Images at Librifly

Drawings and Prints, Drawing Ornament & Architecture, Design for a Garden Vase with Hunting Theme, Artist, Paul Egell, German, Waibstadt 1691–1752 Mannheim, Egell, Paul, 1691, 1752, ca. 1740, 1735, 1745

R. J. Gatling, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Drawings and Prints, Photograph, Card Number 103, Louise Pauline, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Drawing, A Landscape, possibly a stage set design, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911

Houghton Hall, Norfolk, Ground Floor (Basement) Plan, 1735, Pen and black ink, sheet: 14 15/16 x 27 3/16 in. (38 x 69 cm

Copy of Bernt Knipperdolling, 1536, Engraving, Sheet: 12 1/2 × 9 1/8 in. (31.7 × 23.2 cm), Prints, Clement de Jonghe (Dutch, Brunsbüttel (Landkreis Dithmarschen) 1624/1625–1677 Amsterdam), after Jan Muller (Netherlandish, Amsterdam

The Temptation of Eve, 1639, Pen and brown ink, brown wash, over black chalk; framing line in pen and brown ink; squared in black chalk, Sheet: 7 1/2 × 5 1/16 in. (19.1 × 12.8 cm), Drawings, Peter van Lint, Flemish (Antwerp 1609–1690

Mlle. Elren, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Folio from a Qur'an Manuscript, late 9th–early 10th century, Made in probably Syria, Ink and gold on parchment, H. 13 1/8 in. (33.32 cm), Codices, Like many early Qur'an folios, this one is written on parchment in black ink with a

Speculum Romanae Magnificentiae: Sculpture of a faun standing in a niche after a statue in Scipione Borghese's villa, 16th century, Etching, sheet: 16 3/8 x 11 13/16 in. (41.6 x 30 cm), Prints, Anonymous

Three Cows, from Different Animals, Etching, plate: 4 1/2 x 5 3/8 in. (11.4 x 13.7 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Drawings and Prints, Drawing Ornament & Architecture, Design for a Monstrance (Presented to the City of Trieste by King Louis XVIII), Artist, Louis Lafitte, French, Paris 1770–1828 Paris, Lafitte, Louis, French, 1770, 1828, ca.

View of the facade of the Hôtel de Ville, Paris, in the foreground a cross on a stepped platform and a freestanding domed building, ca. 1636–91, Etching, sheet: 5 11/16 x 11 5/16 in. (14.5 x 28.8 cm), Israel Silvestre (French, Nancy

Drawings and Prints, Album Prints Ornament & Architecture, Festivitates Aurifabris (...) / Verscheide Snakeryen dienstich voor Goutsmits, Beelthouwers, Steenhouwers, en alle die de const beminnen (Plate 7), Artist, Etcher, Publisher,

Head Attributed to Arsinoe II, Ptolemaic Period, 278–270 B.C., From Egypt, Memphite Region, Abu Rawash, IFAO excavations 1922-1923, Limestone (Indurated), H. 12 cm (4 3/4 in); W. 9 cm (3 9/16 in); D. 9 cm (3 9/16 in), This small head was

Saint John and Saint Jerome (fragment from a Crucifixion), ca. 1490s, Engraving, Sheet: 5 11/16 × 2 7/8 in. (14.5 × 7.3 cm) trimmed around the figures, Prints, Francesco Rosselli (Florence 1448–1508/27 Venice (?)), Possibly after a design

Drawings and Prints, Print, Portrait of Vilhelm Hammershøi, Artist, Peter Ilsted, Danish, Sakskøbing 1861–1933 Copenhagen, Ilsted, Peter, 1861, 1933, 0

The Bear's Snout and Paws Are Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of five, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Doublet, ca. 1580, European, silk, metallic thread, brass

St. Bernard Taking a Brother to an Assembly, Engraving, sheet: 9 1/4 x 13 1/8 in. (23.5 x 33.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Venus drying her foot with a piece of drapery, Cupid in front of her, holding a bow in his left hand, Artist, ?After, Marcantonio Raimondi, Raphael (Raffaello Sanzio or Santi), Italian, Argini (?) ca.

Drawings and Prints, Print, Lot flanked by his two daughters, one of them holding a decorated jug, after Reni, Schola Italica Picturae, Artist, After, Engraved by, Guido Reni, Domenico Cunego, Italian, Bologna 1575–1642 Bologna,

Charles de Bouques, Engraving, sheet: 10 1/2 x 7 1/16 in. (26.6 x 17.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Triumph of Eternity on Death, from The Triumph of Petrarch, Engraving; second state of two (Landau), Sheet: 5 1/2 × 8 1/4 in. (13.9 × 21 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Taste, 1610–85, Etching, Sheet: 8 9/16 × 10 1/16 in. (21.7 × 25.5 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Zaleucus (Seleucus) and his son, 1637, Etching, only state, Sheet: 10 15/16 × 13 7/16 in. (27.8 × 34.2 cm), Prints, After Giulio Romano (Italian, Rome 1499?–1546 Mantua), Zaleucus and his son; Zaleucus seated turned to right, pointing

London, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Title Plate from Veelderleij niewe inventien van antijckesche sepultueren diemen nou zeere ghebruijkende is met noch zeer fraeije grotissen en compertimenten zeer beqwame voer beeltsniders antijcksniders schilders en all constenaers...Libro Secundo,

Drawings and Prints, Print, The head of the Virgin looking up to the right, in an oval frame, after Reni, Artist, Publisher, After, Engraved by, Guido Reni, Adrian van Melar, Cornelis Galle II, Italian, Bologna 1575–1642 Bologna,

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11

Drawings and Prints, Print, Winter, Artist, After, Battista Angolo del Moro, Giulio Romano, Italian, Verona ca. 1515–ca. 1573 Murano, Italian, Rome 1499?–1546 Mantua, Angolo, del Moro Battista, Giulio Romano, Italian, 1515, 1499,

Raven, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of 50

Gus Hill, Champion Club Swinger, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in

Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45, Etching, image: 3 5/16 x 2 13/16 in. (8.4 x 7.2 cm), François Collignon (French,

Yellow-head, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in

Drawings and Prints, Print, Castles and Hills, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1920

Schreiber's Hummingbird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued

View into a Courtyard, ca. 1880–90, Graphite, Sheet: 8 3/16 x 5 1/16 in. (20.8 x 12.9 cm), Drawings, Adolph Menzel (German, Breslau 1815–1905 Berlin

Drawings and Prints, Drawing, Study of Hands, Artist, Charles Joseph Natoire, French, Nîmes 1700–1777 Castel Gandolfo, Natoire, Charles Joseph, French, 1700, 1777, ca. 1761, 1756, 1766

Catharine Lorillard Wolfe (1828–1887), 1876, Oil on canvas, 67 1/2 x 42 3/4 in. (171.5 x 108.6 cm), Paintings, Alexandre Cabanel (French, Montpellier 1823–1889 Paris), In the mid-1870’s, both Catharine and John Wolfe commissioned works

'Tristram Shandy, ' Frontispiece, Volume 1, April 1760, Etching and engraving; first state of two, sheet: 5 1/2 x 3 1/8 in. (13.9 x 7.9 cm), Prints, after William Hogarth (British, London 1697–1764 London

[Flower Study, Rose of Sharon], ca. 1854, Albumen silver print from glass negative, 37.5 x 41.9 cm (14 3/4 x 16 1/2 in.), Photographs, Adolphe Braun (French, Besançon 1811–1877 Dornach), Unlike many nineteenth-century photographs primarily

The Siesta, ca. 1892–94, Oil on canvas, 35 x 45 3/4 in. (88.9 x 116.2 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), The unaffected grace and communal ease of Tahitian women impressed Gauguin

Drawings and Prints, Drawing; sketchbook, Drawing Book, Artist, Printer, Cover printed by, H. Byrne, John Heywood, British, active second half of 19th century, British, late 19th century, Byrne, H., John Heywood, 1850, 1880, 1900,

May Hanley, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views), ca. 1751, Etching, Sheet: 18 13/16 x 27 3/8 in. (47.8 x 69.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century, Etching, Sheet: 14 3/8 x 18 1/2 in. (36.5 x 47 cm) trimmed within platemark, Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher

Woman Full Face, Her Head Slightly to the Left, ca. 1543, Etching, Sheet (trimmed): 10 1/8 × 5 11/16 in. (25.7 × 14.5 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two, Sheet: 4 9/16 x 10 1/16 in. (11.6 x 25.6 cm), Prints,

Sir John Floyd on Horseback, ca. 1800–1814, Watercolor, sheet: 7 3/8 x 6 1/4 in. (18.8 x 15.8 cm), Drawings, Richard Westall (British, Reepham, Norfolk 1765–1836 London), Westall here uses watercolor to combine details of uniform and

Drawings and Prints, Print, Jockeyship, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827, 1838, July

The Night Patrol at Smyrna, Oil on canvas, 29 1/4 x 36 3/8 in. (74.3 x 92.4 cm), Paintings, Alexandre-Gabriel Decamps (French, Paris 1803–1860 Fontainebleau), The present picture depicts Turkish military patrols making their rounds at

Marble stele (grave marker) of a woman, Late Classical, mid-4th century B.C., Greek, Attic, Marble, H. 48 1/16 in. (122 cm), Stone Sculpture, This noble image of a woman brings to mind the philosopher Aristotle's description of commonly held

Mountainous Landscape with a Group of Gypsies, 1586–1629, Engraving, Sheet: 7 9/16 x 11 5/16 in. (19.2 x 28.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish,

Drawings and Prints, Print, Tithe Pig, Artist, Publisher, Artist, After, Thomas Rowlandson, H. Brookes, Henry Wigstead, British, London 1757–1827 London, British, 1745?–1800 Margate, Rowlandson, Thomas, Brookes, H., Wigstead,

Plate 28: Arch of Trajan in Ancona (Arco di Trajano in Ancona), ca. 1748, Etching, Plate: 5 9/16 × 10 7/8 in. (14.1 × 27.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

A Cart Drawn by a Brown Horse Near a Lamp Pole; Verso: A Group of Mounted Officers, Johann Adam Klein (German, Nuremberg 1792–1875 Munich), ca. 1815

Haddock, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889

Drawings and Prints, Photograph, Card Number 118, Annie Sutherland, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Photograph, Card Number 363, Myra Ward, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Broadsheet with a ballad addressing poverty, woman sitting in a field of flowers with a duck that has a human's head, José Guadalupe Posada (Mexican, 1851–1913), ca.1904

Miss Gertrude Barrison, Cabaret Fledermaus, Vienna Kärntnerstr. 33, 1907, Color lithograph, sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm), Prints, Fritz Zeymer (Austrian, Vienna 1886–1940 Vienna

View from the Ramparts at Chartres, 1893, Watercolor, 12 x 8 7/8 in. (30.5 x 22.6 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

François Servien, 1657, Engraving; second state of four (Petitjean & Wickert), Sheet: 19 1/4 × 12 3/16 in. (48.9 × 31 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Monkey Mask, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 5/8 × 1 9/16 in. (6.7 × 4 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with grotesque masks dedicated to Jean de Leins,

Drawings and Prints, Print, Christ Teaching the Disciples, 1, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans,

Drawings and Prints, Print, Darning, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1912

Fantastic Architecture Structure with Strapwork and Two Pergolas and a Small Scene with Vulcan's Forge at the Top, 1557, Etching and engraving, plate: 11 7/8 x 8 1/16 in. (30.1 x 20.5 cm), Cornelis Floris II (Netherlandish, Antwerp before

The Adoration of the Magi, early 16th–mid 16th century, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper, Sheet: 14 3/8 × 19 11/16 in. (36.5 × 50 cm), Drawings, Circle of Bernard van Orley (Netherlandish,

Mrs. Scott Siddons, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of

Remains of the Temple of Cybele (Avanzi del Tempio di Cibele), 18th century, Etching, Plate: 5 1/4 × 7 7/8 in. (13.4 × 20 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Broadsheet relating to people being tricked into working in tobacco fields, a man warning a crowd about harsh labor conditions, José Guadalupe Posada (Mexican, 1851–1913), 1903

Self-Portrait as Monsieur Prudhomme, 1861, Watercolor and gouache over graphite with pen and brown ink, Sheet: 10 1/2 x 6 1/2 in. (26.7 x 16.5 cm), Drawings, Henry-Bonaventure Monnier (French, Paris 1799–1877 Paris

Jupiter and Ganymede, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 13/16 x 2 3/16 in. (4.6 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Woman leaning to left, 1722–28, Etching, Sheet: 11 5/16 x 8 5/16 in. (28.7 x 21.1 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne

Robbery on a Road after a painting in the collection of the Duc de Choiseul, 1771, Etching and engraving, Sheet: 5 11/16 x 7 5/8 in. (14.4 x 19.4 cm), Prints, Louis Germain (French, 1733–ca. 1791), After Jan Brueghel the Elder

Broadsheet relating to the horrible murder committed by Bernabe Manrique in the town of Zapotiltec, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

Drawings and Prints, Print, Variety Act 5: The Avenger of His Honor (Varietenummer 5: Der Rächer Seiner Ehre), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians),

Saint Matthew holding a staff and a book, turning to the left, ca. 1540–50, Etching, sheet: 8 11/16 x 4 5/16 in. (22 x 11 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Emperor addressing his Soldiers, ca. 1542–45, Etching, Sheet: 10 3/4 x 8 11/16 in. (27.3 x 22 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45

Crowd at the Seashore, ca. 1910, Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), Paintings, William James Glackens (American, Philadelphia, Pennsylvania 1870–1938 Westport, Connecticut), Like his fellow urban realists, Glackens was drawn to

Drawings and Prints, Print, A Saxon Prince on Horseback, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Coronation of the Virgin with the Heavenly Hosts., 17th century, Black chalk, partly reworked with pen and dark brown ink, sheet: 15 3/8 x 10 3/8 in. (39 x 26.3 cm) maximum; irregular borders, Drawings, Baldassarre Franceschini (il Volterrano)

Mask with Curly Hair, a Long Mustache and a Loosely Twisted Beard, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 1/2 × 1 5/8 in. (6.4 × 4.1 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates

Terracotta neck-amphora (jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 15 7/8 in. (40.3 cm), Vases, Obverse, Apollo between Hermes and goddess Reverse, Memnon between his Ethiopian squires In the Trojan War,

Drawings and Prints, Photograph, Card Number 129, Kiralfy Troupe, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Eros Vanquished, 1894, Crayon lithograph printed in black on wove paper, from first song sheet edition; only state, Sheet: 10 5/8 × 6 11/16 in. (27 × 17 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Lewis Scot, Capture of Campeche, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Leslie Chester, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Drawings and Prints, Print, Street Pavers (Les Paveurs), L'Estampe originale, Album VIII, Artist, Publisher, Henri-Gabriel Ibels, André Marty, French, Paris 1867–1936 Paris, French, born 1857, Ibels, Henri-Gabriel, Marty, André,

Venus, from The Seven Planets, Woodcut, Sheet (trimmed around central scene): 12 3/8 × 8 1/8 in. (31.4 × 20.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Return of Joseph, 1720–70, Pen and brown ink, brush and brown wash, white heightening on gray paper (once blue)., sheet: 8 5/8 x 11 1/8 in. (21.9 x 28.3 cm), Drawings, John Michael Rysbrack (Flemish, Antwerp 1694–1770 London), This

The Assumption of the Virgin, 1540–50, Etching, Sheet (trimmed): 16 1/4 × 12 5/8 in. (41.2 × 32 cm), Prints, Master I 0 V (active ca. 1542–45), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Design for a Coffered and Painted Ceiling in Rust and Olive Green, with a Quatrefoil Motif, 19th century, Graphite, watercolor and gilt, sheet: 18 5/8 x 12 3/4 in. (47.3 x 32.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) ,

View of the Palais Cardinal, the figure of Fame at top center flying towards the left and playing the trumpet with another trumpet in her left hand, 'Various views of remarkable palaces in Italy and France' (Diverses vues d'endroits remarquables

Saint Agnes standing a holding a palm in her right hand, a sheep lower left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 3/16 x 1 7/8 in. (8.1 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Allegory in Honor of Cardinal Richelieu, 1641, Black chalk, traces of stumping, brush and black and gray wash. Contours incised for transfer., 14 11/16 x 29 1/2 in. (37.3 x 74.9 cm), Drawings, Charles Le Brun (French, Paris 1619–1690

The Pond from Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 1/8 x 6 3/16 in. (10.5 x 15.7 cm), Prints, After The Master of the Small Landscapes (Netherlandish, 16th century

Miss Ida Heath, English Dancer, 1894, Crayon and brush lithograph with scraper printed in olive green on wove paper; only state, Image: 14 5/16 × 10 3/8 in. (36.4 × 26.4 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Drawings and Prints, Print, The Pennant, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1916