Images at Librifly

Drawings and Prints, Drawing, Self-Portrait, Artist, Jean-Baptiste Carpeaux, French, Valenciennes 1827–1875 Courbevoie, Carpeaux, Jean-Baptiste, French, 1827, 1875, ca. 1865, 1860, 1870

Head of a Child Looking to the Right and Upward, 1881, Colored lithograph, Mount: 17 1/2 x 12 3/8 in. (44.4 x 31.5 cm), Prints, George William Thornley (French, 1857–1935), After François Boucher (French, Paris 1703–1770 Paris

Louis-François de la Baume de Suze, 1656, Engraving; first state of four [?] (Petitjean & Wickert), Sheet: 12 1/2 × 9 11/16 in. (31.8 × 24.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Happy Easter (Frohe Ostern), Artist, Publisher, Urban Janke, Wiener Werkstätte, Austrian, Blottendorf/Vienna, 1887–1914, Janke, Urban, Wiener Werkstätte, Austrian, 1887, 1914, 1908

Blackwork Print with Grotesques Fighting on Top of a Large Motif Surrounded by Ten Smaller Motifs, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 15/16 × 3 5/8 in. (12.6 × 9.2 cm), Etienne Carteron

Sadie Cortelyou, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Chateau de Picton Castle, 1735–43, Etching with watercolor, sheet: 6 3/16 x 8 1/16 in. (15.7 x 20.5 cm), Prints, Anonymous, French, 18th century

Speculum Romanae Magnificentiae: Orpheus (Orpheus in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Plate 12: Atalanta led by Diana (Atalata condoti da Diana), accompanied by warriors bearing shields and spears, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait

Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12), 1725–68, Etching and engraving; third state of three (Paulson 1970), or four of four (Paulson 1989), plate: 10 3/4 x 13 7/8 in. (27.3 x 35.2 cm),

Drawings and Prints, Print, Fete, Ornament & Architecture, Catafalque, Artist, Jeremias Gottlob Rugendas, German, 1711–1772, Rugendas, Jeremias Gottlob, 1711, 1772, 18th century

Plate 149: Aesculapius as a Serpent, Among the Romans (AEsculapius in anguem conversus Roman advehitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence

Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III', ca. 1590–1630, Etching, Sheet (Trimmed): 10 13/16 × 8 1/16 in. (27.4 × 20.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Numidie, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 1/2 x 2 3/16 in. (8.9 x 5.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Maggie Mitchell, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series

Bernard de Goix de La Valette duc d'Epernon, 1630, Engraving; third state of three (Petitjean & Wickert), sheet: 12 3/8 x 9 5/8 in. (31.5 x 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 40, Olga Brandon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Edith Kingdon, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Life in Camp, Part 2: In the Trenches, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of

Drawings and Prints, Drawing, Two Seated Italian Women with a Baby in a Cradle, Artist, Kristian Zahrtmann, Danish, Ronne 1834–1912 Frederiksberg, Zahrtmann, Kristian, Danish, 1834, 1912, 1889, 1889

Two men nailing Christ to cross before onlookers, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/4 × 3 7/8 in. (13.3 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Landscape with buildings to the left and a bridge at right below, ca. 1620–50, Etching, plate: 3 3/4 x 5 3/4 in. (9.5 x 14.6 cm), Prints, Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence

The Eight Beatitudes, ca. 1578, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Print, Reynard Put To His Shifts, Artist, Publisher, Subject, Thomas Rowlandson, George Humphrey, Charles James Fox, Georgiana Cavendish, Duchess of Devonshire, British, London 1757–1827 London, British,

II. Dans la Glu, 1898, Lithograph printed with beige tint stone on laid paper, 20-1/8 x 15-1/8 in. (51.1 x 38.4 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Drawings and Prints, Photograph, Miss Cameron, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Design for Ceiling with Two Portraits and Fan Supports at Corners, 19th century, Graphite, watercolor and gilt, sheet: 19 1/8 x 12 1/2 in. (48.6 x 31.8 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome, ca. 1500–34 , Engraving, sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm), Prints, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580),

Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

The Lion Frees the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 3/4 × 4 9/16 in. (9.5 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Cotillion, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Speculum Romanae Magnificentiae: Castello Sant' Angelo, 1557, Engraving and etching, sheet: 12 3/8 x 16 3/4 in. (31.5 x 42.5 cm), Prints, Giulio de Musi (Italian, active 1550–1555

Two cows in center, followed by two peasant women and other cows in the river to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux), ca. 1643–48, Etching, Sheet: 8 1/4 x 11 5/16 in. (21 x 28.7 cm), Prints, Stefano

Death beating a drum above, an owl and a bell attached to a ribbon below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 9/16 × 2 15/16 in. (16.6 × 7.4 cm), Stefano della Bella (Italian, Florence

Drawings and Prints, Print, Jacob and the Flocks of Laban–Jacob's Departure from Laban (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, Camden Press, Scribner and Welford, Dalziel Brothers, Thomas Dalziel, British,

Roman Charity (La Charité romaine), sheet: 7 3/16 x 4 15/16 in. (18.2 x 12.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Simon Vouet (French, Paris 1590–1649 Paris

David with the Head of Goliath, Etching, sheet: 19 5/16 x 13 7/8 in. (49 x 35.2 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Blackwork Print with Two Vertical Panels and Four Bezels, ca. 1620, blackwork, Plate: 1 9/16 x 2 in. (4 x 5.1 cm), after Hertzog von Brin (German (active in Vienna, late 16th-early 17th century)), Blackwork print with six motifs. In the center

Captain Halsey, The Dutchman Acquainted them of this Error, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

The Execution of the Guardian of Kufstein, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 3/4 × 7 11/16 in. (22.2 × 19.6 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king) is a

Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 3/16 x 11 5/8 in. (20.8 x 29.5 cm), Luca

Detail with a Horned Mask Wearing a Whimple, from a Design for a Sword or Dagger Handle, 1592–93, Engraving and blackwork, Sheet (trimmed): 7/8 × 1 9/16 in. (2.3 × 4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt),

The Virgin Teaching St. John, 1766, Etching, Sheet: 10 x 12 1/16 in. (25.4 x 30.7 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

Drawings and Prints, Print, Comforts of Bath, Plate 11, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas, 1761, 1757,

Ignatius Sancho, 1802, Stipple engraving and etching; third? state of three, image: 3 1/2 x 2 3/4 in. (8.9 x 7 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Thomas Gainsborough (British, Sudbury 1727–1788

Market Day at Villenauxe-la-Grande (Aube), 1894, 1894, Black chalk., 17 13/16 x 21 13/16 in. (45.2 x 55.4 cm), Drawings, Léon-Augustin Lhermitte (French, Mont Saint-Père 1844–1925 Paris

Six Designs for Jewelry, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Six designs for jewelry, including smaller motifs. There are two large designs on the page,

A Little Bigger, May 18, 1819, Hand-colored etching, Sheet: 15 1/2 × 12 3/8 in. (39.4 × 31.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Study of a Woman Viewed from Behind, 1833, Etching; second state of five, 6 5/16 x 4 5/16 in. (16.1 x 11 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Print, The Coronation of the Virgin, from The Life of the Virgin, Artist, Israhel van Meckenem, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, German, 1435, 1503, 1435

Saint Lambert Trampling his Murderers, Surrounded by the Four Church Fathers, early 17th–mid 17th century, Oil on paper (brunaille), Sheet: 9 5/16 x 6 1/8 in. (23.7 x 15.5 cm), Drawings, Antoine Sallaert (Flemish, Brussels ca. 1580/85–1650

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole, 1554, Engraving, Plate: 16 1/8 x 26 1/2 in. (41 x 67.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582

Drawings and Prints, Print, Vienesse Café: In the Reading Room (Wiener Café: Im Lesezimmer), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener

A Wooded River Landscape with a Fisherman in a Boat, 1826, Oil on paper mounted on card, 5 1/2 x 7 1/2 in. (14.0 x 19.1 cm), Drawings, Benjamin Barker, the younger (British, Pontypool, Wales 1776–1838 Totnes, Devon

Swallow-tailed Flycatcher, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888

The Expulsion from Paradise, Engraving, sheet: 9 3/8 x 12 5/8 in. (23.8 x 32 cm), Prints, Amico Aspertini (Italian, Bologna ca. 1474–1552 Bologna) (after

John Clarkson, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in

Drawings and Prints, Photograph, Card Number 10, Emma Juch, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

The Company of Undertakers, after 1736, Engraving, sheet: 10 5/16 x 7 1/16 in. (26.2 x 18 cm), Prints, After William Hogarth (British, London 1697–1764 London

Unexecuted Design for Cross-Block Terrace Development (perspective), ca. 1831, Watercolor, 9 3/4 x 26 1/2in. (24.8 x 67.3cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), With this inventive design, Davis

Satyr and Child, ca. 1515–16, Engraving, Sheet: 4 13/16 × 3 3/4 in. (12.3 × 9.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Card 522, Leslie Chester, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Alexandrine Ring Parakeet, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued

The Saviour Covered in a Large Cloak, Etching and engraving; first state, sheet: 7 1/2 x 6 5/16 in. (19.1 x 16 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

A soldier, seen from the rear, while turning to the right and holding his pike horizontally, from the Lansquenets series, plate 30, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three

Murat Halstead, The Cincinnati Commercial Gazette, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors'

Card Number 41, Ida Mulle, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes, 1880s

Still Life with Cheese, probably late 1870s, Oil on canvas, 33 3/8 x 35 3/8 in. (84.8 x 89.9 cm), Paintings, Antoine Vollon (French, Lyons 1833–1900 Paris), In his own day, Vollon was hailed as a second Chardin. This work, probably painted

Copy of The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, after 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The

Cover for 'Los Ninos Jugadores', two young boys playing with toys, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Design for a Wooden Bench, ca. 1700–1730 , Pen and black ink, gray wash., Sheet: 7 11/16 × 12 in. (19.5 × 30.5 cm), Anonymous, 18th century, Design for a heavily decorated wooden bench. The design is presented in a frontal view showing the

The Times, Plate 2, May 29, 1790, Etching and engraving; fourth state of four, sheet: 10 1/8 x 12 5/16 in. (25.7 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Cavalry Battle, ca. 1515–20, Engraving with burr, Prints, Engraved by Master of 1515

Allegory of the Hunt; a hunter holding a large spear carrying a woman (Diana?) on his shoulders; five hunting dogs in the foreground and a retinue of male and female hunters in the background, 1556, Engraving, sheet: 14 7/16 x 10 1/8 in. (36.7 x

Rocky Landscape with a Lake, 1749–1822, Pen and brown ink, sheet: 5 7/8 x 10 5/8 in. (15 x 27 cm), Drawings, Franz Kobell (German, Mannheim 1749–1822 Munich

Sculpture Designs for Saint Peter, Saint Paul, and the Angel of Death, early 17th century, Pen and brown and black ink with red-brown washes, Sheet: 5 1/2 × 9 13/16 in. (14 × 25 cm), Drawings, Anonymous, German, Augsburg or Munich, early

Speculum Romanae Magnificentiae: Small Portraits of the French Kings from Pharamond to Henri III, 1586, Engraving, sheet: 11 7/8 x 17 11/16 in. (30.1 x 45 cm), Prints, Anonymous

Plate 45, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

J.D. Morrisey, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in

Viareggio, 1926, Drypoint, Plate: 11 in. × 8 9/16 in. (27.9 × 21.8 cm), Prints, Louis Marcoussis (French (born Poland), Warsaw 1883–1941 Cusset

Demerara, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of

An Allegory of a Rich Man and a Poor Man (Der Lustige Arme und der Traurige Reiche), 1596, Etching, sheet: 10 3/16 x 8 3/8 in. (25.8 x 21.2 cm), Prints, Christoph Murer (Swiss, Zurich 1558–1614 Winterthur

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 4), February 1725–26, Etching and engraving; first state of three, sheet: 10 x 13 1/16 in. (25.4 x 33.2 cm) (trimmed within platemark), Prints, William

Lippincotts: January, 1895, Lithograph, Sheet: 18 7/8 × 12 1/2 in. (48 × 31.7 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

Armor Design for a Horse, 17th century (first half), Brown ink and a light brown wash, pasted onto two sheets of paper, one of support and one as a mount, placed in a modern scrapbook, Sheet: 8 11/16 x 10 1/16 in. (22 x 25.5 cm), Anonymous,

Miss Ferrare, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes, 1880s

An accident while traveling, a kneeling man fixing a broken saddle, a horse pissing at the left, 1740–50, Etching and engraving, Sheet: 14 3/8 x 17 in. (36.5 x 43.2 cm), Prints, Charles Nicolas Cochin I (French, Paris 1688–1754 Paris),

Portrait of Bartholomeus Spranger, ca. 1617, Engraving; fourth state of seven, 25.5 x 17.8 cm, Prints, Hans von Aachen (German, Cologne 1552–1616 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Cardinal Jules Mazarin, 1659, Engraving; first state of two (Petitjean & Wickert), Sheet: 14 1/16 × 10 13/16 in. (35.7 × 27.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Tomb Effigies: A Man in a Suit of Armor beside a Child, 1820–63, Graphite on wove paper, sheet: 7 5/8 x 9 1/2 in. (19.4 x 24.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Vedute di Roma (Roman Views), ca. 1750, Etching; first state of six (Hind), Sheet: 21 1/8 x 30 1/8 in. (53.6 x 76.5 cm), Prints, Giovanni

Drawings and Prints, Photograph, Card Number 192, Miss Cignari, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Prince Maurits of Orange, 1608, Engraving; second state of four, 41.3 x 28.8 cm, Prints, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Kasperltheater, 1907, Color lithograph, sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm), Prints, Hans Kalmsteiner (Austrian, Vienna ca. 1882/6–ca. 1914/16 Vienna

The Chinese Gardener, 1741–63, Etching and engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

A Nude Woman Kneeling at the side of a Reclining Man (Study for Mary Magdalen Lamenting Christ), 1857, Graphite, brush and brown wash, heightened with white chalk., sheet: 13 5/16 x 18 1/4 in. (33.8 x 46.4 cm), Drawings, Julius Hübner

Front and back covers printed on the same sheet for patriotic discourses, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

The Death of Hercules from The Labors of Hercules, Engraving, Sheet: 2 1/8 x 3 1/8 in. (5.4 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Bruiser (Caricature of Charles Churchill), August 1, 1762, Etching and engraving; fourth state of seven, sheet: 14 3/16 x 10 7/16 in. (36 x 26.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Piping Crow-shrike, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42),