Images at Librifly

Peasant Woman from Around Ferrara, 1734, Etching and engraving, sheet: 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Edme Jeaurat (French, Vermenton 1688–1738 Paris), After François Boucher (French, Paris 1703–1770 Paris

Card 515, Minnie Palmer, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Drawings and Prints, Print, Plate 5: A woman pouring lead into the ear of her sleeping husband, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1890–1910, 1885, 1895

Nevada, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Mlle. Mante, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 8), issued

Drawings and Prints, Print, Ornament & Architecture, Fete, A faithful representation of the fireworks display presented by Johann Müller as proof of his Mastership, Johannis Schiessplatz, Nuremberg, 1659, Artist, Anonymous

Drawings and Prints, Photograph, Card Number 40, Olga Brandon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 5/16 × 8 1/16 in. (16 × 20.5 cm), Prints,

Drawings and Prints, Drawing Ornament and Architecture, Project for a Fountain for La Place du Carrousel, Artist, Pierre François Léonard Fontaine, French, Pontoise 1762–1853 Paris, Fontaine, Pierre François Léonard, French, 1762,

A View in Italy, ca. 1640–91, Etching, sheet: 2 11/16 x 6 1/4 in. (6.9 x 15.9 cm), Israel Silvestre (French, Nancy 1621–1691 Paris

Francesco I d'Este Protects the Piazza di Nonantola Against the Marchesa Mattei with a Small Number of People and a Great Loss of Ecclesiastics, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...],

Drawings and Prints, Drawing, The Moray Minstrels (Design for Invitation card of Arthur James Lewis), Artist, Frederick Walker, British, London 1840–1875 Perthshire, Scotland, Walker, Frederick, British, 1840, 1875, 1865

Malerische Zueignung, from the series Radierte Skizzen, n.d., Image: 2 11/16 × 4 3/8 in. (6.9 × 11.1 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Jo, La Belle Irlandaise, 1865–66, Oil on canvas, 22 x 26 in. (55.9 x 66 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), The 'beautiful Irishwoman' depicted in this painting is Joanna Hiffernan (born 1842/43),

From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 4), issued ca. 1888 by Allen

Satyr with Grapes and Two Tigers, Etching, sheet: 13 7/16 x 8 11/16 in. (34.2 x 22.1 cm), Prints, Lucas Vorsterman II (Flemish, 1624–after 1666), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

St. James the Greater Preaching, ca. 1764, Etching, sheet: 10 7/8 x 5 11/16 in. (27.6 x 14.5 cm), Prints, Martin Johann Schmidt (Austrian, Grafenwörth 1718–1801 Stein

The Virgin of Sorrows: The Flight into Egypt; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/4 in. (7.1 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua

Drawings and Prints, Print, Plate 5: Tiberius Claudius in profile to the right, from 'The Twelve Caesars', The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 4 15/16 x 17 5/16 in. (12.6 x 43.9 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Chatham Square Elevated Railroad Crossing, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

Samson and Delilah, 1506, Pen and black ink with white heightening on brown prepared paper, sheet: 6 3/4 x 4 13/16 in. (17.1 x 12.2 cm), Drawings, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg), Within a landscape setting,

The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left, 1570–1615, Engraving, Sheet: 7 1/8 × 8 3/4 in. (18.1 × 22.3 cm), Prints, Cherubino Alberti (Zaccaria Mattia)

The Afternoon Meal (La Merienda), ca. 1772, Oil on canvas, 41 1/2 x 60 1/2 in. (105.4 x 153.7 cm), Paintings, Luis Meléndez (Spanish, Naples 1716–1780 Madrid), This still life by Meléndez is exceptional in its format and composition. The

The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), ca. 1775, Etching, Prints, Giovanni

Saint James Major, book is his right hand, staff in his left facing right, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Painted Bunting, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

Hercules and a Muse, Engraving; second state of two (New Hollstein), Sheet: 3 1/16 × 1 3/4 in. (7.8 × 4.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk, 16th century, Etching, mount: 22 3/16 x 16 13/16 in. (56.4 x 42.7 cm), Prints, Anonymous, After Enea Vico (Italian, Parma 1523–1567 Ferrara

Restello, early 16th century, Italian, Venice, Poplar. Carved, gilt; orangebole, blue and red tempera. , Overall, 78.8 x 72.3 cm; sight, 25.8 x 25.5 cm; rebate, 28 x 27.5 cm., Frames, Essentially a tabernacle with decorative relief

Saint George, 1472, Tempera on wood, gold ground, transferred to Masonite, 38 x 13 1/4 in. (96.5 x 33.7 cm), Paintings, Carlo Crivelli (Italian, Venice (?), active by 1457–died 1495 Ascoli Piceno

Charity personified by a woman with two childen, from 'The Virtues', ca. 1515–25, Engraving, 8 7/16 x 4 1/4 in. (21.5 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), Possibly after Raphael

Scene 2, from Jack and the Giant Killer, Scenes for a Toy Theater, 1870–90

Saint Gregory as Deacon Directing Prayers and Processions for the Cessation of the Plague, 1762, Pen and brown ink, brown and gray wash., 7 3/4 x 5 1/2 in. (19.7 x 14 cm), Drawings, Carle (Charles André) Vanloo (French, Nice 1705–1765

Bacchanal, 1615–42, Etching, Sheet: 3 1/16 x 10 1/2 in. (7.7 x 26.7cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Samuel Anointing the Young David (?), n.d., Point of brush, gray and gray-black wash, heightened with white, over slight traces of black chalk., 11 1/16 x 22 1/2 in. (28.1 x 57.1 cm), Drawings, Jan Erasmus Quellinus (Flemish, Antwerp

M'lle La Chacuti, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Entrance of Calais Harbour (Liber Studiorum, part XI, plate 55), January 1, 1816, Etching, aquatint and mezzotint; first state of six, plate: 7 1/16 x 10 9/16 in. (17.9 x 26.8 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Vase with a Male Siren holding up a Garland, from: Vases, 1746, Etching, sheet: 8 7/8 x 6 5/16 in. (22.5 x 16.1 cm), Jacques François Joseph Saly (French, Valenciennes 1717–1776 Paris

Garden Landscape, ca. 1905–15, Made in New York, New York, United States, American, Favrile-glass mosaic, 103 1/2 x 114 in. (262.9 x 289.6 cm), Architecture, Tiffany Studios (1902–32), Tiffany’s work in mosaic, inspired by Byzantine

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

Bronze scalpel, Imperial, 1st–2nd century A.D., Roman, Bronze, Length 8.71 cm., Bronzes, The handle at the middle is square in section. At one end, there is a slot for the insertion of a sharp iron blade (now missing), and at other end,

Hercules and Cacus, 1540–45, Etching, Sheet (trimmed): 10 13/16 × 8 9/16 in. (27.4 × 21.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau

Journey to Abydos, Tomb of Pairy, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, facsimile: h. 28 cm (11 in); w. 71.5 cm (28 1/8 in), Charles K. Wilkinson, This facsimile painting copies a

'Villain, thou diest': plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900, Etching, engraving, and aquatint on chine collé; second edition (Gazette des Beaux-Arts), plate: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Prints,

The Third Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Card 618, Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Louis XIV as a Child, Engraving, sheet: 13 9/16 x 9 1/2 in. (34.5 x 24.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Eleonor, Isabeau de Bauieres, Elisabeth, and Julie, from 'The game of queens' (Le jeu des Reines renommées), 1644, Etching, Sheet: 3 9/16 x 8 13/16 in. (9 x 22.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Goetz and Friar Martin, after 1845, Wood engraving (or possibly stereotype), Block: 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of this print is based on a

Drawings and Prints, Print, Sword Arm Protect, Hungarian and Highland Broadsword, Artist, Publisher, Thomas Rowlandson, Henry Angelo, British, London 1757–1827 London, British, London 1756–1835 London, Rowlandson, Thomas, Angelo,

Tabletop, 400–600, Made in Rome, Byzantine, Marble, Overall: 32 7/16 x 35 1/8 x 1 1/2 in. (82.4 x 89.2 x 3.8 cm), Sculpture-Stone, Small tabletops like this one were used to celebrate feasts for the dead at grave sites; this commemorative

Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John, 1505, Woodcut, Block: 9 5/16 × 6 3/8 in. (23.7 × 16.2 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545

Seated figure of Diana the huntress, 1625–77, Etching, drypoint and engraving added by Paulus Pontius; third state of, Sheet: 8 5/8 × 6 1/4 in. (21.9 × 15.9 cm), Prints, After Pieter van Avont (Flemish, 1599–1652), Diana seated naked

Drawings and Prints, Print, Les Rois Mages, Artist, Henri de Toulouse-Lautrec, French, Albi 1864–1901 Saint-André-du-Bois, Toulouse-Lautrec, Henri de, French, 1864, 1901, 1880, 1901

Black Cañon, From Camp 8, Looking Above, 1871, Albumen silver print from glass negative, 20 x 28.1 cm (7 7/8 x 11 1/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), An engineer graduated from West Point,

Harper's Weekly: November 12th, 1894, Lithograph, Sheet: 16 1/8 × 12 5/16 in. (40.9 × 31.3 cm), William Sullivant Vanderbilt Allen (American, New York 1860–1931

Noli Me Tangere, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 2 7/8 × 1 15/16 in. (7.3 × 4.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Virgin of Sorrows; central part of a print with nine surounding compartments, now separated, by 1575, Engraving, Sheet: 8 3/8 × 4 7/16 in. (21.2 × 11.2 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Speculum Romanae Magnificentiae: Small Portraits of the Popes from Christ to Sixtus V, 1585, Engraving, sheet: 15 7/8 x 20 7/16 in. (40.4 x 51.9 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

John Grass, Blackfeet Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36),

A Winged Putto Riding a Sea Horse and a Lion (after Raphael); verso; The Three Graces (after Raphael), 1574, Pen and brown ink, over black chalk (or charcoal), touches of red chalk, highlighted with white gouache, on blue paper (recto); Pen and

Napoleon Crossing the Alps, 1851, Engraving; proof before letters, image: 24 7/8 x 19 7/16 in. (63.2 x 49.4 cm), Prints, Alphonse François (French, Paris 1814–1888 Paris), After Paul (Hippolyte) Delaroche (French, Paris 1797–1856 Paris

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Etching, Plate: 7 11/16 x 6 5/16 in. (19.5 x 16 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

Meadow Grass, 1895, Lithograph, Sheet: 17 7/16 × 10 3/16 in. (44.3 × 25.8 cm), Louis John Rhead (American, born England, 1857–1926

Plate 10: a horseman and a woman, seen from behind, riding towards the right with a young man following them to left, another horseman and woman to right in the background, from 'Various Figures' (Agréable diversité de figures), 1642,

Capitol of South Carolina in Columbia, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

The Sleeping Congregation, April 21, 1762, Etching and engraving; fourth state of four, plate: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, The Grand-Papa, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas, 1761, 1757, 1838, 1827,

David: Title Page for Talon, L'Histoire sainte, III, 1645, Engraving; first state of four (BN), sheet: 8 15/16 x 6 7/16 in. (22.7 x 16.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Photograph, Card Number 332, Dora Wiley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Linnet, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a set

Czarina of Russia, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Scholars at a Lecture, ca. 1800, Engraving, Sheet: 2 15/16 x 2 11/16 in. (7.5 x 6.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Great Northern Diver (Loon), from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888

Plate 1: a man sings and plays the hurdy gurdy, accompanied by a boy playing the triangle to right, a group of peasants dancing in a ring to left in background, title page for 'Diversi capricci', ca. 1644–47, Etching; third state of four (De

Torquata, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a

Francesco I d'Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16 in.

View of Aix-en-Provence, ca3–92, Pen and black ink, with brush and gray wash, over traces of black chalk underdrawing., Sheet: 19 3/4 x 26 in. (50.2 x 66.1 cm), Drawings, Jean Antoine Constantin, called Constantin d'Aix (French, Marseilles

The Chapel, Engraving; fourth state four, Sheet: 5 3/16 × 4 9/16 in. (13.2 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Corner of Cheyne Walk, Chelsea, 1888–89, Etching, Sheet: 5 5/16 x 7 1/2 in. (13.5 x 19 cm), Prints

Saint Jacques Le Majeur, 1726, Etching and engraving, Sheet (trimmed): 13 9/16 × 8 7/16 in. (34.5 × 21.4 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Easthampton, 1917, Etching with plate tone, sheet: 9 1/8 x 14 3/4 in. (23.1 x 37.5 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

The Bridge of Sighs, 1830–62, Gouache and watercolor, Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Poetry, Etching, sheet: 7 7/8 x 10 15/16 in. (20 x 27.8 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Resurrection of Lazarus (La Resurrection de Lazare), set in a cave, from the series 'The New Testament' (Le Nouveau Testament), 1635, Etching, image: 2 7/16 x 3 3/8 in. (6.2 x 8.5 cm), Prints, Jacques Callot (French, Nancy 1592–1635

Head of a muscular old man in profile to left with flowing hair, 1625–77, Etching; only state, Sheet (trimmed to plate edge): 2 3/4 × 2 1/8 in. (7 × 5.4 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Head of a

Human Misery, from the Volpini Suite: Dessins lithographiques, 1889, Zincograph printed in brown ink on chrome yellow wove paper; first edition, Image: 11 1/16 × 9 in. (28.1 × 22.9 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona,

The Horseman, 1650, Etching; third state of four (NH), Plate: 5 1/2 × 8 7/16 in. (13.9 × 21.5 cm), Prints, After Jan Wildens (Flemish, 1586–1653

Folio from a Qur'an Manuscript, ca. 1250–1300, Made in North Africa, Ink, opaque watercolor, and gold on parchment, Page: H. 10 1/4 in. (8 9/16 cm), Codices, Qur'ans of the Maghreb or the Islamic west, including North Africa and Spain,

Sketch of a Chalice, 1845–55, Graphite, sheet: 12 11/16 x 10 1/16 in. (32.3 x 25.5 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Native American Indian, 'Unus Americanus ex Virginia', 1645, Etching; second state of two, Plate: 4 1/16 × 3 1/16 in. (10.3 × 7.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A half-length figure with the upper part

Jug with lid, engraved with arabesque pattern, the narrow spout to right ending in snake's head, handle to left., 1625–77, Etching and drypoint, only state, Plate: 7 × 5 13/16 in. (17.8 × 14.7 cm), Wenceslaus Hollar (Bohemian, Prague

Drawings and Prints, Print, Biedermeier Fashion, Artist, Publisher, Urban Janke, Wiener Werkstätte, Austrian, Blottendorf/Vienna, 1887–1914, Janke, Urban, Wiener Werkstätte, Austrian, 1887, 1914, 1908

Drawings and Prints, Print, Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Heinrich Fuessli'sämmtliche Werke, 1807, Artist, Engraver, After, Henry Fuseli, Johann Heinrich Lips, Swiss, Zürich 1741–1825 London, Swiss, Kloten

Plum, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote Allen

The Holy Family with Scriptural Scene in Background, etching, sheet: 9 1/4 x 6 1/8 in. (23.5 x 15.5 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

Joshua Commanding the Sun to Stand Still Upon Gibeon (Joshua: 10: 12–14), ca. 1822, Pen and brown ink, brown wash over red chalk, heightened with white. Squared in black chalk., sheet: 15 7/8 x 24 in. (40.3 x 61 cm), Drawings, John Martin

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813–23, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner

Hind Head Hill, On the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811, Etching, mezzotint and drypoint; first state of four (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord