Images at Librifly

Governor Larrabee, Iowa, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Morocco, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

New York, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Drawings and Prints, Print, The Dungeon of Polignac, Voyages pittoresques et romantiques dans l'ancienne France, Printer, Artist, Godefroy Engelmann, Eugène Isabey, German (born France), Mulhouse 1788–1839 Mulhouse, French, Paris

Drawings and Prints, Photograph, Card Number 613, Misses Arnold and Stone, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C.,

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812, Etching and mezzotint; fifth state of five, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Drawings and Prints, Photograph, Card Number 126, Annie Summerville, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, The Triumph over Evil: many infants, some playing instruments others carrying weapons leading a procession, at the left a demon is being dragged along, another demon is hung from gallows, another pierced with arrows (three

Drawings and Prints, Print, Head of a Parisian Woman, L'Estampe originale, Album V, Artist, Publisher, Henry Somm, André Marty, French, Rouen 1844–1907 Paris, French, born 1857, Somm, Henry, Marty, André, French, 1844, 1857,

1st Base, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen

Drawings and Prints, Print, Arithmetica, from The Seven Liberal Arts, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, Brussels 1550–1600/1601 Venice, Vos, Maerten de,

Cupid Presenting Psyche to the Gods, ca. 1540–45, Pen and brown ink, brown wash, highlighted with white, over traces of black chalk, on brown-washed paper, 14-3/4 x 23-3/4 in. (37.4 x 60.3 cm), Drawings, Andrea Schiavone (Andrea Meldola)

Still Life, Oil on canvas, 15 1/8 x 18 1/4 in. (38.4 x 46.4 cm), Paintings, Style of Paul Gauguin (French, late 19th century

Cupid Sleeping, 16th century, Engraving, sheet: 9 1/16 x 7 3/16 in. (23 x 18.2 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

The church by the water, 1625–77, Etching; only state, Sheet: 2 5/16 × 5 3/8 in. (5.8 × 13.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Drawing, Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene, Artist, Anton Raphael Mengs, German, Ústi nad Labem (Aussig) 1728–1779 Rome, Mengs, Anton Raphael, German, 1728, 1779, ca.

The Capture of Carthage, 1725–29, Oil on canvas, Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), This painting is from a series of ten magnificent

European Sculpture and Decorative Arts, Piece, French, early 17th century, 1600, 1615, Silk and metal thread, L. 32 3/4 x W. 11 inches (83.2 x 27.9 cm

Banknote motif: number 2 against a circular panel of lathe work with a scalloped edge, ca. 1824–42, Engraving, sheet: 1 5/8 x 1 5/8 in. (4.2 x 4.2 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Joe Cotton, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50

Timocleia Before Alexander, ca. 1540–45, Etching, Sheet (trimmed/oval): 12 15/16 × 8 1/2 in. (32.8 × 21.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian), 1814–15, Graphite, brush and brown ink; framing lines in graphite and brush and blue watercolor, Sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Drawings, Christoffer

Central Park, Statue of the Indian Hunter, 1869, Hand-colored lithograph, image: 4 13/16 x 8 in. (12.3 x 20.3 cm), Prints, Anonymous, American, 19th century, Sculpted by John Quincy Adams Ward (American, Urbana, Ohio 1830–1910 New York),

Plaque with Ornamentation, 1776–79, Attributed to Thomas Hardwick (British, London 1752–1829 London

Portrait of Louis XVI, Marie Antoinette and The Dauphin, 1791, Etching and engraving; second state of three (Bocher), Sheet: 7 1/16 × 5 3/16 in. (18 × 13.2 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph

Drawings and Prints, Print, Bad Speculation, Comforts of the City, Artist, After, Thomas Rowlandson, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London, Rowlandson, Thomas, Woodward, George

Card 36, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes, 1887, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Cyclists' series (N49), issued in 1887 by Allen & Ginter to promote

Saint Simon seen from behind, turning to the right and holding a saw, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, Sheet: 4 1/8 × 2 15/16 in. (10.5 × 7.5 cm), Prints, Anonymous, 17th century,

The Betrayal of Christ, ca. 1445–50, Tempera on wood, Overall 8 3/4 x 17 in. (22.2 x 43.2 cm); irregular painted surface 7 3/4 x 16 1/8 in. (19.7 x 41 cm), Paintings, Bartolomeo di Tommaso (Italian, Umbrian, active by 1425–died 1453/54),

Angel announcing the Birth of Samson, from the Story of Samson, ca. 1560–80, Woodcut with pochoir (stencil) and hand coloring, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Prints, Anonymous, French, 16th century, Rue de Montorgueil

From the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

Portrait of Blaise Pascal, 1802, Etching and engraving; third state of three (Bocher), Sheet: 8 11/16 × 5 11/16 in. (22 × 14.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Augustin Pajou (French, Paris

Camille Monet (1847–1879) on a Garden Bench, 1873, Oil on canvas, 23 7/8 x 31 5/8 in. (60.6 x 80.3 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Monet’s wife, Camille Doncieux, is as easily identifiable here as the

Harper's: The Spanish American War, February, 1899, Commercial lithography; brown, black, and orange, Sheet: 17 3/4 × 8 3/8 in. (45.1 × 21.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, ca. 1520–25, Engraving, 9 5/16 x 13 7/8 in. (23.7 x 35.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Sower (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), When

Drawings and Prints, Print, Ballerina and Bloomer Girls (Prima Donna) Paper Dolls, Purveyor, Publisher, Dennison Manufacturing Co., Littauer and Boysen, New York, NY, Dennison Manufacturing Co., Littauer and Boysen, American, German,

Order of the Elephant, Denmark, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44),

Foot-Combat Helm of Sir Giles Capel (1485–1556), ca. 1510, possibly British, Steel, H. 17 1/2 in. (44.4 cm); W. 11 1/4 in. (28.6 cm); D. 9 1/2 in. (24.1 cm); Wt. 13 lb. 8 oz. (6123 g), Helmets, This helm, or “great bascinet, ” for the

The Adoration of the Magi, ca. 1585, Engraving;second state of three, plate: 7 7/8 x 5 7/8 in. (20 x 15 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Bernardino Passeri (Italian, active Rome, ca.

Abraham's Sacrifice, from The Story of Abraham, Engraving, Sheet: 2 3/16 × 3 9/16 in. (5.6 × 9 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Card 404, Kate Claxton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Jacques Amelot, ca. 1655, Engraving; first state of three (Petitjean & Wickert), sheet: 12 3/16 x 9 7/16 in. (31 x 24 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Kitchen Scene with a Maid Drawing Poultry, the Parable of the Rich Man and the Poor Lazarus, from Kitchen and Market Scenes with Biblical Scenes in the Background, Artist, Jacob Matham, Netherlandish, Haarlem

Costume Study for Blonde in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 × 8 1/16 in. (28.6 × 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

'Elle semblait revenir d'un long, d'un angoissant sommeil...', 1902, Color lithograph, sheet: 12 11/16 x 9 15/16 in. (32.3 x 25.2 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Mlle. de Eau, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Louisiana, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Sieur de Montauban, Explosion of Magazine, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the

Luna, 1533, Engraving, Sheet: 3 5/16 × 2 1/16 in. (8.4 × 5.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Blackwork Design with Five Motifs, ca. 1581–1636, Engraving and blackwork, Sheet: 1 9/16 × 2 in. (4 × 5.1 cm), attributed to Georg Arnoldt (German, 1563–1636), Blackwork print with five small motifs for goldsmiths work. The two outer

The Destruction of Sodom–Abraham Looking Towards Sodom (Dalziels' Bible Gallery), Thomas Dalziel (British, Wooler, Northumberland 1823–1906 Herne Bay, Kent), Dalziel Brothers (British, active 1839–1893), 1865–81

England, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, from a series of five engravings after the destroyed or detached frescoes of 1532/33 by Giovanni Antonio da Pordenone

Two Terms, Two Cornices and a Pillar, 1554, Etching, Sheet (round): 13 1/8 x 13 1/8 in. (33.3 x 33.3 cm), Hugues Sambin (French, Gray ca. 1520–1601 Dijon), Print with five designs, characterized by two large designs for terms placed side by

Dipper, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of 50

The Letter E, from The Alphabet, 1466–67, Engraving, 5 9/16 × 4 1/2 in. (14.1 × 11.4 cm), Prints, Master ES (German, active ca. 1450–67), Among Master ES’s most remarkable engravings is a delightful series of letters consisting of

Mignonette (Reseda Odorata), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Drawings and Prints, Print, Cameo, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1922

Lippincott's: September, 1895, Lithograph, Sheet: 18 15/16 × 12 7/16 in. (48.1 × 31.6 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

Le chancelier Louis Boucherat, 1676, Engraving, Sheet: 19 7/8 × 16 7/8 in. (50.5 × 42.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Hamlet and the Queen, 1834, Lithograph; third state of four, Image: 10 1/8 x 7 in. (25.7 x 17.8 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), In 1834 Delacroix began a series of lithographs devoted to

Dancer Onstage, ca. 1877, Gouache over graphite underdrawing on thin wove commercially coated yellow paper, laid down on board, Paper 6 3/4 x 8 3/8 in. (17.1 x 21.3 cm); board 7 x 9 in. (17.8 x 22.9 cm), Drawings, Edgar Degas (French, Paris

Annunciation, with angel approaching the seated Mary from the left, and the dove of the Holy Spirit above, ca. 1633–34, Etching; second state, sheet: 2 1/2 x 1 5/8 in. (6.4 x 4.1 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

Drawings and Prints, Drawing, Study of a lying cow, Artist, Paulus Potter, Dutch, Enkhuizen 1625–1654 Amsterdam, Potter, Paulus, Dutch, 1625, 1654, ca. 1650, 1645, 1654

Bloodhound, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Francesco I d'Este Invites Foreign Scholars to Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 3/8 in. (12.3 × 16.2 cm), Prints, Bartolomeo

Portrait of the Maréchal de Saxe, 1766, Etching; state 2 of 2, plate: 6 x 3 11/16 in. (15.3 x 9.3 cm), Prints, Antoine Demarcenay de Ghuy (French, Arnay-le-Duc 1724–1811 Paris), After Jean Étienne Liotard (Swiss, Geneva 1702–1789

Stage Design, with Four other Drawings, Point of the brush and brown wash over black chalk within black chalk framing lines, Sheet: 9 5/16 × 11 13/16 in. (23.7 × 30 cm), Tranquillo Orsi (Italian, Venice 1771–1845 Venice

Francesco I d'Este Keeps his State Intact During the Descent of the Germans into Mantua, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16 in. (12.2 ×

Drawings and Prints, Print, Washington at Valley Forge–December 1777–8, Publisher, Sitter, Lithographed and Published by, Nathaniel Currier, George Washington, American, Roxbury, Massachusetts 1813–1888 New York, American,

Drawings and Prints, Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice, Publisher, Artist, Sitter, Thomas Wright, John Lodge, Charles Macklin, British, active 1766–98, British, active 1774–96, Irish,

Admiral, Denmark, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a set

Drawings and Prints, Print, The Big Sky, or Marshes, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857–1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1912

Drawings and Prints, Print, Decorated Roman alphabet, Artist, Publisher, Jeremias Wachsmuth, Martin Engelbrecht, German, 1712–1771, German, Augsburg 1684–1756 Augsburg, Wachsmuth, Jeremias, Engelbrecht, Martin, 1712, 1684, 1771,

Cows at a Watering Place, [1862] reprinted 1921, Cliché-verre (ed. 1921), sheet: 7 3/8 x 8 3/4 in. (18.8 x 22.2 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Dr. Leclenché, 1864, Oil on canvas, 18 x 12 3/4 in. (45.7 x 32.4 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Monet’s son Michel identified the sitter for this small, informal portrait as the artist’s physician, Dr.

Banquet of Alexander, Engraving, Sheet: 9 13/16 x 14 1/2 in. (25 x 36.9 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Stay-Maker, February 1, 1782, Etching, sheet: 12 3/8 x 15 3/8 in. (31.4 x 39 cm), Prints, After William Hogarth (British, London 1697–1764 London

The great dance of skeletons, José Guadalupe Posada (Mexican, 1851–1913), 1906

Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 3/16 in. (9.3 × 10.6 cm), Prints, Allart van Everdingen (Dutch,

Saint Paul holding a book and a sword facing right, ca. 1500–1540, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.8 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Print, Henry Frederick, Prince of Wales, Artist, Publisher, Engraver, Artist, Sitter, After intermediary draftsman, After, Sylvester Harding, Sylvester Harding, R. Clamp, Robert Peake the Elder, Henry Frederick,

Seated Pan, who holds a pipe in his left hand and rests his right hand behind his torso, from a series of four deities after Giovanni Antonio da Pordenone, ca. 1590–1638, Etching, sheet: 5 9/16 x 8 1/8 in. (14.2 x 20.6 cm), Prints, Odoardo

Drawings and Prints, Print, Along San Pablo Road, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1919

Hogarth's Crest, ca. 1790, Etching and engraving, Sheet: 3 3/16 x 2 13/16 in. (8.1 x 7.2 cm), Prints, Said to be designed by William Hogarth (British, London 1697–1764 London

Étienne Jehannot de Bartillat, ca. 1666, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 3/4 × 9 15/16 in. (32.4 × 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes

Pest, from the series Vom Tode Zweiter Teil, n.d., Plate: 16 15/16 × 13 1/4 in. (43 × 33.7 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

The Cabin Boy Tows the Boat, 1861, Etching; second state of three, sheet: 6 5/8 x 10 1/16 in. (16.8 x 25.5 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

The True Mother Goose, ca. 1896, Commercial relief process, Sheet: 21 1/4 × 14 5/16 in. (53.9 × 36.4 cm), Blanche McManus Mansfield (American, East Feliciana, Louisiana 1870–1929

The Resurrection, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 × 5 1/16 in. (19.5 × 12.8 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Drawings and Prints, Print, The Virgin with the Christ Child and the young Saint John the Baptist holding a bird at right, an oval composition, after Reni, Artist, After, Attributed to, Guido Reni, Lorenzo Loli, Italian, Bologna

Abraham and Isaac (Dalziels' Bible Gallery), Simeon Solomon (British, London 1840–1905 London), Dalziel Brothers (British, active 1839–1893), 1863–81

Satyr Mask with a Crown of Ivy, Facing Right, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.1 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with grotesque masks

A horseman and his wife, seated side-saddle behind him, riding towards the right, other horsemen and footsoldiers in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 9/16 x 2

Apples and Grapes, 1879–80, Oil on canvas, 26 5/8 x 35 1/4 in. (67.6 x 89.5 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), This is one of three tabletop still lifes depicting a basket of apples and grapes that Monet

Drawings and Prints, Print, Initial letter N on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Plate 5: Tomb of Mausolus, stone masons make a column at the right, from The Seven Wonders of the World, 1608, Etching, sheet: 8 3/4 x 11 3/16 in. (22.3 x 28.4 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Drawing, A Priest Celebrating Mass, Artist, Giorgio Picchi, the Younger, Italian, Casteldurante [Urbania] ca. 1555–1605 Casteldurante [Urbania], Picchi, Giorgio the Younger, Italian, 1555, 1605, ca. 1600–5,

Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, 1550–99, Pen, brown ink and wash, highlighted with white, on blue paper, Drawings, Anonymous, Italian, second half of the 16th century