Images at Librifly

Drawings and Prints, Photograph, Card Number 308, M'Tortard, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

The Fall of Mankind, 1511, Chiaroscuro woodcut in two blocks, printed in grey-brown and black, Sheet: 14 15/16 × 10 3/16 in. (38 × 25.8 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545

Flora with Putti in a Garden, Etching and engraving, Sheet: 6 1/8 x 8 3/4 in. (15.5 x 22.3 cm), Prints, Anton Joseph von Prenner (Austrian, 1683–1761), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Porta Della Carta, early 20th century, Etching, Plate: 15 1/4 × 5 11/16 in. (38.7 × 14.5 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

Jeanne, prends sans qu'on te voie . . . , from Le Rire, No. 129, 24 April 1897, 1897, Lithograph, Image: 9 13/16 × 8 11/16 in. (25 × 22 cm), Prints, after Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Danae, ca. 1542–47, Etching, Sheet: 9 3/16 × 11 5/8 in. (23.3 × 29.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

At the Head of a Swiss Army, Francesco I d'Este, with Uncrushed Spirit, Confronts the Enemy under Bozzolo, who has Many Advantages, and Demands their Retreat, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e

Crested Malimbus, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

Stags in Woods, 1850, Etching on laid paper; third state of three, plate: 6 1/2 x 9 3/4 in. (16.5 x 24.8 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Double Goblet with Flutes and Acanthus-Leaves, Etching, Sheet: 9 1/16 × 4 1/4 in. (23 × 10.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Sara Jewett, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Life in Camp, Part 2: Extra Ration, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of lithographed

The Grape Harvest, Etching and Drypoint, sheet: 9 7/16 x 12 3/16 in. (24 x 30.9 cm), Prints, Philippe Louis Parizeau (French, Paris 1740–1801 Paris), After François Boucher (French, Paris 1703–1770 Paris

A Deathbed Scene (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Ink and wash and gouache, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London

Cadmus Building Thebes, ca. 1543-44, Etching, sheet: 9 9/16 x 11 9/16 in. (24.3 x 29.4 cm), Prints, Master of the Story of Cadmus (active ca. 1542–47), Anonymous, French, School of Fontainebleau, 16th century, Designed by Francesco

Study of a Young Man, Drawing, 1895, Transfer lithograph, sheet: 12 5/8 x 19 5/8 in. (32.1 x 49.9 cm), Prints, John Singer Sargent (American, Florence 1856–1925 London), In October 1895, Galerie Rapp in Paris organized one section of a

The Second Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, plate: 15 1/4 x 12 9/16 in. (38.8 x 31.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Louis XVI, Marie Antoinette and The Dauphin, ca. 1791, Etching and engraving, Sheet: 8 1/16 × 9 1/16 in. (20.5 × 23 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph Sauvage (Flemish, Tournai

Vase, 1543, Etching, Sheet (trimmed): 11 1/2 in. × 6 in. (29.2 × 15.3 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45

Young Tiger Playing with Its Mother, 1831, Lithograph, third state of six, Image: 7 3/8 x 4 7/16 in. (18.7 x 11.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

The Lion Announces a Durable Peace to the Animals who Surround Him from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 5/8 × 4 9/16 in. (9.2 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Drawings and Prints, Print, A Gathering of Artists, Artist, After, Louis Léopold Boilly, Alexandre Clément, French, La Bassée 1761–1845 Paris, French, ca. 1775–?1808, Boilly, Louis Léopold, Clément, Alexandre, French, 1761,

Victor Hugo (full face), 1885, Drypoint on laid paper; second state of nine, Image: 6 15/16 x 5 5/16 in. (17.6 x 13.5 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Serbian, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Dives, at center, dining with a

Drawings and Prints, Print, Map of Alexandria, Artist, Georg Braun, Frans Hogenberg, German, 1541–1622, Netherlandish, 1540–1590, Braun, Georg, Hogenberg, Frans, 1541, 1540, 1622, 1590, 1575

The Dragon Devouring the Companions of Cadmus, 1588, Engraving, sheet: 9 15/16 x 12 1/2 in. (25.2 x 31.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After painting by Cornelis van Haarlem (Netherlandish,

Montana, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Yellow-breasted Chat, from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888 in a

Drawings and Prints, Print, Christ Teaching the Disciples, 2, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans,

Frieze with Eleven Birds and an Insect, 1590–1612, Engraving, Sheet: 1 1/2 × 7 3/8 in. (3.8 × 18.8 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Frieze with eleven birds perched on the ground, with a large

Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

A Russian Mobile Forge, 1815, Etching; second state, plate: 6 x 7 3/4 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Brown Paper Cover (wrapper) for the series, The Haunted House (La Maison Hantée), 1896, sheet (folded): 17 15/16 x 12 7/8 in. (45.5 x 32.7 cm), Portfolios, Odilon Redon (French, Bordeaux 1840–1916 Paris

Speculum Romanae Magnificentiae: Corinthian base from the Temple of Mars Ultor, Rome, ca. 1537, Engraving, mount: 8 7/16 x 8 7/16 in. (21.5 x 21.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Cattle Crossing at the Ford, [1862] reprinted 1921, Cliché-verre (ed. 1921), Image: 11 in. × 13 3/4 in. (27.9 × 34.9 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, The Devil Offering Poison to a Knight, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca. 1540

Cyrus Hall McCormick, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Portrait of a Boy with a Falcon, Oil on canvas, 29 3/4 x 25 in. (75.6 x 63.5 cm), Paintings, Wallerant Vaillant (Flemish, Lille 1623–1677 Amsterdam), A native of Lille, Vaillant trained in Antwerp and by the mid-1650s was well established as

Two deformed heads (the figure on the left is possibly a caricature of Dante), 1645, Etching; second state of two, Sheet: 2 7/8 × 4 1/2 in. (7.3 × 11.4 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two deformed

The Prison; a group of men in a dungeon bound in chains and shackles; to the right a figure hanging from his arms, tied to a boulder, n.d., Engraving, plate: 10 1/4 x 14 3/16 in. (26 x 36 cm) trimmed within borderline, Prints, Anonymous, After

Harper's: Joan of Arc, April, 1895, Lithograph, Sheet: 17 7/8 × 12 11/16 in. (45.4 × 32.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/16 x 16 1/16 in. (35.7 x 40.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Gypsy Girl, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Drawings and Prints, Photograph, Card Number 42, Miss Floyd, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Harper's: January, 1895, Lithograph, Sheet: 18 in. × 12 13/16 in. (45.7 × 32.6 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Mexico, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Landscape with High Rocks and Fortresses, 1546, Etching, Plate: 2 7/16 x 1 3/4 in. (6.2 x 4.5 cm), Prints, Augustin Hirschvogel (German, Nuremberg 1503–1553 Vienna

Miranda (Shakespeare, The Tempest, Act 1, Scene 1), April 14, 1809, Stipple with etching; printed in sepia ink, Image: 8 1/16 × 6 11/16 in. (20.5 × 17 cm), Prints, after George Romney (British, Beckside, Lancashire 1734–1802 Kendal,

The Bostonians Paying the Excise-Man, or Tarring & Feathering, October 31, 1774, Mezzotint and etching, sheet: 14 x 10 1/8 in. (35.6 x 25.7 cm), Prints, Attributed to Philip Dawe (British, 1745?–?1809

A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three (New Hollstein), plate: 10 1/2 x 7 9/16 in.

April, May, June, 1897, 1896, Commercial relief process and lithography, Sheet: 14 in. × 10 3/16 in. (35.6 × 25.8 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Crucifixion by a table, illustration from Speculum Passionis, 1507, 1507, Woodcut with letterpress text verso, Sheet: 2 15/16 x 3 1/8 in. (7.4 x 8 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?)

View of St. Peter's Basilica and Piazza in the Vatican, from Vedute di Roma (Roman Views), ca. 1748, Etching; fourth state of seven (Hind), Sheet: 20 11/16 x 28 15/16 in. (52.5 x 73.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

Head of a man in profile wearing a tricorne, 18th century, Etching, Sheet: 4 3/4 x 3 1/8 in. (12 x 8 cm), Prints, Anonymous, French, 18th century, After François Boucher (French, Paris 1703–1770 Paris

Pompone II de Bellièvre, ca. 1657, Engraving; second state of four (Petitjean & Wickert), Sheet: 13 × 10 1/16 in. (33 × 25.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French, Paris 1619–1690

Man Holding a Horse by the Bridle, Etching, sheet: 5 15/16 x 7 5/8 in. (15.1 x 19.4 cm), Prints, Dirck Stoop (Dutch, Utrecht 1610/18–1681/86 Utrecht

Drawings and Prints, Photograph, Card Number 17, Helen Standish, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Landscape with Gypsy Camp, n.d., Engraving; first state, Sheet: 7 3/8 x 11 3/16 in. (18.7 x 28.4 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching; first state of two, issue 1 (Bartsch), plate: 6 11/16 x 8

Hudibras Beats Sidrophel and His Man Wacum (Plate 8: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764

The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli)., ca. 1777, Red chalk over black chalk or charcoal with partly ruled construction; sheet glued onto secondary paper support, 15 1/2 x 21 3/4in. (39.4 x 55.3cm), Giovanni

Drawings and Prints, Print, The doctors of the church consulting books and documents and contemplating the Virgin who is shown above in heaven, flanked by angels, after Reni, Artist, Artist, After, Engraved by, Intermediary draughtsman,

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 4 13/16 x 16 15/16 in. (12.2 x 43 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Mucius Scaevola, from the series The Roman Heroes, 1586, Engraving; second state, 14 5/16 x 9 3/16 in. (36.4 x 23.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Blowfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

True Eagle, Missouria, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

Drawings and Prints, Print, Silver Statuette of the Christ Child, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder,

Three Putti Dancing to a Piper, March 1, 1780, Etching, Plate: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm), Prints, Charles Reuben Ryley (British, London ca. 1752–1798 London), After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Drawings and Prints, Print, Fete, Ornament & Architecture, Plate Election and Coronation of Emperor Maximilian II, Printer, Publisher, Artist, Johann Bringern, Anonymous, German, 17th century, Willhelm Hoffmans, German, active

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Drawings and Prints, Print, Popham Pines, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Saint John, book in right hand chalice in left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 5/16 x 2 in. (8.4 x 5.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Last Judgment, 1505, Woodcut, Sheet: 10 15/16 × 8 1/4 in. (27.8 × 21 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Raising of the Cross, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Bear is Attacked by the Peasants from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 7/8 × 4 9/16 in. (9.8 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Poster for Raynaud Frères, 1841, Lithograph, Overall: 16 1/8 × 22 3/4 in. (41 × 57.8 cm), Posters, Anonymous

St. Jerome in Prayer, 1635, Etching, Plate: 4 1/2 × 3 1/8 in. (11.4 × 8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Christ Driving the Money Changers from the Temple, 1680–1744, Black chalk and graphite, with partial reinforcements in pen and black ink, 19 7/8 x 12 1/2 in. (50.5 x 31.8 cm), Drawings, Lorenzo de' Ferrari (Italian, Genoa 1680–1744 Genoa

Drawings and Prints, Print, Telephone Conversation (Telefonisch Es Gespräch), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte,

Swallow-tailed Flycatcher, from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888 in

Four Designs Including a Cross and a Key Grip, 1899–1900, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Page with four designs for various objects. On the top left a

Plate from 'Scenographiae...', ca. 1560, Etching, sheet: 6 3/8 x 8 9/16 in. (16.2 x 21.7 cm), Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605), After Hans Vredeman de Vries (Netherlandish, Leeuwarden

The Virgin and Child at a table with the young John the Baptist, ca. 1600–1640, Etching, Sheet: 7 13/16 × 6 5/8 in. (19.8 × 16.8 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

The Century: Midsummer Holiday Number, 1895, Lithograph, Sheet: 19 15/16 × 14 3/16 in. (50.7 × 36 cm), Louis John Rhead (American, born England, 1857–1926

Jupiter and Semele, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 7/8 x 2 3/16 in. (4.7 x 5.6 cm), Prints, After Stefano della Bella (Italian, Florence 1610–1664 Florence

Black Hawk, Dakota Sioux, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2),

Four butterflies, 1646, Etching; first state of three, Plate: 3 1/8 × 4 9/16 in. (8 × 11.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two butterflies with closed wings in profile to left in upper left corner and

Pierre Gassendi, ca. 1637 or 1638, Engraving; first state of two, sheet: 8 7/16 x 5 1/2 in. (21.4 x 13.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, The Virgin holding the infant Christ, a circular composition, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian, Bologna 1575–1642 Bologna, Reni, Guido, Anonymous, 17th century,

Admiral, Belgium, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a set

The Pater Familias, 1648, Etching, Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Hands and arms, 1644–52, Etching; only state, 1 7/16 x 4 5/16 in. (3.6 x 11 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Studies of arms and hands; at right, torso of a naked man with outstretched right arm

Star-shaped Ornament for a Brooch or Pendant, 1899, Graphite, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Star-shaped ornament, placed in a circle. The six-pointed star is made up out of

God Seated on the World, 1540–45, Etching, Sheet (trimmed/lunette): 9 in. × 17 3/8 in. (22.8 × 44.2 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45

Sudan, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

August Belmont, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

The Cabbage Field, ca. 1880, Softground etching on laid paper; second state, sheet: 12 5/8 x 9 7/16 in. (32 x 23.9 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Landscape with Ornamental Frame, ca. 1543, Etching, Sheet: 10 1/16 x 16 1/4 in. (25.5 x 41.2 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), Style of Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau