Images at Librifly

The crucifixion of Polycrates the tyrant after his capture by the Persians, ca. 1662, Etching, sheet: 22 1/2 x 30 3/8 in. (57.1 x 77.1 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

The Lion, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Transverse Section, Houghton Hall, Norfolk, 1735, Black ink, grey wash, sheet: 17 1/2 x 25 3/8 in. (44.5 x 64.5 cm

Francesco I d'Este Provides for His People During the Great Plague of 1630, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 3/4 × 6 3/8 in. (12.1 × 16.2 cm),

Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te,

Empty Jug, 1610–85, Etching, sheet: 3 9/16 x 2 3/8 in. (9 x 6.1 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Three Designs for Jewelry with a Beetle Motif, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Three designs for jewelry, all decorated with beetles. The first design

Charles Sept.-e / Prince facile..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 3/16 in. (8.8 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Nini in the Garden (Nini Lopez), 1876, Oil on canvas, 24 3/8 x 20 in. (61.9 x 50.8 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir's model, Nini Lopez, sits in the large garden adjacent to the artist's

St. John, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 3/16 in. (15.3 x 10.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Rapier, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series

Drawings and Prints, Print, Initial letter Q with coat of arms, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6.1 × 6.1 cm

Drawings and Prints, Print, Cross of Chaudesaigues, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Printer, Eugène Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France), Mulhouse

Time Smoking a Picture, March 1761, Etching and mezzotint; second state of three, sheet: 9 11/16 x 7 1/16 in. (24.6 x 18 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Francis of Assisi, Engraving; copy in reverse, sheet: 16 7/16 x 11 7/16 in. (41.7 x 29.1 cm), Prints, Nicolas Bazin (French, Troyes ca. 1681–1707 Troyes), After Claude Mellan (French, Abbeville 1598–1688 Paris

Two men standing ankle-deep in a body of water with a rocky outcrop behind them, to the left a rocky bank, trees and a hilltop beyond, 1658, Etching, plate: 5 3/16 x 6 1/4 in. (13.2 x 15.8 cm), Prints, Karel Dujardin (Dutch, Amsterdam

Plate 7: Peleo et Talamone Argonauti condotti da Tetide, from The magnificent pageant on the Arno in Florence for the marriage of the Grand Duke (Le Manifique Carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du grand Duc), 1664,

The First Wall of the Porcelain Room, from: 'Fürstlicher Baumeister Oder: Architectura civilis', 1711, Engraving, Plate: 13 × 11 3/8 in. (33 × 28.9 cm), Paul Decker the Elder (German, 1677–1713), This print comes from a book, published

Portrait of Miss Hetty Pettigrew, 1908, Drypoint; second state of two, Image: 11 x 5 13/16 in. (28 x 14.8 cm), Prints

Drawings and Prints, Photograph, Celia Ellis, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Broadsheet relating to seven men being executed by a firing squad on 19 November 1902 on account of their murder on July 9 of the entire household of Sr Remmett in Toluca, José Guadalupe Posada (Mexican, 1851–1913), 1902

Drawings and Prints, Print, The Isralelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian,

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Elevation of a Catafalque, Surmounted by a Royal Crown, with Scull and Cross Bones in Wreath-Encircled Cartouche just below, 1696–1756, Pen, brown ink and grey wash, 19-1/2 x 13-5/8 in. (49.5 x 34.6 cm), Drawings, Workshop of Giuseppe Galli

Banknote motif: ten different ornamental lathe work elements including a disk embellished with berries and flowers, a wreathed sword, a set of scales, a berried vine, an anchor and chain, a bracket of vine leaves and four designs for borders,

Louis Berryer, 1667, Engraving; second state of four (BN), sheet: 7 13/16 x 5 1/4 in. (19.9 x 13.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Virgin Entering the Temple, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 1/4 in. (7.9 × 5.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538

Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788, Etching and engraving, Sheet: 9 x 9 15/16 in. (22.8 x 25.2 cm), Prints, After Charles Townley (British, 1746?–1801 or later), After William Hogarth (British, London 1697–1764

La vie devient précieuse, discrète, from the album Amour, 1899, Color lithograph, Sheet: 15 7/8 × 20 7/8 in. (40.3 × 53 cm), Prints, Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye

Realm of Venus, after Adam Elsheimer, 1625–77, Etching, only state, Sheet: 3 11/16 × 5 1/8 in. (9.3 × 13 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), after Adam Elsheimer (German, Frankfurt 1578–1610 Rome),

Drawings and Prints, Print, Si je suis sage..., from Les Evacués, Artist, Louis-Robert Antral, French, Châlon-sur-Marne 1895–1939 Paris, Antral, Louis-Robert, French, 1895, 1939, 1917

The Death of Raphael, 1832 or before (?), Pen and black and brown ink; framing line in graphite and brush and gray ink, Sheet: 10 1/2 x 13 13/16 in. (26.6 x 35.1 cm), Drawings, Johannes Riepenhausen (German, Goettingen 1788–1860 Venice

Frances Stuart, Countess of Portland, 1650, Etching; first state of three (New Hollstein), Sheet (clipped impression): 10 7/8 × 7 1/2 in. (27.6 × 19.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Anthony van

Solomon's Idolatry, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.3 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Eggplants, 1927, Watercolor and graphite on paper, 13 7/8 x 19 3/4 in. (35.2 x 50.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Hares Roasting the Hunter, n.d., Engraving, sheet: 1 11/16 x 9 3/4 in. (4.3 x 24.8 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

The Right Honorable James Caulfield, Earl of Charlemount of the Kingdom of Ireland, Head of the Volunteers, March 19, 1782, Etching, Plate: 9 1/2 x 7 3/16 in. (24.2 x 18.2 cm), Prints, After William Hogarth (British, London 1697–1764

Drawings and Prints, Print, Initial letter T with putto, Artist, Heinrich Vogtherr the Elder, German, born 1490, active 1538–1540, Vogtherr, Heinrich the Elder, 1538, 1540, ca. 1538, 1533

Apollo, Neptune, Pluto, and Athena seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, ca.

Three moths, two butterflies and a bumble bee, 1646, Etching; first state of three, Plate: 3 3/16 × 4 5/8 in. (8.1 × 11.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Three moths, two butterflies and a bumble bee

Christ before Pilate, from The Passion of Christ, 1596, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Augustin-Eugène Scribe with Characters, 19th century, Lithography, Sheet: 12 7/8 x 8 15/16 in. (32.7 x 22.7 cm), Prints, Victor Adam (French, 1801–1866

Henry Watterson, The Louisville Courier Journal, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series

Autumnus - Autumn (Three-quarter-length seasons), 1641, Etching, second state of two, Sheet: 9 15/16 × 7 1/8 in. (25.3 × 18.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Young woman standing three-quarter length,

Buffalo, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

Field and Mill at Osny (Pontoise), 1885, 1885, Etching, drypoint, and aquatint on heavy beige laid paper; sixth state of six, sheet: 11 5/16 x 17 in. (28.8 x 43.2 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas

Mariposa, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a

The Frontispiece and Its Explanation (Plate 1: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 1/2 in. (19.7 x 24.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Temptation of St. Anthony (Tentation de Saint Antoine), L'Estampe originale, Album III, Printer, Artist, Publisher, Lemercier & Cie., Henri Fantin-Latour, André Marty, French, Paris, French, Grenoble

Hercules and Iole, 1540–45, Etching, Sheet (trimmed): 10 7/8 × 16 7/8 in. (27.7 × 42.9 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Lecture (Vortrag), 1919, Etching, plate: 2 15/16 x 4 15/16 inches (7.5 x 12.5 cm), Prints, Eugen Kirchner (German, 1865–1938

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Invention of Sugar Refinery, plate 13, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges

Card 772, Louise Paullin, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

David standing, sword in lowered right hand, sack in the left, the head of Goliath on the ground beneath him, ca. 1506, Engraving; the figure, ground and tree stump cut out and pasted to secondary support, 6 3/4 x 4 1/4 in. (17.2 x 10.8 cm),

Vase with Two Winged Satyrs, 17th century, Engraving, Sheet: 10 5/8 x 7 3/8 in. (27 x 18.8 cm), Depiction of a vase or ewer. The vase is characterized by two large satyr figures placed below the handle and the spout.The print is part of a series

Mollie Fuller, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Drawings and Prints, Photograph, Card Number 33, Annie Leslie, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Vase with a Sacrificial Scene, 17th century, Engraving, Sheet: 10 1/4 x 6 15/16 in. (26 x 17.6 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze with a scene showing putti sacrificing a bull. The print is part of a series of

Seated Figure by a Lake, 19th century, Pen and ink, brush and wash, sheet: 12 5/8 x 18 7/8 in. (32.1 x 47.9 cm), Drawings, François-Louis Français (French, Plombières-les-Bains 1814–1897 Plombières-les-Bains

Printed Text Desribing the Monument of Eudo de Arsie (from The Topographer, no. XII, 1790), 1790, Letterpress, sheet: 10 5/8 x 3 3/4 in. (27 x 9.5 cm), Prints, Anonymous, 18th century

Le Feu, from The Elements, 17th century, Etching; second state, sheet: 3 3/16 x 8 in. (8.1 x 20.3 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Drawings and Prints, Print, Setting out from Edinburgh on the Tour (Picturesque Beauties of Boswell, Part the Second), Publisher, Artist, Subject, Artist, Subject, After, E. Jackson, Samuel Collings, Samuel Johnson, Thomas Rowlandson,

Shoe-Bill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a

Portrait of Cardinal Guido Bentivoglio, 1633, Engraving, sheet: 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Congo, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Persian Gazelle, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in

Two Costume Designs or Portrait Types, ca. 1785–90, Gouache, graphite, Sheet: 6 3/4 x 9 15/16 in. (17.1 x 25.2 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon 1747–1825 Turin),

Cupid viewed from behind with an arrow in his raised right hand, ca. 1543–45, Etching, sheet: 6 5/16 x 3 1/8 in. (16 x 8 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Plate 6: The Israelites Defeated by the Canaanites for Having Disobeyed Moses, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 13/16 × 10 15/16 in. (19.8 × 27.8 cm), Prints, Antonio Tempesta (Italian, Florence

The Maid at the Market, 1888, Etching and drypoint on china paper; second state of four, sheet: 13 7/8 x 9 3/16 in. (35.3 x 23.3 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

The Flagellation of Christ, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht

Study of a Tree Standing in Water in the Düsseldorf Hofgarten; verso: Studies of Plants, 1833, Graphite, sheet: 10 1/16 x 8 1/8 in. (25.6 x 20.6 cm), Drawings, Johann Wilhelm Preyer (German, Rheydt 1803–1889 Dusseldorf

Design for Ceiling, 18th century, Brush with brown, red, and green watercolor, over leadpoint or graphite; ruler and compass constructed, 4 7/16 x 20 1/2 in. (36.7 x 52 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese

Drawings and Prints, Print, Saint Peter, Saint Paul, and Saint John the Baptist, Artist, Publisher, After, Bartholomeus Spranger, Antonius Wierix, II, Johannes Baptista Vrints, Netherlandish, Antwerp 1546–1611 Prague, Netherlandish,

Rüdesheim, 1642–44, Etching; second state of two, Sheet: 1 13/16 × 6 1/2 in. (4.6 × 16.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View from the river Rhine, with boat in foreground at left and Rüdesheim on

Fraternization in Grand Cairo, or The Made General & his Bonny Party Likely to Become Tame Musselmen, Thomas Rowlandson (British, London 1757–1827 London), Napoléon Bonaparte (French, Ajaccio 1769–1821 St. Helena), October 9, 1798

Hugh Williamson, M.D., L.L.D. (1735–1819), 1821, Engraving, sheet: 8 1/2 x 5 1/4 in. (21.6 x 13.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Trumbull (American,

Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul, 1771, Etching and engraving, Sheet: 5 5/16 x 6 15/16 in. (13.5 x 17.7 cm), Prints, Anonymous, French, 18th century, After Jan Brueghel the Elder

Study for the Decoration of an Apse: Saints and Angels in Glory with God the Father Above, 1590–1646, Brush, blue and brown wash, highlighted with white, over a little black chalk, on beige paper, 15-3/16 x 22-1/8 in. (38.6 x 56.2 cm),

Medal, 17th–18th century, Engraving, sheet: 3 1/8 x 3 1/8 in. (8 x 8 cm), Prints, Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris

The Angel Leaving the Family of Tobias, 1641, Etching, sheet: 4 5/16 x 6 1/4 in. (10.9 x 15.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Basket of Flowers, 1907, Color lithograph, sheet: 5 9/16 x 3 9/16 in. (14.2 x 9 cm), Prints, Leopoldine Kolbe (Austrian, Vienna 1870–1912 Vienna

Folios from a Qur'an Manuscript in Floriated 'New Style' Script, 11th century, Made in Iran or Central Asia, Ink, opaque watercolor, and gold on paper, H. 12 7/8 in. (32.7 cm), Codices, This folio, copied in floriated 'new style' script,

St. Catherine (copy), after 1511, Woodcut, hand-colored, Sheet: 2 3/8 × 1 7/8 in. (6 × 4.8 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Speculum Romanae Magnificentiae: Sacrifice to Hercules, 16th century, Etching, sheet: 17 1/16 x 12 7/8 in. (43.4 x 32.7 cm), Prints, Anonymous

Drawings and Prints, Print, English Nobleman, from Noblemen of Different Countries, Plate 3, Artist, Publisher, Willem Pietersz. Buytewech, Dirk Eversen Lons, Dutch, 1591–1624, Dutch, Amsterdam 1599–1666, Buytewech, Willem

The Seven Liberal Arts Persecuted by Pluto and Bacchus, ca. 1554–91, Etching, Sheet: 2 1/2 × 11 11/16 in. (6.4 × 29.7 cm), after Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg), Segment of a circle with five of the seven liberal

Drawings and Prints, Photograph, Photograp, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870, 1920, 1880s, 1880

In Review, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Bed in Egyptian Style, from 'Nouveaux modèles de Tentures (Bibliothèque de l'Ameublement)', ca. 1875–85, Color lithography, Sheet: 18 1/2 × 12 15/16 in. (47 × 32.8 cm), Ernest Foussier (French, 1859–1917), Design for a bedroom inspired

Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward, ca. 1663–1664, Etching with drypoint, Sheet: 14 3/8 × 9 15/16 in. (36.5 × 25.3 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Drawings and Prints, Print, Standard Bearer (Porte-étendard), L'Estampe originale, Album IV, Artist, Publisher, Henri de Groux, André Marty, Belgian, 1867–1930, French, born 1857, Groux, Henri de, Marty, André, Belgian, French,

Rowing Club, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Holland, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Drawings and Prints, The Gathering of Mulberry Leaves and the Feeding of the Silkworms, Plate 5 from The Introduction of the Silkworm [Vermis Sericus], Publisher, Artist, After, Philips Galle, Jan van der Straet, called Stradanus, Karel van

Working Woman with Blue Shawl (Brustbild Einer Arbeiterfrau Mit Blauem Tuch), 1903, Lithograph printed in color; second state of three, Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Old Man With a Long Beard, 1761, Etching; third state of three, Plate: 5 1/2 × 4 1/8 in. (13.9 × 10.5 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

Drawings and Prints, Drawing, A Horse Laying on its Side, Artist, Sinibaldo Scorza, Italian, Voltaggio 1589–1631 Genoa, Scorza, Sinibaldo, 1589, 1631, 1620s, 1620, 1629

The Blessed Egidius (Cartoon for a Fresco), 1514–16, Charcoal or black chalk; outlines pricked and pounced for transfer, 15 5/16 x 9 5/8 in. (38.9 x 24.4 cm), Drawings, Lo Spagna (Giovanni di Pietro) (Italian, Spain (?) ca. 1450–1528

Le Nouvelliste Sans Argent, 1814, Etching, hand-colored, Plate: 9 7/16 x 7 3/8 in. (24 x 18.8 cm), Prints, Louis Maleuvre (French, 1785–after 1837