Images at Librifly

Drawings and Prints, Print, Jaques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), Engraver, Artist, Subject, after, David Lucas, John Constable, William Shakespeare, British, Northamptonshire 1802–1881 London,

The Celestial Art, 1894, Lithograph, sheet: 16 15/16 x 13 7/8 in. (43 x 35.2 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Scène de Sacrifice (Antique Sacrifice), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente

Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by

Drawings and Prints, Print, Initial letter published in 1518 by Johann Schöffer, Mainz, Artist, Anonymous, German, Anonymous, German, 1400, 2050, ca. 1518, 1513

Portrait of Pierre Laurent de Belloy, ca. 1765, Etching and engraving; fifth state of five (Bocher), Sheet: 7 11/16 × 5 1/8 in. (19.6 × 13 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After De Sompsois (French,

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, plate: 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm), Prints, After William Hogarth

Trompe-l'Oeil Exercise: Prints on a Table Top, 1766, Pen and brown ink, brown wash, over traces of graphite, 16-7/16 x 22-3/8 in. (41.7 x 56.9 cm), Drawings, Pietro Jacopo Palmieri (Italian, Bologna 1737–1804 Turin

Samuel Bellamy, Wreck of the Whydah, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish

Needle, Cypriot, Bronze, Other: 4 1/8in. (10.5cm), Bronzes

The Flight into Egypt, Oil on canvas, 24 1/4 x 19 1/4 in. (61.5 x 48.9 cm), Paintings, Luca Giordano (Italian, Naples 1634–1705 Naples), In 1692 Giordano was summoned to Spain as court painter to King Charles II. Charles was succeeded in 1700

Booklet with Scenes of the Passion, ca. 1300 (carving); ca. 1310–20 (painting), North French (carving); Upper Rhenish (painting), Elephant ivory, polychromy, and gilding, Overall (opened): 2 13/16 x 3 3/16 x 1/2 in. (7.2 x 8.1 x 1.2 cm),

Sardanapal in the Bath, 1576–1623, Engraving, Sheet: 2 1/2 × 2 9/16 in. (6.4 × 6.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637

A panel of ornament with a woman holding a vase in centre, 1532, Engraving, 22.5 x 15.3 cm (including text), 20 x 15.5 cm (image only), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro

Drawings and Prints, Print, The Entry of Alexander into Babylon, Artist, Sébastien Leclerc I, French, Metz 1637–1714 Paris, Leclerc, Sébastien, I, French, 1637, 1714, ca. 1704, 1699

St. Paul's Burning, (Lex ignea), 1671 or after, Etching; post third state of three with the image of St. Paul's in flames replacing the image of the burning ship., Sheet: 7 5/16 × 4 7/16 in. (18.5 × 11.2 cm), Prints, Wenceslaus Hollar

Terracotta funerary plaque, Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, Overall: 10 1/4 x 14 1/4 x 3/8 in. (26 x 36.2 x 0.9 cm), Terracottas, Prothesis (laying out of the dead); below, chariot race. In the latter

Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, plate: 12 11/16 x 13 5/16 in. (32.2 x 33.8 cm), Prints, William Hogarth (British, London 1697–1764 London

L'Asie, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

The Crafty Bird-Catcher (Insidiosus auceps) from The Large Landscapes, ca. 1555–56, Etching and engraving; first state of two, Sheet: 13 3/4 x 18 in. (35 x 45.7 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 9/16 in. (10.3 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Plate 48, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Speculum Romanae Magnificentiae: Marsias (Marsias apud nobile quende), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Double Portrait of the Artists E.F. Kloss and G. Pellicia, 1836–40, Graphite, Sheet: 8 3/8 × 6 7/16 in. (21.3 × 16.3 cm), Drawings, Wilhelm Marstrand (Danish, Copenhagen 1810–1873 Copenhagen

Drawings and Prints, Print, Landscape with Diana Resting, Artist, Léon Davent, French, active 1540–56, Davent, Léon, 1540, 1556, 1526–50, 1526, 1550

Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; undescribed state between second and third of five, Sheet: 3 1/8 x 4 3/8 in.

Drawings and Prints, Print, Mercury Embracing Venus, Artist, After, Pieter de Jode I, Bartholomeus Spranger, Netherlandish, Antwerp 1570–Antwerp 1634, Netherlandish, Antwerp 1546–1611 Prague, Jode Pieter de, I, Spranger,

Justice personified by a young woman holding a sword in her raised right hand, scales in her left, from 'The Virtues', ca. 1515–25, Engraving, 8 7/16 x 4 1/4 in. (21.4 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Drawings and Prints, Print, The Virgin in prayer, looking up with clouds behind her, in an oval frame, after Reni, Artist, Publisher, After, Engraved by, Guido Reni, Francois de Poilly, Francois de Poilly, Italian, Bologna 1575–1642

Card 45, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes, 1887, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Cyclists' series (N49), issued in 1887 by Allen & Ginter to promote

Head of young man with long hair in profile to the left, 1644–52, Etching; only state, Plate: 1 9/16 × 1 7/8 in. (4 × 4.8 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Head and left shoulder of a young man in

The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Glowing Night, 1924, Watercolor and graphite on paper, 9 1/4 x 12 3/8 in. (23.5 x 31.4 cm), Drawings, Oscar Bluemner (American (born Germany), Hanover 1867–1938 Braintree, Massachusetts

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

The Two Gossips (copy), n.d., Etching, sheet: 4 1/16 x 3 1/8 in. (10.3 x 7.9 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Drawing, Design for a cover or title page for the 25th anniversary publication of the Viennese Graphic Design School (1888-1913), Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875,

Drawings and Prints, Drawing, Copy after David’s Death of Socrates, Artist, After, Anonymous, French, 19th century, Jacques Louis David, French, Paris 1748–1825 Brussels, Anonymous, French, 19th century, David, Jacques Louis,

Drawings and Prints, Photograph, Card Number 165, Miss Millivard, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, An old bearded man resting his head on his right hand and looking upwards to the left, after Reni, Artist, After, Engraved by, Guido Reni, Domenico Cunego, Italian, Bologna 1575–1642 Bologna, Italian, Verona

Great Bird of Paradise, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Children playing, 1750, Etching and engraving, Sheet (trimmed): 12 1/2 × 9 1/2 in. (31.7 × 24.1 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Portrait of a Woman, ca. 1480, Tempera on wood, 19 1/4 x 13 7/8 in. (48.9 x 35.2 cm), Paintings, Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florence 1441/42–1485/96 Rome), Some of the most distinguished female portraits produced

Washerwomen, from the Volpini Suite: Dessins lithographiques, 1889, Zincograph on chrome yellow wove paper; first edition, Image: 8 3/16 x 10 1/4in. (20.8 x 26.1cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas

Drawings and Prints, Print, The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After, Cornelis Cort, Maarten van Heemskerck, Hieronymus

Which Way Shall I Turn Me? How Can I Decide?, 1784, Etching, Sheet: 9 5/8 x 7 9/16 in. (24.4 x 19.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Harbor with rising sun, figures in foreground, colonnade on left, ca. 1634, Etching, Sheet (trimmed irregularly to plate mark): 4 7/8 × 7 9/16 in. (12.4 × 19.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Drawings and Prints, Photograph, Card Number 13, Lillian Russell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Words of Comfort (from 'The Portfolio'), March 1879, Drypoint, image: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm), Prints, Sir Hubert von Herkomer (British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon

The Courtesan Punished, from The Story of the Magician Virgil, Engraving; second state of three (Landau), Sheet: 2 3/8 × 3 1/4 in. (6.1 × 8.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Suabian Peasant, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards

Study of a Donkey, early 17th century, Graphite, pen and brown ink and brush and grey ink on cream paper, 5 3/4 x 5 5/8 in. (14.6 x 14.3 cm), Drawings, Attributed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95–1642 (?) Haarlem

Charity Covereth a Multitude of Sins, November 27, 1781, Hand-colored etching, Sheet: 14 1/8 x 10 1/16 in. (35.9 x 25.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Adam Ploughing from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Adam uproots a tree with the help of

Drawings and Prints, Print, Money Lenders, Publisher, Subject, Artist, William Humphrey, George Prince of Wales, Thomas Rowlandson, British, 1742?–before 1814, British, London 1762–1830 Windsor, British, London 1757–1827 London,

New Orleans, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards

Black Bear, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Figure: Seated Couple, 18th–early 19th century, Mali, southern cliff, Dogon peoples, Wood, metal, H. 28 3/4 x W. 9 5/16 in. (73 x 23.7 cm), Wood-Sculpture, This work's scale and complexity have led scholars to suggest that it may have been

Drawings and Prints, Print, Portrait of Andreas Vesalius, half-length in profile standing in front of a table dissecting the arm of a body; frontispiece to Andreas Vesalius 'De humani corporis fabrica libri septem', Artist, Attributed to, John

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), 1889, Oil on canvas, 36 1/2 x 29 in. (92.7 x 73.7 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), Of the five versions of Van

Village Road from Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 1/16 x 6 3/16 in. (10.3 x 15.7 cm), Prints, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), After The Master of the Small

Drawings and Prints, Print, Scène d’Octobre: La jeune poitrinaire (An October Scene: The Young Consumptive, from Le Journal Illustré no. 34), Artist, After, Henry Peach Robinson, British, Ludlow, Shropshire 1830–1901 Tunbridge Wells,

Octagonal Room with Sectional Views, 19th century, Pen and ink with watercolor, sheet: 17 x 16 7/8 in. (43.2 x 42.9 cm), Attributed to Anonymous, British, 19th century

Passau, 1652–77, Etching; second state of two, Sheet: 2 3/8 × 5 1/2 in. (6 × 14 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View with Passau in the valley at left, from the fortified bishop's castle on St

Drawings and Prints, Print, Mercury Delivers the Infant Bacchus to the Nymphs, Artist, Bénigne Gagneraux, French, Dijon 1756–1795 Florence, Gagneraux, Bénigne, 1756, 1795, 1778, 1778

Fire, a flotilla on fire in center and to the right, two boats full of people to left, from 'The four elements' (Les quatre Eléments), ca. 1645–50, Etching; first state of three, Sheet: 3 1/4 x 7 13/16 in. (8.3 x 19.9 cm), Prints, Stefano

The Crucifixion: Christ on the cross with Magdalen in foreground, after Dürer, 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.8 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Ia Orana Maria (Hail Mary), 1891, Oil on canvas, 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Before embarking on a series of pictures inspired by Polynesian

Lea D' Ascot, Paris/ Jane Hading, Paris/ Depoix, Gymnase, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors

Nebraska, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Clovis le grand / Vaillant, sage..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 3/16 in. (8.8 x 5.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Photograph, Card Number 174, Minnie Pluturch, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Blackwork Design for Goldsmithwork with a Hunter and a Fisherman, 1612, Engraving and blackwork, Sheet: 1 7/8 × 2 3/16 in. (4.7 × 5.6 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel, divided into three

Drawings and Prints, Print, Joseph's Coat Brought to Jacob, Former Attribution, Artist, Aertgen Claesz. van Leyden, Anonymous, Dutch, Netherlandish, Leiden 1498–1564 Leiden School, early 16th century, Claesz. van Leyden, Aertgen,

Madame de Gillier (Marie Jolly), ca. 1652, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 1/8 × 9 1/8 in. (30.8 × 23.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Woman Cutting Wheat, 1853, Woodcut on chine collé, block: 5 1/4 x 2 15/16 in. (13.4 x 7.5 cm), Prints, Designed by Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Jacques-Adrien Lavieille (French, 1818–1862

Landscape, 1909, Lithograph, Sheet: 11 1/2 × 8 3/8 in. (29.2 × 21.3 cm), Prints, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine

Gypsy Girl, printer's sample from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set

The Advocate and Death, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), A man in the street is

Floy Crowell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Helmeted head, 1662–78, Etching; copy by Francis Place, Sheet: 2 9/16 in. × 2 in. (6.5 × 5.1 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges

The Basilica of Constantine (Veduta degli avanzi della Casa aurea di Nerone, detti volgarmente il Tempio della Pace, ca. 1757, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, The Prodigal Son Tending Sheep, from 'Recueil d'estampes d'apres les plus célebres tableaux de la Galerie Royale de Dresde', Artist, Artist, Intermediary draughtsman, After, Simon Fokke, Pierre Hutin, Jusepe de

Two Yellow-legs (Wading in), 1930, Drypoint, plate: 9 x 10 in. (22.9 x 25.4 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Drawings and Prints, Print, Series of Six Anamorphic Animal Prints, Publisher, Joseph Friedrich Leopold, German, Augsburg 1668–1726 Augsburg, Leopold, Joseph Friedrich, German, 1668, 1726, ca. 1700, 1695, 1705

Bust of Hollar in a Circular Frame (published in Vertue's, Description of the Works of the Ingenious Delineator & Engraver, Wenceslaus Hollar), 1745, Etching and engraving, Image diameter: 2 1/4 in. (5.7 cm), Prints

Giraffe, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

River Landscape with Three Fisherman, Sheet: 4 1/8 × 6 1/16 in. (10.4 × 15.4 cm), Prints, Jean Jacques Le Veau (French, Rouen 1729–1786 Paris), After Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Hindustan, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set

Sweeping from Top to Bottom, Etching and Engraving, sheet: 13 7/8 x 9 15/16 in. (35.2 x 25.2 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

Kansas, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

The Willow, 1850, Etching; second state of three, sheet: 6 7/16 x 3 3/4 in. (16.3 x 9.6 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

[Imperial Library of the Louvre], 1856–57, Salted paper print from glass negative, 43.9 x 34.2 cm. (17 1/4 x 13 7/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), The grandest of Napoleon III's projects was the New

The Adoration of the Magi, ca. 1475–80, Engraving, Plate: 14 x 10 1/2 in. (35.6 x 26.7 cm), Prints, After school of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Drawings and Prints, Print, The Fall of Icarus, HB Sketches, No. 354, Publisher, Lithographer, Artist, Subject, Thomas McLean, Ducôte and Stephen, John Doyle, William IV, King of the United Kingdom of Great Britain and Ireland, Henry

Beaver, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

The Haybarn with Movable Roof, Engraving; first state of two, Sheet: 4 13/16 × 6 1/4 in. (12.2 × 15.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

David standing, sword in lowered right hand, sack in the left, the head of Goliath on the ground beneath him, ca. 1506, Engraving, damaged and partially cut along left side and bottom and made up with pen and ink, 6 1/2 x 4 3/8 in. (16.5 x

The Good Samaritan Tending the Traveller's Wounds with Oil and Wine or The Priest and the Levite Passing, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm), Prints, Heinrich Aldegrever (German,

Bust portrait of Cosimo I de' Medici, in an oval frame set within a rectangular plaque, surrounded by fantastical ornament, 1567, Etching and engraving, plate: 6 7/8 x 5 7/16 in. (17.5 x 13.8 cm), Nicolò Nelli (Italian, active Venice, ca.