Images at Librifly

Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 3/16 x 10 1/4 in. (18.3 x 26 cm), Anonymous,

Russian, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograp, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Cupid's Skeleton, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

Botanical Studies (recto); Botanical Studies (verso), ca. 1820, Watercolor over graphite, 19 9/16 x 12 9/16 in. (49.7 x 31.9 cm), Drawings, Anonymous, French, 19th century

The Wife, 1830, Engraving on chine collé, plate: 7 13/16 x 5 13/16 in. (19.9 x 14.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Samuel F. B. Morse (American, Charlestown,

The Resurrection, from The Passion of Christ, 1596, Engraving, Sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Albert R. Lamar, The Macon Telegraph, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Drawings and Prints, Print, Plate 1 for Treatise on Etching, Artist, Printer, Publisher, Maxime-François-Antoine Lalanne, Auguste Delâtre, Alfred Cadart, French, Bordeaux 1827–1886 Nogent-sur-Marne, French, Paris 1822–1907 Paris,

Rien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in Le Charivari, October 21, 1842, October 21, 1842, Lithograph; first state of three, sheet: 14 3/16 x 10 1/16 in. (36 x 25.5 cm),

Christ from Christ and the Apostles, 1519, Woodcut, Sheet: 8 5/16 × 4 15/16 in. (21.1 × 12.6 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Cœnotaphiorum (5), 1563, Etching; first state of four, sheet: 6 9/16 x 8 1/4 in. (16.7 x 21 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

The Three Christian Heroines (Drei Gut Kristin), from Heroes and Heroines, 1516, Woodcut; first state of three (Hollstein), Sheet: 8 1/8 × 5 3/16 in. (20.7 × 13.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Block

Virgin and Child on a Grassy Bench, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The Young Prince Standing Between His Secretaries, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 3/4 × 7 13/16 in. (22.3 × 19.8 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white

Banknote vignette showing three men on a scaffold laying a brick wall, ca. 1824–37, Engraving and etching, plate: 2 x 3 3/4 in. (5.1 x 9.5 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood,

Drawings and Prints, Print, Dancer and Her Mother (Danseuse et sa mère), L'Estampe Originale, Album VIII, Artist, Publisher, Paul Renouard, André Marty, French, Cour-Cheverny 1845–1924 Paris, French, born 1857, Renouard Paul, Marty,

Drawings and Prints, Print, A Classical Subject! Demitto auviculas, ut uniquoe asellus, Cum gravius dorso subiit onus

Drawings and Prints, Print, Fete, Ornament & Architecture, Cenotaph for Sebastian I, King of Portugal, Basilica Farnesina, Rome, December 3, 1578, Artist, Mario Cartaro, Italian, born Viterbo, active Rome ca. 1557–88, died 1620

Drawings and Prints, Print, Initial letter E on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Drawings and Prints, Print, An Extradordinary Animal. Neither an Opossum nor a Kangaroo but having something of both, HB Sketches, No. 383, Subject, Subject, Lithographer, Publisher, Subject, Artist, (?), (?), Lord John Russell, Henry

Mackerel, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Circassia, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set

Wood engraving after painting by Delacroix of Hamlet and Horatio, December 1837, Wood engraving, Image: 7 1/2 x 5 15/16 in. (19 x 15.1 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Harper's: April, 1897, Lithograph, Sheet: 18 3/8 × 12 7/8 in. (46.6 × 32.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Whistling Thrush, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

Speculum Romanae Magnificentiae: Basket capital with fruit and satyr head, ca. 1537, Engraving, sheet: 4 3/16 x 5 11/16 in. (10.6 x 14.4 cm), Prints, Master G.A. (Italian, active ca. 1535

Soldiers and a Highlander (3 prints of varying size pasted onto a yellow sheet), mid–19th century, Lithograph, Mount: 12 3/8 x 4 5/16 in. (31.4 x 10.9 cm), Prints, Victor Adam (French, 1801–1866

Rose-breasted Grosbeak, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42),

Hercules With His Club, 1535–55, Etching, Sheet (trimmed/oval): 9 1/16 × 5 1/2 in. (23 × 14 cm), Prints, Jean Mignon (French, active 1535–ca. 1555

Coast Scene with a Windmill, n.d., Engraving; second state, sheet: 7 3/8 x 11 1/4 in. (18.7 x 28.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

Francesco I d'Este Builds the Palazzo di Sassuolo, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 3/4 × 6 5/16 in. (12 × 16 cm), Prints, Bartolomeo Fenice

An Old Lady Sitting Near a Pillar at Side of Road, 1819, Etching; second state, plate: 6 1/4 x 5 1/4 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

George F. Slosson, Billiard Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued

The Triumph of the Sea-Gods, Engraving, Sheet: 1 13/16 × 3 3/16 in. (4.6 × 8.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Drawings and Prints, Print, Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer, Artist and publisher, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, May 29,

Zenobia, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', ca. 1647, Etching and engraving, Sheet (trimmed): 13 7/16 × 8 1/2 in. (34.1 × 21.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), Gilles

Drawings and Prints, Print, Relief with Christ on the Mount of Olives, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the

Daphnis Running toward Chloe, ca. 1798, Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper, Sheet: 10 13/16 x 8 15/16 in. (27.5 x 22.7 cm), Drawings, baron François Gérard (French, Rome

Drawings and Prints, Print, Fete, Ornament & Architecture, Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrenees, Artist, François Chauveau, French, Paris 1613–1676 Paris, Chauveau, François, 1613, 1676,

Drawings and Prints, Print, Design for a Regency, Artist, Subject, Subject, Subject, William Heath ('Paul Pry'), Leopold I, King of the Belgians, William IV, King of the United Kingdom of Great Britain and Ireland, Arthur Wellesley, 1st

Drawings and Prints, Print Ornament & architecture, Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques, Twelve candelabra grostesques, Artist, Formerly attributed to, Giovanni Antonio da Brescia,

Italian Affectation, Real Characters, September 1, 1780, Etching, Plate: 9 1/4 × 7 3/8 in. (23.5 × 18.7 cm), Prints

George Sand's Garden at Nohant, 1840s, Oil on canvas, 17 7/8 x 21 3/4 in. (45.4 x 55.2 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), During the 1840s Delacroix made three summer visits to Nohant in

Shakespeare, Hamlet, act 3, scene 2, where Hamlet arranges for visiting players to perform a drama about fratricide to prick his uncle's conscience. Drawn by Eugene Delacroix. Lithograph, Villain, 1835, In 1834 Delacroix began a series of

The Third Day ( Dies III), from the series The Creation of the World, ca. 1595, Engraving; second state of two, Diameter: 10 5/16 in. (26.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

View of a Forest, 17th century, Pen and gray ink and washes with heightening in white gouache on two sheets of joined blue paper, sheet: 17 11/16 x 15 9/16 in. (44.9 x 39.5 cm), Drawings, Joris Abrahamsz. van der Haagen (Dutch, Arnheim

'L'ombre descend sur le jardin...', 1902, Color lithograph, sheet: 9 13/16 x 12 3/4 in. (25 x 32.4 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Drawings and Prints, Print, Holy Family with Young St. John the Baptist, Publisher, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1620, 1670

Red Bird, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of

Eider Duck, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards to

Speculum Romanae Magnificentiae: Corinthian capital, 1535, Engraving, sheet: 7 7/8 x 4 15/16 in. (20 x 12.5 cm), Prints, Master PS (Italian or French, active 1530s

Recueil de Griffonis, de Vues, Paysages, fragments antiques et sujets historiques...s..i..n..d.., 1780, Overall: 21 5/8 x 16 1/8 x 2 3/8 in. (55 x 41 x 6 cm), Books

Judith slaying Holofernes, 1705–62, Engraving, sheet: 10 7/16 x 8 1/4 in. (26.5 x 21 cm), Prints, Johann Georg Bergmüller (German, Türkheim 1688–1762 Augsburg), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Drawings and Prints, Print, Honeymoon, Artist, Publisher, René-Georges Hermann-Paul, L'Escarmouche, French, Paris 1874–1940 Saintes-Maries-de-la-Mer, French, 1893–1894, Hermann-Paul, René-Georges, L'Escarmouche, French, 1874,

Pieta, 1540–45, Etching, Mat: 18 1/16 × 13 7/16 in. (45.8 × 34.2 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11

Veüe generale en Perspective du Château Bassecourt, Anticours, Jardins, de Richelieu, 17th century, Etching, sheet: 11 7/16 x 14 11/16 in. (29 x 37.3 cm), Adam Perelle (French, Paris 1640–1695 Paris

Speculum Romanae Magnificentiae: Egyptian Obelisk, mid-to-late 16th century, Engraving, sheet: 15 3/8 x 10 1/16 in. (39 x 25.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Thesis Proclamation of José Vicente Maldonado y Trespalacios, dedicated to the Virgin of Guadalupe, 1756, Woodcut, letterpress and engraving (image of the Virgin) printed on white silk with a decorative metalic thread border backed with a panel

Drawings and Prints, Print, Fete, Ornament & Architecture, Float with Apollo and the Python, from the fireworks display celebrating Louis XIII's return from a military campaign, Paris, February 1623, Artist, Possibly by, Michel Lasne,

M. Henri [sic] Monnier from L'Éclipse, October 25, 1874, 1874, Gillotype, Sheet: 19 3/4 x 13 1/4 in. (50.2 x 33.7 cm), Prints, André Gill (French, Paris 1840–1885 Paris

Antwerp Cathedral (Prospectvs Tvrris Ecclesiæ Cathedralis), 1649, Etching; fourth state, Sheet: 18 3/4 x 14 5/16 in. (47.6 x 36.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Print, Fete, Ornament & Architecture, Five women in a boat, holding palm leaves, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century

Richmond Seminary, Staten Island, N.Y., 1847–48, Lithograph with beige tint stone and white hand coloring, image: 8 9/16 x 13 7/16 in. (21.8 x 34.2 cm), Prints, Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New

Scenes from the Life of Saint John the Baptist, ca. 1522, Woodcut, Sheet: 11 5/8 × 15 9/16 in. (29.6 × 39.6 cm), Prints, Frans Crabbe van Espleghem (Netherlandish, Mechelen ca. 1480–1553 Mechelen), Previously attributed to Nikolaus

Drawings and Prints, Print, Allegory of Leopold V, Archduke of Austria, Artist, Matthaeus Greuter, German, Strassburg ca. 1566–1638 Rome, Greuter, Matthaeus, 1566, 1638, mid 16th–mid 17th century, 1566

Drawings and Prints, Print, The Effects of British Valour on the French Directory, Publisher, Subject, Artist, Ackermann's Gallery, Charles James Fox, Thomas Rowlandson, London, British, 1749–1806, British, London 1757–1827 London,

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus, begun 1858, Etching; second or fourth state of eight, working proof, sheet: 10 3/8 x 13 3/4 in. (26.4 x 35 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Drawings and Prints, Print, The Crucifixion (restrike?), Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, after 1505, 1505

Virginia, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

China, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Mrs. Page (Merry Wives of Windsor), April 5, 1826, Lithograph on chine collé, Image: 8 3/8 × 6 7/16 in. (21.3 × 16.3 cm), Prints, Louis Haghe (Belgian, Tournai 1806–1885 Surrey), After Matthew William Peters (British, Freshwater, Isle

Drawings and Prints, Photograph, Card Number 597, Lady Brooke, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Venus Bathing Attended by Nymphs, 1535–55, Etching, Sheet (trimmed): 12 1/2 × 9 1/2 in. (31.7 × 24.2 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

The Splendid Naval Triumph on the Mississippi, April 24th, 1862: Destruction of the Rebel Gunboats, Rams, and Iron Clad Batteries by the Union Fleet under Flag Officer Farragut, 1862, Color lithograph, Image: 15 5/16 x 22 1/4 in. (38.9 x 56.5

Virgin and Child in a Niche, mid 16th century, Etching, Sheet: 8 7/8 x 4 15/16 in. (22.5 x 12.5 cm), Prints, Geoffroy Dumoûtier (French, active ca. 1535–73

Saint Pierre, 17th century, Etching, sheet: 18 3/16 x 13 1/2 in. (46.2 x 34.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Drawings and Prints, Print, The Virgin with arms crossed over her chest, looking up to the left, in an oval frame, after Reni, Artist, Publisher, Artist, Engraved by, After, Gilles Rousselet, Gilles Rousselet, Guido Reni, French, Paris

Edward Corrigan, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

R. T. Van Horn, Kansas City Daily Journal, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right, copy after Cantarini, ca. 1640 or after, Etching, Plate: 7 × 10 7/16 in. (17.8 × 26.5 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648

Alice Lingard, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

The Departure, April 29, 1784, Etching, Sheet: 10 1/16 × 13 13/16 in. (25.5 × 35.1 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Sketches for Two Muffs and a Parasol, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 3/4 x 9 11/16 in. (17.2 x 24.6 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge Between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn., 1883, Color lithograph, image: 12 x 17 1/2

A Captain of Banditti Sending Out a Party (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778, Etching, Sheet: 11 5/16 x 7 5/16 in. (28.8 x 18.6 cm), Prints

Pepin le bref / Chef de la seconde race..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 3/16 in. (8.8 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Christ on the Cross, 1553, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.4 × 7.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig), Christ on the Cross,

Drawings and Prints, Print, Pieter Coecke van Aelst, Artist, Publisher, Jan (Johannes) Wierix, Theodoor Galle, Netherlandish, Antwerp 1549–1615 Brussels, Netherlandish, Antwerp 1571–1633 Antwerp, Wierix, Jan (Johannes), Galle,

St. Catharine's Hill near Guilford (Liber Studiorum, part VII), June 1811, Etching and mezzotint; first state of three, plate: 7 5/16 x 10 3/8 in. (18.6 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Lord High Admiral, Great Britain, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca.

A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli

Tempest in a roundel composition, at left waves toss a small ship occupied by seven figures, ships and dark clouds beyond, ca. 1625–60, Etching, sheet: 6 x 5 7/8 in. (15.3 x 14.9 cm), Prints, Matthijs van Plattenberg (Flemish, Antwerp ca.

Capitol of Missouri in Jefferson City, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

Bride, from the Dance of Death, 1651, Etching; second state of four, Sheet: 3 1/16 × 2 5/16 in. (7.7 × 5.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), The bride's mother on the right hands the young

Lord and lady walking with figure of death hiding behind a tree, holding an hourglass, after Dürer, ca. 1500–1534, Engraving; onlyl state, Sheet: 7 11/16 × 4 13/16 in. (19.5 × 12.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)

The Fourth Day (Dies IV), from the series The Creation of the World, ca. 1596, Engraving; second state of two, Diameter: 10 3/8 in. (26.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Nillson, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50 cards

Renard Convinces the Rabbit to Enter His Burrow and Kills Him from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar