Images at Librifly

King Solomon and the Queen of Sheba, Tempera on wood, embossed and gilt ornament, Overall 20 3/4 x 70 1/8 in. (52.7 x 178.1 cm); left, painted surface 13 7/8 x 24 1/2 in. (35.2 x 62.2 cm); right, painted surface 14 x 24 3/4 in. (35.6 x 62.9 cm),

James Howel Standing in a Forest, 1641, Engraving of face, hat, hand and collar by Mellan; the rest by Bosse. Third state of four (BN), sheet: 8 1/16 x 5 11/16 in. (20.5 x 14.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris),

Drawings and Prints, Print, The late Sir Edwin Landseer (from The Graphic), Artist, William Biscombe Gardner, British, 1847–1919, Gardner, William Biscombe, 1847, 1919, October 11, 1873

Old Fraunce's Tavern, New York, 1880–1935, Wood engraving block, block: 16 x 21 7/8 x 3/8 in. (40.6 x 55.6 x 1 cm), Blocks, Charles Macowin Tuttle (American, 1861–1935

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving, mount: 20 x 15 3/16 in. (50.8 x 38.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Taste in High Life, May 1, 1798, Engraving and aquatint; second state, Plate: 15 1/4 x 18 3/8 in. (38.7 x 46.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Cheerful Cupids, 1750, Etching and engraving, Plate: 13 1/2 × 10 1/4 in. (34.3 × 26.1 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris 1703–1770 Paris

From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 4), issued ca. 1888 by Allen

La Crucifixion (The Crucifixion), 19th century, Etching, Mount: 14 1/16 × 10 9/16 in. (35.7 × 26.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres), Van Gelder dates the print to 1839; the inscription appears to read

Lilly Elton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Drawings and Prints, Print, Andromache in Captivity, Artist, Publisher, After, Frederic, Lord Leighton, George Barrie, British, Scarborough 1830–1896 London, Philadelphia, Pennsylvania, Leighton, Frederic, Lord, Barrie, George,

Philadelphia Sunday Press: November 10th, 1895, Commercial relief process and letterpress, Sheet: 21 7/8 × 15 1/2 in. (55.6 × 39.4 cm), George Reiter Brill (American, Pittsburgh, Pennsylvania 1867–1918 Florida

Russia, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865, Oil on canvas, 29 x 36 1/2 in. (73.7 x 92.7 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), The juxtaposition of the prominent bouquet and the off-center

Frontispiece for 'Le Jardin des Supplices', 1902, Lithograph, contours only, sheet: 12 11/16 x 9 15/16 in. (32.3 x 25.2 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Broadsheet relating to the plight of an orphan, young boy standing at the graves of his parents in a cemetery, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913

Madame Réjane, 1898, Lithograph on wove paper, 18-1/2 x 13 in. (47.0 x 32.99 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Speculum Romanae Magnificentiae: Octagonal Temple with a dome, surmounted by a domed turret, crowned with an eagle, 16th century, Etching, sheet: 19 x 13 3/8 in. (48.2 x 33.9 cm), Prints, Anonymous

Plate 1: Ship of Hercules (Barcha del Hercole), with dragon-headed prow and Hercules on platform behind oarsmen and standing soldiers, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le

Pendant Design with a Domed Church and Urn Above Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 4 in. (14.8 × 10.1 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Drawings and Prints, Print, Castro House, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1920

Descent from the Cross, Tempera on parchment, laid down on wood, 6 1/4 x 4 1/2 in. (15.9 x 11.4 cm), Manuscripts and Illuminations, Girolamo da Cremona (Italian, active 1451–83

Copy of a Design for a Knife Handle with the Death of Lucretia, 1580–1600, Engraving and blackwork, Sheet: 2 15/16 × 7/8 in. (7.4 × 2.3 cm), after Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a knife handle with

W.D. Bickham, Dayton Daily Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Combats et Triomphes, n.d., Engraving, probably first state of four, sheet: 2 11/16 x 8 11/16 in. (6.9 x 22 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

A Society of Patriotic Ladies at Edenton in North Carolina, March 25, 1775, Mezzotint, plate: 13 7/8 x 9 15/16 in. (35.3 x 25.3 cm), Prints, Attributed to Philip Dawe (British, 1745?–?1809

Frontispice pour le 'Tombeau de Charles Sackville, comte de Dorset' (Frontispiece for the 'Tomb of Charles Sackville, Earl of Dorset', from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains,

The Reward of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; third state of three, sheet: 14 7/8 x 12 1/2 in. (37.8 x 31.8 cm), Prints, William Hogarth (British, London 1697–1764 London

View of a Bridge in the Dutch Countryside with Figures, mid-18th–early 19th century, Brush and gray wash, over a sketch in black chalk, sheet: 15 3/8 x 21 in. (39.1 x 53.3 cm), Drawings, Nicolaas Wicart (Dutch, 1748–1815

St. Barbara, ca. 1505, Woodcut; first state of two, Sheet: 9 7/16 × 6 5/8 in. (24 × 16.8 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Chub, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889 in

Green-winged Teal, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Standing men presenting a horse before a group of seated men, ca. 1725–83, Etching with engraving, sheet: 5 3/16 x 9 in. (13.2 x 22.9 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Charles Parrocel (French,

Leaf from Aedes Walpolinae mounted with (a): Elevation of Back Facade of the Kings House, Richmond, Surrey and (b): Perspective View of the Entrance Front of the Kings House, Richmond, Surrey, after 1727, (a and b): black ink and grey wash,

Flautist and a Child Timpanist, ca. 1742, Etching and engraving, Sheet (trimmed): 11 3/4 × 9 1/4 in. (29.8 × 23.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Soldier with a woman on his arm, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

Drawings and Prints, Photograph, Card Number 64, Marion Gilmore, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Jean de Saint-Bonnet, marquis de Toiras, Engraving; copy, sheet: 10 x 7 in. (25.4 x 17.8 cm), Prints, Pierre Daret (French, Paris ca. 1604–1675 Dax), After Claude Mellan (French, Abbeville 1598–1688 Paris

Country Fair, 1762, Etching, sheet: 11 15/16 x 15 7/16 in. (30.4 x 39.2 cm), Prints, Pierre Charles Lévesque (French, Paris 1736–1812 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, Artist, Artist, Formerly attributed to, After, Andrea Schiavone (Andrea Meldola), Battista Angolo del Moro,

Governor Moonlight, Wyoming Territory, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Drawings and Prints, Drawing, The Pentecost (The Descent of the Holy Spirit), Artist, Cesare Nebbia, Italian, Orvieto ca. 1536–1614 Orvieto, Nebbia, Cesare, 1536, 1614, ca. 1576, 1571, 1581

Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 3/16 x 4 1/4 in. (20.8 x 10.8 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona

Cardinal Jules Mazarin Seated Within the Gallery of his Palace, 1659, Engraving, Sheet: 18 11/16 × 26 7/16 in. (47.5 × 67.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), François Chauveau (French, Paris 1613–1676

View of La Grande Chartreuse in the French Alps / Descriptio Maioris Cartusiæ Montium, et Ædificiorum dependentium, 1649, Etching; first state of two, Sheet: 11 9/16 × 16 5/16 in. (29.4 × 41.4 cm), Prints, After Antonius de la Halle

Roman Ruins, second version of title-page, ca. 1650, Etching, second state of two (NH), Sheet: 2 11/16 × 4 1/16 in. (6.9 × 10.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Sebastiaen Vrancx (Netherlandish,

Neptune and Amphitrite, 1615–42, Etching, Sheet: 2 3/16 x 6 1/4 in. (5.6 x 15.8cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Drawings and Prints, Print, Hosannah! (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, Camden Press, Scribner and Welford, Dalziel Brothers, Simeon Solomon, British, London, New York, NY, British, active 1839–1893,

United States, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued

Saint Stephen, Hungary, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44), issued in

Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/4 x 3 15/16 in. (8.2 x 10 cm), Prints, Stefano della

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 5/8 x 6 11/16 in. (24.5 x 17 cm), Prints, William Hogarth (British,

Annie Robe Wallace, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series

Drawings and Prints, Print, Afternooon Shadows, Artist, Childe Hassam, American, Dorchester, Massachusetts 1859–1935 East Hampton, New York, Hassam, Childe, American, 1859, 1935, September 12

Drawings and Prints, Print, Love and Alcohol (Liebe und Alkohol), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian,

Drawings and Prints, Print, Skeletons (calaveras) dancing and drinking, corrida in bottom section, Artist, Publisher, José Guadalupe Posada, Antonio Vanegas Arroyo, Mexican, 1851–1913, 1850–1917, Mexican, Posada, José Guadalupe,

Drawings and Prints, Print, Rue de Gros in Clermont, Voyages Pittoresques et Romantiques dans L'Ancienne France, Artist, Printer, Eugène Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France), Mulhouse

Pendant Design with Niche and a Vase with Two Handles Above Rectangular Ornaments, 1604, Engraving and blackwork; second state of two (New Hollstein), Sheet: 6 7/16 × 4 13/16 in. (16.3 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca.

Order of the Golden Fleece, Austria, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30),

Annie Summerville, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

St. Thomas, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: A Fountain and Basin, 1581, Engraving and etching, sheet: 16 15/16 x 12 3/16 in. (43 x 31 cm), Prints, Pieter Perret (Netherlandish, 1555–1639

Grotesque old man with flattened nose in profile to left, 1625–77, Etching; only state, Plate: 2 9/16 × 1 7/8 in. (6.5 × 4.8 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Grotesque old man with flattened nose

Drawings and Prints, Print, The Virgin seated on a stone ledge with the infant Christ lying on a cushion next to her, after Reni, Artist, After, Engraved by, Guido Reni, Jean Sauvé, Italian, Bologna 1575–1642 Bologna, French, active

The Singer in Green, ca. 1884, Pastel on light blue laid paper, 23 3/4 x 18 1/4 in. (60.3 x 46.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), A sale catalogue of 1898 evocatively described the performer pictured in this

July, August, September, 1897, 1896, Commercial relief process and lithography, Sheet: 17 5/16 in. × 12 in. (44 × 30.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Asterion, from the series 'Vessels of the Argonauts' for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1608, Etching, sheet: 7 1/4 x 11 1/4 in. (18.4 x 28.6 cm), Remigio Cantagallina (Italian, Borgo Sansepolcro ca.

Drawings and Prints, Print, Tête á Tête on the 968th Floor of a Skyscraper (Tête á Tête am Wolkenkratzer 968 Etage), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Publisher, Engraver, Sitter, Artist, Said to be after, Abraham Wivell I, John Cochran, William Shakespeare, Richard Burbage,

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano,

Design for the Verso of a Pear-Shaped Pendant Flanked by Lozenge Ornaments and Circular Ornaments Below, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 11/16 × 3 7/8 in. (14.5 × 9.8 cm), Jan Collaert I

Donna Vaillard, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

A satyr fighting for a nymph, after Francia, ca. 1510–20, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Francesco Francia (Italian,

Consuelo Vanderbilt (1876–1964), Duchess of Marlborough, and Her Son, Lord Ivor Spencer-Churchill (1898–1956), 1906, Oil on canvas, 87 1/4 x 67 in. (221.6 x 170.2 cm), Paintings, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris),

Drawings and Prints, Print, Initial letter D, Artist, Anonymous, Italian, 15th century, Anonymous, Italian, 15th century, 1400, 1500, ca. 1495

Broadsheet with two love ballads about desirable women, woman wearing a shawl and a skirt with her hands placed on her hips, José Guadalupe Posada (Mexican, 1851–1913), 1916 (published

Drawings and Prints, Print, State Butchers, Subject, Subject, Subject, Artist, Augustus Henry Fitzroy, 3rd Duke of Grafton, Thomas Townshend, 1st Viscount Sydney, Henry Dundas, 1st Viscount Melville, George Prince of Wales, William

Zebra, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Florence, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses

Drawings and Prints, Print, The Reconciliation at Glenelg, after the Journalist had ridden away from Ursa Major (Picturesque Beauties of Boswell, Part the Second), Subject, Artist, Publisher, Artist, After, Samuel Johnson, James Boswell,

The Vienna Beauty, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of

Lippincott's: March, 1896, Commercial relief process, Sheet: 17 15/16 × 11 7/16 in. (45.6 × 29 cm), Prints, Joseph J. Gould, Jr. (American, 1880–1935

Drawings and Prints, Photograph, Card Number 333, Mabel Santley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Saint Matthew seated and reading from a book held by a putto, set within a fanciful architectural backdrop, from a series of woodcuts of the Four Evangelists, copy after Rue Montorgueil woodcut, Artist, After, Rue

Drawings and Prints, Print, The Temptation of Christ, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans, Petri,

Venus and Cupid, Aquatint in brown ink, sheet: 10 3/8 x 12 3/4 in. (26.3 x 32.4 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After François Boucher (French, Paris 1703–1770 Paris

Head Erect, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Ophelia (Shakespeare, Hamlet, Act 4, Scene 5), 1784, Stipple engraving; printed in sepia ink, Sheet (trimmed to plate): 15 1/16 × 17 13/16 in. (38.2 × 45.2 cm), Prints, Caroline Watson (British, London 1760/61–1814 London), after Robert

Cunicularii, or the Wise Men of Godlimon in Consultation, December 1726, Etching and engraving; only state, sheet: 7 3/8 x 9 13/16 in. (18.8 x 24.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Sheet: 10 3/4 × 8 3/16 in. (27.3 × 20.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Landscape, 1759, Etching, Sheet (trimmed): 10 in. × 13 15/16 in. (25.4 × 35.4 cm), Prints, Jean Pierre Louis Laurent Hoüel (French, Rouen 1735–1813 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Artist, After, Cristofano di Michele Martini (Il Robetta), Antonio

Moses, ca. 1408–10, Tempera on wood, gold ground, Overall 24 1/2 x 17 1/2 in. (62.2 x 44.5 cm); painted surface 22 5/8 x 17 5/8 in. (57.5 x 44.8 cm), Paintings, Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425

Standing Angel Holding a Scroll, ca. 1614, Point of brush and brown wash, highlighted with white gouache, over black chalk on gray-blue paper; squared in black chalk, Sheet: 13 7/16 x 8 9/16 in. (34.2 x 21.7 cm), Drawings, Giovanni Domenico

Harper's: June, 1893, Lithograph, Sheet: 18 5/16 × 12 5/8 in. (46.5 × 32 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

The Last Supper, 1564, Engraving, 13 11/16 x 21 5/16 in. (34.7 x 54.2 cm); trimmed, Prints, Gaspare Osello (Italian, ca. 1536–1560/80), After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish,

Drawings and Prints, Print, Four Live Oaks, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Saint Paul, sword in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 4), issued ca. 1888 by Allen

Crucifixion, 1670–90, Etching and engraving, sheet: 21 7/8 x 15 15/16 in. (55.5 x 40.5 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome