Images at Librifly

Nuit Blanche, 1893, Brush and spatter lithograph with scraper printed in black on mounted wove paper; only state, Sheet: 14 3/16 × 10 5/8 in. (36 × 27 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662-1726), 1696–1756, Pen, brown ink and gray wash over black chalk, 18-7/8 x 13 in. (47.9 x 33.0 cm), Drawings, Workshop of

Mounted cuirassier holding a lance upright and riding towards left, other horsemen in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 7/16 x 2 11/16 in. (8.7 x 6.9 cm),

Portugal, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in

Brothers of the Whip, November 27, 1781, Etching, Sheet: 8 1/16 × 9 11/16 in. (20.4 × 24.6 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After A. Grant (British, active 1781–89

The Holy Family with Saints Anne and Catherine of Alexandria, 1648, Oil on canvas, 82 1/2 x 60 3/4 in. (209.6 x 154.3 cm), Paintings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples), Spanish by birth, Ribera

Drawings and Prints, Print, Single and Married, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas, 1761, 1757, 1838, 1827,

Les deux Confidentes (The two Confidants), 18th century, Etching and engraving, Sheet: 18 7/8 x 14 1/16 in. (48 x 35.7 cm), Prints, Jean Ouvrier (French, 1725–1784), After François Boucher (French, Paris 1703–1770 Paris

Designs for Four Stickpins, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Four variations for the design of a stickpin with a precious stone, two executed in silver

Illustration for 'Philosophie de la nature', 1776, Etching, sheet: 9 1/16 x 6 in. (23 x 15.3 cm), Prints, Clément Pierre Marillier (French, Dijon 1740–1808 Melun

Speculum Romanae Magnificentiae: Bust of Livy, 1582, Engraving and etching, sheet: 14 3/16 x 11 in. (36 x 28 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99), After Nicolas Beatrizet (French, Lunéville 1515–ca.

Drawings and Prints, Print, Harper's Bazar: Midsummer Number, Artist, Publisher, Edward Penfield, Harper and Brothers, Publishers, American, Brooklyn, New York 1866–1925 Beacon, New York, Penfield, Edward, Harper and Brothers,

Drawings and Prints, Photograph, Card Number 354, Miss McVickers, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Recumbent Goats, from Different Animals, Etching, plate: 4 7/16 x 5 1/4 in. (11.3 x 13.3 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Ornament Print with Schweifwerk and Two (Allegorical?) Figures, ca. 1615–20, Blackwork engraving, Sheet: 5 1/2 x 7 5/16 in. (14 x 18.6 cm), Esaias von Hulsen (Dutch, Middelburg ca. 1570–before 1626 Stuttgart), This rare, intricate print

Persian Starling, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued

Peasants Going to Work, 1863, Etching in brown ink on laid paper; seventh state of seven, plate: 15 3/16 x 12 1/16 in. (38.6 x 30.7 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Card Number 85, Agnes Folsom, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Drawing 16, ca. 1916, Brush and ink on paper, 18 1/2 x 24 1/2 inches (47 x 62.2 cm), Drawings, Jacoba van Heemskerck (Dutch, The Hague 1876–1923 Domburg (active Germany

Drawings and Prints, Print, Holy Family and Two Music-Making Angels, Artist, Publisher, After, Jan Muller, Bartholomeus Spranger, Harmen Jansz. Muller, Netherlandish, Amsterdam 1571–1628 Amsterdam, Netherlandish, Antwerp 1546–1611

The Grove with Boys, 1817, Etching; second state, plate: 6 5/8 x 8 1/2 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two, Sheet:

Strasbourg, 1665, Etching, only state, Plate: 2 1/16 × 4 7/16 in. (5.2 × 11.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of a covered bridge in Strasbourg, with tower at center; figures walking on a road

Harper's, May, 1893, Lithograph, Sheet: 18 3/4 in. × 13 in. (47.7 × 33 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Tribune: Sunday, late 19th–early 20th century, Lithograph, Sheet: 20 11/16 × 13 1/2 in. (52.5 × 34.3 cm), Prints, George Reiter Brill (American, Pittsburgh, Pennsylvania 1867–1918 Florida

The Idle 'Prentice Turned Away and Sent to Sea (Industry and Idleness, plate 5), September 30, 1747, Etching and engraving; second state of three, plate: 10 3/8 x 13 9/16 in. (26.4 x 34.5 cm), Prints, William Hogarth (British, London

Jimmy Carney, Pugilist, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in 1887 in a

Arms for the Foundling Hospital, December 22, 1781, Etching, sheet: 6 15/16 x 6 7/8 in. (17.7 x 17.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Vignette with Two Nymphs, 1778, Etching, sheet: 14 5/16 x 9 7/8 in. (36.3 x 25.1 cm), Prints, Jean-Baptiste Huet I (French, Paris 1745–1811 Paris

Angels Lifting Virgin and Child, 1610–42, Etching, 4 7/16 x 6 1/4 in. (11.2 x 15.9 cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Card Number 145, Billie Barlow, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Helmeted head, 1662–78, Etching; copy in reverse by Francis Place, Sheet: 2 15/16 × 2 3/16 in. (7.4 × 5.5 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Parmigianino (Girolamo Francesco Maria Mazzola)

The Three Porters, Etching; second state of two, Plate: 4 13/16 × 6 1/4 in. (12.3 × 15.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The New Treaty between King Philip and Henry VII, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 3/4 × 7 3/4 in. (22.2 × 19.7 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king)

The Temptation of St. Anthony, n.d., Etching, Prints, after Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), Etched by Jan and Lucas van Doetecum (Dutch, active ca. 1558

Six Boys, 1647, Etching, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Support Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Drawings and Prints, Photograph, Card Number 98, Ada Richmond, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape, ca. 1500–1534, Engraving, Sheet: 10 1/4 × 7 1/16 in. (26 × 18 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Drawings and Prints, Print, The Rival Richards, or Sheakspear in Danger, Subject, Publisher, Artist, Subject, William Shakespeare, Samuel Knight, William Heath ('Paul Pry'), Charles Mayne Young, Edmund Kean, British, Stratford-upon-Avon

Sketch of a Fireplace with a Mirror Surrounded by Drapery, ca. 1785–90, Pen and black ink, graphite, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French,

Drawings and Prints, Photograph, Card Number 388, Pauline Markham, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Half Ground Plan and Half Elevation for a Catafalque for a Queen of Sardinia, 1696–1756, Pen, brown ink and grey wash, 20-3/8 x 14-1/8 in. (51.8 x 35.9 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Drawings and Prints, Drawing, The Expulsion from Paradise, Artist, Daniel Fröschl, German, Augsburg 1563–1613 Prague, Fröschl, Daniel, 1563, 1613, late 16th–early 17th century, 1583, 1613

Three soldiers and a youth lying on his abdomen in a landscape, the soldiers bear armor and a flag, from the series 'The Capricci', ca. 1740–42, Etching, sheet: 6 7/8 x 8 1/8 in. (17.5 x 20.7 cm), Prints, Giovanni Battista Tiepolo (Italian,

The Little Schoolmistress, mid to late 18th century, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, A. J. Defehrt (French (born Denmark), Huring 1723–1774), After François Boucher (French, Paris

Young woman with a conical hat to right, 1645, Etching; first state of two, Plate: 4 5/16 × 3 1/16 in. (10.9 × 7.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Young woman with a conical hat turned to right; she

Judge Herkinbald (Archambauld) Stabbing His Nephew, 1553, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Jesus confronting his detractors, 1625–77, Etching, only state, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Plate 2. Jesus and Peter, with a sword over his

Saint Andrew, ca. 1610, Oil on canvas, 43 1/4 x 25 1/4 in. (109.9 x 64.1 cm), Paintings, Workshop of El Greco (Spanish, ca. 1610), This painting is an early-seventeenth-century, reduced workshop replica of the figure of the apostle that

The Skill of the White King Dealing with Different Nations in Wartime, from Der Weisskunig, 16th century, Woodcut, Sheet: 8 11/16 × 7 7/8 in. (22.1 × 20 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig

Blackwork Design for Goldsmithwork with a Putto, Birds and Insects, 1612, Engraving and blackwork, Sheet: 2 1/16 × 1 7/8 in. (5.2 × 4.7 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with putto at center

Broadsheet featuring two corrido narrative love ballads, multiple couples dancing, José Guadalupe Posada (Mexican, 1851–1913), 1919 (published

Two wild boar heads below, a deer head above, a bow and arrow in center, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 3/4 × 2 3/4 in. (17.1 × 7 cm), Stefano della Bella (Italian, Florence

V. Chanson Ancienne, 1898, Lithograph printed with beige tint stone on laid paper, 22-5/16 x 15 in. (56.7 x 38.1 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Goetz von Berlichingen Writing His Memoirs, after 1845, Wood engraving (or possibly stereotype), Block: 8 3/8 x 5 5/8 in. (21.3 x 14.3 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Based on a scene

Eight vases, the largest one in center with sculptures of a nymph and a faun, Plate 4 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), ca. 1650–56, Etching, Sheet: 3 7/16 × 8 1/8 in. (8.7 × 20.7 cm), Stefano della Bella

Drawings and Prints, Print, Title Page, from A New Book of Horses and Carriages, A New Book of Horses and Carriages (The Rhedarium), Artist, Publisher, Thomas Rowlandson, E. Jackson, British, London 1757–1827 London, Rowlandson, Thomas,

Plate 8: a chariot and two horses to left, a dog in center, various horses and soldiers in the background, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes), ca. 1640,

Yellow-Casque Black Hornbill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5),

S.J. Flickinger, The Columbus Daily Ohio State Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American

Stage Coach Setting Out from a Posting House, October 15, 1787, Etching, Plate: 6 11/16 x 9 15/16 in. (17 x 25.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Mit Fremder Schuld Beladen, 1912, Lithograph, image: 10 5/16 x 12 3/16 inches (26.2 x 31 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Black Red Game Bantams, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued

Speculum Romanae Magnificentiae: St. Peter's, 1547, Engraving, sheet: 17 13/16 x 22 1/16 in. (45.2 x 56 cm), Prints, After Antonio da Sangallo, the Younger (Italian, Florence 1484–1546 Terni), After Antonio da Labacco (Italian, near

Woman with dark hair and a bow in profile to the left, 1642, Etching; only state, Plate: 3 7/8 × 3 5/8 in. (9.9 × 9.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of a woman, head and shoulders almost in

Sword, small, 5th century B.C., Greek, Cypriot, Bronze, Other: 3 3/16in. (8.1cm), Bronzes

Mirror Back, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Slate, Overall: 6 in. (15.24 cm), Stone-Sculpture, The scrolls and interlaces that frame this stone plaque are characteristic of the art of Veracruz. Possibly a back

Drawings and Prints, Print, Christ on the cross, a town in the background, after Reni, Artist, Publisher, After, Guido Reni, Antonio Dalco, Artaria et Fontaine, Italian, Bologna 1575–1642 Bologna, Italian, 1802–1888, Reni, Guido,

Jupiter and Antiope, Engraving, sheet: 6 7/8 x 11 9/16 in. (17.5 x 29.4 cm), Prints, Attributed to Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Three Loves, One holding a Quiver, the Other, Grapes, 1727–60, Etching and engraving, Sheet: 11 9/16 x 15 9/16 in. (29.4 x 39.5 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French,

Vignette with a Medal depicting Harpocrate and Lotus Flowers, Volume I, Page 12, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au

The Triumph of Death from The Triumphs of Petrarch, ca. 1548–49, Etching, Plate: 9 x 6 15/16 in. (22.8 x 17.7 cm), Prints, Attributed to Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Drawings and Prints, Drawing, A Group of Men and Women Playing Chamber Music Within a Portico, Surmounted by Statues of Apollo and Female Figures, and Surrounded by Putti, Artist, Jan de Braij, Dutch, Haarlem ca. 1627–1697 Amsterdam,

Plate 12: Illustration to Canto XII, from Torquato Tasso's 'Gerusalemme liberata III', ca. 1590–1630, Etching, Sheet (Trimmed): 10 3/4 in. × 8 in. (27.3 × 20.3 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Madonna and Child, n.d., Engraving, sheet (oval): 4 3/16 x 5 1/2 in. (10.6 x 14 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Albert R. Lamar, The Macon Telegraph, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Whip-poor-Will, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a

Speculum Romanae Magnificentiae: Capital with ram heads and masks, ca. 1537, Engraving, sheet: 6 5/16 x 5 7/8 in. (16 x 15 cm), Prints, Master G.A. (Italian, active ca. 1535

Antoine Barillon, 1661, Engraving, Sheet: 12 1/2 × 9 3/4 in. (31.7 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Haybarn with Movable Roof, Engraving, second state of two, Sheet: 4 15/16 × 6 5/16 in. (12.6 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Procession of the Doge in Venice, 1556–61, Woodcut on eight sheets, each sheet approximately: 17 x 22 in. (43.2 x 55.9 cm), Prints

A peasant woman seated on a horse to left, facing right, surrounded by a herd of fcows, goats, sheep, and dogs, a round composition, from 'Six animal subjects' (Six sujets d'animaux), ca. 1643–48, Etching, Sheet: 8 11/16 x 11 3/4 in. (22

Drawings and Prints, Print, Evening Shadows, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1919–20

Drawings and Prints, Print, Christ Healing the Blind, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans, Petri,

Jesus before Caiaphas, 1625–77, Etching, only state, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Monks drag Jesus to the left where Caiaphus stands wearing a

Antonio da Sangallo's project for St Peters, plan of the façade extended to the left with a tower, 1540–49, Engraving, sheet: 13 1/2 x 20 3/8 in. (34.3 x 51.7 cm), Prints, After Antonio da Labacco (Italian, near Vigevano ca. 1495–after

Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence

Moose, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Great Bird of Paradise, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889

Alpine Landscape with a Deep Valley from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 13 9/16 x 17 5/8 in. (34.5 x 44.7 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Drawings and Prints, Photograph, Card Number 603, Vere San Name, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Adolphe (The Sad Young Man), 1894, Crayon lithograph printed in olive green on Japan paper with watermark of Gustave Pellet and Toulouse-Lautrec, from posthumous second edition before 1910; only state, Sheet: 17 3/4 × 11 13/16 in. (45.1 × 30

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Forest Landscape, early 17th–mid 17th century, Black chalk, gray wash; framing line in pen and brown ink, sheet: 10 3/8 x 14 9/16 in. (26.3 x 37 cm), Drawings, Lodewijk de Vadder (Flemish, Brussels 1605–1655 Brussels

Terracotta lamp, Early Imperial, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, H. 15/16 in. (2.4 cm); length 3 11/16 in. (9.4 cm), Terracottas, On discus, oak wreath surrounding band of rays; voluted nozzle

Drawings and Prints, Photograph, Card Number 519, May Belle Raymond, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Funerary relief, ca. 50–150, Syria, probably from Palmyra, Limestone, 20 x 14.96 in. (50.8 x 38 cm), Stone-Sculpture-Inscribed, This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the

Red Fox, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Figures Resting by a Cave, possibly a stage set design, 1911–24, Charcoal, Sheet: 12 9/16 x 17 11/16 in. (31.9 x 44.9 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich