Images at Librifly

Plate 4: remains of a classical monument to right surmounted by a mask and tablet, a figure sitting on the porch, four figures on a staircase to left, four milestones below, from 'Les soirées de Rome', 1763, Etching, Sheet: 5 1/2 × 3 13/16

Adoration of the Magi, 1598, Engraving, Sheet: 10 5/8 x 8 1/4 in. (27 x 20.9 cm), Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice (?)), After Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592

Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room), ca. 1732–42, Pen and black ink, sheet: 24 5/8 x 18 11/16 in. (62.5 x 47.5 cm

Arms Port, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Jug with wide spout, 1645, Etching; only state, Plate: 6 15/16 × 6 1/8 in. (17.6 × 15.6 cm), Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Ornate jug with

Drawings and Prints, Print, Silver Statuette of St. Jude, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Drawings and Prints, Photograph, Card Number 15, Rose Coghlan, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Breastplate, dated 1580, Augsburg, German, Augsburg, Steel, H. 16 5/8 in. (43.3 cm); W. 14 5/8 in. (37.1 cm); D. 7 1/2 in. (19 cm); Wt. 12 lb. 1 oz. (5470 g), Armor Parts-Breastplates

Jahel from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 x 12 11/16 in. (43.2 x 32.3 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish,

Mary Read, The Duel, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main' series (N19),

Four Dancing Children (Bacchantes) and Two Making Music, Etching and engraving, Prints, Erasmus Quellinus (Flemish, Antwerp 1607–1678 Antwerp

The Wolf Accuses Renard Once Again from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.6 × 11.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Cover for 'La Paloma Azul : Coleccion de Canciones Modernas Para 1901', two couples dancing while a dove flies in between them, José Guadalupe Posada (Mexican, 1851–1913), ca. 1901

Design for an Armor with Tournament Headdress, ca. 1620–56 , Black ink and grey washes, Sheet: 16 11/16 x 11 7/16 in. (42.4 x 29.1 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), View in

Lindisfarne Castle, Holy Island, Northumberland, 1796–97, Watercolor, Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm), Drawings, Thomas Girtin (British, London 1775–1802 London), Holy Island is dramatically situated on the northeast coast of

Débauché, 1896, Lithograph printed in three colors on vellum, Sheet: 14 15/16 x 22 1/16 in. (38 x 56.01cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Lord Lieutenant of Ireland, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

The rock of Aeolus, surrounded by water, with steps leading up the rock, the heads of three of the four winds on each corner blowing outwards, Aeolus crowned at the summit, four winds in the sky around him, from 'The contest of the seasons' (La

The Fall of Troy and the Escape of Aeneas, mid-1540s, Engraving, sheet: 15 3/16 x 19 7/16 in. (38.6 x 49.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Douer (Dover), 1642, Etching; first state of two, Plate: 2 7/16 × 5 3/16 in. (6.2 × 13.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Judith Slaying Holofernes, from The Story of Judith and Holofernes, Etching, Sheet: 9 1/4 x 7 5/8 in. (23.5 x 19.3 cm), Prints, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Possibly etched by Dirk Volckertsz

Drawings and Prints, Print, The cardinal virtue of Justice represented by a seated woman holding a pair of scales and a sword (possibly a modern impression), Artist, Anonymous, ca. 1480–1520, 1475, 1485, Engraving, printed from a plate

Carrie Behr, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

Concert of cherubs on Earth, 1625–77, Etching; first state of two, Plate: 5 × 8 1/8 in. (12.7 × 20.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Seven cherubs are seated on clouds playing harp, horn, triangle,

To the Memory of George Taylor Whose Skill and Courage in Manual Combat Would Have Done Honour to the Roman Circus... (Epitaph), 1782, Etching, Sheet: 10 13/16 x 8 9/16 in. (27.5 x 21.7 cm), Prints, Related to William Hogarth (British, London

Spanish-Patriots Attacking the French-Banditti– Loyal Britons Lending a Lift, August 15, 1808, Hand-colored etching, sheet (trimmed to plate line): 10 3/4 x 15 1/4 in. (27.3 x 38.7 cm), Prints, James Gillray (British, Chelsea 1756–1815

Anniversary of the Fall of the Bastille, Paris, July 1790, ca. 1790, Aquatint printed in brown, Prints, Anonymous, French, 18th century

Vase with Helios or Phaeton on the Chariot of the Sun, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Depiction of a vase or ewer. The vase is abundantly decorated with motifs from the Fontainebleau School. Within a

Guillaume de Lamoignon, 1659, Engraving; first state of two (Petitjean & Wickert), sheet: 12 3/8 x 9 1/4 in. (31.5 x 23.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Initial letter H with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6 cm

Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 × 3 15/16 in. (5.9 × 10 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922

On the Gulf of Salerno near Vietri, September 1782 or later, Watercolor over faint traces of graphite, on cream wove paper, Sheet: 14 7/16 x 20 7/8 in. (36.7 x 53 cm), Drawings, John Robert Cozens (British, London 1752–1797 London), In May,

Tulip (Tulipa Gesheriana), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

The Triumph of Time, 1574, Engraving; first state of four, Sheet: 8 3/8 x 11 15/16 in. (21.2 x 30.4 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Allegory of Marie Antoinette, 1776, Etching, Sheet: 11 5/16 × 8 5/16 in. (28.8 × 21.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), Marie

The Lovers, 16th century, Etching, sheet: 5 11/16 x 4 9/16 in. (14.4 x 11.6 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

The Satyr's Family, 1763, Etching, Sheet: 9 1/4 in. × 12 in. (23.5 × 30.5 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Few painters in eighteenth-century France were formally trained in printmaking and, for the

Centaur Carrying a Vase with Fire, Engraving, Sheet: 1 9/16 × 1 1/4 in. (4 × 3.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

A young man sitting at right resting his head in his hand, a snake with a womans head before him, a young woman holding a pan pipes standing in the centre and a young man leaving at left, ca. 1510–20, Engraving, Sheet: 10 3/8 × 8 7/16 in.

Drawings and Prints, Print, Christ Stripped, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg ca.

The Green Tree Library, 1894, Lithograph, Sheet: 16 7/16 × 12 1/2 in. (41.7 × 31.8 cm), Henry McCarter (American, Philadelphia, Pennsylvania 1866–1942 Norristown, Pennsylvania

St. Paul, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving; second state of two, sheet: 6 x 4 1/4 in. (15.3 x 10.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Mock orange (Philadelphus coronarius), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in

Processional Cross, ca. 1500, Ethiopia, Highlands region, Tigray, Tigrinya peoples, Wood, tin, H. 18 x W. 17 in. (45.7 x 43.2cm), Wood-Sculpture, Ezra, This cross was created in the province of Tigray, near the Red Sea, the birthplace of

Gilles Ménage, ca. 1652, Engraving; first state of three (Petitjean & Wickert), Sheet: 8 1/2 × 6 in. (21.6 × 15.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Death and the Bishop, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.7 × 7.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Hans Holbein

Chinese Performer, 1738–45, Etching, Sheet (trimmed): 8 1/4 × 5 1/4 in. (21 × 13.3 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Farm Tree in Coytesville, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Capitol of Indiana in Indianapolis, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

Hercules holding Antaeus by the waist and lifting him off his feet, ca. 1520–22, Engraving, 12 1/16 x 8 3/8 in. (30.6 x 21.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

Drawings and Prints, Photograph, Miss Williams, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Saint Barbara (left), Saint Catherine, (center), Saint Lucy (right), ca. 1500–1527, Engraving, 3 1/16 x 4 5/8 in. (7.7 x 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 5 1/16 x 17 5/16 in. (12.8 x 43.9 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816, Etching and mezzotint; first state of three, plate: 7 x 10 7/8 in. (17.8 x 27.6 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Face of Christ on St. Veronica's Cloth, 1649, Engraving; second state of two, sheet: 16 7/8 x 12 5/16 in. (42.8 x 31.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Peasants Behind the Hedge from The Peasants' Feast or the Twelve Months, 1546–47, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 7/8 in. (5 x 7.3 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Peasant at

Drawings and Prints, Print, Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, The Faerie Queene, III, vi), Artist, Henry Fuseli, Swiss, Zürich 1741–1825 London, Fuseli, Henry

The Conversion of St Paul, 1576, Engraving, Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Giulio Clovio (Italian, Brizane 1498–1578 Rome

The Third Tournament, 1509, Woodcut, sheet: 11 1/4 x 16 1/4 in. (28.6 x 41.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Thetis Seated with a Triton, 16th century, Engraving, sheet: 9 3/16 x 6 1/8 in. (23.3 x 15.5 cm) borderline, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Portrait of Victor Amédée, roi de Sairdaigne, 1777, Etching and engraving; second state of five (Bocher), Sheet: 20 13/16 × 15 1/4 in. (52.8 × 38.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After

A landscape with travellers at the left, ca 1660–80, Etching, Sheet: 12 1/16 x 16 3/8 in. (30.7 x 41.6 cm), Prints, Adam Perelle (French, Paris 1640–1695 Paris

Portrait of Louis XVI, Marie Antoinette and The Dauphin, ca. 1791, Etching; second state of six (Bocher), Sheet: 8 3/16 × 5 7/16 in. (20.8 × 13.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph

Tobias Returning Sight to His Father, 1755, Etching, Sheet: 12 3/16 x 9 1/2 in. (31 x 24.1 cm), Prints, Antoine de Marcenay de Ghuy (French, Arnay-le-Duc (Côte-d'Or) 1724–1811 Paris), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

Plate 18: a large tree at right, a man on horseback at left, seen from behind riding towards the left, from 'Various figures and doodles' (Diverses figures et griffonnemens), ca. 1646, Etching, Sheet: 3 9/16 x 2 3/4 in. (9 x 7 cm), Prints,

Saints Matthew and Francis, ca. 1435, Tempera on wood, gold ground, Overall, with added strips, 54 5/8 x 34 3/4 in. (138.7 x 88.3 cm); painted surface 52 7/8 x 33 1/2 in. (134.3 x 85.1 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di

Drawings and Prints, Print, The Drum Major of Sedition, Publisher, Subject, Artist, Subject, Subject, Elizabeth Darchery, Charles Jenkinson, Charles James Fox, Thomas Rowlandson, Baron Edward Thurlow, Admiral Samuel Hood, John Stuart,

Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

L'Ecce Homo, Etching, sheet: 20 x 14 7/16 in. (50.8 x 36.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

George Henry Thomas, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a

Blackwork Print with a Bezel Supporting Grotesques Above Three Smaller Bezels, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 13/16 × 3 7/16 in. (12.2 × 8.8 cm), Etienne Carteron (French, born

Design for the Verso of a Pendant with Three Large Flowers, before 1573, Engraving; second state of three (New Hollstein), Sheet: 5 3/4 × 4 in. (14.6 × 10.1 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

Terracotta lamp, 2nd century A.D., Roman, Terracotta, Length 8.3 cm. H. 3.3 cm., Terracottas

English Lady in Winter Costume (The Winter habit of ane English Gentlewoman), 1644, Etching, sheet: 8 1/2 x 4 5/16 in. (21.6 x 11 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A full length standing figure of a woman,

Speculum Romanae Magnificentiae: Marforius, 1550, Engraving, sheet: 14 5/8 x 17 1/8 in. (37.2 x 43.5 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Blind Beggar Bumping A Pillar; this and (2) are two plates of beggars from the story of Lazaville de Tormes., 17th century, Etching with drypoint; third state of three, 13.1 x 11.9 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem

Order of the Crown, Germany, originally Prussian, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations'

Lamp, Greek or Roman, Terracotta, Overall: 2 x 4 1/8 in. (5.1 x 10.5 cm), Terracottas

Drawings and Prints, Photograph, Card Number 313, Maud Hewllen, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Photograph, Card Number 373, Julia Miner, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Cockfight, Santo Domingo, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1923

Horizontal Panel with Tendrils Rising from Center, 1532, Engraving, Sheet: 2 × 2 13/16 in. (5.1 × 7.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Dinner dress, 1875–78, French, silk, glass, Uncannily like the dresses in the wonderfully presumptuous portraits of John Singer Sargent and Thomas Eakins of the same time, this 1870s evening dress extracts the full glitz and glamour of

Tomyris, shown nude from behind, placing the head of Cyrus into a sack held by a soldier, the decapitated body of Cyrus on the ground at her feet, from a series of four mythological scenes, ca. 1539, Engraving, sheet: 4 11/16 x 2 15/16 in.

Drawings and Prints, Print, Calvary, from Life of the Virgin and Christ, Life of the Virgin and Christ, Artist, Francesco Rosselli, Florence 1448–1508/27 Venice (?), Rosselli, Francesco, Italian, 1448, 1527, 1490–1500, 1490, 1500

Tree Trunks and Lane, 1811–13, Softground etching on chine collé, plate: 8 1/16 x 6 3/8 in. (20.4 x 16.2 cm), Prints, John Crome (British, Norwich 1768–1821 Norwich), A leader of the Norwich School (artists based near that Norfolk town

The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 3 7/16 x 5 5/16 in. (8.8 x

The Entombment, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.9 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

En joue...Faux! (from La Feuille), René-Georges Hermann-Paul (French, Paris 1874–1940 Saintes-Maries-de-la-Mer), 1897–99

Alden J. Blethen, The Minneapolis Tribune, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Emma Abbott, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Annunciation of the Birth of the Virgin to Joachim, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (8 × 5.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca.

Plate 13: head of a young boy, in profile, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x 2 1/2 in. (8.4 x 6.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664

Holy Family with Elizabeth and St. John, Woodcut, Sheet: 8 3/8 x 12 in. (21.3 x 30.5 cm), Prints, Possibly by Anonymous, Possibly by Nicolò Boldrini (Italian, Vicenza ca. 1500–after 1566 Venice), After Titian (Tiziano Vecellio) (Italian,

Portrait of Johann Christian Brand, 1793, Etching printed in brown ink; first state, sheet: 11 x 7 15/16 in. (28 x 20.1 cm), Prints, Adam von Bartsch (Austrian, Vienna 1757–1821 Vienna

Admiral Third Rank, Japan, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

October, November, December, 1897, 1896, Commercial relief process and lithography, Sheet: 17 5/16 in. × 12 in. (44 × 30.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, A soldier, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866