Images at Librifly

Drawings and Prints, Print, Christ before Caiaphas, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg

Hexagonal Raised Platform with an Architecturally-Shaped Canopy, ca. 1530–40, Etching with grey wash, Sheet (trimmed): 6 5/8 × 3 1/16 in. (16.8 × 7.7 cm), Anonymous, French, 16th century

Portrait of a Young Man, Enamel, Oval, 1 3/4 x 1 3/8 in. (45 x 36 mm), Miniatures, Christian Friedrich Zincke (German, Dresden 1683/85–1767 London

Human Misery, 1898–99, woodcut on transparent laid tissue paper, 7 5/8 x 11 3/4 in. (19.4 x 29.8 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Drawings and Prints, Print, The Maiden Speech, Artist, Publisher, Thomas Rowlandson, Thomas Cornell, British, London 1757–1827 London, Rowlandson, Thomas, Cornell, Thomas, 1757, 1750, 1827, 1850, Oct 5, 1785

Dead Child with Four Skulls, mid-16th century, Engraving, first state of three, Sheet: 2 1/8 x 3 in. (5.4 x 7.6 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock, Engraving, Sheet: 10 13/16 x 13 13/16 in. (27.5 x 35.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Polidoro da

Mary Villiers, Dutchess of Lennox and Richmond, 1625–77, Etching; fourth state of five, Sheet: 9 7/16 × 7 1/4 in. (24 × 18.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of Mary Villiers, Duchess of

Drawings and Prints, Print, By the Rivers of Babylon (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Sir Edward John Poynter, British, London, New York, NY,

Robe à la Française, ca. 1760, British, silk, The chief characteristic of eighteenth-century women's dress is the rigid encasement of the upper body by means of a corset that configures the torso. Light, elaborately patterned fabrics are

The Seine at Port-Maurin, 1870, Etching; first state of three, sheet: 11 5/16 x 14 3/16 in. (28.8 x 36 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 13/16 × 4 3/8 in. (7.1 × 11.1 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on

The Muse: History, ca. 1865, Oil on canvas, 18 1/8 x 13 7/8 in. (46 x 35.2 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), The model for this work may have been Emma Dobigny, who often sat for Corot at the end of his career.

Shad, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889 in

Charles neuf.-e / Bon Prince..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 1/8 in. (8.8 x 5.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Photograph, Zampa, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Pietro Aretino, 1640, Etching; first state of four (NH) before letters but very damaged., sheet: 7 11/16 x 5 5/16 in. (19.5 x 13.5 cm), Prints, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Titian

A Scene from Offenbach's La Belle Hélène, 1900, Lithograph, 27-15/16 x 20-7/16 in. (71.0 x 51.9 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Drawings and Prints, Print, Christ as a child, seated, right hand raised in gesture of blessing, surrounded by elaborate ornament, Artist, Anonymous, Italian, 15th to 16th century, Anonymous, Italian, 15th–16th century, Italian

A Young Boy Seen from Behind, holding a sword and cap, n.d., Red chalk, sheet: 16 1/4 x 9 3/16 in. (41.3 x 23.3 cm), Drawings, Matteo Rosselli (Italian, Florence 1578–1650 Florence

Confetti, 1894, Lithograph printed in three colors on vellum, 22-7/16 x 17-5/16 in. (57.0 x 44.0 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Five German Soldiers, n.d., Etching; first state of two, sheet: 7 7/8 x 14 9/16 in. (20 x 37 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg), After Erhard Schön (German, Nuremberg 1491–1542 Nuremberg

Windmill and Lock (Liber Studiorum, part VI, plate 27), June 1, 1811, Etching and mezzotint; first state of three, plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Drawings and Prints, Print, Blessing (Segen), Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

Drawings and Prints, Drawing, Design for a certificate of citizenship, awarded by the city of Vienna, Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875, 1944, 0

Four Putti, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 3/8 × 3 3/8 in. (6.1 × 8.6 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Four putti with gardening tools. The central pair of putti hold a basket of fruit

Malaga Grapes, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to

Urania, ca. 1542–45, Etching, Sheet (trimmed): 8 7/8 × 7 1/16 in. (22.5 × 18 cm), Prints, Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Giardino di Pensieri, 1540, Woodcut, sheet: 9 7/16 x 7 5/8 in. (23.9 x 19.3 cm), Prints, Designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520–ca. 1575 Venice), After Marco Dente

Ladies' Ticket of Admission to the Annual Caledonian Ball, 1824, Engraving, plate: 3 9/16 x 5 1/4 in. (9.1 x 13.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Allan (American

Portrait of François I, 1744, Etching and engraving; second state of three, plate: 17 3/8 x 14 1/4 in. (44.2 x 36.2 cm), Prints, Johann Christoph Reinsperger (German, Nürnberg 1711–1777 Vienna), After Jean Étienne Liotard (Swiss, Geneva

MacMahon, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set of 50

Two Children, One With A Sword, Another With A Helmet, Etching and Engraving, sheet: 12 x 17 5/8 in. (30.5 x 44.8 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The corn vendor who does not ask for money, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1900–1910, 1895, 1905

Miss Hading, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Drawings and Prints, Photograph, Card Number 559, Miss Bartine, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Groundplan of the Church of Saint John in ’s-Hertogenbosch, 1632, Pen and brown ink, yellow, grey and red wash, over lead or graphite, Sheet: 13 7/16 x 20 1/8 in. (34.2 x 51.1 cm), Pieter Jansz. Saenredam (Dutch, Assendelft 1597–1665

Niche Surrounded by a Decorative Frame Dedicated to the Theme of Music, ca. 1540–70, Pen and gold-brown ink, brush and white and silver washes on blue paper, Sheet: 9 1/2 x 5 11/16 in. (24.1 x 14.4 cm), Drawings, Anonymous, Italian,

Emmanuel-Théodose de La Tour d'Auverge, cardinal de Bouillon, 1670, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 9/16 x 16 11/16 in. (49.7 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Portrait of a Man, Oil on canvas, 48 1/4 x 36 3/4 in. (122.6 x 93.4 cm), Paintings, Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563 Rome

Chinese Young Lady, 1738–45, Etching, Sheet (trimmed): 8 3/8 × 5 5/16 in. (21.2 × 13.5 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

A Veil, a Printed Image, 1891, Lithograph, sheet: 17 5/8 x 12 5/16 in. (44.8 x 31.3 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

William Hogarth, June 4, 1795, Stipple engraving, sheet: 15 3/8 x 11 5/8 in. (39.1 x 29.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Circe changing the companions of Ulysses into beasts, 1650–1651, Etching, sheet: 8 11/16 x 12 3/16 in. (22 x 31 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Naues Mercatoriæ Hollandicæ per Indias Occidentales (Dutch West Indiaman), 1647, Etching; first or second state of two, the plate showing wear and the number, Sheet: 5 3/4 × 9 5/16 in. (14.6 × 23.6 cm), Prints, Wenceslaus Hollar (Bohemian,

Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from 'Les soirées de Rome', 1764, Etching, Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm), Prints, Hubert Robert

View From a Bridge, Etching, sheet: 13 1/4 x 9 7/16 in. (33.6 x 23.9 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

Haiti, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

A Disinterment of a Badger, 1833–1914, Etching; third state of three, sheet: 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

The Holy Family with Saint Clare, 1590–1600, Etching, Sheet (Trimmed): 9 7/16 × 7 3/16 in. (23.9 × 18.2 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Lean Wolf, Gros Ventres, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

Martin Folkes, 1742, Etching and engraving; fourth state of four, sheet: 13 3/16 x 9 1/4 in. (33.5 x 23.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Scarab, Grecian Key and Fly Pattern Mount, 1897–99, Drypoint, aquatint, softground, lavis, Sheet: 11 3/4 x 10 5/8 in. (29.8 x 27 cm), Prints

Le dompteur a été manage, July 1909, Lithograph, Prints, Jean Veber (French, Paris 1864–1928 Paris

Gold-Laced Bantam, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in

November, 1628–29, Etching, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 3/16 × 4 5/16

Robe à la Française, 1760–70, French, silk, Standard European silhouettes of the eighteenth century accommodated a world of change and specifically a changing world dominated by new textile techniques from Asia and the Middle East. This

Grazing Calf, from Different Animals, 1658, Etching, plate: 4 7/16 x 5 1/4 in. (11.2 x 13.4 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Farmer, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), 1550–60, Etching and Engraving, plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64),

Turnstone, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards

Drawings and Prints, Drawing, Bust-length Study of the Blind Homer, Artist, Paul Buffet, French, Paris 1864–1941 Paris, Buffet, Paul, French, 1864, 1941, late 19th century, 1875, 1900

Pierre Lorillard, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued

Portrait of Johann Gottlieb Samuel Rösel, Etching, sheet: 5 3/4 x 6 9/16 in. (14.6 x 16.6 cm), Prints, Ludwig Emil Grimm (German, Hanau 1790–1863 Kassel

Baroque Church Façade with Obliquely Placed Towers., ca. 1760–70, Pen and ink with watercolor over graphite, Sheet: 15 3/4 x 10 1/16 in. (40 x 25.5 cm), Drawings, Joseph Kirnberger (German, ca. 1740–after 1790

Plate 11: the pyramid of Caius Cestius to right in the background, a horse grazing in center, a foal suckling a mare to left, a seated shepherd and another standing and pointing towards the left at right, a round composition, from 'Roman

Little Sandpiper, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Hurdy Gurdy Man, 1610–85, Etching, Sheet: 4 15/16 × 3 15/16 in. (12.5 × 10 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Infant Shakespeare Attended by Nature and the Passions, Benjamin Smith (British, active 1786–1833), After George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria), William Shakespeare (British, Stratford-upon-Avon

Drawings and Prints, Print, Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, Series depicting the lost Niobid Frieze from the Palazzo Milesi, Artist, After, Polidoro da Caravaggio, Italian, Caravaggio ca.

Calliope, ca. 1540–45, Engraving, Sheet (trimmed): 9 1/4 × 6 11/16 in. (23.5 × 17 cm), Prints, Anonymous, French-Italian, 17th century, After Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna

General Étienne-Maurice Gérard (1773–1852), 1816, Oil on canvas, 77 5/8 x 53 5/8 in. (197.2 x 136.2 cm), Paintings, Jacques Louis David (French, Paris 1748–1825 Brussels), Following Napoleon’s defeat at the battle of Waterloo in 1815,

Drawings and Prints, Print, Martin Luther, Bust to the Left, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1551

Avocado, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Vision, 18th century, Etching and engraving, Sheet: 14 13/16 × 10 7/8 in. (37.6 × 27.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

St. Bartholomew, standing in frontal view with head facing to right and holding martyr's palm with both arms, from the series 'Christ and the Twelve Apostles', 16th century, Etching, sheet: 4 7/8 x 2 7/16 in. (12.4 x 6.2 cm), Prints, Master F.

A young naked man standing at left leaning on the trunk, another seen from behind, holding two snakes in his right hand and a convex mirror in his raised left hand, ca. 1510–27, Engraving, Sheet: 8 1/4 × 5 11/16 in. (20.9 × 14.5 cm),

A warrior shown from behind holding a staff and leaning on a rock, from the series 'Figurine', ca. 1656–1657, Etching, sheet: 5 3/4 x 3 13/16 in. (14.6 x 9.7 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

King of Denmark, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of 50

Armand de Bourbon, prince de Conti, Engraving; first state of two (BN), sheet: 13 9/16 x 9 3/8 in. (34.5 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Capitol of New York in Albany, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Naval Battle with an English Ship Foundering on the Left, from Naval Battles (Nieuwe Scheeps Batalien), plate 5, 1652–54, Etching; second state of three, sheet: 7 3/16 x 10 1/2 in. (18.2 x 26.6 cm), Prints, Reinier Nooms, called Zeeman

Costume Design for 'Madame Trentoni', Act II, 1901, Watercolors over graphite, Sheet: 10 x 7 in. (25.4 x 17.8 cm), Percy Anderson (British, 1850/51–1928 London), Design for the costume for 'Madame Trentoni' for the second act of the play

Eliza Weathersby, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of

Two eyes and two heads, 1644–52, Etching; only state, Plate: 1 9/16 × 3 3/4 in. (3.9 × 9.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two studies of eyes, head of a man in profile to right, and grotesque head

from The Set of The Bears, ca. 1664, Etching, sheet: 4 1/2 x 5 11/16 in. (11.5 x 14.5 cm), Prints, Marcus de Bye (Dutch, The Hague 1639–after 1688), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active

Irish Stew: Not All Hot – Rather Too Much So, ca. 1840

Pendant Design with a Sea Monster Ridden by Thetis and a Man with a Sail, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 3/16 in. (17.9 × 13.2 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp),

Drawings and Prints, Print, Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni, Artist, Printer, Publisher, After, Engraved by, Guido Reni, Charles Clément Bervic, Ramboz, Charles Clément

Cœnotaphiorum (8), 1563, Etching; first state of four, sheet: 6 5/8 x 8 1/4 in. (16.8 x 21 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish, active

The Pope, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 1/16 in. (7.5 × 5.2 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), The Pope seated on a canopied throne on the

Drawings and Prints, Print, The Nativity, Artist, Mair von Landshut, German, possibly Freising ca. 1450–after 1504 possibly Landshut, Mair von Landshut, German, 1450, 1504, 1499, 1499, Engraving

Drawings and Prints, Print, Le Crainte, Le Mépris, La Frayeur (from Caracteres des passions, gravés sur les desseins de l'illustre Monsieur le Brun), Etcher, Artist, After, Sébastien Le Clerc, le Jeune, Charles Le Brun, French, Paris

Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista

Fox, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Drawings and Prints, Print, Five men fighting beasts, at lower left is a fallen boar, Artist, Publisher, After, Master of the Die, Giulio Romano, Antonio Salamanca, Italian, active Rome, ca. 1530–60, Italian, Rome 1499?–1546 Mantua,

Mary Hamilton (from Le Café Concert), 1893, Brush and crayon lithograph printed in light olive green ink on wove paper; only state, Image: 10 9/16 × 6 7/16 in. (26.8 × 16.3 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Balthazar's Feast, ca. 1624, Engraving; second state of three, 13 15/16 × 15 1/2 in. (35.4 × 39.3 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by a Telescope..., May 1, 1788, Etching and engraving, sheet: 10 5/16 x 7 13/16 in. (26.2 x 19.8 cm), Prints, After William Hogarth (British, London 1697–1764