Images at Librifly

Feminine Figure, Engraving; first state of three (BN), sheet: 6 1/16 x 3 11/16 in. (15.4 x 9.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Child Swimming, ca. 1741, Etching and engraving, Sheet (trimmed): 11 15/16 × 8 7/8 in. (30.4 × 22.6 cm), Prints, Dominique Sornique (French, 1708–1756 Paris), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François

John the Baptist, lying on the ground naked except for a cloth covering his thighs, with his right arm curled around a rock, a reed cross lies on a rock in the foreground, Etching and engraving, sheet: 7 x 11 5/16 in. (17.8 x 28.7 cm), Prints,

The Beggars Opera, 1728, Etching; sixth state of six, sheet: 9 5/8 x 10 1/2 in. (24.4 x 26.7 cm), Prints, Anonymous, British, 18th century, Formerly attributed to William Hogarth (British, London 1697–1764 London

Kleine Welten III (Small Worlds III), 1922, Lithograph in red, blue, yellow, and black, Plate: 10 15/16 × 9 1/16 in. (27.8 × 23 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Portugal, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of

Strasbourg, 1629, Etching, only state, Plate: 2 1/16 × 4 1/2 in. (5.2 × 11.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A wooden bridge of two spans crossses a river on which two cabined barges are rowing. The

Summer, 1735–86, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Arrowhead, Classical, ca. 480–330 B.C., Cypriot, Bronze, Other: 1 7/16in. (3.6cm), Bronzes

Drawings and Prints, Print, Luke, from The Four Evangelists, Artist, Publisher, Pieter Feddes van Harlingen, Claes Jansz. Visscher, Dutch, 1586–1622, Dutch, Amsterdam 1586–1652 Amsterdam, Feddes, van Harlingen Pieter, Visscher,

Iowa, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11), issued

Drawings and Prints, Print, Foolish Knowledge and Foolish Love Trying to Restrain the World, from The Unrestrained World, plate 2, The Unrestrained World, Artist, After, Dirk Volckertsz Coornhert, Maarten van Heemskerck, Netherlandish,

Little Girl Playing with a Baby in its Mother's Arms, 1610–85, Etching, sheet: 3 3/8 x 2 5/8 in. (8.6 x 6.7 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Concave-Casqued Hornbill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued

Windsor, 1882, Etching; only state, plate: 4 3/16 x 8 5/8 in. (10.6 x 21.9 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Landscape with a Bridge Near Mosbjerg, 1833, Watercolor, over graphite, sheet: 5 1/16 x 8 1/8 in. (12.8 x 20.7 cm), Drawings, Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen

Plate 6: a skirmish between two horsemen to left, a dead man on the ground to the right, combat in the background, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes), ca.

Viscountess Castlereagh, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a

Four classical figures (pagan sacrifice), 1638, Etching, only state, Plate: 10 5/16 × 7 5/16 in. (26.2 × 18.6 cm), Prints, After school of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), A pagan sacrifice; naked man at

Standing Christ, Blessing from 'Christ, Mary, and the Apostles', ca. 1590–ca. 1610, Etching; third state of four (Bartsch), Sheet: 20 11/16 × 14 13/16 in. (52.6 × 37.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Monkey, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Galileo Galilei, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Drawings and Prints, Photograph, Card Number 324, Billie Barlow, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

English Diplomat, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Various Animals, Engraving, Plate: 11 7/8 x 16 7/8 in. (30.2 x 42.8 cm), Prints, Anonymous, Italian, 16th century

Sinon Deceiving the Trojans, mid-1540s, Engraving, sheet: 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Drawings and Prints, Print, The Awkward Squad or Enraged Sergeant, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757,

View of Luxembourg from the garden side of the Palais d'Orleans, from 'Various views of remarkable places in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France), 1649–51, Etching, Sheet: 5 1/16 x 9 1/2 in. (12.9 x

Ada Rehan, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50 cards

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 11/16 x 15 15/16 in. (47.4 x 40.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Portrait of Le Père Yves, 1677, Engraving; second state of four (BN), sheet: 9 1/8 x 6 15/16 in. (23.2 x 17.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Saint Simon seen from behind, turning to the right and holding a saw, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, sheet: 3 3/4 x 2 15/16 in. (9.5 x 7.5 cm), Prints, Anonymous, 17th century,

Blackwork Print with a Trophy at Center Surrounded by Grotesques and Swag Drapery, 1592–1604, Blackwork engraving, Sheet: 1 15/16 × 2 1/2 in. (5 × 6.4 cm), Hans de Bull (German, active 1592–1604), Blackwork print with fabric draped at top

Circe and the Companions of Ulysses, 1540–45, Etching, Sheet: 7 3/4 × 8 9/16 in. (19.7 × 21.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm), Anonymous, Italian, Venetian, 17th

Agate Arrow Point, Warm Springs, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series

A gentleman walking forward, with his right arm outstretched and a whip in his left hand, wearing a plumed hat and decorated shoes, 1629, Etching; first state of two, Sheet: 7 3/8 × 5 1/16 in. (18.8 × 12.8 cm), Prints, Abraham Bosse (French,

Speculum Romanae Magnificentiae: Naval Battle, 16th century, Engraving, sheet: 9 7/16 x 15 3/8 in. (24 x 39 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After(?) Giulio Romano (Italian, Rome 1499?–1546 Mantua

America from a set of The Four Continents, Workshop of de Menou (French, active 1780–93), designed ca. 1786, woven 1790–91, French, Beauvais, Wool, silk (19-21 warps per inch, 8 per cm.), H. 144 x W. 180 inches (365.8 x 457.2 cm),

Half Ground Plan, Half elevation for a Catafalque for a Duchess de Berri, 1696–1756, Pen, brown ink and grey wash, 19-3/8 x 14-13/16 in. (49.2 x 37.6 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Banknote motif: number 500 at the center of a circular design of lathe work with wavy edges, surrounded by an open wreath of leaves, berries and flowers, ca. 1824–42, Engraving and etching, printed in green ink, plate: 2 7/16 x 3 1/4 in. (6.2

Drawings and Prints, Photograph, Card Number 99, Alma Stanley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

An elderly winged man with a long beard walking with crutches, possibly representing Time gesturing towards a young child holding a sieve, ca. 1510–27, Engraving, Sheet: 2 7/8 in. × 2 in. (7.3 × 5.1 cm), Prints

Capitol of Nevada in Carson City, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Speculum Romanae Magnificentiae: Interior and ground plan of an ogtagonal temple, 16th century, Etching, sheet: 19 x 14 in. (48.3 x 35.6 cm), Prints, Anonymous

Front and back covers printed on the same sheet for a collection of love letters (number 1), José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

South East Corner of Tangier, 1669–73, Etching; third state of three, Sheet: 7 15/16 × 8 7/16 in. (20.2 × 21.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Print, The Holy Women at Christ's Tomb, from The Passion of Christ, plate 20, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Gad, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 3/8 x 10 11/16 in. (21.3 x 27.2 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert

Pocket bottle, 1769–74, Made in Manheim, Pennsylvania, United States, American, Blown pattern-molded glass, H. 4 3/4 in. (12.1 cm), Glass, Attributed to American Flint Glass Manufactory (1764–1774), Attributed to Henry William Stiegel

A Harlot's Progress, Plate 5, April 1732, Etching and engraving; third state of three, plate: 12 5/8 x 15 3/8 in. (32.1 x 39.1 cm), Prints, William Hogarth (British, London 1697–1764 London

The Temptation of St. Anthony, 1506, Woodcut; second state of two (Hollstein), sheet: 16 1/16 x 11 in. (40.8 x 28 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Frère Luce, 1767, Etching, sheet: 20 3/8 x 14 15/16 in. (51.8 x 38 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

The Road at the Edge of the Forest, from Verscheyden Landtschapjes (Various Landscapes), Plate 4, ca. 1616–17, Etching; Begemann's second state of three, Sheet: 4 1/16 × 5 5/8 in. (10.3 × 14.3 cm), Prints, Willem Pietersz. Buytewech

Order of St. Vladimir, Russia, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued

Little Falls, New Jersey, 1917, Oil on Masonite, 14 3/4 x 19 13/16 in. (37.5 x 50.4 cm), Paintings, Oscar Bluemner (American (born Germany), Hanover 1867–1938 Braintree, Massachusetts

A statue of Apollo, naked standing in a niche, holding a lyre in his left hand and leaning on a tree trunk, 1512–15, Engraving, 8 11/16 x 4 1/4 in. (22.1 x 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Saint John the Baptist, 1500–1506, Engraving; second state, Sheet: 13 5/16 × 8 11/16 in. (33.8 × 22 cm) trimmed, Prints, Girolamo Mocetto (Italian, ca. 1470–1531

Beer Street, February 1, 1751, Etching and engraving; third state of three, plate: 15 3/8 x 12 13/16 in. (39 x 32.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Three Gentlemen Leaning on a Banister Overlooking a Garden where Lovers Stroll, 1629, Etching; first state of two, Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Interior of Lemercier's Lithographic Printing House, ca. 1846, Lithograph, image: 13 1/4 x 16 3/4 in. (33.7 x 42.6 cm), Prints, An early adapter of lithography after it arrived in France about 1800, Joseph Lemercier established one of the

Lazarillo Stealing Grapes from the Poor Blind Beggar, 17th century, Etching with drypoint; third state of three, 13.1 x 12.0 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Delilah preparing to cut Samson's hair with scissors in her right hand, below her chest are the head and shoulders of the sleeping Samson, ca. 1629, Engraving, sheet: 6 5/8 x 4 9/16 in. (16.8 x 11.6 cm), Prints, Claude Mellan (French,

Pompadour, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in

Drawing of a sarcophagus, 1540s, Pencil and ink on paper, sheet: 10 7/8 x 19 7/16 in. (27.7 x 49.3 cm), Drawings, Anonymous, Italian, 16th century

Limes, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote Allen

St. Philip, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 4 13/16 x 17 1/16 in. (12.2 x 43.4 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Drawings and Prints, Print, Judith with the Head of Holofernes, standing nude in a barren landsape, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria Mattia), Italian,

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, as a Monk, 1866, Oil on canvas, 25 5/8 x 21 1/2 in. (65.1 x 54.6 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), In the fall of 1866

Mallard Duck, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

Plate 18: Illustration to Canto XVIII, from Torquato Tasso's 'Gerusalemme liberata III', ca. 1590–1630, Etching, Sheet (Trimmed): 10 13/16 × 8 1/16 in. (27.5 × 20.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

American Snake Bird, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of

Speculum Romanae Magnificentiae: The Arch of Constantine, Rome, ca. 1514–36, Engraving, mount: 17 1/2 x 12 3/8 in. (44.5 x 31.5 cm), Prints, Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Two Children (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London

Drawings and Prints, Print, Selling a Horse, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, December 1791, 1791

Speculum Romanae Magnificentiae: Portal of the Temple of Romulus and Remus, 1582, Engraving, sheet: 11 7/16 x 8 1/4 in. (29 x 21 cm), Prints, Anonymous

View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding, 18th century, Etching, sheet: 7 3/16 x 9 3/8

Fodina argentea Sahlensis – A Silver Mine at Sala - II (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 33, no. 2), 1723–24, Etchng and engraving, sheet: 9 13/16 x 6 1/2 in.

Uriah before King David, 17th century, Pen and brown ink, sheet: 5 1/4 x 6 15/16 in. (13.3 x 17.7 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674 Amsterdam

Cover for 'Las Nueves Jornadas de los Santos Peregrinos', Mary on horseback and Joseph being guided through Egypt by an angel, José Guadalupe Posada (Mexican, 1851–1913), ca. 1880

The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, after Reni, 17th century, Etching, Plate: 3 3/4 × 5 1/8 in. (9.5 × 13 cm), Prints, Anonymous, Italian, 17th century, After

Springtime, ca. 1894–99, Oil on canvas, 31 3/4 x 38 1/2 in. (80.6 x 97.8 cm), Paintings, Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye), Springtime, with its associations of joyful new life, was a source of constant

Drawings and Prints, Print, Four women surrounding a seated figure, a bird above them, set within an elaborate frame, Artist, Artist, Formerly attributed to, After, Andrea Schiavone (Andrea Meldola), Battista Angolo del Moro, Jacques

St. Antonis Poort, Amsterdam, mid-17th century, Etching, sheet: 7 3/16 x 11 15/16 in. (18.3 x 30.4 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Scarlet Ibis, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards

Speculum Romanae Magnificentiae: Column of Trajan, 16th century, Engraving and etching, sheet: 19 1/2 x 11 11/16 in. (49.5 x 29.7 cm), Prints, Anonymous

God Creating the Animals, ca. 1590–1630, Etching, Sheet: 13 1/4 × 17 15/16 in. (33.6 × 45.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Venus and Cupid standing in a niche, ca. 1500–1527, Engraving, Sheet: 8 in. × 3 1/4 in. (20.3 × 8.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi)

General Andrew Jackson, June 1828, Engraving; third state of three, plate: 23 5/8 x 16 15/16 in. (60 x 43 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Vanderlyn (American,

Saint Sebastian tied to tree pierced with arrows, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 1 15/16 x 3 1/4 in. (4.9 x 8.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Layout for a Garden with Flower-shaped Floral Beds, 17th century, Ink over stylus ruling and watercolors, Sheet: 5 5/8 x 7 15/16 in. (14.3 x 20.2 cm

Drawings and Prints, Print, The Porter, Artist, Anthonie Waterloo, Dutch, Lille 1609–1690 Utrecht, Waterloo, Anthonie, Dutch, 1609, 1690, 1629, 1690

Three Designs for Candlesticks, ca. 1770–1816 , Pen and black ink, brush and gray wash, with framing lines in pen and black ink, 13 3/8 x 21 1/8 in. (34 x 53.7 cm), Workshop of Henri Auguste (French, Paris 1759–1816 Port-au-Prince

Four Sailing Vessels near a Breakwater, 17th century, Etching; state I, sheet: 8 1/4 x 12 1/16 in. (20.9 x 30.7 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Five men fighting beasts, at lower left is a fallen boar, Master of the Die (Italian, active Rome, ca. 1530–60), After Giulio Romano (Italian, Rome 1499?–1546 Mantua), 1532

Landscape with Figures and Fortifications., 1750–80, Pen and dark brown ink, brush and black brown ink, over red chalk for the two figures at the left first plan., sheet: 14 3/16 x 18 5/8 in. (36 x 47.3 cm), Drawings, 18th Century Imitator

Bolivia, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Drawings and Prints, Photograph, Marie Jansen, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Designs for Two Mirrors and a Plate Rim, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London