Images at Librifly

The Second Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Marie Jaensen, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series (N67),

Tapestry Design with Venus seeking help from Juno, Ceres and Jupiter, 1555–65, Pen and brown ink, partially over black chalk with a gray-brown wash, Sheet: 11 15/16 × 10 9/16 in. (30.4 × 26.9 cm), Giovanni Battista Castello, called Il

Last Judgment, after Michelangelo, 1752–1824, Ink and graphite, 24-3/4 x 18-5/8 in. (62.9 x 47.3 cm), Drawings, Tommaso Piroli (Italian, Rome 1752–1824 Rome

Speculum Romanae Magnificentiae: Statue of Pasquin in the House of Cardinal Ursino, 1550, Engraving and etching, sheet: 18 1/2 x 13 9/16 in. (47 x 34.5 cm), Prints, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Scarlet Ibis, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

Recto of a Sheet with Maximilian, from The Genealogy of Emperor Maximilian I, 1509–12, Woodcut; first state of two (Hollstein), Sheet: 8 1/16 × 7 1/16 in. (20.5 × 18 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg),

Drawings and Prints, Photograph, Card Number 94, Lillian Grubb, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Plate 6: two women, one nursing a child, seated next to a dog and a horse carrying a pack, horses and figures to left in the background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; fourth state of five (De Vesme),

Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a pinata and at right, concerning religious pilgrims with an image of the Holy Family on the Flight into Egypt,

Drawings and Prints, Print, Little Red-Riding Hood's Meeting With the Wolf, HB Sketches, No. 385, Subject, Lithographer, Artist, Publisher, Daniel O'Connell, Lord John Russell, Ducôte and Stephen, John Doyle, Thomas McLean, Irish,

Drawings and Prints, Print, Venus and Mars with Cupid and the Three Graces, Artist, Artist, Formerly attributed to, After, Giovanni Jacopo Caraglio, Rosso Fiorentino, Master HCB, Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?),

Drawings and Prints, Photograph, Card Number 24, Miss Woodsworth, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Battle of the Sea Gods (Right portion of a frieze), ca. 1485–88, Engraving, sheet: 11 1/4 x 14 3/4 in. (28.6 x 37.5 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Drawings and Prints, Print, The First Course–The Dinner, Artist, Etcher, Publisher, After, Sir Lawrence Alma-Tadema, Leopold Löwenstam, Thomas McLean, British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden, Dutch, Düsseldorf

Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 15 9/16 x 20 1/2 in. (39.5 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Print, The Beheading of St. John the Baptist, Artist, Israhel van Meckenem, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, German, 1435, 1503, 1450, 1503

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531, Engraving, Sheet: 10 13/16 × 11 13/16 in. (27.4 × 30 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca.

Jupiter Surrounded by Other Gods Carrying Branches, 1547, Etching, Sheet (trimmed): 16 5/16 × 10 15/16 in. (41.5 × 27.8 cm), Prints, Léon Davent (French, active 1540–56), after Luca Penni (Italian, Florence 1500/1504–1557 Paris

Jacob arrives in Mesopotamia, 18th century, Engraving, Sheet: 26 x 19 3/4 in. (66 x 50.2 cm), Prints, Anonymous, After François Boucher (French, Paris 1703–1770 Paris

Speculum Romanae Magnificentiae: Papal Benediction, 16th century, Engraving and etching, sheet: 15 15/16 x 22 1/4 in. (40.5 x 56.5 cm), Prints, Anonymous

Titus and Vespanian both on horseback, ca. 1510–27, Engraving, Sheet: 6 7/8 × 4 9/16 in. (17.5 × 11.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above, ca. 1640–55, Etching, sheet: 8 9/16 x 5 11/16 in. (21.8 x 14.4 cm), Prints,

Two Costume Designs or Portrait Types and a Sketch, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French,

Silenus reclining before wine vats, he grasps a grapevine and is surrounded by four nude children, ca. 1535–73, Engraving, sheet: 6 1/4 x 5 1/2 in. (15.8 x 14 cm), Prints, Hans Liefrinck (Augsburg (?) 1518?–1573 Antwerp

Allegory of the Government of a Childish King, 1588, Engraving; first state of four (New Hollstein), sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Prints, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague), After Karel van Mander

The Jewish Family Sitting Around the Stove, 1817, Etching; first state, plate: 6 3/4 x 8 7/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Study of heads in profile view, a woman with headcloth and bearded man whose heads overlap above, two facing profiles below, ca. 1641–78, Etching, sheet: 2 3/16 x 2 9/16 in. (5.6 x 6.5 cm), Prints, Karel Dujardin (Dutch, Amsterdam

Drawings and Prints, Print, Ah' let me Sire refuse it..., from Peter's Pension by Peter Pindar, Esq., Artist, Publisher, Thomas Rowlandson, George Kearsley, British, London 1757–1827 London, Rowlandson, Thomas, Kearsley, George,

Drawings and Prints, Print, Winged genius holding the Crown of Tuscany in his left hand and a palm in his right, Artist, After, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria

The Italian Woman, 1917, Oil on canvas, 40 3/8 x 26 3/8 in. (102.6 x 67cm), Paintings, Amedeo Modigliani (Italian, Livorno 1884–1920 Paris), The identity of the patient-looking sitter is unknown. Modigliani might have chosen her because she

Elevation of Back Facade of the Kings House, Richmond, Surrey, after 1727, Black ink and grey wash, sheet: 7 5/16 x 7 3/8 in. (18.5 x 18.8 cm), Augustus Heckel (German (active Britain), Augsburg 1690–1770 Richmond

Miraculous fountain, ? José Guadalupe Posada (Mexican, 1851–1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830–1895 Mexico City), ca 1890–1910

Muff, white kerchief and mask, 1642, Reproduction, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Porcupine, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

The Return from the Hunt, ca. 1738, Etching and engraving, Sheet (trimmed): 9 1/8 × 10 3/8 in. (23.1 × 26.3 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Woodland Scene, 1819, Brush and gray ink and wash over black chalk, sheet: 15 1/4 x 12 15/16 in. (38.7 x 32.8 cm), Drawings, Pieter George Westenberg (Dutch, Nijmwegen 1791–1873 Brummen

Design for knife handle to commemorate a marriage, ca. 1580–1600, Engraving, sheet: 4 3/16 x 3 1/8 in. (10.6 x 8 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), After Jan (Pietersz.) Saenredam

The Madonna and Child in the Round, etching, diameter 16.5 cm, Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Money Lenders, Thomas Rowlandson (British, London 1757–1827 London), George Prince of Wales (British, London 1762–1830 Windsor), November 8, 1784

The Laughing Audience, ca. 1800, Engraving, Sheet: 3 1/16 x 2 11/16 in. (7.8 x 6.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Mercury from The Gods Who Preside Over the Planets, 1528, Etching, sheet: 3 1/4 x 1 15/16 in. (8.2 x 5 cm), Prints, Master I.B. (German, active 1525–1530

Marcelle Lender and Eva Lavalliére in a Revue at the Variétés, 1895, Crayon lithograph printed in olive green on wove paper; only state, Image: 12 in. × 9 13/16 in. (30.5 × 25 cm), Prints, Henri de Toulouse-Lautrec (French, Albi

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (3), ca. 1600–1617 , Etching, Sheet: 2 15/16 x 8 11/16 in. (7.4 x 22 cm), Theodor Bang (German, active in Nuremberg (fl6)), Frieze with a decorative pattern made up out of very

Plate from Funeral of Charles III of Lorraine, etching, image: 7 1/4 x 19 13/16 in. (18.4 x 50.3 cm), trimmed to image, Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Crying Out in the Snow (Ruf im Nebel), 1912, Lithograph, image: 10 1/4 x 12 5/16 inches (26 x 31.3 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Drawings and Prints, Print, The World Disposing of Justice, from The Unrestrained World, plate 1, The Unrestrained World, Artist, After, Dirk Volckertsz Coornhert, Maarten van Heemskerck, Netherlandish, Amsterdam 1519/22–1590 Gouda,

Sketches of Four Figures, Spain, Thursday, May 26, 1832, Graphite and brown wash on laid paper, sheet: 2 7/8 x 4 1/16 in. (7.3 x 10.3 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Drawing, A Cow Lying in a Landscape, Artist, Pieter Gerardus van Os, Dutch, The Hague 1776–1836 The Hague, Os, Pieter Gerardus van, Dutch, 1776, 1836, early 19th century, 1796, 1836

Drawings and Prints, Print, Initial letter P with putto, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 5/16 × 2 5/16 in. (5.9 × 5.9 cm

Geraldine, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Speculum Romanae Magnificentiae: Great Hall within the Villa of Pope Julius, 16th century, Engraving, sheet: 13 5/8 x 18 1/8 in. (34.6 x 46 cm), Prints, Anonymous

Banknote vignette with three putti as a shepherd, a farmer, and a sailor, ca. 1824–37, Engraving and etching, plate: 1 15/16 x 2 11/16 in. (5 x 6.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

A Young Woman Washing Her Feet at the Edge of a Stream, ca. 1894–95, Monotype on wove paper, sheet: 6 x 8 1/16 in. (15.3 x 20.4 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Jardinière, ca. 1693–97, Chinese, for British market, Hard-paste porcelain, Overall: 7 3/4 × 13 in. (19.7 × 33 cm), Ceramics-Porcelain-Export

Interior of St. Peter's Basilica, 1759–61 (?), Pen and black ink, brush and gray wash, and graphite, 22 x 17 3/16 in. (55.9 x 43.7 cm), Drawings, Jean François Chalgrin (French, Paris 1739–1811 Paris

Speculum Romanae Magnificentiae: Decorated base, ca. 1537, Engraving, mount: 8 1/16 x 8 7/16 in. (20.5 x 21.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Head of a Man without a Beard, Turned in Profile to the Right, from Diverse Heads and Figures (Diverses têtes et figures), plate 10, 1650, Etching, Sheet: 3 5/16 x 2 5/8 in. (8.4 x 6.6 cm), Prints, Stefano della Bella (Italian, Florence

Kneeling Mother at the Bed of Her Sleeping Son (Kniende Mutter am Bett des Schlafenden Sohns), 1912, Lithograph, image: 10 15/16 x 15 3/8 inches (27.8 x 39.1 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

The Crowning with Thorns, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (8 × 5.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Creation of Eve, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.8 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Eve, at center, emerges from Adam's side, while

Oedipus at Colonus, Cursing his Son Polynices, 1777, Pen and brown ink, brush and gray wash, traces of black chalk underdrawing, sheet: 10 3/16 x 13 1/2 in. (25.8 x 34.3 cm), Drawings, Henry Fuseli (Swiss, Zürich 1741–1825 London

Potiphar's Wife Accusing Joseph, from The Story of Joseph, 1532, Engraving; second state of two, Sheet: 4 11/16 × 3 in. (11.9 × 7.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left, Potiphar's wife

Drawings and Prints, Print, Pacifical with Resurrection, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Two horseman descend a hill in center, following another man on foot, a castle in the mountains in the center background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching, Sheet: 3 1/8 x 7 3/8 in. (7.9 x 18.7 cm), Prints,

An Aged Soldier and An Aged Lover Are Sad Sights, from 'Mascarades', 1597, Engraving, Sheet (trimmed): 7 11/16 × 5 3/8 in. (19.5 × 13.7 cm), Prints, Robert Boissard (French, born Valence, ca. 1591), After Jean Jacques Boissard (French,

Drawings and Prints, Print, Dancing Couple (I), from The Wedding Dancers (restrike), Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, 1500

Landscape with two horned goats in shadow at left foreground, village buildings beyond, from the series 'The Small Landscapes', ca. 1641–78, Etching, plate: 1 13/16 x 2 1/4 in. (4.6 x 5.7 cm), Prints, Karel Dujardin (Dutch, Amsterdam

Speculum Romanae Magnificentiae: Sacrifice on the Campus Martius, 16th century, Engraving, sheet: 10 1/4 x 18 1/8 in. (26 x 46 cm), Prints, Anonymous

Nakht and Family Fishing and Fowling, Tomb of Nakht, New Kingdom, Dynasty 18, ca. 1400–1390 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, Facsimile H. 200 cm (78 3/4 in); w. 153 cm (60 1/4 in), Norman de Garis Davies

Speculum Romanae Magnificentiae: The Septizodium, 1556, Etching and engraving, sheet: 18 7/8 x 13 in. (48 x 33 cm), Prints, Anonymous

Father Feeding Child, 1610–85, Etching, Sheet: 4 13/16 × 3 15/16 in. (12.3 × 10 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Print, Copy of Martin Luther, Full Length, Artist, After, Lucas Cranach the Younger, German, Wittenberg 1515–1586 Wittenberg, Cranach, Lucas, the Younger, German, 1515, 1586

Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame, ca. 1540–80, Etching, Sheet (Trimmed): 5 1/16 × 7 3/16 in. (12.8 × 18.3 cm), Battista Angolo del Moro (Italian, Verona ca. 1515–ca.

La Famille Renouard (The Renouard Family), 1800–1801, Etching and engraving; third state of three (Bocher), Sheet: 8 3/8 × 5 9/16 in. (21.3 × 14.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Drawings and Prints, Photograph, Card Number 628, Hattie Robins, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

A cartouche with a wreath of laurel and palms, a skull and crossbones at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis), ca. 1640–60, Etching, letterpress

The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), 1888, Oil on canvas, 63 3/4 x 51 1/8 in. (161.9 x 129.9 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919

Bacchanal, 1615–42, Etching, Sheet: 3 1/8 x 10 1/4 in. (8 x 26cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Fan Design with Eruption of Vesuvius and Three Views, 18th century, Watercolor and gouache on vellum ?, Drawings, Anonymous, Italian, 18th century

Drawings and Prints, Drawing, Soldiers Loading Barges for a Large Sailing Ship Along the Coast, Artist, Dirk Langendijk, Dutch, Rotterdam 1748–1805 Rotterdam, Langendijk, Dirk, 1748, 1805, 1784, 1784

Grazing Horse, from Different Animals, Etching, plate: 4 7/16 x 5 1/4 in. (11.2 x 13.4 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Christ Washing the Feet of the Disciples, from The Small Passion, ca. 1508, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.8 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

White, 3rd Base, Detroit, from the 'Gold Coin' Tobacco Issue, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284), issued by D. Buchner in 1887 to

Civil War (Guerre Civile), 1871–73, published 1874, Lithograph on chine collé, final state (II), stone:15 5/8 x 20in. (39.7 x 50.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Going Under (from the series A Life), 1884, 4th edition 1898, Etching and aquatint; final state of six, Plate: 10 7/8 × 9 in. (27.6 × 22.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Cover for 'Nueva Coleccion de Canciones para el Presente Ano', a man with a guitar placing his arm around a woman's shoulder while another woman watches them, José Guadalupe Posada (Mexican, 1851–1913), ca. 1880–1910

Paul Before Felix, February 5, 1752, Etching and engraving; third state of three, sheet: 16 3/4 x 20 9/16 in. (42.5 x 52.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Blanche de Castille, Martesie, Orithie, and Baudour, from 'The game of queens' (Le jeu des Reines renommées), 1644, Etching, Sheet: 3 1/2 x 8 3/4 in. (8.9 x 22.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Botheration, Artist, Publisher, Artist, After, Thomas Rowlandson, Samuel William Fores, Samuel Alken, British, London 1757–1827 London, British, 1761–1838, British, London 1756–1815, Rowlandson,

A Military Camp in Slovenia from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), 1553, Woodcut, Sheet: 13 7/8 × 20 15/16 in. (35.2 × 53.2 cm), Prints, After Pieter Coecke van Aelst (Netherlandish, Aelst

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Drawings and Prints, Print, The Water-Carrier, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Scarab, Grecian Key and Fly Pattern Mount, 1897–99, Drypoint, aquatint, softground, lavis, Plate: 11 3/4 x 10 5/8 in. (29.8 x 27 cm), Prints

Banknote vignette showing city buildings around a fenced-in green with children playing around an American flag, ca. 1824–37, Engraving and etching, plate: 2 1/2 x 4 13/16 in. (6.3 x 12.2 cm), Prints, Attributed to Asher Brown Durand

Connecticut and Ireland (double-printed card), from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All

Stefano della Bella, 1649, Etching; second state of five (NH), Sheet: 6 5/16 × 4 5/16 in. (16 × 10.9 cm), Prints, After Nicolaes de Helt Stockade (Netherlandish, 1614–1669), Portrait by Stefano della Bella, half-length, standing to left,

Drawings and Prints, Drawing, Portrait of a Woman (Mme Cornu, the artist’s aunt), Artist, Émile Schuffenecker, French, Fresne Saint-Mames 1851–1934 Paris, Schuffenecker, Émile, French, 1851, 1934, ca.1865, 1860

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Etching, Plate: 7 11/16 x 6 1/4 in. (19.5 x 15.9 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies), ca. 1721, Etching, image: