Images at Librifly

Arrowhead, Classical, ca. 480–330 B.C., Cypriot, Bronze, 1 3/16in. (3cm), Bronzes

Mary Magdalen, n.d., Engraving, sheet: 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels

Carrying the cross, 1625–77, Etching, only state, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Plate 12. Christ bears his cross while beaten by monks with pilgrims'

Shell Pattern Mount, 1897–99, Aquatint, drypoint; pl.1 first state of two, Sheet: 14 1/2 x 11 in. (36.8 x 28 cm), Prints

Le Puits, n.d., Etching, sheet: 5 7/8 x 4 in. (15 x 10.2 cm), Prints, Hubert Robert (French, Paris 1733–1808 Paris

The Grand Opera, 1821, Lithograph; second state of two, Sheet: 10 13/16 x 8 9/16 in. (27.5 x 21.8 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Photograph, Card Number 647, Miss Lehery, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Newly Hatched Bird of Prey, possibly a 'Wiggle Much' design, ca. 1910, Watercolor with pen and black ink, Image: 6 3/16 × 8 7/8 in. (15.7 × 22.6 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Modern and Contemporary Art, Vase, Artist, Gustave Serrurier-Bovy, Belgian, Liège 1858–1910 Antwerp, Serrurier-Bovy, Gustave, Belgian, 1858, 1910, ca. 1904, 1899, 1909

New Inventions of Modern Times [Nova Reperta], The Invention of the Olive Oil Press, plate 12, ca. 1600, Engraving, sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), After Jan

Drawings and Prints, Print, Hunter on Horseback Hunting a Wild Boar, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Card 412, Maud Granger, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 7), issued

Saint Luke, from The Four Evangelists, 1539, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Drawings and Prints, Print Ornament & Architecture, Design for a Ewer, Artist, Erasmus Hornick, Netherlandish, Antwerp ca. 1520–1583 Prague, Hornick, Erasmus, Netherlandish, 1501, 1583, 1565, 1565

Wedding Day, Grand Canal, early 20th century, Etching, Plate: 7 11/16 × 10 13/16 in. (19.6 × 27.5 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

Sara Jewett, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Landscape with an Artist Sketching, n.d., Graphite, brown wash., 17 7/16 x 23 1/8 in. (44.3 x 58.8 cm), Drawings, Mari ten Kate (Dutch, The Hague 1831–1910 Paris

The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 11/16 x 9 7/16 in. (19.5 x 23.9 cm), Prints, After William Hogarth (British, London 1697–1764

Drawings and Prints, Print, Exciseman, Country Characters, Artist, Publisher, After, George Moutard Woodward, Thomas Rowlandson, Rudolph Ackermann, British, ca. 1760–1809 London, British, London 1757–1827 London, Woodward, George

Cardinal de Richelieu, Etching, late state, sheet: 12 3/16 x 9 13/16 in. (31 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Design for a ceiling fresco with scenes from the life of Saint Barbara, late 18th century, Pen and brown and gray ink, brown and gray wash, black chalk, sheet: 12 11/16 x 15 9/16 in. (32.3 x 39.5 cm), Drawings, Johann Baptist Enderle (German,

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 5 1/16 x 17 1/4 in. (12.8 x 43.8 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a frieze

Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630-1714), 1696–1756, Pen and brown ink, brush and gray wash, 20-3/4 x 14-1/4 in. (52.7 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena

The Knifegrinder, 1610–85, Etching, Sheet: 3 1/4 × 2 13/16 in. (8.3 × 7.2 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Idle Cove, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine), ca. 1921

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Self-Portrait, ca. 1770–75, Ivory, Oval, 2 x 1 5/8 in. (50 x 42 mm), Miniatures, Richard Cosway (British, Oakford, Devon 1742–1821 London

Drawings and Prints, Print, Here you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La

Hurlacher (recto) and Rappold (verso) Families, from Paul Hector Mair’s Bericht und anzeigen aller Herren Geschlecht der loblichen Statt Augspurg, mid 16th century, Woodcut, sheet: 12 3/8 x 8 1/4 in. (31.4 x 21 cm), Prints, Christoph Weiditz

St. Bartholomew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 x 4 3/16 in. (15.2 x 10.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Fortitude or Strength personified by a woman standing in a nice resting her arm on a column, from 'The Virtues', ca. 1515–25, Engraving, Plate: 8 7/16 × 4 1/4 in. (21.5 × 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 5/8 in. (10 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630

Alexandrine Ring Parakeet, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in

Landscape with a house on cliffs, 1646, Etching, only state, Image: 4 7/16 × 4 7/16 in. (11.3 × 11.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome

The Cascade Near the Watermill, Engraving; fifth state of five, Sheet: 5 13/16 × 8 1/4 in. (14.7 × 20.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Carrie Behr, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Plate 7: two horses ascending the bank of a river at right, following a procession of horses and one horseman to the left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 5/16 x 3 7/8 in. (8.4 x 9.8 cm),

Tobie effrayé par le poisson (Tobias frightens the fish), late 18th century, Etching, Mount: 18 7/16 × 14 in. (46.8 × 35.5 cm), Prints, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Heads of Goddesses (Flora, Diana, Ceres), ca. 1600, Watercolor and gouache, border in black wash, framing lines in pen and gold ink, Sheet: 5 5/8 x 7 3/16 in. (14.3 x 18.3 cm), Drawings, Anonymous, French, 17th century

St. Claire, 1667, Engraving, sheet: 17 5/16 x 11 5/16 in. (44 x 28.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Apollo sitting on Parnassus surrounded by the muses and famous poets, ca. 1517–20, Engraving, 14 x 18 1/2 in. (35.6 x 47 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 11/16 x 6 in. (19.6 x 15.2 cm), Lambert Suavius (Netherlandish, ca.

Backward Knee Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25

Banknote motif: the number 50 against an ornamental lathe work rondel resembling lace, ca. 1824–42, Engraving, sheet: 1 1/4 x 1 5/16 in. (3.2 x 3.3 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Drawings and Prints, Photograph, Miss Bell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870, 1920,

Drawings and Prints, Photograph, Card Number 328, Kiralfy Group, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Titus Manlius Torquatus Ordering the Execution of His Son, 1553, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.5 × 7.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

James Gordon Bennett, The New York Herald, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series

House of Cards, Etching and engraving, sheet: 13 5/8 x 10 1/4 in. (34.6 x 26 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After François Boucher (French, Paris 1703–1770 Paris

Juno and two goddesses reclining on clouds with two child figures and fruits at right, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at

Drawings and Prints, Print, Initial letter E on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Francesco I d'Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 15/16 × 6 5/16 in. (12.5 × 16

American Paintings and Sculpture, Painting, Daniel Crommelin Verplanck, Artist, John Singleton Copley, American, Boston, Massachusetts 1738–1815 London, Copley, John Singleton, American, 1738, 1815, 1771

Adam and Eve, 1566, Engraving; third state of three, Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Temple of Vespian (Veduta del Tempio di giove Tonante), ca. 1756, etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products, ca. 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

The High Holiday in Salzburg, 1819, Etching; second state, plate: 5 x 7 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Group of Laborers in a Field (recto); Angel Appearing to a Kneeling Saint (verso), Giovanni Battista Maganza the Elder (Italian, Este ca. 1513/23–1586 Vicenza), 1530–86

View of the Quirinal Hill in Rome with the fountain of the horse tamers at left, 1822, Etching, Sheet: 19 1/2 x 29 7/16 in. (49.6 x 74.7 cm), Prints, Luigi Rossini (Italian, 1790–1857

Peasants Fighting over a Game of Cards, Etching and engraving, Plate: 16 15/16 x 20 1/2 in. (43 x 52 cm), Prints, Lucas Vorsterman I (Flemish, Zaltbommel 1595–1675 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Design for the Channels of Fluted Armor, ca. 1515–1525, Etching; second state of two, sheet: 5 1/4 x 3 1/4 in. (13.4 x 8.2 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

The Skiff near the Pierced Rock, Engraving; third state of three, Sheet: 4 1/8 × 5 5/8 in. (10.5 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45, Etching, image: 3 1/4 x 6 5/16 in. (8.3 x 16 cm), François Collignon

Plate 29, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Drawings and Prints, Print, Admiral Nelson Recreating with his Brave Tars after the Glorious Battle of the Nile, Publisher, Artist, Rudolph Ackermann, Thomas Rowlandson, London, British, London 1757–1827 London, Ackermann, Rudolph,

Drawings and Prints, Print, Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Shakespeare, King Henry VIII, Act 3, Scene 1), Boydell'shakespeare Gallery, Subject, Engraver, Artist, Publisher, After, William Shakespeare, Robert

Two Gods on a Cloud, mid-16th century, Engraving, Sheet: 8 7/16 x 13 3/8 in. (21.4 x 34 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Drawings and Prints, Photograph, Zelia De Lussau, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Broadsheet relating to the sensational crime carried out by Tomás Sanchezwho decapitated a young girl in Saltillo, José Guadalupe Posada (Mexican, 1851–1913), 1911

Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; fourth state of five (De Vesme), Sheet: 2 13/16 x

The Impeyan Pheasant, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Pectoral with Coins and Pseudo-Medallion, ca. 539–50, Byzantine, Gold, niello, Overall: 9 7/16 x 8 5/8 x 5/8 in. (23.9 x 21.9 x 1.6 cm), Metalwork-Gold, Neck rings, such as this imposing gold example, are cited in early sources as playing

Drawings and Prints, Print, Autumnal Point, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Drawings and Prints, Print Ornament & architecture, A Satyr Holding a Violin, from Twelve Ornamental Panels, Twelve Ornamental Panels, Artist, Formerly attributed to, Giovanni Antonio da Brescia, Giovanni Pietro da Birago, Italian, active

Drawings and Prints, Drawing, A Bridge in a Mountainous Landscape, possibly a stage set design, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911

Embers Glow, 1890–97, Etching and aquatint printed in colour à la poupée from a single plate; first state of three (trial), Plate: 9 13/16 x 8 1/4 in. (25 x 21 cm), Prints

Reverie, ca. 1860–65, Oil on wood, 19 5/8 x 14 3/8 in. (49.8 x 36.5 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), In the 1860s and 70s, Corot often posed young, working-class Parisians in exotic costumes, perhaps

Blackwork Print with Three Crosses and Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 3/4 × 3 9/16 in. (12.1 × 9.1 cm), Etienne Carteron (French, born Châtillon-sur-Seine, ca.

Great War Chief, Navajos, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2),

Drawings and Prints, Print, The Ascension of Christ, from The Passion of Christ, plate 31, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Drawings and Prints, Print, Belisane and Percival Under the Enchantment of Urma, Heinrich Fuessli'sämmtliche Werke, 1807, part II, no. 16, Artist, Engraver, After, Henry Fuseli, Johann Heinrich Lips, Swiss, Zürich 1741–1825 London,

Pyramid of six Men, 1540–50, Etching, Sheet: 10 5/8 x 8 1/8 in. (27 x 20.6 cm), Prints, Attributed to Juste de Juste (French (born Italy), Florence 1501–1559 Tours

St. Judas Thaddaeus from Christ and the Apostles, 1519, Woodcut, Sheet: 8 5/16 in. × 5 in. (21.1 × 12.7 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Henri-Jules de Bourdon, duc d'Enghien, 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 1/2 × 9 13/16 in. (31.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French,

Clair de Lune à Valmondois, 1877, Etching on laid paper; between states three and four of five, Sheet: 10 5/16 x 15 1/4 in. (26.2 x 38.8 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, part XIII, plate 62), January 1, 1819, Etching and mezzotint; second state of three, plate: 7 5/16 x 10 1/2 in. (18.6 x 26.7 cm), Prints, Designed and etched by

Oceanus, ca. 1589–90, Chiaroscuro woodcut from three blocks, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Lamp, 2nd century A.D., Roman, Terracotta, Length 9.9 cm. H. 3 cm., Terracottas

Holy Family, 1612, Etching; second state of two, sheet: 10 1/4 x 7 11/16 in. (26.1 x 19.5 cm), Prints, Werner van den Valckert (Netherlandish, 1585–1627

Mandarin, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Elevation and Cross-Section of of Gallery Wall, 19th century, Graphite and watercolor, sheet: 14 1/2 x 21 3/8 in. (36.8 x 54.3 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Four boys, a young satyr, and a leopard, 1647, Etching, only state, Sheet: 5 3/8 × 8 1/8 in. (13.6 × 20.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A wreathed infant Dionysos sits astride a leopard, an animal

Speculum Romanae Magnificentiae: Back of an Egyptian canopic vase, late 16th to early 17th century, Etching, sheet: 18 3/4 x 13 3/16 in. (47.6 x 33.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

War: Bellona sits on a trophy of arms (La Guerre: Bellone assise sur un trophée d'armes), 1575, Etching, sheet: 2 5/8 x 3 3/8 in. (6.7 x 8.6 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Mary, helped by Joseph and an angel, stepping from a boat to the shore, an angel steadies a donkey before her, from the series 'The Flight into Egypt', 1753, Etching, sheet: 7 3/8 x 9 9/16 in. (18.7 x 24.3 cm), Prints, Giovanni Domenico

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Entombment, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Christ, Holy, See, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44), issued in 1890 in

Title Page, Divers Anticke Faces, 1677, Etching; second state of two (NH), Plate: 2 5/8 × 2 3/16 in. (6.7 × 5.5 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Title-page to 'Divers Anticke Faces', lettered with

A Turkish Warrior, 1843 (?), Graphite, heightened with white gouache; framing line in pen and brown ink, Sheet: 13 5/16 × 7 9/16 in. (33.8 × 19.2 cm), Drawings, Niels Simonsen (Danish, Copenhagen 1807–1885 Copenhagen