'Adoration des Bergers (The Adoration of the Shepherds), 1762–63, Etching, Mount: 19 1/8 × 9 1/8 in. (48.6 × 23.2 cm), Prints, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Ceiling Design with the Presentation in the Temple, 1647–1726, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper, 20-3/4 x 16-1/4 in. (52.7 x 41.3 cm), Drawings, Gregorio de'

Capitol of Nebraska in Lincoln, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Winter landscape with figures skating on a frozen body of water in a roundel composition; a church and trees in the foreground; a bridge, churches, and windmills beyond, ca. 1625–60, Etching, sheet: 6 3/16 x 5 13/16 in. (15.7 x 14.7 cm),

Allons haut! Y sommes-nous? . . . from La Chasse, published in Le Charivari, November 11, 1843, November 11, 1843, Lithograph; third state of four (Delteil), Sheet: 14 in. × 10 11/16 in. (35.5 × 27.2 cm), Prints, Honoré Daumier (French,

St. Jerome in the Desert, 1511, Woodcut, Sheet: 5 1/16 × 3 1/2 in. (12.9 × 8.9 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

St. Christopher, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach