Images at Librifly

Notre-Dame (façade), 1860s, Albumen silver print from glass negative, 27.6 x 21.1 cm. (10 7/8 x 8 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Drawings and Prints, Print, Silver Statuette of St. John, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Architectural Drawings, including The Casino de Petitot, 1750–1800, Pen and ink, Sheet: 8 1/4 × 12 13/16 in. (21 × 32.5 cm); various, Ennemond Alexandre Petitot (French, Lyons 1727–1801 Parma

Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 [...], Paris, 1768 by Chappe d'Auteroche, 1767, Etching; first state of three (Bocher), Sheet:

Sir Rowland Hill, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

The Dance at the Inn, 1652, Etching; sixth state, Plate: 10 1/16 × 12 5/8 in. (25.5 × 32 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Christ before Caiphas, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Two panels of grotesque decoration, with winged human figures, birds, and griffins, from a series of panels of different dimensions representing grotesques, 1541, Engraving, image: 3 15/16 x 5 11/16 in. (10 x 14.5 cm), Enea Vico (Italian,

Design for a Multi-paned Stained-glass Window, Church of the Divine Paternity, New York, ca. 1898, Watercolor and pen and ink, Sheet: 11 7/8 x 17 5/16 in. (30.1 x 44 cm), Drawings

The Last Supper, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 3/16 in. (19.8 x 13.1 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 1/2 × 3 1/8 in. (13.9 × 8 cm), Lambert Suavius

Drawings and Prints, Photograph, Card Number 186, De Sartis, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Astronomy (Astronomie), 16th century, Engraving, image: 2 3/4 x 2 1/16 in. (7 x 5.3 cm), Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, ca. 1570, Engraving, plate: 11 1/2 x 8 5/16 in. (29.2 x 21.1 cm) platemark, Prints, Engraved by Giorgio Ghisi

The Invisible One 1 (Das Unsichtbare 1), 1912, Lithograph, image:10 13/16 x 13 3/16 inches (27.5 x 33.5 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Lamentation, 1683, Engraving, sheet: 19 3/8 x 14 7/16 in. (49.2 x 36.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Vase of Flowers and Conch Shell, 1780, Oil on canvas, Oval, 19 3/4 x 15 in. (50.2 x 38.1 cm), Paintings, Anne Vallayer-Coster (French, Paris 1744–1818 Paris), A leading exponent of still life painting, Vallayer-Coster joined the French

Emblem Drawing ('I rule everything'), early 17th century, Pen and brown ink, brush and blue-gray ink; double oval framing line in pen and brown ink, by the artist; framing line in pen and brown ink, by a later hand, Sheet: 4 15/16 × 6 1/2 in.

Mary Magdalen carried to Heaven, ca. 1544, Etching, 11 13/16 x 13 3/8in. (30 x 34cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, Designed by Giulio Romano (Italian, Rome 1499?–1546 Mantua

Drawings and Prints, Print, Greetings of the Season from Eben D. Jordan, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1916–25

Drawings and Prints, Print, Initial letters published in 1518 by Johann Schöffer, Mainz, Artist, Anonymous, German, Anonymous, German, 1400, 2050, ca. 1518, 1513

The Annunciation, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Catherine, ca. 1505, Woodcut, Sheet: 9 7/16 × 10 3/8 in. (23.9 × 26.3 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

The Triumph of Love from The Triumphs of Petrarch, ca. 1548–49, Etching, Plate: 9 x 6 7/8 in. (22.8 x 17.5 cm), Prints, Attributed to Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Drawings and Prints, Print, Arabella, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925

Cover for 'Olas que el Viento Arrastran para 1901', a man serenading a woman in a row boat, ca. 1901, Photo-relief and letterpress in pink and black ink on beige paper, Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm), Prints, José Guadalupe Posada

The Knight, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 7/8 × 2 1/8 in. (7.3 × 5.4 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), A knight raises his sword to fend off Death

Grand Review of the Army of the Potomac – Drawn by Mr. Thomas Nast (from Harper's Weekly), October 10, 1863, Wood engraving, Sheet: 14 1/2 × 21 1/16 in. (36.9 × 53.5 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902

Chart of the Signs of the Zodiac with Venus, Cupid, and a Bishop Saint, Woodcut; hand-colored, Sheet: 4 1/2 x 3 9/16 in. (11.5 x 9 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg

Drawings and Prints, Print, The Victorious (Die Siegreichen), Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

The Man of Sorrows Standing, Hand-colored woodcut; second state of two (Hollstein), Sheet: 7 5/8 × 5 1/2 in. (19.4 × 13.9 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Waking Up, 1896, Lithograph printed in drab green on wove paper, Overall: 15 3/4 x 20 7/16in. (40 x 51.9cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Drawings and Prints, Print, Madam Blubber On Her Canvass, Publisher, Subject, Artist, Subject, Hannah Humphrey, Admiral Samuel Hood, Georgiana Cavendish, Duchess of Devonshire, Thomas Rowlandson, Sir Cecil Wray, London, British,

Jack Havlin, Pugilist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in a

The Beggars, n.d., Engraving, sheet: 4 5/16 x 3 1/8 in. (11 x 7.9 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Georges Ernest Jean-Marie Boulanger, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued

Philadelphia, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards

Saint Paul holding a sword and book, from 'Christ and the Apostles', ca. 1548–50, Etching, sheet: 8 1/4 x 4 5/16 in. (21 x 11 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

[Oak Tree and Rocks, Forest of Fontainebleau], 1849–52, Salted paper print from paper negative, 25.2 x 35.7 cm (9 15/16 x 14 1/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), The Forest of Fontainebleau—forty thousand acres

Diana and a Leering Satyr in a Forest, ca. 1600, Pen and brown ink, brown wash, over red and black chalk; framing line in pen and brown ink, by the artist, Sheet: 5 1/4 × 4 in. (13.4 × 10.1 cm), Drawings, Paulus Willemsz. van Vianen

Un an de la vie d'un jeune homme: Histoire véritable en 17 Chapitres, Ecrits par lui-même et Lithographiés par Victor Adam (A Year in the Life of a Young Man: A True Story in 17 Chapters, Written by Himself and Lithographed by Victor Adam),

John McKay, Oarsman, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in 1887 in a

Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two,

Costume Design for 'Fifth Ballet Girl' (Short White Dress), 1901, Watercolors over graphite, Mount: 11 1/16 x 8 1/8 in. (28.1 x 20.6 cm), Percy Anderson (British, 1850/51–1928 London), Design for the costume for 'Fifth Ballet Girl' for the

Faith, January 1, 1864, Color lithograph, Sheet: 13 11/16 × 18 3/8 in. (34.7 × 46.7 cm), Prints, Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Drawings and Prints, Print, Sunday Picnic Along the Hudson, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

The Good Samaritan, Etching, Sheet: 7 7/8 x 11 3/4 in. (20 x 29.8 cm), Prints, Hanns Lautensack (German, Bamberg (?) ca. 1520–1564/66 Vienna

Catherine Maria Sedgwick, 1832, Engraving on chine collé, plate: 9 3/8 x 6 3/8 in. (23.8 x 16.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Charles Cromwell Ingham (American

Tote Mutter, from the series Vom Tode Zweiter Teil, n.d., Etching and aquatint, Plate: 17 15/16 × 13 3/4 in. (45.6 × 35 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

The White King as Child Playing with Other Children, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 3/4 × 7 13/16 in. (22.3 × 19.8 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white

Drawings and Prints, Print, The Tocsin of Liberty–Rung by the State House Bell, (Independence Hall) Philadelphia, July 4th, 1776, Proclaim liberty throughout all the land, unto all the inhabitants thereof LEV.XXV.10., Publisher, Currier &

Queen of Denmark, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Pietà, 1596, Engraving; second state of two, sheet: 7 7/16 × 5 1/8 in. (18.9 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Lunar-shaped Ring Bezel and Grotesque Figures, ca. 1620–30, Blackwork engraving, Plate: 2 9/16 x 2 3/4 in. (6.5 x 7 cm), Although this is a very small print, it has been very finely cut by the artist Noël Rouillard. He was the son of a

Drawings and Prints, Photograph, Violet Cameron, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Vertumnus Transforms Himself into an Old Woman and Attempts to Woo Pomona, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications

Drawings and Prints, Photograph, Card Number 649, Louise Paulin, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Monkey Opens the Package and Removes the Rabbit's Head to the Great Surprise of the Animals from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 1/2 in. (9.2 × 11.5 cm), Prints, Allart van

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm), Anonymous, Italian, Venetian, 17th century,

View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from the series 'The Ruins of Rome' (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus), 1550, Etching, sheet: 7 11/16 x 11 1/8

Bacchanal with Silenus; a frieze composition with ten figures around Silenus who is carried by two satyrs, early 1470s, Engraving with drypoint, Sheet: 12 in. × 17 1/4 in. (30.5 × 43.8 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo

Miss Carson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Speculum Romanae Magnificentiae: Sacrifice on the Campus Martius, 1553, Engraving, sheet: 13 13/16 x 19 3/16 in. (35.1 x 48.7 cm), Prints, Anonymous

The Witches' Sabbath, 1510, Chiaroscuro woodcut in two blocks, printed in gray and black, Sheet: 15 5/16 × 10 5/8 in. (38.9 × 27 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg

Views of a Theater (Bayreuth): Interior Elevation of the Theater Showing Royal Box, 1696–1756, Pen, gray ink, and gray and brown wash, 17-3/4 x 15 in. (45.1 x 38.1 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma

Drawings and Prints, Print, Cundy's Harbor, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1924

De Appelmarckt (The Apple Market), from Views in Amsterdam, plate 6, ca. 1659/62 (?), Etching; second state of two, sheet: 5 1/4 x 9 5/8 in. (13.3 x 24.5 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Moonrise in the Valley of the Andilly, 1837–78, Etching; third state of three, sheet: 5 1/2 x 7 1/2 in. (14 x 19 cm) (trimmed at plate mark), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Piping satyr and two fauns, from 'The Triton Group', ca. 1660–1661, Etching with drypoint, sheet: 3 11/16 x 8 3/16 in. (9.3 x 20.8 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Listening Yellow-legs, 1935, Drypoint, plate: 7 7/8 x 7 1/4 in. (20 x 18.4 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Drawings and Prints, Photograph, Daisy Hall, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

St. Elizabeth (copy ?), after 1512, Woodcut, hand-colored, Sheet: 2 3/8 × 1 15/16 in. (6 × 5 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

The Imperial Order of the Rose of Brazil, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series

Card 478, Miss Pomeroy, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Miss Loïe Fuller, 1893, Brush and spatter lithograph printed in five colors on wove paper; only state, Sheet: 14 15/16 × 10 3/16 in. (38 × 25.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), The

Pansy (Viola tricolor), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote

Cowherd with cow and calf on a hillside, the cowherd viewed from behind and seated in the grass, the cow standing and facing the recumbent calf, a village beyond, 1658, Etching, sheet: 8 1/16 x 6 13/16 in. (20.5 x 17.3 cm), Prints, Karel

Disegni Varii di Polifilo Zancarli, 1628 before, Etching, Plate: 9 5/16 x 5 13/16 in. (23.6 x 14.8 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Vertical panel design

Mucius Scaevola, 1537, Engraving, sheet: 4 1/2 x 3 1/8 in. (11.5 x 8 cm), Prints, Master FG (Italian, active mid-16th century

The Traveling Children, mid to late 18th century, Etching, Sheet (trimmed): 12 7/16 × 8 3/8 in. (31.6 × 21.2 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770

Hercules and Omphale, ca. 1600, Engraving, Sheet: 17 1/16 × 12 1/2 in. (43.3 × 31.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

In Action, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

American Beauty Rose, from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old

Plate 84: Hercules Throwing Lichas into the Sea (Lernaei muneris gerulum in Euboicum mare praecipitat Hercules), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian,

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius, 1547, Engraving, sheet: 18 3/16 x 12 3/8 in. (46.2 x 31.5 cm), Prints, Anonymous

Drawings and Prints, Drawing, Hercules on the Stake, Artist, Johann Heinrich Keller, Swiss, Zurich 1692–1765 The Hague, Keller, Johann Heinrich, Swiss, 1692, 1765, early 18th–mid 18th century, 1712, 1765

Village Street with Two Carts, n.d., Engraving; second state, sheet: 7 5/16 x 11 5/16 in. (18.6 x 28.8 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels

Chimneypiece in the Egyptian style: Two mummies in profile on the left and two figures brearing obelisks on the right (Ch. à l'ègyptienne), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of

Drawings and Prints, Print, Refitting of a Ship at Low Tide, Six Marines, Publisher, Printer, Artist, Victor Morlot, McLean & Co., Charles Motte, Eugene Isabey, French, active Paris, 1829–32, French, 1785–1836, French, Paris

Planiglobii Terrestris Mappa Universalis..., 1746, Engraving, hand colored, Plate: 18 3/4 × 22 3/8 in. (47.7 × 56.9 cm), Prints, Johann Baptist Homann (German, Oberkammlach 1663–1724 Nuremberg

Monuments of Paris, 18th century, Pen and brown ink, brown wash, 13-3/4 x 22 in. (34.9 x 55.9 cm), Drawings, circle of Hubert Robert (French, Paris 1733–1808 Paris

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner

Pompadour, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a

Praying male penitent in the wilderness, ca. 1640, Etching and Drypoint, Sheet: 5 11/16 × 3 11/16 in. (14.5 × 9.3 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

New Zealand Parrot, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a

Origin of Painting, Etching and engraving, Sheet: 19 1/8 x 13 1/4 in. (48.5 x 33.6 cm), Prints, Jean Ouvrier (French, 1725–1784), After Johann Eleazar Zeissig, called Schenau (German, Grossschönau (Gross-Schönau) 1737–1806 Dresden

Plate 38, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Two satyrs leading Silenus to King Midas, who stands at left with two male attendants, a mule trails behind the satyrs, ca. 1550–80, Engraving, sheet: 5 1/2 x 8 11/16 in. (14 x 22 cm), Prints, Giulio Bonasone (Italian, active Rome and

St. George's Chapel Choir, Windsor, 1663, Etching; first state of two, plate: 10 9/16 x 13 1/4 in. (26.9 x 33.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London