Images at Librifly

Avarice, ca. 1550–55, Etching, Sheet (trimmed/oval): 10 1/4 × 11 7/16 in. (26 × 29 cm), Prints, Léon Davent (French, active 1540–56), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Drawings and Prints, Print, The Cow (La Vache), L'Estampe originale, Album III, Artist, Publisher, Victor Alfred Paul Vignon, André Marty, French, Villers-Cotterets 1847–1909 Meulan, French, born 1857, Vignon, Victor Alfred Paul,

The Parable of the Good Samaritan, 1549, Etching, Sheet: 9 13/16 x 7 11/16 in. (25 x 19.6 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam

Johnny Murphy, Pugilist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in

Card 291, Annie Danscomb, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

The Triumph of Chastity on Love, from the Triumphs of Petrarch, Engraving, Sheet: 5 9/16 × 8 1/8 in. (14.1 × 20.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Life in Camp, Part 2: Fording, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of lithographed

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Drawings and Prints, Print, Music Has Charms to Soothe the Savage Breast, Artist and publisher, Artist, After, T. Smith, Thomas Rowlandson, British, active London 1785–1800, British, London 1757–1827 London, Smith, T., Rowlandson,

Coriolanus: 'The God of Soldiers, to shame invulnerable...' (Shakespeare, Coriolanus, Act 5), November 3, 1785, Etching and stipple engraving, image: 14 x 17 5/16 in. (35.5 x 44 cm) oval, Prints, Francesco Bartolozzi (Italian, Florence

'Et le nom de Clara...', 1902, Color lithograph, sheet: 12 7/8 x 10 1/16 in. (32.7 x 25.5 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

A young man caressing an old woman, 1646, Etching, only state, Sheet: 6 11/16 × 5 1/8 in. (17 × 13 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), A young man with long wavy hair standing half-length to right,

Quick Time March, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of

Portrait of a Woman, Oil on canvas, 38 3/4 x 28 3/8 in. (98.4 x 72.1 cm), Paintings, Alonzo Sánchez Coello (Spanish, 1531/32–1588

Rushing Bear, Pawnee, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued in

Entombment of Christ, 1775, Etching and engraving, 27 3/8 × 16 1/8 in. (69.5 × 41 cm), Prints, Domenico Cunego (Italian, Verona 1727–1803 Rome), Intermediary draughtsman Angelo Ricci (Italian, 1749–1827), After Jusepe de Ribera (called

Drawings and Prints, Print, Roman Alphabet letter N with Louis XIV decoration, Artist, Bernard Picart, French, Paris 1673–1733 Amsterdam, Picart, Bernard, 1673, 1733, 18th century, 1700, 1733

The Oak and the Adobe, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine), 1919

Mid-Day, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille (French,

Drawings and Prints, Print, Soldier on galloping horse, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

View of the Campidoglio as re-designed by Michelangelo from the 'Speculum Romanae Magnificentiae', 1569, Etching and engraving, Mount: 18 1/8 × 22 1/4 in. (46 × 56.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Drawings and Prints, Print, Christ Confounding the Elders in the Synagogue, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1620, 1670

Octagonal Case and Two Other Motifs Held by Ignudi, 1622, Blackwork and Engraving, Plate: 3 1/16 x 4 3/16 in. (7.8 x 10.6 cm), Print from a series of six with goldsmith's designs in blackwork. This print shows three designs for goldsmith's work,

Album of Architectural Sketches and Drawings, ca. 1600 and ca. 1840, Ink, graphite and wash, 19 5/8 x 12 5/8 x 4 5/16 in. (49.8 x 32 x 11 cm), Charles James Richardson (British, London 1806–1871 London), After John Thorpe (British, ca.

Halved Alternate Designs for a Painting Ceiling, 1700–1780, Pen and gray ink, over black chalk, with ruled and compass construction, 17 5/8 x 15 9/16 in. (44.8 x 39.6 cm), Drawings, Attributed to Leonardo Marini (Italian, Piedmontese

Francesco I d'Este Takes Particular Care to Ensure that Justice is Observed, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16 cm),

Plate 3: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656, Etching; second state, sheet: 7 1/4 x 9 11/16 in. (18.4 x 24.6 cm), Prints, Giovanni Battista Galestruzzi (Italian,

Vive la France, Marchands de 'Tableaux' se Preparant pour la Vente Publique / Picture 'Dealers' Preparing for 'Auction', 1840, Lithograph, hand colored, sheet: 14 1/16 x 10 11/16 in. (35.7 x 27.2 cm), Prints

An Angel Indicates a Cross to a Man Kneeling, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.6 x 7.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Harper's: October, 1894, Lithograph, Sheet: 17 11/16 × 13 1/4 in. (44.9 × 33.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

1 of 8 plates on Hunting and Fishing, Engraving, Plate: 3 1/8 x 8 7/16 in. (8 x 21.4 cm), Prints, After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam

Plate 22: Josaphat Thanking God for His Victory, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 7/8 × 10 7/8 in. (20 × 27.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Barde, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, David Garrick in Hamlet (Shakespeare, Act 1, Scene 4), Publisher, Sitter, Subject, Artist, Engraver, After, Benjamin Wilson, David Garrick, William Shakespeare, Benjamin Wilson, James McArdell, British,

Drawings and Prints, Print, Portrait of a Woman (Portrait de femme), L'Estampe originale, Album IX, Artist, Antonio de la Gandara, André Marty, French, Paris 1861–1916 Paris, French, born 1857, Gandara, Antonio de la, Marty, André,

Speculum Romanae Magnificentiae: Port of Rome, 1581, Etching and engraving, sheet: 11 5/8 x 20 3/16 in. (29.6 x 51.2 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), After Etienne DuPérac (French, ca. 1535–1604

Design for a Brooch with Judith Holding the Head of Holofernes, 1580–1600, Engraving and blackwork, Sheet: 2 3/4 × 3 1/8 in. (7 × 8 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a brooch with

View of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . ), n.d., Etching, Prints, Francesco Piranesi (Italian, Rome 1758–1810 Paris

Landscape, Late 17th Century, Pen and ink wash, sheet: 10 9/16 x 14 15/16 in. (26.9 x 38 cm), Drawings, Anonymous, Dutch, 17th century ?, Anonymous, German, 17th century

Drawings and Prints, Print, Alligator Pool, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1914

Jacques Le Mercier, architecte du roi, Etching, image: 12 5/8 x 10 7/16 in. (32.1 x 26.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, ca. 1590–1610, Etching, Sheet (Trimmed): 9 3/4 × 7 11/16 in. (24.8 × 19.5 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Drawings and Prints, Print, Voyageurs appréciant de moins en moins les..., from Les Agréments des Chemins de Fer, published in Le Charivari, December 25, 1856, Les Agréments des Chemins de Fer, Publisher, Artist, Printer, Aaron

Ewer with Phoenixes, Northern Song dynasty (960–1127), 11th–12th century, China, Stoneware with incised and carved decoration under celadon glaze (Yaozhou ware), H. 8 1/4 in. (21 cm); Diam. 6 in. (15.2 cm), Ceramics, This unique ewer,

Drawings and Prints, Drawing, Driving Sheep in a Rocky Landscape, Artist, David Cox, British, Birmingham 1783–1859 Harborne, West Midlands, Cox, David, 1783, 1859, ca. 1846, 1841

The Parc Monceau, 1878, Oil on canvas, 28 5/8 x 21 3/8 in. (72.7 x 54.3 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Monet painted six views of the Parc Monceau: three in 1876 and three in 1878. In this canvas, the

Alfred Krupp, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It

Trade card for James Figg, 1790s, Etching, Plate: 7 11/16 x 6 9/16 in. (19.5 x 16.6 cm), Prints, Formerly attributed to William Hogarth (British, London 1697–1764 London), Formerly attributed to Joseph Sympson, Jr. (British, active

Portrait of Marie de Gillier, 17th century, Engraving, Sheet: 15 7/16 x 10 5/8 in. (39.2 x 27 cm), Robert Nanteuil (French, Reims 1623–1678 Paris), Part of a bound album containing 92 drawings and prints of anonymous and famous women of

Drawings and Prints, Print, The Resurrection, from Life of the Virgin and Christ, Life of the Virgin and Christ, Artist, Francesco Rosselli, Florence 1448–1508/27 Venice (?), Rosselli, Francesco, Italian, 1448, 1527, 1480–1500,

Paradisara Guilielmi, British New Guinea, 1932, Drypoint, plate: 9 3/4 x 11 3/8 in. (24.8 x 28.9 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition, ca 1600–1640, Etching, Sheet (Trimmed): 6 1/4 × 6 1/4 in. (15.8 × 15.9 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Kasperltheater, 1907, Color lithograph, sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm), Prints, Hans Kalmsteiner (Austrian, Vienna ca. 1882/6–ca. 1914/16 Vienna

Louis-Isaac Lemaistre de Sacy, 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 5 7/8 × 3 15/16 in. (15 × 10 cm), Prints, Antoine Masson (French, Loury 1636–1700 Paris), After Robert Nanteuil (French, Reims 1623–1678

American Paintings and Sculpture, Drawing, A View from the Artist's Estate, Springland, or the Elysian Bower, Artist, William Russell Birch, American (born England), Warwick 1755–1834 Philadelphia, Pennsylvania, Birch, William Russell,

Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 5, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630, French, baptized 1560, died Paris, 1622,

Marching Order, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of

Zoe, Maid of Athens, 1866, Albumen silver print from glass negative, 30.1 x 24.5 cm (11 7/8 x 9 5/8 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), A highly intelligent and deeply

Shaft-tailed Bunting, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in

Three pigs lying on their sides, a pigsty and trough beyond, 1652, Etching, sheet: 7 3/8 x 6 3/4 in. (18.8 x 17.2 cm), Prints, Karel Dujardin (Dutch, Amsterdam 1622–1678 Venice

Drawings and Prints, Print, Farm and Meadows, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks on June 23, 1595, for the entry to Küstrin of the Margrave of Brandenburg and Duchess of Prussia, Artist, Possibly by, After (?), Georg Keller, Philipp Uffenbach,

Mary Magdalen carried to Heaven, Etching, Plate: 11 5/8 x 11 13/16 in. (29.5 x 30 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

Christ as the Man of Sorrows with the Virgin and St. John, 15th century, Engraving; first state, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, Dutch Merchants Sketched at Amsterdam, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1796–97, 1796, 1797

Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry, ca. 1550–62, Etching, sheet: 6 x 4 in. (15.2 x 10.2 cm), Virgil Solis

A Bacchante, 1787, Etching and stipple, Plate: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm), Prints, After Francis Wheatley (British, London 1747–1801 London

President of the United States, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889

Portfolio with drawings and prints of tombs and epitaphs, 17th century, Pen and brown ink, black chalk, brush and brown and gray wash, Anonymous, Flemish, Abraham van Diepenbeeck (Flemish, 's Hertogenbosch 1596–1675 Antwerp), Hans Vredeman

Speculum Romanae Magnificentiae: Carnival games held in the Mount Testaccio in Rome, 1558, Engraving, sheet: 12 3/8 x 19 5/16 in. (31.5 x 49 cm), Prints, Monogrammist ITF (Italian (?), active ca. 1540–60

Florence Baker, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45,

Louis-Phélypeaux de La Vrillière, 1662, Engraving, Sheet: 12 3/4 × 10 1/8 in. (32.4 × 25.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 633, Celia Ellis, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Peter Paul Rubens (Petrus Paulus Rubenius), 1625–77, Etching; second state of two (NH), Plate: 9 11/16 × 7 1/4 in. (24.6 × 18.4 cm), Prints, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Drawings and Prints, Print, Zeus as an eagle, abducting Ganymede, Artist, Giovanni Battista Palumba, Italian, active ca. 1500–1520, Palumba, Giovanni Battista, Italian, 1495, 1520, 1500–1510, 1500

Satyrs in a Landscape, Etching, sheet: 7 5/8 x 10 5/8 in. (19.3 x 27 cm), Prints, Anonymous, After Herman van Swanevelt (Dutch, Woerden (?) ca. 1603–1655 Paris

Drawings and Prints, Photograph, Card Number 380, Lizzie Harold, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Photograph, Card Number 324, Laura Burt, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Sailors at a Riverside, 17th century, Etching; third state of four, 12.1 x 11.5 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

The Grâces au Bain (The Graces at the Bath), 18th century, Etching and engraving in red ink, Sheet: 21 1/2 x 15 3/16 in. (54.6 x 38.5 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris), Buldet (French

The Nativity, mid-15th century, Made in Brussels, Belgium, South Netherlandish, Tempera and oil on wood, Overall (as displayed): 59 3/4 x 108 x 19 1/2 in. (151.8 x 274.3 x 49.5 cm), Paintings-Panels, Workshop of Rogier van der Weyden

Epileptics Walking to the Left from Pilgrimage of the Epileptics to the Church at Molenbeeck, 1642, Engraving; first state of two, Sheet: 8 3/4 x 6 1/2 in. (22.3 x 16.5 cm), Prints, Hendrick Hondius I (Netherlandish, Duffel 1573–1650

Fear, 1866, Etching, sheet: 10 x 12 13/16 in. (25.4 x 32.6 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 11 7/16 x 6 1/2 in. (29 x 16.5 cm)

Young St. John the Baptist, seated on a rock with hairskin draped over midsection and left shoulder, pointing upward with his outstretched right arm toward a wooden cross, a lamb lying below him, chiaroscuro woodcut with two blocks, ca.

Drawings and Prints, Photograph, Niran & Darelle, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Left Shoulder Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set

Fräulein Colin, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Title Page from Eva und die Zukunft (Rad.-Werk III), 1898, Etching, Sheet: 23 5/8 x 17 5/16 in. (60 x 44 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Jalais Hill, Pontoise, 1867, Oil on canvas, 34 1/4 x 45 1/4 in. (87 x 114.9 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), This view of Pontoise, just northwest of Paris, helped establish

Tuscany, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in

Speculum Romanae Magnificentiae: Baths of Agrippa, 1583, Engraving, sheet: 13 7/16 x 20 1/2 in. (34.1 x 52 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), Paolo Graziani (Italian, active Rome, 1577–84

Cephalus and Procris, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 3/4 x 2 1/4 in. (4.4 x 5.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Tom Jones Rescues Mrs Waters from the Violence of Northerton, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British, London

Florence Baker, Corsair Co./ Fannie Batchelder/ Clara Davenport/ Marion Blanchard, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade

Charity, from the Cardinal Virtues, 1648–56, Engraving, Sheet: 4 5/16 × 3 1/4 in. (10.9 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), The female figure Charity is depicted holding a child in her arms (to her

Drawings and Prints, Print, View of a Mountain Village, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Eugene Isabey, French, Paris 1803–1886 Lagny, Isabey, Eugene, French, 1803, 1886, ca. 1829–33, 1829, 1833