Images at Librifly

Virgin and Child, 1555–1619, Etching, Sheet: 6 3/16 x 4 13/16 in. (15.7 x 12.2cm), Prints, Attributed to Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris), After Ludovico Carracci (Italian, Bologna 1555–1619 Bologna

Drawings and Prints, Print, The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Artist, After, Attributed to, Guido Reni, Flaminio Torre (Torri), Italian, Bologna 1575–1642 Bologna, Italian,

Bust of Janus surrounded by strapwork, from the series 'Deorum dearumque, ' a set of images of deities after coins in the collection of Abraham Ortelius, 1573, Etching, plate: 4 13/16 x 3 5/16 in. (12.2 x 8.4 cm), Possibly after Gerard van

'Les Grandes Frises' (4 of 12), Before 1626, Etching, plate: 2 15/16 x 10 3/16 in. (7.5 x 25.8 cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (7.9 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), At left,

Garrick Speaking the Jubilee Ode, 1784, Stipple engraving, Sheet (trimmed to plate): 24 7/16 × 17 1/2 in. (62 × 44.5 cm), Prints, after Robert Edge Pine (British, London (?) 1720/30?–1788 Philadelphia, Pennsylvania), In 1769, David

Jar from the tomb of Sennedjem, New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Medina, Tomb of Sennedjem (TT 1), Egyptian Antiquities Service/Maspero excavations, 1885–86, Painted red

Te Po, 1893–94, Woodcut, state II, block: 8 x 14 1/16 in. (20.3 x 35.7 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Plate 30 from 'Course des Tetes et Bagues', 1662, Etching, sheet: 11 7/16 x 10 1/16 in. (29.1 x 25.5 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris

Drawings and Prints, Print, A bacchante wearing a hooded shawl and holding a box in her left hand, set against a black background inside a rectangular frame, Wall paintings from Herculaneum, Publisher, Artist, Intermediary draughtsman,

Potier de Gesvre, 17th century, Etching and engraving, sheet: 11 7/8 x 13 9/16 in. (30.2 x 34.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

Drawings and Prints, Print, The Second Draught of Fishes by Saint Peter, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27,

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.7 cm. H. 3 cm., Terracottas

Cover for 'El Casamiento Fustrado', a man and woman walking arm in arm with a train in the background, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Swallow Dicaeum, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

The Assumption of the Virgin, Etching; second state of three (Bartsch), sheet: 10 9/16 x 7 11/16 in. (26.8 x 19.6 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome

Ruins and a barred gate on the Esquiline Hill in Rome, 1673, Etching, first state of three, graphite and red pencil additions, not by Hollar, Sheet: 2 13/16 × 4 3/16 in. (7.2 × 10.7 cm), Prints, After Sebastiaen Vrancx (Netherlandish,

Angelus, 1881, Etching on thin wove paper (simili-vellum), image: 17 5/16 x 20 in. (44 x 50.8 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Charles-Albert Waltner (French, Paris 1846–1925 Paris

Mask of a Bald Man with Tufty Sideburns, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 3/8 × 1 9/16 in. (6.1 × 4 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with grotesque masks

Drawings and Prints, Print, Title of the secont part of Optique de Portraiture et peinture [...]: La Déesee des Arts lisant avec attention le traité d'optiqe de Grégoire Huret [...], Artist, Grégoire Huret, French, Lyon 1606–1670 Paris,

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs), n.d., Etching and letterpress; second state, sheet: 20 5/16 x 15 9/16 in. (51.6 x 39.5

Entry of Charles V into Munich, June 10, 1530, 16th century, Woodcut, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Terracotta lamp, Late Antique or Early Byzantine, 5th–6th century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 7/16 in. (3.2 x 8.7 cm), Terracottas, Stub handle. On discus, angular rosette; on shoulder, band of ladder pattern

Drawings and Prints, Print, Ornament & Architecture, Fete, Plate 9: Allegory on the Discord in France, from Caspar Barlaeus, Medicea Hospes, Publisher, Author, Artist, After, Joan and Cornelius Blaeu, Caspar Barlaeus, Claes Moeyaert,

The Preparation of the Cross, before 1619, Engraving; second state of two, Sheet: 3 7/8 × 2 1/2 in. (9.8 × 6.3 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Drawings and Prints, Photograph, Card Number 155, Mrs. Roach, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display celebrating the end of the Thirty Years War, Nuremberg, 1650, Artist, Artist, After, Peter Troschel, Michael Herr, Anonymous, German, ca. 1620–after 1667,

Design for a Dagger Sheath, with Cain and Abel, 1539, Engraving, Sheet: 15 7/16 × 3 5/8 in. (39.2 × 9.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

The Pardon in Brittany, 1886, Oil on canvas, 45 1/8 x 33 3/8 in. (114.6 x 84.8 cm), Paintings, Pascal-Adolphe-Jean Dagnan-Bouveret (French, Paris 1852–1929 Quincey), Like many of his contemporaries, Dagnan-Bouveret was fascinated by the

Drawings and Prints, Print, Coytesville on the Hudson, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1925

Plate 9: The Israelites Battling the Amalekites, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 7/8 × 10 7/8 in. (20 × 27.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Iron Bull, Crow, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2), issued in

Venus and Aeneas, mid-18th century, Etching and engraving, Sheet (trimmed): 10 13/16 × 13 11/16 in. (27.5 × 34.8 cm), Prints, Pierre François Courtois (French, Paris 1736–1763 Rochefort), After François Boucher (French, Paris

Plate 3: a procession of horse-drawn cannons, riding to the right, a horse-drawn cannon to the right seen from the back, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes),

G. Stephenson, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Chevalier E. Ginistrelli, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

From the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

Drawings and Prints, Print, Portrait of Francisco Goya, Artist, After, Louis Lucas, Vicente López y Portana, French, active 1878–88, Spanish, Valencia 1772–1850 Madrid, Lucas, Louis, Lopez y Portana, Vicente, French, Spanish,

The Bachelor of Arts: Vacation, August-September No., n.d., Lithograph, Sheet: 17 13/16 × 13 11/16 in. (45.3 × 34.8 cm), Prints, Henry Sumner Watson (American, Bordentown, New Jersey 1868–1933

The Last Supper, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/8 × 7 13/16 in. (13.6 × 19.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Jean-François Sarrazin, 1656, Engraving, Sheet: 9 1/16 × 6 9/16 in. (23 × 16.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 340, Leonda Jarcaw, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Aymon Premier, Artist, Artist, After, Charles Antoine Coypel, Charles-Francois Jouillan, Anne Claude Philippe de Tubieres, comte de Caylus, French, Paris 1694–1752 Paris, 1697–1778, French, Paris

The Acropolis from the Areopagus, Athens, 1846, Watercolor over graphite, 14-13/16 x 21-1/16 in. (37.6 x 53.5 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

Drawings and Prints, Print, Dreadful Wreck of the Mexico on Hempstead Beach, January 2nd, 1837 – As Now Exhibiting at Hanington Dioramas–Perished in All–115 Souls., Lithographer, Artist, Publisher, Lithographed by, Nathaniel Currier,

Drawings and Prints, Photograph, Card Number 602, Celia Ellis, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Hercules and Omphale, Artist, Publisher, After, Bartholomeus Spranger, Anton Eisenhoit, Balthasar Caymox, Netherlandish, Antwerp 1546–1611 Prague, German, Warburg 1553 or 1554–1603 Warburg, German, Bersse

Speculum Romanae Magnificentiae: Theater of Marcellus, 16th century, Engraving, sheet: 14 5/16 x 21 11/16 in. (36.4 x 55.1 cm), Prints, Pirro Ligorio (Italian, Naples ca. 1512/13–1583 Ferrara

The Industrious 'Prentice Grown Rich and Sheriff of London: Industry and Idleness, plate 8, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 5/8 in. (26.3 x 34.6 cm), Prints, William Hogarth (British, London

Drawings and Prints, Print, Love in Death (for Good Words), Artist, After, Dalziel Brothers, Frederick Walker, British, active 1839–1893, British, London 1840–1875 Perthshire, Scotland, Dalziel Brothers, Walker, Frederick, British,

A personification of Philosophy sitting on clouds with her feet resting on a globe, two putti at right holding a tablet, ca. 1510–15, Engraving, 7 x 5-3/4 in. (17.8 x 14.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Big Chief, Ponca, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2), issued in

Verbena (Verbena chamaedrifolia), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

View of the Fountain of the Innocents, Paris, with the Church of the Holy Innocents beyond, ca. 1636–91, Etching, sheet: 3 x 4 3/4 in. (7.6 x 12 cm), Prints, Israel Silvestre (French, Nancy 1621–1691 Paris

Covered Goblet with Three Feet, Etching, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

A Night Scout in the Southwest – Surprise of an Outpost, and Survey of the Rebel Guns (from Harper's Weekly), April 4, 1863, Wood engraving, Sheet: 10 7/8 × 16 in. (27.7 × 40.7 cm), Prints, Thomas Nast (American (born Germany), Landau

Mrs. Abington as Thalia, 1783, Stipple engraving and etching; working proof, printed in brown ink, Plate: 10 3/4 x 8 1/2 in. (27.3 x 21.6 cm), Prints, After Richard Cosway (British, Oakford, Devon 1742–1821 London), Beauty and talent

Man and woman dancing, ? José Guadalupe Posada (Mexican, 1851–1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830–1895 Mexico City), ca 1890–1910

Two horsemen dueling with pistols, one seen from behind riding towards the left, one riding towards right, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 7/16 x 2 11/16 in. (8.8 x 6.9 cm),

Philip Emanuel de Loraine, 16th–17th century, Etching, sheet: 5 3/16 x 3 9/16 in. (13.2 x 9.1 cm), Prints, Thomas de Leu (French 1560–1620

High Adventure, 1907, Lithograph, Sheet: 16 1/8 × 10 11/16 in. (41 × 27.1 cm), Prints, Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Lamentation, fromThe Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/16 × 2 1/8 in. (7.8 × 5.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Frieze with Two Female Figures Holding Books, ca. 1590, Engraving, Sheet: 1 5/8 × 7 1/16 in. (4.1 × 17.9 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with the artist's name lettered on a plaque at center, with a

Round Tea Table, ca. 1765, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, H. 27 1/2 in. (69.9 cm); Diam. 33 3/8 in. (84.8 cm), Furniture, One of the finest ornamentally carved Philadelphia circular tea tables, this

Drawings and Prints, Print, Silver Statuette of St. Peter, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Speculum Romanae Magnificentiae: The Sepulchre of Hadrian, 1583, Engraving, sheet: 18 7/8 x 16 7/16 in. (48 x 41.8 cm), Prints, Anonymous

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Sketches of a Woman in a Corseted Gown, a Castle, and a Horse's Head, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 3/4 x 9 5/8 in. (17.1 x 24.5 cm), Anonymous, French, 18th century, Possibly connected to Antoine

Sicily, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in

Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left, ca. 1540, Engraving, sheet: 8 x 11 7/8 in. (20.3 x 30.2 cm) trimmed within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua),

Thomas Morell, S.T.P.- S.S.A., February 1762, Engraving; third state of three, sheet: 8 1/4 x 5 7/8 in. (21 x 14.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Title Page, Diversae Effigies, 1648, Etching; first state of three, Plate: 3 3/16 × 2 3/16 in. (8.1 × 5.5 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Title-page to 'Diverse Effigies' by Hollar, with portrait

Order of Alcantara of Spain, Instituted 1177, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series

Drawings and Prints, Print, How Do You Do, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Moutard Woodward, London, British, London 1757–1827 London, British, ca. 1760–1809 London, Ackermann, Rudolph,

Plate 6, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

The stopping place of the gypsies: the fortune-tellers (La Halte des bohémiens: les diseuses de bonne aventure), from the series 'The Gypsies' (Les Bohémiens), 1621–31, Etching, sheet: 4 13/16 x 9 5/16 in. (12.2 x 23.6 cm), Prints, Jacques

Sheep, from a set of 16 plates, 1664, Etching, sheet: 4 1/2 x 5 9/16 in. (11.5 x 14.1 cm), Prints, Marcus de Bye (Dutch, The Hague 1639–after 1688

Strasbourg: The Kehl Bridge, 1665, Etching, Sheet: 2 1/16 × 4 5/16 in. (5.3 × 11 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of an open bridge in Strasbourg, with horse-drawn coach travelling to right,

Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars', 1596, Etching; first state of two (Bartsch), Sheet: 11 7/8 × 8 7/8 in. (30.1 × 22.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Print, Bulldog, Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885, 1915, 1912, 1912,

Laughing Peasant, 1610–85, Etching, Sheet: 2 13/16 × 2 3/16 in. (7.1 × 5.6 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Print, The Sailor and Banker, or the Firm in Danger, Artist, Publisher, Artist, After, George Moutard Woodward, Rudolph Ackermann, Thomas Rowlandson, British, ca. 1760–1809 London, British, London 1757–1827

Massacre of the Innocents, ca. 1544, Woodcut (key block only), Sheet: 11 9/16 x 20 7/8 in. (29.3 x 53 cm), Prints, Master ND (Italian, active 1540s), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Asian Art, Vase, China, Tang dynasty (618–907), 618, 907, Jade, H. 2 16 in. (5.2 cm

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804, Oil on canvas, 41 x 32 3/4 in. (104.1 x 83.2 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), An official in the War

Stole with the Martyrdom of St. Catherine, ca. 1200, Made in Rhineland, Germany, German, Silk with linen underlay, Overall: 7 3/4 x 19 1/4in. (19.7 x 48.9cm), Textiles-Embroidered, This embroidery traces the legend of the martyrdom of Saint

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Etching, Plate: 7 13/16 x 6 5/16 in. (19.8 x 16.1 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

Governor Seay, Alabama, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Drawings and Prints, Print, Allegory of the Twelve Labors of Hercules Statues in a Circular Garden, Artist, Matthaeus Greuter, German, Strassburg ca. 1566–1638 Rome, Greuter, Matthaeus, 1566, 1638, mid 16th–mid 17th century, 1566,

Le Christ et La Samaritaine (Christ and the Samaritan Woman), 19th century, Etching, Mount: 7 15/16 × 8 3/16 in. (20.2 × 20.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Broadsheet relating to the crown of the Virgin of Guadalupe, ? José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Drawings and Prints, Photograph, Card Number 34, Frankie Kemble, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, The Goose of the Capitol Alias a Capital Goose!, HB Sketches, No. 371, Artist, Subject, Lithographer, Subject, Publisher, John Doyle, Joseph Hume, Ducôte and Stephen, Sir Robert Peel, Arthur Wellesley, 1st

View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:', ca. 1561–63, Etching and engraving, Mount: 18 1/8 × 22 1/16 in. (46 × 56 cm),

Design for Knife Handles with the Temptation of Adam and Eve and a Memento Mori Scene, 1580–1600, Engraving and blackwork, Sheet: 4 15/16 × 4 in. (12.5 × 10.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Drawings and Prints, Photograph, Card Number 368, Irene Condot, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Le chancelier Pierre Séguier, ca. 1656, Engraving; second state of two (Petitjean & Wickert), Sheet: 17 15/16 × 23 9/16 in. (45.5 × 59.8 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French,

Speculum Romanae Magnificentiae: Hercules with the apples of the Hesperides, 1581, Engraving, plate: 13 3/4 x 9 1/4 in. (35 x 23.5 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome

Drawings and Prints, Photograph, Card Number 2, Louise Montague, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Harper's: February, 1897, Lithograph, Sheet: 19 × 14 in. (48.3 × 35.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York