Images at Librifly

Plate 22: Civilis Separates German and Dutch Troops, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 7/16 × 8 1/8 in. (16.4 × 20.7 cm),

French, Country, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Credulity, Superstition, and Fanaticism, March 15, 1762, Etching and engraving; second state of two, plate: 17 1/4 x 13 in. (43.8 x 33 cm), Prints, William Hogarth (British, London 1697–1764 London

Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819, Etching only; before first state of three, plate: 8 9/16 x 11 3/8 in. (21.7 x 28.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Plate 6: cows crossing a valley to left, a group of trees to left, a horseman and other cows in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1643–48, Etching, Sheet: 5 1/4 x 5 3/8

Russian Lady, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, The Paviors Joy, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1792, 1792

Drawings and Prints, Print, Initial letter P on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 4 15/16 x 17 3/8 in. (12.6 x 44.2 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Speculum Romanae Magnificentiae: Porta della fabrica of the Farnese Palace, Caprarola, 16th century, Engraving, sheet: 13 3/16 x 7 15/16 in. (33.5 x 20.1 cm), Prints, Anonymous

Classical Subject: Possibly the Aftermath of a Battle, 1760–79, Pen and black and brown ink, traces of black chalk, Sheet: 9 1/4 x 14 3/4 in. (23.5 x 37.5 cm), Drawings, John Hamilton Mortimer (British, Eastbourne 1740–1779 London),

The Angel Staying the Arm of Abraham, After 1552, Etching and engraving. Second state, sheet: 13 3/4 x 10 3/8 in. (35 x 26.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Drawings and Prints, Photograph, Mlle. Tissot, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute: Industry and Idleness, plate 7, September 30, 1747, Etching and engraving; only state, sheet: 10 5/16 x 13 5/8 in. (26.2 x 34.6 cm), Prints, William Hogarth

St. Thomas, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/4 x 4 7/16 in. (15.9 x 11.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Copy of the Center of a Design for a Brooch, after 1580–1600, Engraving and blackwork, Sheet: 1 7/8 × 2 5/16 in. (4.8 × 5.9 cm), after Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Copy of the center of a

Design for the Verso of a Pendant with an Oval Motif Between Strapwork, 1604, Engraving and blackwork; second state of two (New Hollstein), Sheet: 6 7/16 × 4 3/4 in. (16.3 × 12 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

News story about the sighting of a skeleton inside a holy temple, a man lying on the floor while a skeleton returns to a chamber and a cloaked figure exits to the right, José Guadalupe Posada (Mexican, 1851–1913), 1903

Footsoldier in front of a Tree, mid-17th century, Engraving, Sheet: 1 7/8 × 1 9/16 in. (4.8 × 4 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Woman with large circular fur hat and earrings, 1645, Etching; only state, Plate: 4 × 3 3/4 in. (10.2 × 9.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A woman shown bust-length, directed left; wearing a fur cap,

Title plate for the series 'The Labors of Hercules' with the arms of Cardinal Francesco Maria de Monte, 1608, Etching, sheet: 5 1/2 x 7 1/16 in. (13.9 x 18 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Last Supper, 1550–1580, Brush and brown wash, over black chalk, 14-5/8 x 16-1/8 in. (37.1 x 41 cm), Drawings, Anonymous, Italian, mid-16th century, Traditionally attributed to Girolamo Romanino (Italian, Brescia 1484/87–1560 Brescia

Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti, ca. 1570–1628, Etching, image: 8 3/16 x 5 13/16 in. (20.8 x 14.7

Kleine Welten (Small Worlds), 1922, Portfolio of drypoints, woodcuts, and lithographs, Plate: 9 5/16 × 7 7/8 in. (23.7 × 20 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine), Kandinsky made the

Drawings and Prints, Print, Idyll: a naked youth seated outdoors on a plinth playing a double flute, a goat on the ground before him, Artist, Mariano Fortuny, 1838–1874, Fortuny, Mariano, Spanish, 1838, 1874, 1865

Silver-Pencilled Hamburgh, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

Drawings and Prints, Photograph, Card Number 590, Sadie Martinot, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, Print, Ornament & Architecture, Fete, Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, Medicea Hospes, Artist, Publisher, Artist, Author, After, Claes Moeyaert, Joan and Cornelius Blaeu,

Moonfish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Duck-Billed Platypus, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued

Polar Bear, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

N.W. Kitson, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

Drawings and Prints, Print, The Penitence of Saint Peter, Artist, Artist, Intermediary draughtsman, After, Jeremias Gottlob Rugendas, Andreas Ladwig Krüger, Jusepe de Ribera (called Lo Spagnoletto), German, 1711–1772, German, ca.

Bengali, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a set

Crossbill, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of

Hercules Being Shown the Mountainous Road to the Temple of Immortal Fame in the Company of Minerva and Mars, ca. 1591, Engraving, Sheet: 9 1/2 × 6 5/16 in. (24.1 × 16 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam),

Two Horses Exercised by a Jockey, 1822, Lithograph, Sheet: 16 3/4 × 22 1/2 in. (42.5 × 57.2 cm), Prints, Théodore Gericault (French, Rouen 1791–1824 Paris

Drawings and Prints, Drawing, Portrait of Johann Heinrich Friedrich Carl Witte, Artist, Samuel Amsler, Swiss, Schinznach 1791–1849 Munich, Amsler, Samuel, 1791, 1849, 1819, 1819

Drawings and Prints, Print, Another Peep into the Play-Ground – You're none of my child, HB Sketches, No. 566, Subject, Subject, Subject, Subject, Subject, Publisher, Subject, Artist, Subject, Lithographer, Subject, Colonel

Banditti at Market, November 9, 1780, Engraving, Sheet: 14 x 10 1/16 in. (35.5 x 25.6 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Drawings and Prints, Photograph, Card Number 302, Mlle. Perviani, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Silenus, as a Vase, Satyr Handle, Artist, Léon Davent, French, active 1540–56, Davent, Léon, 1540, 1556, 1540–56

Plate 2: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656–58, Etching; second state, sheet: 8 1/16 x 10 1/4 in. (20.4 x 26.1 cm), Prints, Giovanni Battista Galestruzzi (Italian,

Terracotta lamp, Late Imperial, 5th–6th century A.D., Roman, Terracotta; mold-made, Overall: 1 3/16 x 3 1/2 in. (3 x 8.9 cm), Terracottas, With pear shaped top on which is a degenerate rosette and dots

The Calling of Matthew, Oil on wood, 43 7/8 x 59 1/2 in. (111.4 x 151.1 cm), Paintings, Workshop of Jan Sanders van Hemessen (Netherlandish, active by ca. 1524–died ca. 1564), Van Hemessen executed several versions of this painting, which

Adonis Pursuing Calydon's Boar, 1547, Etching, Sheet (trimmed): 12 5/16 × 15 9/16 in. (31.2 × 39.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Marriage of St. Catherine, Etching; second state of five (Bartsch), sheet: 11 1/8 x 7 5/16 in. (28.2 x 18.5 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome

Rough Waves, 波濤図屏風, Edo period (1615–1868), ca. 1704–9, Japan, Two-panel folding screen; ink, color, and gold leaf on paper, Image: 57 11/16 x 65 1/8 in. (146.5 x 165.4 cm), Screens, Ogata Kōrin (Japanese, 1658–1716),

Cardinal Albrecht of Brandenburg, 1520, Engraving, Sheet: 6 5/8 × 4 1/2 in. (16.9 × 11.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

C.H. Etching, 1916, Etching with plate tone, Plate: 5 1/2 x 3 15/16 in. (13.9 x 10 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

St. John the Baptist in the Desert, 15th century, Engraving; second state, Sheet: 7 1/4 × 7 7/16 in. (18.3 × 18.9 cm), Prints, Master ES (German, active ca. 1450–67

Saxony, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards to

Paedopaegnion: Third Title Page, 1651, Etching, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Plate 1: Saint Matthew with his head turned in profile to the left, a cherub at bottom left, from 'The four evangelists', 1541, Engraving, Sheet: 1 5/8 x 1 1/8 in. (4.2 x 2.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

The Pier with a Lamp, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison), Sheet: 19 7/16 x 25 in. (49.4 x 63.5 cm), Prints, Giovanni

Drawings and Prints, Drawing, Portrait of a Mother and Child, Artist, John Linnell, British, London 1792–1882 Redhill, Surrey, Linnell, John, British, 1792, 1882, 1823

Drawings and Prints, Photograph, Card Number 120, Laura Burt, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Lisez la Revue Blanche, late 19th–mid-20th century, Lithograph, sheet: 12 15/16 x 9 3/16 in. (32.8 x 23.4 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Governor Morehouse, Missouri, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Autumn, 1629, Etching; third state of three, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Speculum Romanae Magnificentiae: Trophies of Marius, late 16th century, Engraving and etching, sheet: 18 7/8 x 13 3/16 in. (48 x 33.5 cm), Prints, Anonymous

An apostle resting his head on his left hand and reading a book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, Sheet: 3 13/16 × 2 15/16 in. (9.7 × 7.5 cm), Prints, Anonymous, 17th century, After

Taste in High Life, May 1, 1798, Engraving and aquatint; second state, Sheet (trimmed to plate line): 15 1/16 x 18 1/8 in. (38.2 x 46 cm), Prints, After William Hogarth (British, London 1697–1764 London

A bearded man after Hans Holbein (?), 1646, Etching, only state, Sheet: 3 3/4 × 2 11/16 in. (9.6 × 6.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Portrait of a middle-aged man with moustache and

Estelle Clayton, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Drawings and Prints, Print, Spring and Summer: two heads made from flora typical of those seasons, Artist, Inspired by, Giuseppe Arcimboldo, Anonymous, Italian, 16th to early 17th century, Italian, Milan (?) 1527?–1593 Milan, Arcimboldo,

The Annunciation, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

François Lotin de Charny, ca. 1657, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 11 7/16 x 9 1/2 in. (29 x 24.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Mont Sainte-Victoire, 1936, Watercolor on heavy wove paper, sheet: 12 15/16 x 10 in. (32.8 x 25.4 cm), Drawings, Attributed to Émile Bernard (French, Lille 1868–1941 Paris

Drawings and Prints, Drawing, Melancholia, Artist, After, Henri Simon Thomassin, Domenico Fetti, French, Paris 1687–1741, Italian, Rome (?) 1591/92–1623 Venice, Thomassin, Henri Simon, Fetti, Domenico, 1687, 1591, 1687, 1623,

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius, ca. 1520–50, Engraving, 8 7/16 x 4 3/8 in. (21.4 x 11.1 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini

Arrowhead, Classical, ca. 480–330 B.C., Cypriot, Bronze, 1 1/2in. (3.8cm), Bronzes

Stockton, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Drawings and Prints, Print, Esau Meeting Jacob (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, George Frederic Watts, British, London, New York, NY,

Jupiter's Eagle Bringing Water of the Styx to Psyche, 1540–56, Engraving, Sheet (lunette/trimmed): 8 1/8 × 15 1/16 in. (20.6 × 38.3 cm), Prints, Léon Davent (French, active 1540–56), After Giulio Romano (Italian, Rome 1499?–1546

Cardinal Jules Mazarin, Engraving; first state of three (BN), sheet: 13 9/16 x 9 3/8 in. (34.5 x 23.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Venus tying a blindfold over Cupid's eyes, from the series 'Sport of Love' (Scherzi d'amore), 1617, Etching, sheet: 5 5/8 x 3 3/4 in. (14.3 x 9.5 cm), Prints, Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice

Drawings and Prints, Daniel Maclise, The Drawing Room Portrait Gallery of Eminent Personages, Sitter, Engraver, Artist, After photograph by, Daniel Maclise, Daniel John Pound, John Jabez Edwin Mayall, Irish, Cork 1806–1870 London,

Drawings and Prints, Print, The Virgin holding the sleeping infant Christ on her lap, after Reni, Artist, Publisher, Artist, After, Guido Reni, François-Alexander Chasteau, Anonymous, Italian, Bologna 1575–1642 Bologna, French,

Mlle. Jesika, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 8), issued

Jesus before Annas, 1625–77, Etching, only state, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Jesus is dragged from the left towards a Cardinal enthroned in a

Parade Rest, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

The Death of Camilla, Etching; first state of three (Bartsch), sheet: 16 3/4 x 11 1/4 in. (42.5 x 28.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Austrian Soldier, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50

The Third Wise Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Reverse Copy of Joseph and Potiphar's Wife, from The Story of Joseph, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.8 cm), Prints, after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Drawings and Prints, Print, L'Optique, Artist, Michel Dossier, French, 1684–1750, Dossier, Michel, 1684, 1750, 18th—early 19th century, 1744, 1831

Head of a Girl Facing Towards the Left, 1881, Colored lithograph, Mount: 17 5/8 x 12 1/2 in. (44.7 x 31.7 cm), Prints, George William Thornley (French, 1857–1935), After François Boucher (French, Paris 1703–1770 Paris

The Descent from the Cross, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538

Peter from Christ, the Apostles and St. Paul, Woodblock and letterpress, Image: 13 7/16 × 8 7/16 in. (34.2 × 21.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Drawings and Prints, Drawing, Adam and Eve Mourning the Death of Abel, Artist, Michiel Coxie (I), Netherlandish, Mechelen ca. 1499–1592 Mechelen, Coxie, Michiel, (I), 1494, 1592, ca. 1576, 1571

Sennedjem and Iineferti in the Fields of Iaru, 20th century; original New Kingdom, Dynasty 19, A.D. 1922; original ca. 1295–1213 B.C., From Egypt, Upper Egypt, Thebes; Original Deir el-Medina, Tomb of Sennedjem (TT 1), Tempera on paper,

Veelderhande cierlijcke Compartementen profitelijck voor Schilders goutsmeden beeltsnijders ende ander constenaren., 1564, Engraving, 11 x 7 7/8 x 1/8 in. (28 x 20 x 0.3 cm), Books, Jacob Floris the Elder (Flemish, 1524–1581

Ground Plan for a Catafalque for Leopold, Duke of Lorraine (d. 1729), ca. 1729, Pen, brown ink and brown and grey washes, 20-1/8 x 13-7/8 in. (51.1 x 35.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Card Number 191, Lizzie Harold, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

The Blessing, 1610–85, Etching, Sheet: 6 1/4 × 5 1/4 in. (15.8 × 13.3 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Sketch of Policeman and Two Women, ca. 1894, Etching; only state, plate: 4 7/16 x 3 3/8 in. (11.2 x 8.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Bow Gun, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series

The Fall of Man, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (8 × 5.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Broadsheet with extravagant verses relating to a parade of animals dressed in costume and a corrido about an encounter between various animals., José Guadalupe Posada (Mexican, 1851–1913), ca. 1895–1910