Images at Librifly


2.589.713 / 2.589.715 Entries   < previous page Page 440 / 25898 next page >
Charles Suisse, 1861, Oil on canvas, 23 1/4 x 19 3/8 in. (59.1 x 49.2 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Suisse, a former artist’s model, established an informal—and extremely liberal—art
Lust, from The Vices, 1552, Engraving, Sheet: 4 × 2 7/16 in. (10.2 × 6.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest
Basket of Flowers, 1907, Color lithograph, sheet: 5 9/16 x 3 7/16 in. (14.1 x 8.7 cm), Prints, Leopoldine Kolbe (Austrian, Vienna 1870–1912 Vienna
Two Angels Flying; verso: God the Father Seated in the Clouds and a Sketch of a Figure Flying, ca. 1720, Red chalk, brush and brown ink; verso: red chalk, brush and brown ink, graphite, heightened with white gouache, Sheet: 11 1/4 × 8 11/16
Broadside relating to a news story about floods in multiple cities, villagers wading through water, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913
Soldier on Horseback in Catoptric Anamorphosis (after Hendrick Goltzius), ca. 1620–40, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft, grayish black chalk, Sheet: 14 9/16 x 20 3/16 in. (37 x 51.2 cm), Drawings,
Drawings and Prints, Print, General Washington, Publisher, Artist, Sitter, After, Thomas Holloway, Charles Willson Peale, George Washington, British, London 1748–1827 Coltishall, Norfolk, American, Chester, Maryland 1741–1827
The Sign Poster, 1742, Etching with some engraving, image: 9 x 7 1/16 in. (22.9 x 18 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762
Design for a Soldier's Costume with a Cuirass (front and back), ca. 1620–56 , Brown ink with a grey-blue and a light brown wash, Sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and
Woman and Child Resting, a Man Working in the Field Beyond, 1898, Graphite, watercolor, white gouache, Sheet: 11 5/16 x 14 5/16 in. (28.8 x 36.4 cm), Drawings, Jan Toorop (Dutch, Java 1858–1928 The Hague
Rest on Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50
'Les Vieux Messieurs' (The Old Gentlemen), 1894, Lithograph on wove paper, 20-7/16 x 15-3/4 in. (51.9 x 40.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois
Nose Ornament, 1st–7th century, Colombia, Calima (Yotoco), Gold, H. 5 5/16 in. (13.5 cm), Metal-Ornaments, Nose ornaments are among the earliest personal adornments used throughout the Andes in Precolumbian times. They were made in a variety
Design for a Ceiling, 1739–1819, Black chalk, light brownish-yellow wash, squared for transfer in black chalk, 14-3/8 x 15-1/4 in. (36.5 x 38.7 cm), Drawings, Mariano Salvador de Maella (Spanish, Valencia 1739–1819 Madrid
Proofs of Bank of New York One Dollar Bill and Two Dollar Bill, 1824–27, Engraving, each image: 3 1/8 x 11/16 in. (7.9 x 1.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey),
Drawings and Prints, Print, Sadlers Flying Artillery, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, September 3, 1798
Plate 2: a ship at right and a rowboat at left, washed up on shore, a tower in ruins behind to left, from 'Caprice faict par de la Bella', ca. 1642, Etching; second state of two, Sheet: 2 5/16 x 3 5/8 in. (5.9 x 9.2 cm), Prints, Stefano della
Cardinal Grosbeak, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a
Anne of Austria, ca. 1645, Engraving; second state of two (BN), sheet: 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris
The Young Painter and Young Goldsmith, from The Duels of the Workmen, 1588, Etching, Sheet: 2 5/16 × 3 3/8 in. (5.9 × 8.6 cm), Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg), Two boys fighting. The figure at left weilds a paintbrush
Greek Lovers, 1825, Engraving, sheet: 3 11/16 x 2 3/4 in. (9.3 x 7 cm), Prints
Term in the Form of a Woman with Musical Instrument, 1535–55, Etching; first state of two, Sheet (trimmed/oval): 9 in. × 5 1/4 in. (22.8 × 13.3 cm), Prints, Jean Mignon (French, active 1535–ca. 1555
Portrait of a Man in Profile, 19th century, Graphite, sheet: 18 1/2 x 14 in. (47 x 35.6 cm), Drawings, Cornelius Varley (British, London 1781–1873 London), Before photography was invented, artists often used optical tools for assistance.
Sunfish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a
Illustration to the Tempest: Caliban, Ferdinand and Ariel, 1836, Graphite and red ink, Sheet: 5 11/16 × 3 9/16 in. (14.5 × 9 cm), Drawings, Henry Courtney Selous (British, Deptford 1811–1890 Beaworthy
A.J. Cassatt, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in
Drawings and Prints, Print, Hungry Birds (from the Christmas Number of The Graphic), Artist, After, Karl Wilhelm Friedrich Bauerle, German, Endersbach, Wurttemberg 1831–1912 Aichelberg, Bauerle, Karl Wilhelm Friedrich, 1831, 1912,
Florida, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),
Couple Seated on a Bed, from Scenes of Daily Life, n.d., Engraving, Sheet: 6 5/8 in. × 4 in. (16.9 × 10.2 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt
Portrait of Jean-Michel Moreau, 1787, Etching and engraving; third state of three (Bocher), Sheet: 8 7/16 × 7 3/8 in. (21.4 × 18.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II
The Stage Coach, or The Country Inn Yard, 1747, Etching and engraving; second state of three, sheet: 8 3/8 x 11 11/16 in. (21.3 x 29.7 cm), Prints, William Hogarth (British, London 1697–1764 London
Harper's, November, 1893, Lithograph, Sheet: 19 1/2 × 13 9/16 in. (49.6 × 34.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York
Epithalamium, at center a winged putto seated on a peacock standing on a barrel, at left a figure in fur-lined hat and outercoat holds a piece of wood over a brazier, at right a figure dressed in an ivy crown holds a goblet in one hand and a
Drawings and Prints, Print, Grandfather's Portrait, from the Illustrated London News, Artist, Engraver, After, William Henry Knight, William Luson Thomas, British, Newbury, Berkshire 1823–1863 Hammersmith, British, London 1830–1900
Christ before Caiaphas, from The Small Passion, ca. 1508, Woodcut, sheet: 5 x 3 7/8 in. (12.6 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg
Oneko, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards to
Sawkins, Boarding Peralta's Ship, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'
Great White Heron, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50
The Laughing Audience, December 1733, Etching; fourth state of four, plate: 7 3/8 x 6 13/16 in. (18.8 x 17.3 cm), Prints, William Hogarth (British, London 1697–1764 London
Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732), ca. 1732, Pen, brown ink and grey wash over pencil, 19-3/8 x 13-3/16 in. (49.2 x 33.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian,
A gentleman, walking towards the left and drawing his sword from the sheath, wearing a plumed hat and boots with spurs, 1629, Etching, Sheet: 7 3/8 × 5 1/16 in. (18.8 × 12.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris),
Terracotta kylix (drinking cup), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, H. 4 1/2 in. (11.4 cm), Vases, Obverse and reverse, birth of Athena from the head of Zeus. Athena, the patron goddess of Athens, had the
Plate 35, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series
Drawings and Prints, Print, New Year's Day in Old New York (from the Christmas Number of The Graphic), Artist, After, George Henry Boughton, British, Norwich 1833–1905 London, Boughton, George Henry, 1833, 1905, December 1882, 1882
The Entombment, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.8 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem
Rock Ptarmigan, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50
Drawings and Prints, Photograph, Card Number 7, Lillian Russell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.
Louis-Dominique de Bailleul, 1660, Engraving; fifth state of seven (Petitjean & Wickert), Sheet: 12 13/16 × 9 13/16 in. (32.5 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris
Arc de triomphe de l'Ètoile, 1860s, Albumen silver print from glass negative, 21.1 x 27.0 cm. (8 5/16 x 10 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889
American Oyster Catcher, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of
Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches', ca. 1647, Etching, sheet: 5 1/16 x 3 3/4 in. (12.8 x 9.5 cm), Stefano della Bella (Italian, Florence
Three Cows Standing on the Ridge of a Field, 1781, Aquatint and soft ground etching, Plate: 7 5/8 x 11 in. (19.4 x 28 cm), Prints, After Sawrey Gilpin (British, near Carlisle 1733–1807 Scaleby, Cumbria
Renard Convinces the Lion and Lioness of Finding a Treasure His Father Stole from Them from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 5/8 × 4 9/16 in. (9.2 × 11.6 cm), Prints, Allart van
Leonhart von Eck, 1527, Engraving; second state, Sheet: 4 3/16 × 3 1/4 in. (10.7 × 8.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy
Drawings and Prints, Print, Left Protect, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo, Henry, Rowlandson, Thomas,
Necklace, ca. 1904, Made in New York, New York, United States, American, Opals, gold, enamel, L. 18 in. (45.7 cm), Jewelry, Louis Comfort Tiffany (American, New York 1848–1933 New York), This necklace, composed of grape clusters and
Cassandra, Frontispiece, Vol. 1, 1725, Etching and engraving, sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm), Prints, William Hogarth (British, London 1697–1764 London
Renard Escapes with a Chicken that he Stole from a Clergyman's Table from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch,
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 15 7/16 x 20 1/2 in. (39.2 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome
Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints,
Design for a Hall Lamp, ca. 1800–1810 , water color and gouache, Sheet: 11 7/8 × 15 3/4 in. (30.1 × 40 cm), Lamqua (Chinese, 19th century), Design for a hall lamp in the shape of a Chinese palace lantern. The lantern consists of two parts,
Terracotta lamp, Late Antique or Early Byzantine, 5th–6th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 11/16 in. (3.8 x 9.4 cm), Terracottas
The Cathedrals of Art, 1942, Oil on canvas, 60 1/4 x 50 1/4 in. (153 x 127.6 cm), Paintings, Florine Stettheimer (American, Rochester, New York 1871–1944 New York, New York), In this series of four monumental paintings executed between
Five battling tritons, from 'The Triton Group', ca. 1660–1661, Etching with drypoint, sheet: 3 3/4 x 8 1/8 in. (9.5 x 20.7 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome
The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio, 1724, Etching and engraving; second state of two, sheet: 5 1/2 x 3 in. (14 x 7.6 cm), Prints, William Hogarth (British, London 1697–1764 London
Fannie Batchelder, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),
Drawings and Prints, Print, Ship Building, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925
Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 5 1/8 x 6 1/8 in. (13 x 15.5 cm), Prints, Master G.A. (Italian, active ca. 1535
Christ Taking Leave of His Mother, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 2 15/16 x 2 1/16 in. (7.5 x 5.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538
Lust, ca. 1550–55, Etching, Sheet (trimmed/oval): 10 13/16 × 11 15/16 in. (27.5 × 30.4 cm), Prints, Léon Davent (French, active 1540–56), After Luca Penni (Italian, Florence 1500/1504–1557 Paris
Woman with string of pearls in her hair looking downwards to right, 1645, Etching; only state, Plate: 2 3/16 × 1 1/2 in. (5.6 × 3.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Head of a young woman, directed to
Drawings and Prints, Print, The Poet (copy in reverse), Artist, After, Jusepe de Ribera (called Lo Spagnoletto), Spanish, Játiva 1591–1652 Naples, Ribera, Jusepe de (called Lo Spagnoletto), Spanish, 1591, 1652, ca. 1625–1680, 1620,
Entombment, 16th century, Etching, plate: 10 13/16 x 8 3/16 in. (27.5 x 20.8 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore
Governor General of India, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a
Venus Giving Nectar to Cupid, 18th century, Engraving, Sheet (trimmed): 10 5/8 × 15 7/16 in. (27 × 39.2 cm), Prints, Pierre François Basan (French, Paris 1723–1797 Paris (?)), After François Boucher (French, Paris 1703–1770 Paris
Woman Spinning, n.d., Etching with drypoint, 5.6 x 4.5 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem
Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., 1786, Etching, plate: 8 3/8 x 12 11/16 in. (21.2 x 32.3 cm), Prints, Giuseppe Vasi (Italian, 1710–1782) , Rome
The Crowning with Thorns, from The Passion of Christ, 1597, Engraving, Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this
The New York Sunday Herald, 1896, Commercial relief process and letterpress, Sheet: 19 1/8 × 12 1/8 in. (48.5 × 30.8 cm), Charles Hubbard Wright (American, Knightstown, Indiana 1870–1939
Drawings and Prints, Print, The Pit of Acheron or The Birth of the Plagues of England, Subject, Artist, Publisher, Subject, After, John Quick, William Paulet Carey, Thomas Rowlandson, John Raphael Smith, Richard Brinsley Sheridan, Mrs.
The Barn, 1647, Etching, sheet: 6 5/16 x 7 11/16 in. (16 x 19.5 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem
Mademoiselle Lender and Baron, 1893, Crayon, brush, and spatter lithograph printed in sanguine on wove paper; only state, Image: 12 5/8 × 9 1/4 in. (32 × 23.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901
Grotesque Figures, 1610–85, Etching, Sheet: 3 7/16 × 2 1/2 in. (8.8 × 6.4 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem
Bishop, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 7/8 × 2 3/16 in. (7.3 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), The Bishop; Death leads a bishop to the left;
The Monumental Tablet, from Grotteschi (Grotesques), ca. 1748, Etching, engraving, drypoint, scratching; second state of four (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano
Christ, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem
Landscape with a House, 1911–24, Charcoal or black chalk, Image: 8 1/4 × 10 1/4 in. (21 × 26 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich
Drawings and Prints, Print, Christ appearing to Saint Margaret of Cortona, Artist, Pietro Marchesini, Italian, Pistoia 1692–1757 Pistoia, Marchesini, Pietro, Italian, 1692, 1757, 1728, 1728
C'est extraordinaire combien la lune ne fait de l'effet (The effect of the moon is extraordinary), 'Wiggle Much' Design, ca. 1910, Watercolor and black ink, Sheet: 5 7/16 x 8 in. (13.8 x 20.3 cm), Drawings, Herbert E. Crowley (British, London
Doll, 1800–15, American, Painted wood, muslin, lace, satin, 20 × 15 in. (50.8 × 38.1 cm), Textiles
Drawings and Prints, Photograph, Miss Yeamans and Miss Farrell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons
A New Speaker and The Wedding Night, Thomas Rowlandson (British, London 1757–1827 London), February 7, 1789
Jean de Maupeou, 1671, Engraving; second state of two (Petitjean & Wickert), sheet: 15 7/16 x 12 3/8 in. (39.2 x 31.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris
Drawings and Prints, Drawing, Design for the Capitol of Ohio, Columbus, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson, 1803, 1892, 1839
Empress of Germany, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of
Wooded Region (Pagus Nemorosus) from The Large Landscapes, ca. 1555–56, Etching with engraving; first state of two, sheet: 13 5/8 x 17 7/8 in. (34.6 x 45.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569
Holland, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of
David Strangling the Lion, 1631, Engraving, sheet: 8 7/16 x 5 3/4 in. (21.5 x 14.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Gian Lorenzo Bernini (Italian, Naples 1598–1680 Rome
Spaniard, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to
Drawings and Prints, Print, Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1), Engraver, Artist, Publisher, Subject, After, William Woollett, Francesco Zuccarelli, William Woollett, William Shakespeare, British,

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