Images at Librifly

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812, Etching, aquatint and mezzotint; fifth state of five, plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

The New York Herald: XMAS Number, 1896, Commercial relief process, Sheet: 20 5/8 × 13 1/16 in. (52.4 × 33.2 cm), Louis John Rhead (American, born England, 1857–1926

Drawings and Prints, Print, The Rochester Address or The Corporation Going To Eat Roast Pork and Oysters with the R-G-T., Subject, Artist, George IV, King of Great Britain and Ireland, Thomas Rowlandson, British, London 1762–1830 Windsor,

Awl, Cypriot, Bronze, Other: 3 3/4in. (9.5cm), Bronzes

Drawings and Prints, Print, Iphigenia, Artist, After, Karl August Kräutle, Anselm Feuerbach, German, Schramberg 1833–1912 Stuttgart, German, Speyer 1829–1880 Venice, Kräutle, Karl August, Feuerbach, Anselm, German, 1833, 1829,

Poppy in a Vase, 1890–95, Softground etching, aquatint and drypoint, Plate: 3 7/8 x 2 9/16 in. (9.8 x 6.5 cm), Prints

Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742–48, Etching and engraving, Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.4 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris),

Tumbler Pigeon, from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888 in a set of

Drawings and Prints, Photograph, Card Number 102, Vernona Jarbeau, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Capture of Selinus by Hannibal, n.d., Etching and aquatint with drypoint, state II/II, sheet: 20 15/16 x 29 1/16 in. (53.2 x 73.8 cm), Prints, Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm

Baissez le Rideau, La Farce est Jouée (Bring Down the Curtain; the Farce is Over), published in La Caricature no. 201, September 11, 1834, September 11, 1834, Lithograph, Sheet: 10 3/16 × 13 5/16 in. (25.8 × 33.8 cm), Prints, Honoré

Plate 1: Two palms and a coat of arms frame the title and dedication, title page for 'Various Figures' (Agréable diversité de figures), 1642, Etching; fourth state of five (De Vesme), Plate: 3 1/8 x 4 1/8 in. (8 x 10.5 cm), Prints, Stefano

Drawings and Prints, Print, Nipped in the Ice, Lithographer, Lithographed and published by, Currier & Ives, American, active New York, 1857–1907, Currier & Ives, American, 1857, 1907, 1876–94, 1876, 1894

Kleine Welten II (Small Worlds II), 1922, Lithograph printed in black, red, blue, yellow, Plate: 10 × 8 5/16 in. (25.4 × 21.1 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Jack Rose (Rose Jacqueminot), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Drawings and Prints, Print, Deck of a Warship, Artist, Christoffer Wilhelm Eckersberg, Danish, Blåkrog 1783–1853 Copenhagen, Eckersberg, Christoffer Wilhelm, 1783, 1853, ca. 1833, 1828, 1838

The Virgin of the Fish, ca. 1500–1550, Engraving, 10 1/16 x 8 1/2 in. (25.6 x 21.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), or Marco Dente (Italian, Ravenna, active by 1515–died 1527

Drawings and Prints, Print, The Egg-Dance, Artist, Publisher, After, Maerten de Vos, Anonymous, Netherlandish, late 16th century, Johannes Baptista Vrints, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, active Antwerp, ca.

Banburg, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Page McCarty, The Richmond Daily Times, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Drawings and Prints, Print, Preceptor and Pupil, Artist, Subject, Publisher, Thomas Rowlandson, Charles James Fox, George Prince of Wales, George Humphrey, British, London 1757–1827 London, British, 1749–1806, British, London

The Sin (Woman with Red Hair and Green Eyes), 1902, Lithograph printed in yellow, red and green, plate: 27-3/8 x 15-3/4 inches (69.5 x 40 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely), The Sin was initially believed to be an

Man Grappling with Winged Horse, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Jacob Perkins, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Processional Cross, ca. 1150–75, Made in Asturias, Spain, Spanish, Silver, partially gilt on wood core, carved gems, jewels, 23 1/4 in. × 19 in. × 3 7/16 in. (59.1 × 48.3 × 8.7 cm), Metalwork-Silver, This cross conveys the luxury

The Vision of Saint William of Aquitaine., 17th century, Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper, sheet: 18 11/16 x 13 9/16 in. (47.5 x 34.5 cm), Drawings, Giovanni Angelo Canini (Italian,

Charles 4.e- dit le bel / Prince sage..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 1/16 in. (8.7 x 5.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, La marraine, Artist, Lucien Laforge, French, Paris 1889–1952 Paris, Laforge, Lucien, 1889, 1952, n.d., 1914, 1920

Melancholia, Engraving, Sheet: 3 1/8 x 2 1/16 in. (7.9 x 5.2 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Three Loves, one of which is seated, holding a quiver, 1727–60, Etching and engraving, Sheet: 11 5/8 × 15 3/4 in. (29.5 × 40 cm), Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris

Strasburg, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Empedocles, standing frontally with his head turned in three-quarter view, directs his gaze toward a flame (the crater of Mount Aetna?) emerging from a horizontal ground line, a walking stick leans toward the right margin, ca. 1545–63,

Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right, 1784–88, Aquatint and soft ground etching, Plate: 9 15/16 x 13 7/8 in. (25.2 x 35.3 cm), Prints, After Thomas Gainsborough (British, Sudbury 1727–1788 London

The Sawhorse, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, scratching, Sheet: 19 7/16 x 25 1/16 in. (49.4 x 63.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

Drawings and Prints, Print, Christ on the Cross, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1620, 1670

Saint Jerome kneeling on a rock in front of a cross and an open book facing left, after Reni, ca. 1600–1640, Etching, Sheet (Trimmed): 8 1/4 × 5 1/4 in. (20.9 × 13.3 cm), Prints, Anonymous, 17th century, After Guido Reni (Italian,

The Fall of Babylon, 1569, Engraving, Sheet: 9 3/8 × 16 1/4 in. (23.8 × 41.3 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

Drawings and Prints, Print, Christ Crowned with Thorns, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1620, 1670

Narcissus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 15/16 x 2 3/16 in. (4.9 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

St. Claude, 1664, Engraving; second state of two (BN), sheet: 17 11/16 x 11 1/8 in. (45 x 28.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Golden-Pencilled Hamburgh, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

Drawings and Prints, Print, Madeleine (Two Head / deux têtes) (Tenderness / Tendresse), L'Estampe originale, Album I, Artist, Publisher, Maurice Denis, André Marty, French, Granville 1870–1943 Saint-Germain-en-Laye, French, born 1857,

Broadsheet relating to the execution of four men in the name of justice, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Drawings and Prints, Print, Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1), Subject, Sitter, Artist, Engraver, After, William Shakespeare, David Garrick, Benjamin Wilson, James McArdell, British,

Drawings and Prints, Print, poster, Rules for Christmas Shopping, Printer, Publisher, Issued by, Calhoun Show Print, Connecticut State Council of Defense, Calhoun Show Print, Connecticut State Council of Defense, 1866, 1915, 1930, 1922,

Speculum Romanae Magnificentiae: Column of Trajan, 1582, Engraving, sheet: 21 1/8 x 14 1/4 in. (53.6 x 36.2 cm), Prints, Anonymous

The Iron Age (L'âge de fer), Etching with engraving, Prints, Nicolas Arnoult (French, ca. 1650–ca. 1722

Humorous Subject, 1907, Color lithograph, sheet: 5 1/2 x 3 7/16 in. (14 x 8.7 cm), Prints, Rudolf Kalvach (Austrian, Vienna 1883–1932 Kosmanos

Before, December 15, 1736, Etching and engraving; second state of three, sheet: 16 1/2 x 12 5/8 in. (41.9 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

View of Frederiksborg Castle from the North-East, 19th century, Pen and black ink, grey wash, over a sketch in graphite; squared in graphite, Sheet: 16 11/16 × 25 7/8 in. (42.4 × 65.8 cm), Drawings, Johan Christian Dahl (Norwegian, Bergen

Christ Crowned with Thorns, ca. 1500, Woodcut, Sheet: 9 1/2 x 6 3/4 in. (24.2 x 17.2 cm), Prints, Possibly Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

O the Roast Beef of Old England--The Gate of Calais, March 6, 1749, Etching and engraving; second state of two, sheet: 15 1/16 x 18 1/8 in. (38.2 x 46 cm), Prints

Blue Wing, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

William Hog-garth Esq. Drawn from the Life, 1763, Engraving, plate: 10 1/2 x 6 3/4 in. (26.7 x 17.1 cm), Prints, Anonymous, British, 18th century

Christ Before Caiaphas, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.9 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Print, Saint Peter in prayer, looking upwards and to the right, Artist, Artist, After, Intermediary draughtsman, Jusepe de Ribera (called Lo Spagnoletto), David Teniers the Younger, Lucas Vorsterman II, Spanish,

Christ Sitting on the Cold Stone, before ca. 1586, Engraving, Plate: 9 1/2 × 7 1/4 in. (24.2 × 18.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Oath of the Nobles before the Chambre des Comptes, 1788, Etching, 13 3/8 x 21 7/16 in. (34 x 54.4 cm), Prints, Étienne Pierre Adrien Gois (French, Paris 1731–1823 Paris

Elephant, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in

Drawings and Prints, Photograph, Milly Meyer, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Drawings and Prints, Photograph, Card Number 110, Jennie McNulty, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Speculum Romanae Magnificentiae: The Coloseum, 16th century, Engraving, sheet: 13 5/8 x 19 3/16 in. (34.6 x 48.8 cm), Prints, Anonymous

Selina Delaro, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm), Anonymous, Italian, Venetian,

America, from the Four Continents, n.d., Engraving; second state, 8 3/8 x 10 1/16 in. (21.3 x 25.6 cm) (clipped), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp

Joseph explains his dream to his brothers and father in an interior setting; the sun, moon, and stars above a landscape in the portal beyond, from the series 'The Story of Joseph', 1544, Engraving, sheet: 4 3/8 x 2 15/16 in. (11.1 x 7.5 cm),

Drawings and Prints, Photograph, Card Number 731, Miss Turner, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni, Artist, Publisher, Artist, After, Engraved by, Guido Reni, John Boydell, Simon Francis Ravenet, the elder, Italian,

Mercury Abducting Psyche, ca. 1622, Engraving, 44.5 x 25.0 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Drawings and Prints, Print, Le Pleurer and mouvement composé (from Caracteres des passions, gravés sur les desseins de l'illustre Monsieur le Brun), Etcher, Artist, After, Sébastien Le Clerc, le Jeune, Charles Le Brun, French, Paris

Peasant Couples Dancing, 1580–1600, Engraving, Sheet: 1 3/4 × 10 3/16 in. (4.5 × 25.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Seven

Plate 17: nine studies of horse heads, from 'Various heads and figures' (Diverses têtes et figures), 1650, Etching, Sheet: 3 5/8 x 2 15/16 in. (9.2 x 7.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Seated Woman with two Children, 16th century, Engraving, sheet: 6 1/8 x 4 1/8 in. (15.5 x 10.5 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Country Village with Church Tower from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa, 1559–61, Etching; third state of three, Sheet: 5 3/16 x 7 9/16 in. (13.2 x 19.2 cm), Prints, Johannes van Doetecum the elder

Mask with Long Eyebrows and Mustache and a Headdress with Dangling Cloth, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 9/16 × 1 9/16 in. (6.5 × 4 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen

Lot and His Family Fleeing from Sodom, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/8 in. (11.4 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot being being led out of Sodom by an angel

Pension Building in Washington, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Drawings and Prints, Photograph, Leonda Jarcaw, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

The Sea at Dieppe, ca. 1852–54, Watercolor on laid paper, Overall: 10 1/2 x 17 9/16 in. (26.7 x 44.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Copper alloy spearhead, Early Bronze Age, ca. 2500–2000 B.C., Cypriot, Bronze, 11 1/2in. (29.2cm), Bronzes, Leaf-shaped blade with a hooked tang

Drawings and Prints, Print, Horse Racing in a Roman Hippodrome, Artist, Matthaeus Greuter, German, Strassburg ca. 1566–1638 Rome, Greuter, Matthaeus, 1566, 1638, mid-16th–mid-17th century, 1566, 1638

Sultana at Her Toilet, 1746–47, Etching and engraving, Sheet (trimmed): 2 13/16 × 5 3/16 in. (7.1 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Christ Driving the Money Changers from the Temple, from The Fall and Salvation of Manking through the Life and Passion of Christ, 1548, Etching, Sheet: 10 1/16 x 7 15/16 in. (25.5 x 20.2 cm), Prints, Maarten van Heemskerck (Netherlandish,

A young boy holding a young leopard in his arms, the mother leopard laying below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 7/16 × 2 7/16 in. (16.4 × 6.2 cm), Stefano della Bella (Italian,

Justice, from the Cardinal Virtues, 1648–56, Engraving, Sheet: 4 3/8 × 3 3/8 in. (11.1 × 8.6 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), The blindfolded female figure Justice is depicted holding a scale in her

The Sewer, 1855, Etching in brown/black ink on laid paper; third state of three, plate: 4 3/16 x 2 7/8 in. (10.6 x 7.3 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Omnia Vincit Amor, 1599, Engraving, Plate: 5 × 7 3/8 in. (12.7 × 18.8 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma), This image is a pun derived on a famous line in Virgil's tenth Eclogue, 'Love conquers all.' The

A Muff in Five Views, 1645–46, Etching; first state of two, Sheet: 3 1/4 × 5 3/16 in. (8.3 × 13.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Design for a Frieze, Ornamented with Lion's Head Paterae, late 18th–early 19th century, Pen and grey wash, sheet: 13 1/2 x 25 3/4 in. (34.3 x 65.4 cm), John Yenn (British, London (?) 1750–1821 London

Sword Bayonet, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Drawings and Prints, Print, Virginia, Artist, Childe Hassam, American, Dorchester, Massachusetts 1859–1935 East Hampton, New York, Hassam, Childe, American, 1859, 1935, April 23

A Rake's Progress, Plate 4, ca. 1800, Engraving, Sheet: 2 11/16 x 3 1/8 in. (6.8 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Landscape with a figure seated on a rock, ca. 1640, Etching, Sheet: 5 11/16 × 3 5/8 in. (14.5 × 9.2 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Tempio di Sant'Andrea, Via Flaminia, 1750, Etching, Sheet: 8 9/16 × 14 3/16 in. (21.7 × 36 cm), Prints, Jérôme Charles Bellicard (French, Paris 1726–1786 Paris

Lancer, 1816, Lithograph, Sheet: 12 1/8 x 9 1/16 in. (30.8 x 23 cm), Prints, Horace Vernet (French, Paris 1789–1863 Paris

Vase with flowers and birds (one of a pair), 1733, German, Meissen, Hard-paste porcelain painted with colored enamels under transparent glaze, Height: 9 11/16 in. (24.6 cm), Ceramics-Porcelain, The form of this vase is Chinese in origin, but

Chastity, from The Virtues, 1552, Engraving, Sheet: 4 × 2 3/8 in. (10.2 × 6.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

IV. A Menilmontant de Bruant, 1898, Lithograph printed with beige tint stone on laid paper, 19-3/4 x 14-7/8 in. (50.2 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton