Images at Librifly


2.589.713 / 2.589.715 Entries   < previous page Page 413 / 25898 next page >
Paula Brébion (from Le Café Concert), 1893, Brush lithograph printed in light olive green on laid japan paper; only state; from deluxe 1893 edition, Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm), Prints, Henri de Toulouse-Lautrec (French, Albi
Drawings and Prints, Photograph, Card Number 315, Sarah Romane, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.
Seven vases, the vase in the middle formed by three infants, each holding an ewer, Plate 3 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), ca. 1650–56, Etching, Sheet: 3 7/16 × 8 1/8 in. (8.8 × 20.7 cm), Stefano della Bella
Trapeze, Flying Jump, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25
The Stone Operation or the Witch of Mallegem, 1559, Engraving; third state of five, sheet (cut to plate line): 13 15/16 x 18 3/4 in. (35.4 x 47.6 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),
Drawings and Prints, print, St. Bonifacius and St. Homobonus, Patron Saints of Tailors, Artist, After, Pieter de Jode II, Michael Haye, Flemish, 1606–ca. 1674, Flemish, 1630–1660, Jode, Pieter de II, Haye, Michael, Flemish, 1606,
The Gleaners, 1834–75, Etching printed in brown/black ink on laid paper; second state of two, image: 7 7/16 x 10 in. (18.9 x 25.4 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon
The Winder, 1610–85, Etching, sheet: 3 13/16 x 3 in. (9.7 x 7.6 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem
Face du grand corps de Logis du Château de Richelieu du côté du Parterre, 17th century, Etching, sheet: 12 3/16 x 15 15/16 in. (31 x 40.5 cm), Adam Perelle (French, Paris 1640–1695 Paris
Spearhead, Late Iron Age, ca. 1000–900 B.C., Cypriot, Iron, 8 3/8in. (21.3cm), Bronzes
Young Clifford Finding the Body of his Father, 1834, Lithograph; third state of three, Image: 8 3/4 x 6 3/16 in. (22.3 x 15.7 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris
The beginning of the Flood: men and women climb to higher ground at right, water overtaking animals and people at left, Noah's Ark beyond, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3
Two Genii Riding Rams, 1594, Engraving, Sheet: 1 13/16 × 3 3/8 in. (4.6 × 8.5 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti on rams jousting, flanked by two putti with horns. From a series of six plates
Broadsheet relating to Jesús Bruno Martinez in prison in Belen, José Guadalupe Posada (Mexican, 1851–1913), 1892
Drawings and Prints, Print, Venus on a half-shell, holding fabric over her head, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria Mattia), Italian, 1553, 1615,
Order of Merit, Prussia, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44), issued in
Red-headed Bunting, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42),
Rocky Landscape with the Stigmatization of St. Francis (reverse copy), Engraving, Sheet: 8 1/4 x 10 11/16 in. (21 x 27.1 cm), Prints, After Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Crispijn de Passe the Elder
Michel Larcher, ca. 1648–49, Etching and engraving; first state of three (Petitjean & Wickert), Sheet: 12 7/16 × 9 1/16 in. (31.6 × 23 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris
Two Alternate Designs for a Chapel, 1700–1780, Pen and brown ink, brush with gray and brown wash, over lead point or graphite, with ruled and compass construction, sheet: 22 1/2 x 14 5/8 in. (57.1 x 37.2 cm), Drawings, Anonymous, Italian,
Study for Tree Trunks and Lane, ca. 1812, Graphite, soft ground etching on the verso, Sheet: 8 1/8 x 6 3/8 in. (20.7 x 16.1 cm), Drawings, John Crome (British, Norwich 1768–1821 Norwich), Crome made this drawing to create a soft-ground
Fishing, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote
A cartouche with a tree blowing in the wind, a skull with drapery at top, bones to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis), ca. 1640–60,
Prussian Lieutenant, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50
Drawings and Prints, Photograph, Card Number 616, Eliza Weathersby, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,
Drawings and Prints, Print, Cast Off Machiners Selling By Auction, HB Sketches, No. 372, Subject, Subject, Subject, Artist, Publisher, Subject, Subject, Subject, Lithographer, Edward Geoffrey Smith Stanley, 14th Earl of Derby, Henry
Thompson, Right Field, Detroit, from 'Gold Coin' Tobacco Issue, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284), issued by D. Buchner in 1887 to
The Battle of the Pictures, 1745, Etching and engraving; only state, sheet: 8 3/16 x 8 3/8 in. (20.8 x 21.2 cm), Prints, William Hogarth (British, London 1697–1764 London
Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli
Ensign, Drummer and Piper, 1543, Engraving, Sheet: 2 7/8 x 2 in. (7.3 x 5.1 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy
Stag lying to left, 1649, Etching; second state of two, Sheet: 3 3/8 × 4 1/2 in. (8.6 × 11.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Stag lying to left, its head turned to front; two trees and hill in
Textile with Phoenix, Winged Animal and Flowers, 13th–early 14th century, Central Asia, Silk and metallic thread lampas, 9 5/16 x 6 1/2 in. (23.7 x 16.5 cm), Textiles-Woven, Few silks better represent the imagination and vitality of Central
Plate 11: Alexander's Lion Hunt, from The Deeds of Alexander the Great, 1608, Etching, first state of two (Bartsch), Sheet: 8 11/16 × 11 1/4 in. (22 × 28.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome
Red Thunder, Blackfeet Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36),
Christ Appearing to Mary in the Garden, before 1766, Engraving, sheet: 12 1/2 x 9 3/4 in. (31.7 x 24.7 cm), Prints, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome
Mankind surrendering to lechery before the Flood: embracing couples on benches around a table with food and drink, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 7/16 x 5 in. (8.8 x 12.7
Frieze with Sea Monsters, 1580–1600, Engraving, Sheet: 1 5/16 × 8 3/8 in. (3.3 × 21.3 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Giovanni Andrea Maglioli (Italian, active 1580–1610), Frieze
Saint James Major, early 16th century, Etching; second state of two, sheet: 4 3/4 x 2 5/8 in. (12 x 6.7 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/16 x 7 1/16 in. (13.2 x 18 cm), Prints, Antonio Tempesta
Arion and a Nereid, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg
Mask of Bacchus with a Wreath of Grape Leaves and Ribbon, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 9/16 × 1 5/8 in. (6.5 × 4.1 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with
Card 453, Daisy Murdoch, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type
Drawings and Prints, Drawings Ephemera, Tattoo Design for a Butterfly, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor
Passau, 1652–77, Etching, only state, Sheet: 1 3/8 × 5 3/8 in. (3.5 × 13.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), River landscape on the Danube, with hut in foreground on the left bank, view of Passau and
Maryland, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),
Ida Heath at the Bar, 1894, Crayon, brush and spatter lithograph with scraper printed in black ink on wove paper; only state, Image: 13 3/8 x 10 1/16 in. (34 x 25.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901
Print, 1645, Etching; first state of three, Plate: 3 3/16 × 4 11/16 in. (8.1 × 11.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two moths with open wings in the center, the one below seen from underside, four
Drawings and Prints, Print, Black Dog Inn Yard At Bellfont, Publisher, Artist, E. Jackson, Thomas Rowlandson, London, British, London 1757–1827 London, Jackson, E., Rowlandson, Thomas, 1700, 1757, 1850, 1827, January 1794
Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630
Drawings and Prints, Print, The German Tournament: Anzogen-Rennen, Artist, After, Lucas Cranach the Elder, Albrecht Dürer, German, Kronach 1472–1553 Weimar, German, Nuremberg 1471–1528 Nuremberg, Cranach, Lucas, the Elder, Dürer,
River Landscape with Daedalus and Icarus, ca. 1595, Etching; first state of two, Sheet: 10 7/16 x 13 1/4 in. (26.5 x 33.7 cm), Prints, Attributed to Simon Novellanus (16th century), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.
View from the Artist's Studio Window, Rome, 1890, Etching on thin Chinese paper, plate: 8 1/4 x 12 5/8 in. (21 x 32 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena
Woman with a Raven (Die Frau mit dem Raben am Abgrund), probably 1803, Woodcut, image: 6 11/16 x 4 11/16 in. (17 x 11.9 cm), Prints, Cut by Christian Friedrich (German, 1770–1843), Designed by Caspar David Friedrich (German, Greifswald
The Man of Sorrows, ca. 1430, Tempera and gold on wood, Overall, with engaged frame, 21 5/8 x 15 1/4 in. (54.9 x 38.7 cm); painted surface 18 1/2 x 12 1/4 in. (47 x 31.1 cm), Paintings, Michele Giambono (Michele Giovanni Bono) (Italian,
Apollo sitting on Parnassus surrounded by the muses and famous poets, ca. 1517–20, Engraving, Sheet: 14 x 18 7/16 in. (35.6 x 46.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Raphael (Raffaello
Bearded Man, 1647, Etching; first state of three, Sheet: 5 11/16 × 4 3/8 in. (14.5 × 11.1 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Portrait of a man with dark curly hair, moustache and beard,
Sandpiper, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards
Three Oriental Heads, March 5, 1780, Etching, Sheet (trimmed close to plate mark): 13 7/8 x 13 1/16 in. (35.3 x 33.1 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London
Drawings and Prints, Print, The First Meeting of Matthew Bramble and Humphry Clinker, an illustration from Tobias Smollett's The Expedition of Humphry Clinker (London, 1793), Vol. 1793, The Expedition of Humphrey Clinker, Artist, Publisher,
A Captain of Banditti Sending Out a Party (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778, Etching, Plate: 11 3/4 x 7 15/16 in. (29.8 x 20.2 cm), Prints
The Quack, 1610–85, Etching, Sheet: 5 13/16 × 4 3/4 in. (14.8 × 12 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem
漢 青銅鹿形席鎮, Mat Weight in the Shape of a Doe, Han dynasty (206 B.C.–A.D. 220), 1st century B.C.–1st century A.D., China, Bronze, H. 2 7/8 in. (7.3 cm); W. 2 3/8 in. (6 cm); D. 4 5/8 in. (11.7 cm), Metalwork, A low bed, small
Lundborg's Perfumes, 1894, Lithograph, Sheet: 17 7/8 in. × 12 in. (45.4 × 30.5 cm), Louis John Rhead (American, born England, 1857–1926
Combat between several rowboats and ships, two groups of men in rowboats fighting to left, two ships full of combatants to right, other ships and clouds of smoke in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines),
Marten, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote
Study for 'The Destruction of Sodom', 1843, Oil on canvas, 14 1/8 x 19 5/8 in. (35.9 x 49.8 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This small sketch records Corot’s composition for The Destruction of Sodom as the
Plate 1: various fragments of ancient monuments, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1643–48, Etching, Sheet: 5 1/16 x 5 3/16 in. (12.9 x 13.2 cm), Prints, Stefano della Bella (Italian,
Ruinae Coliseum, ca. 1650, Etching; second state of two, Sheet (clipped impression): 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp
Portrait of Marguerite Le Comte, 1764, Etching, Sheet: 10 11/16 × 8 1/4 in. (27.2 × 20.9 cm), Prints, Claude Henri Watelet (French, Paris 1718–1786 Paris), After Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris
Autumn, 1848, Etching; fifth state of nine, sheet: 8 x 11 7/8 in. (20.3 x 30.2 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris
Paul Before Felix, ca. 1800, Engraving, Sheet: 2 1/2 x 3 1/4 in. (6.4 x 8.2 cm), Prints, After William Hogarth (British, London 1697–1764 London
Turkey, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of
The Concert, 1774, Etching; before first state of three (Bocher), Sheet: 13 3/8 × 17 5/16 in. (33.9 × 43.9 cm), Prints, Antoine Jean Duclos (French, Paris 1742–1795 Paris), After Augustin de Saint-Aubin (French, Paris 1736–1807 Paris
Assagai, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series
The Judgment of Paris, 1535–55, Etching, Mount: 10 15/16 in. × 7 9/16 in. (27.8 × 19.2 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris
Sleeping Dog, 1777, Etching, Sheet: 2 15/16 x 3 5/8 in. (7.4 x 9.2 cm), Prints, Cornelis Ploos van Amstel (Dutch, 1726–1798
Drawings and Prints, Print, Decorated Roman alphabet, Publisher, Artist, Martin Engelbrecht, Jeremias Wachsmuth, German, Augsburg 1684–1756 Augsburg, German, 1712–1771, Engelbrecht, Martin, Wachsmuth, Jeremias, 1684, 1712, 1756,
The Firewood Collector (La Ramasseuse de fagots / La Bûcheronne / Grand paysage Brabançon), ca. 1895, Etching and drypoint; second state, Plate: 11 1/4 x 7 1/2 in. (28.6 x 19.1 cm), Prints, Félicien Rops (Belgian, Namur 1833–1898 Essonnes
From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890
Annapolis River, 1882, Etching on zinc; trial proof b, plate: 4 x 10 7/8 in. (10.2 x 27.7 cm), Prints, Charles Adams Platt (American, New York 1861–1933
Christ Carrying the Cross, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg
Armadillo, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to
Standing man with his right hand resting on a basin, shown in three-quarters view with his head turned toward the left, from the series 'Figures of fashion' (Figures de modes), ca. 1710, Etching, sheet: 7 11/16 x 6 1/16 in. (19.6 x 15.4 cm),
Sea-Side, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote
Seven hunting horns in three groupings, 1625–77, Etching; only state, Plate: 5 3/8 × 7 11/16 in. (13.7 × 19.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Seven hunting horns in three groupings
Lace, ca. 1700, Italian, linen
Bracciano (Views of Rome and Its Environs, plate 2), 1841, Handcolored lithograph, sheet: 15 3/8 x 10 3/8 in. (39 x 26.3 cm), Prints, Edward Lear (British, London 1812–1888 San Remo
L. Prang & Co.s: Holiday, 1895, Lithograph, Sheet: 21 15/16 × 16 1/8 in. (55.7 × 41 cm), Louis John Rhead (American, born England, 1857–1926
A cartouche with an eagle and a snake, a skull and crossbones at top, wings to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis), ca. 1640–60,
The Seraglio (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, pl. 18), 1723–24, Etching and engraving; second state of two, plate: 10 x 13 7/8 in. (25.4 x 35.2 cm), Prints, After
Portrait of George Washington, August 1836, Etching and engraving, after fourth state (Bocher), Sheet: 8 1/2 × 6 3/16 in. (21.6 × 15.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II
A satyr carrying a nymph on his back and another raising his right hand to slap her, ca. 1510–27, Engraving, Sheet: 7 1/4 × 5 7/16 in. (18.4 × 13.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, ca. 1455–60, Tempera and gold on wood, 29 7/8 x 17 in. (75.9 x 43.2 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena),
Speculum Romanae Magnificentiae: Sacrifice to Priapus, 16th century, Engraving, sheet: 10 1/16 x 12 1/16 in. (25.5 x 30.6 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome
Drawings and Prints, Print, Mary Baker Eddy, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1924
Eight putti playing, 1530–60, Engraving, sheet: 7 5/16 x 11 1/4 in. (18.5 x 28.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome
The Madonna and Child with the Parrot, 15th century, Engraving; second state, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach
Broadsheet relating to seven men executed by a firing squad on account of their murder on July 9 of the entire household of Sr Remmettin Toluca, a corrida in the bottom section, José Guadalupe Posada (Mexican, 1851–1913), 1902
Interior of a Military Hospital, 1828 or earlier, Aquatint printed in black ink on heavy wove paper; rare impression, Image: 11 7/16 x 9 5/16 in. (29 x 23.6 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris
Landscape with an Aqueduct, ca. 1827, Pen and brown ink, brush and brown wash on wove paper, sheet: 3 3/8 x 6 13/16 in. (8.6 x 17.3 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

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