Images at Librifly

Drawings and Prints, Photograph, Card Number 168, Claire Bonneface, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Saint Jerome in Penitence, in a Renaissance Frame, Woodcut, Sheet: 4 3/16 × 3 in. (10.7 × 7.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Huia, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in 1890 in

Plate 3: two infants standing in the water at center with their legs as scrollwork, below three small sketches of heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), ca. 1638–43, Etching, Sheet: 2 9/16 × 4

Drawings and Prints, Print, Pitbull Terrier, Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885, 1915, 1912,

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 5/16 in. (20.9 × 10.9 cm), Prints, Giovanni Jacopo

The Hamlet on Mountainous Ground, mid-17th century, Etching; fourth state of four, plate: 4 1/8 x 4 5/16 in. (10.5 x 11 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 43, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Saint Jude, holding a halberd in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.2 x 4.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Print, The Music Temple, from the series, Views in Central Park, New York, Part 2, Publisher, Louis Prang & Co., Boston, Massachusetts, Prang, Louis, & Co., American

Windsor Castle, 1644, Etching; first state of two, Sheet: 3 11/16 × 6 3/4 in. (9.4 × 17.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of Windsor Castle, from the south east; a coach escorted by armed horsemen

Painting, 1752, Etching and engraving, sheet: 14 5/16 x 9 5/8 in. (36.4 x 24.5 cm), Prints, Marie Madeleine Igonet (French, active Paris, 1744–60), After François Boucher (French, Paris 1703–1770 Paris

Order of St. Hubert, Bavaria, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in

Drawings and Prints, Print, Bridgeport Docks, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, probably 1918

St. John the Baptist Holding the Lamb, ca. 1517, Woodcut, Sheet: 8 in. × 5 11/16 in. (20.3 × 14.4 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Drawings and Prints, Print Poster, The Century: New Year's Number, January, Artist, Frederic Remington, American, Canton, New York 1861–1909 Ridgefield, Connecticut, Remington, Frederic, American, 1861, 1909

William Purcell, The Rochester Union and Advertiser, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors'

Card 434, Miss Arlington, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

Drawings and Prints, Drawing Ornament & Architecture, Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano, Artist, Marco

Plate 4: Civilis tells the Dutch Elders that They are Being Treated Like Slaves by the Romans, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6

La Flambée, Plate 5 from 'La Cuisine', late 19th–mid-20th century, Lithograph; second state of two, sheet: 13 3/8 x 10 1/4 in. (34 x 26 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/8 x 6 13/16 in. (13.7 x 17.3 cm), Prints, Antonio Tempesta (Italian, Florence

Francesco I d'Este Displays Great Faculty in his Studies, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16.1 cm), Prints, Bartolomeo

The Mass of St. Gregory, 18th century, Pen and brown ink, brown and gray wash, heightened with white., 7 3/4 x 5 1/2 in. (19.7 x 13.9 cm), Drawings, Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris), According to his long-time

Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving; second of two states (SKB), Sheet: 1 7/16 × 2 1/16 in. (3.7 × 5.3 cm), Paul Birckenhultz (1561–1639), Ornamental frieze with three birds

Drawings and Prints, Print, Musicians and Onlookers, Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, 1500, 1540

Sixth interlude: temple of peace (Intermedio sesto: tempio della pace), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1608, Etching, sheet: 7 3/4 x 10 1/2 in. (19.7 x 26.7 cm), Remigio

Persimmon, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, 21-1/4 x 16-1/8 in. (54.0 x 41.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Design for a Knife Handle with a Scene of Christ Joining a Man and Woman, 1580–1600, Engraving and blackwork, Sheet: 4 × 2 5/8 in. (10.2 × 6.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a

Drawings and Prints, Print, poster, Free storage of liberty bonds, Publisher, Issued by, Liberty Loan Committee, Liberty Loan Committee, 1917, 1919, ca. 1919, 1924, Commercial color lithograph

Flight into Egypt, Etching, sheet: 14 3/8 x 15 3/8 in. (36.5 x 39 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

The House with the Cracked Walls, 1892–94, Oil on canvas, 31 1/2 x 25 1/4 in. (80 x 64.1 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Cézanne often painted abandoned sites near his studio outside Aix,

Plate 2: head of a man with a moustache and fur cap facing left, an oval composition, from 'Various heads and figures' (Diverses têtes et figures), 1650, Etching, Sheet: 3 1/4 x 2 1/2 in. (8.3 x 6.4 cm), Prints, Stefano della Bella (Italian,

Broadsheet relating to freaks of nature, at right a creature that is half human and half pig with a single horn, José Guadalupe Posada (Mexican, 1851–1913), ca 1900

Frontispiece to 'Eikon Basilike', 1649, Etching, only state, Sheet: 4 1/4 × 4 15/16 in. (10.8 × 12.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Frontispiece to 'Eikon Basilike' (a version of William Marshall's

The Sower, 1851, Lithograph on thin laid paper; second (final) state; 1879 or later; posthumous impression, image: 7 5/8 x 5 1/4 in. (19.4 x 13.3 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

The Landscape with the Wooden Bridge, Engraving; fourth state of four, Sheet (trimmed to oval plate): 6 1/2 × 7 11/16 in. (16.5 × 19.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Bust of a man with a flat nose and protruding mouth, wearing flat cap and buttoned coat in profile to right, 1660, Etching; only state, Plate: 2 7/16 × 1 7/8 in. (6.2 × 4.8 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519

Dailly, Palais Royal, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Plate 6: a triton and a siren fighting at center, their legs as scrollwork, a swan to right, the grotesque head of an old man below, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), ca. 1638–43, Etching, Sheet:

White Shield, Southern Cheyenne, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series

A Print Sale – A Night Auction, 1788, Etching, Plate: 7 3/16 x 10 13/16 in. (18.3 x 27.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Triumph of Chastity: unicorns draw a carriage bearing a female figure seated next to a sphinx and holding a standard, Vestal virgins walk behind the carriage, round temple of Vesta at right, from the series 'The Triumphs of Petrarch', ca. 1539,

Drawings and Prints, Photograph, Card Number 368, Annie Dacon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Bottle decorated with chrysanthemums and lotus petals, 청자 인화 상감 국화 연꽃잎 무늬 병 고려, Goryeo dynasty (918–1392), late 13th–14th century, Korea, Stoneware with stamped and inlaid design under celadon glaze, H. 13

Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm), Anonymous, Italian, Venetian, 17th

Drawings and Prints, Print, Chelsea Reach, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1799, 1799

Renard Falsely Accuses His Father of Conspiring Against the Lion from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Drawings and Prints, Drawing, A Storm at Sea with a Large Ship and a Small Boat with Two Figures, Artist, Carl August Ehrensvärd, Swedish, 1745–1800, Ehrensvärd, Carl August, Swedish, 1745, 1800, 1765–1800, 1765, 1800

Around the Council Fire, The Young Brave's Speech (Harper's Weekly, May 10, 1873), May 10, 1873, Wood engraving, Image: 9 1/8 × 13 9/16 in. (23.1 × 34.5 cm), Prints, Theodore Russell Davis (American, 1840–1894), After Edwin Austin

Recto of Sheet with Scene of The Fifth Trombone, from The Apocalypse, 1523–24, Woodcut, Sheet: 6 7/16 × 5 1/16 in. (16.3 × 12.9 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Plate 8 from a series of 21 woodcuts with

Bradley, The Taking of Castle Lawrence, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish

Plate 3: Saint Luke with his head turned in profile to the right, a book in each hand, a bull at his feet, from 'The four evangelists', 1541, Engraving, Sheet: 1 11/16 x 1 1/8 in. (4.3 x 2.9 cm), Prints, Sebald Beham (German, Nuremberg

Two Penny Cribbage, October 1, 1810, Hand-colored etching, Sheet: 9 5/8 × 12 1/2 in. (24.4 × 31.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After George Moutard Woodward (British, ca. 1760–1809 London

Portrait of Adrienne-Sophie Marquise de ***, 1779, Etching; third state of four (Bocher), Sheet: 12 1/2 × 9 5/8 in. (31.8 × 24.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Roseate Spoonbill, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Drawings and Prints, Print, The Virgin Surrounded by Sven Medaillons Representing the Seven Joys of the Virgin, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Portrait of a German Lady, Etching, Sheet: 13 13/16 × 10 1/16 in. (35.1 × 25.5 cm), Prints, Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris

President of Honduras, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set

Leda and the Swan, n.d., Etching, plate: 20 1/16 x 10 5/16 in. (51 x 26.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

On Guard, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Kasperltheater, 1907, Color lithograph, sheet: 5 1/2 x 3 7/16 in. (14 x 8.7 cm), Prints, Hans Kalmsteiner (Austrian, Vienna ca. 1882/6–ca. 1914/16 Vienna

Drawings and Prints, Print, Ex Libris of the Earl of Aylesford, Packington, Warwickshire, Subject, Artist, Heneage Finch, 2nd Earl of Aylesford, Anonymous, British, 18th century, British, 1683–1759, Finch, Heneage 2nd Earl of

The Triumph of Love, from The Triumphs of Petrarch, 1480–1500, Engraving; first state of two (Bartsch), sheet: 10 5/16 x 6 3/4 in. (26.2 x 17.2 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice (?)), This representation of

The Last Supper, from The Passion of Christ, ca. 1623, Engraving; first state of three, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish,

Russia, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Drawings and Prints, Print, Cut Two & Right Protect, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo, Henry,

Le Carnaval du Parnasse, 1761–62, Etching, sheet: 14 9/16 x 18 1/8 in. (37 x 46 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris), Etched by Pierre François Basan (French, Paris 1723–1797 Paris

Greek Sword, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

A Group of Children (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésy pélagienne et armoires), 17th century, Engraving; second state of three, sheet: 9 7/8 x 13 3/8 in. (25.1 x 34 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, The American Mosquito, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1900–1910, 1895, 1905

Fury personified as an old man riding a monster, holding a skull in his left hand, ca0–39, Engraving, Sheet: 9 5/16 × 7 in. (23.6 × 17.8 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)),

Calvary, from Life of the Virgin and Christ, 1490–1500, Hand-colored engraving; second state of three (Bartsch), Sheet: 10 3/8 × 7 9/16 in. (26.3 × 19.2 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice

Drawings and Prints, Print, Title-Boarder with Three Stags and a Hind, Artist, Hans Cranach, German, 1500–1537, Cranach, Hans, German, 1500, 1537, 1472, 1553

Figs, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote Allen

St. Bartholomew from the series 'Christ, Mary, and the Apostles', ca. 1590–ca. 1610, Etching; first state of two (Bartsch), Sheet: 20 1/2 × 14 15/16 in. (52 × 38 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Love in the East, 1787, Etching, Plate: 6 7/8 x 9 13/16 in. (17.4 x 25 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Augsburg, 1665, Etching, only state, Sheet: 2 1/8 × 4 5/8 in. (5.4 × 11.7 cm), Prints, After Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach), Distant view of Augsburg from the Red Tower (Rote Tor); stream flowing around

Clarinet in D, 1820 or 1821, London, England, United Kingdom, British, Ebony, ivory, sterling silver, L. 21 1/2 in. (54.6 cm), Aerophone-Reed Vibrated-single reed cylindrical, Astor & Co. (1778–1831

The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca.

Saint Paul preaching in Athens, after Raphael, ca. 1517–20, Engraving, 10 3/8 x 14 1/16 in. (26.3 x 35.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi)

A Tyger (A Recumbent Leopard by a Tree), May 1, 1788, Etching with roulette work; first and only state, 10 x 13 in. (25.4 x 33.0 cm), Prints, George Stubbs (British, Liverpool 1724–1806 London

Seated Figure Bottle, 1st–2nd century, Peru, Nasca, Ceramic, H. 9 1/16 x W. 5 1/4 in. (23 x 13.3 cm), Ceramics-Containers, Unlike their northern counterparts, who used two-piece ceramic molds for manufacturing vessels, Nazca potters shaped

View of Ponte Mammolo, a bridge in the background, a tower with ramp in the middle ground, a man with a walking stick in the foreground, from the series 'The Ruins of Rome', 1639, Etching, Sheet: 3 15/16 x 2 5/8 in. (10 x 6.6 cm), Prints,

Drawings and Prints, Print, A Breton Beggar, Sitter, Artist, Charles Augustus Howell, Mortimer Menpes, British, 1840–1890 London, Australian, Port Adelaide 1855–1938 Pangbourne, England, Howell, Charles Augustus, Menpes, Mortimer,

George W. Childs, Philadelphia Public Ledger, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series

Drawings and Prints, Photograph, Card Number 360, Carrie Perkins, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Dromedary, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in

Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808, Etching and mezzotint; first state of six (Finberg), plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Hercules Killing Diomedes, 16th century, Engraving, sheet: 2 9/16 x 3 3/16 in. (6.5 x 8.1 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Francesco I d'Este Makes an Effort to Save his Crown by Allying Himself with the Barberini Prince and an Unidentified Cardinal, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching,

Delightful Land, 1893–94, Woodcut printed in color on thin wove paper, 13 7/8 x 8 in. (35.2 x 20.3 cm) block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), In this print Gauguin reimagines the

Drawings and Prints, Print, The Continel Mistakes Tom Jones for an Apparition, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British, London 1757–1827

Card 664, Miss Engel, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Tyrol, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in 1890

Speculum Romanae Magnificentiae: The Base of the Column of Theodosius, 16th century, Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Photograph, Card Number 388, Pauline Markham, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Scandal, from the Illustrated London News, Artist, Engraver, After, Abraham Solomon, Thomas Heaviside, British, London 1824–1862 Biarritz, British, Stockton-on-Tees 1813–1896 Paignton, Devon, Solomon,