Images at Librifly

Design for a Brooch with Jael Killing Sisera, 1580–1600, Engraving and blackwork, Sheet: 2 11/16 × 3 3/16 in. (6.8 × 8.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a brooch with a circular

Child Holding Staff, 18th century, Etching; third state of three (Jean-Richard), Sheet: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Torse of the Witch, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Drawings and Prints, Print, Soissons, aux Gares, from Les Evacués, Artist, Louis-Robert Antral, French, Châlon-sur-Marne 1895–1939 Paris, Antral, Louis-Robert, French, 1895, 1939, 1917

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Publisher, Engraver, Artist, Sitter, After, Abraham Wivell I, William Holl, the Elder, Gerard van Soest, John Simon,

Tooth Sword, South Sea Islands, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3),

A Cryptoportico, ca. 1545, Etching, Sheet (trimmed): 11 11/16 × 17 1/16 in. (29.7 × 43.3 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Drawings and Prints, Print, Veni Vidi Vici, Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

Drawings and Prints, Print, Chap. II: Je ne me reconnais plus (I No LongerRecognize Myself), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Publisher, Artist, Lithographer, Sazerac and Duval, Victor Adam, Langlumé,

Design for a Tazza, Bowl or Dish, ca. 1600, Brown ink and red (fuchsia) wash, traced with a stylus, Diameter: 5 13/16 in. (14.8 cm), Anonymous, German , active late 16th - early 17th century

Drawings and Prints, Print, The High-Mettled Racer, Artist, After, John Hassell, Thomas Rowlandson, British, 1767–1825, British, London 1757–1827 London, Hassell, John, Rowlandson, Thomas, 1767, 1757, 1825, 1827, 1789–1812

Hindu, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, The Dame's Absence, from the Illustrated London News, Artist, Engraver, After, Alfred Rankley, Harvey Orrin Smith, British, 1819–1872 London, British, active 1847–70, Rankley, Alfred, Smith, Harvey

Drawings and Prints, Print, Chap. XIV: Quels inhumains! mettre dehors! (How inhuman to put me out-of-doors!), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Artist, Lithographer, Publisher, Victor Adam, Langlumé,

Red Eagle, Prussia, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in 1890 in a

Plate 10: 'The ancient Capitol ascended by approximately one hundred steps [...]' (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a

Plate 12: a cartouche flanked by two winged infant satyrs riding on the heads of two rams, from 'Nouvelles inventions de Cartouches', ca. 1647, Etching, sheet: 6 1/16 x 4 1/2 in. (15.4 x 11.4 cm), Stefano della Bella (Italian, Florence

Mechelen (Mechlin), 1664, Etching; first state of two, Sheet (trimmed to plate): 3 1/4 × 5 1/16 in. (8.3 × 12.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A man carrying sack over his shoulders seen from behind

Drawings and Prints, Print, Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by

Drawings and Prints, Print, Burning of the Henry Clay Near Yonkers–While on Her Trip From Albany to New York on Wednesday Afternoon July 28th, 1852.–The rapid spread of the flames forced the passengers into the water. Mothers and children,

Card Number 198, Dollie Haskin, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

The Drawbridge, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, scratching; first state of six (Robison), plate: 21 5/8 x 16 1/8 in. (54.9 x 40.9 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

A Harlot's Progress, Plate 6, April 1732, Etching and engraving; third state of three, mount: 12 1/2 x 15 3/16 in. (31.7 x 38.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print Ornament & Architecture, Plate 4: Vase or Ewer with a Frieze containing mermaids and centaurs, and below a lion's head with garlands and ribbons, from Antique Vases (‘Vasa a Polydoro Caravagino’), Antique Vases,

Design for a Frieze with Putti carrying a Vine and Three Felines, Plate 11 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 3/8 × 9 13/16 in. (8.5 × 25 cm), Stefano della Bella (Italian,

La Mort d'Uncas (The Death of Uncas), 1839, Etching, Mount: 9 3/8 × 12 3/8 in. (23.8 × 31.5 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Syzygy or the Conjunction of the Macrocosmic Unity with the Microcosmic Triunity from Heinrich Khunrath, Amphiteatrum sapientiae aeternae, n.d., Engraving from a circular plate, sheet: diameter 16 in. (40.6 cm), Prints, Attributed to Peter van

A Muslim Preparing for Prayer, ca. 1862–67, Black chalk on wove paper, Sheet: 14 1/8 in. × 9 in. (35.9 × 22.9 cm), Drawings, Jean-Léon Gérôme (French, Vesoul 1824–1904 Paris

Portrait of the Wife of Georg Pencz (Imago Duxore Gregori Peins), Engraving; second state of two (Hollstein), Sheet: 4 7/8 × 3 3/8 in. (12.4 × 8.5 cm), Prints

Perversity, 1891, Etching, sheet: 12 15/16 x 10 1/16 in. (32.9 x 25.5 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Cover for 'Los Chascos de Bato y Bras o una Eccena Divertida', a man standing on stage surrounded by monsters, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Portrait of Despréaux Nicolas Boileau, 1800, Etching and engraving; third state of three (Bocher), Sheet: 10 5/8 × 6 3/4 in. (27 × 17.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After François Girardon

Drawings and Prints, Print, The Big Sky, or Marshes, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857–1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1912

Green-winged Teal, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

Till Eulenspiegel, 1907, Color lithograph, sheet: 5 1/2 x 3 1/2 in. (14 x 8.9 cm), Prints, Urban Janke (Austrian, Blottendorf/Vienna, 1887–1914

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, sheet: 16 7/16 x 11 3/8 in. (41.8 x 28.9 cm), Prints, After William Hogarth

Lippincott's: March, 1895, Lithograph, Sheet: 19 1/8 × 12 5/8 in. (48.5 × 32.1 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

Banknote motif: hexagonal ornament with rippled edges with a pointed star at its center and flowers and leaves below, ca. 1824–42, Engraving and etching, sheet: 3 3/8 x 2 5/8 in. (8.5 x 6.7 cm), Prints, Associated with Cyrus Durand (American,

Underriver–The Golden Valley, ca. 1833, Pen and brown ink, brush and brown wash, over graphite on cream wove paper, Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm), Drawings, John Linnell (British, London 1792–1882 Redhill, Surrey),

Geneva, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Design for Stole and Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 19 3/4 x 18 in. (50.2 x 45.7 cm), Ernest Geldart (British, London 1848–1929

Plate 46, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Glass cameo cup fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and cased; carved and ground, Overall: 3 3/4 x 2 1/4 in. (9.5 x 5.7 cm), Glass, Translucent purple with opaque white overlay. Plain

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Man of War, Germany, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a

Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 5/16 x 10 1/4 in. (18.6 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

The Family, 1610–85, Etching, Plate: 7 1/16 × 6 1/4 in. (18 × 15.9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Denmark, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Mlle. Manola, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 8), issued

The Ox of St. Luke, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, The Virgin holding the infant Christ, an oval composition, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian, Bologna 1575–1642 Bologna, Reni, Guido, Anonymous, 17th century,

Jupiter and Europa, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 7/8 x 2 3/16 in. (4.7 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Wilhelm V. Duke of Julich, Cleve and Berg, 1540, Engraving; first state of three, Sheet: 12 1/16 × 8 5/8 in. (30.7 × 21.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Minerva, ca. 1632, Engraving, 50.8 x 23 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Monongahela River Valley, Pennsylvania, 1931, Oil on canvas, 28 x 38 in. (71.1 x 96.5 cm), Paintings, John Kane (America, West Calder, Scotland 1860–1934 Pittsburg, Pennsylvania), John Kane was born of Irish parentage in West Calder,

Drawings and Prints, Print, Admiration, Le Brun Travested, or Caricatures of the Passions, Publisher, Artist, Etcher, After, Rudolph Ackermann, George Moutard Woodward, Thomas Rowlandson, London, British, ca. 1760–1809 London,

Drawings and Prints, Print, Ferdinand and Miranda (Shakespeare, The Tempest, Act 3, Scene 1), Artist, Engraver, Publisher, Subject, After, Angelica Kauffmann, Peltro William Tomkins, James Birchall, William Shakespeare, Swiss, Chur

Waltham Abbey, Essex, ca. 1840, Graphite and watercolor, Sheet: 9 3/4 x 15 1/4 in. (24.8 x 38.7 cm), Drawings, Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London), De Wint’s masterful control of a watercolor here evokes

Landscape near Saint Jean de Mont, n.d., Watercolor over charcoal on paper., 24 15/16 x 18 11/16 in. (63.4 x 47.5 cm), Drawings, Géza Peske (Hungarian, 1859–1934

Costume Design for 'Sixth Ballet Girl', 1901, Watercolors over graphite, Mount: 11 x 8 1/8 in. (28 x 20.6 cm), Percy Anderson (British, 1850/51–1928 London), Design for the costume for 'Sixth Ballet Girl' for the play 'Captain Jinks of the

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518, Engraving,

Drawings and Prints, Print, The Lute Player (Der Lautenschläger), Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

Lilly Elton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Golden Plover, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards

Headband: Basket of Fruit, Engraving, sheet: 3 3/8 x 7 1/2 in. (8.6 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Surf, 1916, Etching; proof from cancelled plate, Plate: 6 1/4 x 4 3/8 in. (15.9 x 11.1 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Drawings and Prints, Print, William Shakespeare, Sitter, Artist, Engraver, After, William Shakespeare, Jacob Houbraken, John Chester Buttre, British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon, Dutch, Dordrecht 1698–1780

The Farewell Breakfast at Asnières, 1861, Etching; second state of three, sheet: 7 1/16 x 10 1/16 in. (18 x 25.5 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, The Bouzols Castle Ruins Near Puy en Delay, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Printer, Eugene Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France),

Ferdinand de Neufville de Villeroy, 1658, Engraving; fourth state of six (Petitjean & Wickert), sheet: 14 1/8 x 10 5/16 in. (35.9 x 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French,

Korea, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Oak and Old House in Spring, 1931, Etching, Plate: 8 3/8 x 11 1/8 in. (21.2 x 28.3 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Saint Christopher Seated with the Infant Christ, Woodcut, Sheet: 4 7/8 × 3 3/4 in. (12.4 × 9.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Manuscript Leaf with Initial M, from a Missal, ca. 1290, Made in Beauvais (?), France, French, Tempera and gold on parchment, Overall: 11 5/16 x 7 11/16 in. (28.7 x 19.5 cm), Manuscripts and Illuminations, With its marriage of elegant

Ignorance Defeated, 1540–45, Etching, in red ink, Sheet (trimmed): 12 3/8 in. × 17 in. (31.5 × 43.2 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau

Drawings and Prints, Print, Evening Harbor Scene with Bridge (Mist on the Thames), L'Estampe originale, Album VIII, Artist, Publisher, Joseph Pennell, André Marty, American, Philadelphia, Pennsylvania 1857–1926 New York, French, born

Plate 5: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1658, Etching; second state, sheet: 7 1/2 x 10 1/4 in. (19.1 x 26.1 cm), Prints, Giovanni Battista Galestruzzi (Italian,

Christ Nailed on the Cross, early 18th century, Pen and black ink, brush and gray ink, heightened with white gouache, on brown paper; framing line in pen and black ink, Sheet: 11 5/16 × 8 1/4 in. (28.8 × 20.9 cm), Drawings, Paul Decker the

Arms and Armor, Rapier, German, ca. 1600–1620, 1575, 1645, Steel, gold

View of the palace of the illustrious Barberini family on the Quirinal Hill, designed by Cavaliere Bernini, from Vedute di Roma (Roman Views), ca. 1729, Etching; first state of five (Hind), Sheet: 19 1/8 x 27 5/16 in. (48.5 x 69.4 cm), Prints,

Drawings and Prints, Photograph, Card Number 372, Minnie Farren, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Belt fragment, 17th century, Made in Peru, Peruvian, woven, 25 1/2 x 6 1/2 in. (64.8 x 16.5 cm), Textiles

Scene 4, from Jack and the Giant Killer, Scenes for a Toy Theater, 1870–90

L'Assomption, Etching and engraving, sheet: 7 1/2 x 4 3/4 in. (19 x 12 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Laban Searching for his Household Gods, Artist, Gabriel de Saint-Aubin, French, Paris 1724–1780 Paris, Saint-Aubin, Gabriel de, 1724, 1780, ca. 1753, 1748, 1758

Drawings and Prints, Print, Benevolence, Artist, After, Thomas Rowlandson, Samuel Alken, British, London 1757–1827 London, British, London 1756–1815, Rowlandson, Thomas, Alken, Samuel, 1757, 1756, 1827, 1815, November 25

Detail from a Fishing Scene, Tomb of Qenamun, New Kingdom, Dynasty 18, ca. 1427–1400 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, facsimile: h. 53 cm (20 7/8 in); w. 43.5 cm (17 1/8 in), Hugh R. Hopgood

Blackwork Print with a Latin Cross and Four Motifs, ca. 1620, blackwork, Plate: 1 7/8 x 2 1/4 in. (4.8 x 5.7 cm

Bacchus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 2 3/16 x 2 3/8 in. (5.5 x 6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Last Supper, from The Small Passion, n.d., Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Flagellation of Christ in an ornate Frame, ca. 1542–45, Etching, Plate: 6 15/16 x 6 7/8 in. (17.6 x 17.4 cm), Prints, Etched by Anonymous, French, School of Fontainebleau, 16th century

Pendant Design with Faith Standing in a Circular Temple, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 13/16 × 4 1/16 in. (14.8 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel

Drawings and Prints, Print, Jean-Jacques Rousseau, Artist, Pierre Michel Alix, French, Paris 1762–1817 Paris, Alix, Pierre Michel, French, 1762, 1817, 18th–19th century, 1762, 1817

Banknote vignette with a family in a garden, ca. 1824–37, Engraving and etching, sheet: 2 1/2 x 4 in. (6.3 x 10.2 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Title for a set of copies after various artists, 17th century, Etching, sheet: 2 11/16 x 3 7/8 in. (6.9 x 9.9 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris

The Acropolis from the West, with the Propylaea and the Temple of Athena Nike, Athens, 1834, Watercolor over graphite, 13-1/8 x 22-3/16 in. (33.3 x 56.3 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

The Zaagmolen Gate, 17th century, Etching, sheet: 7 1/16 x 12 1/16 in. (17.9 x 30.6 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

The Athenaeum, Portsmouth, 1915, Etching, Plate: 8 5/16 x 5 7/8 in. (21.1 x 14.9 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util, 1645, Etching and burin, Sheet: 3 1/8 × 4 1/2 in. (7.9 × 11.4 cm), Nicolas Cochin (French, Troyes 1610–1686 Paris),

Michael IV Le Tellier, 17th century, Engraving, Sheet: 13 3/8 × 10 3/8 in. (34 × 26.4 cm), Prints, Pieter Louis van Schuppen (Flemish, 1627–1702), After Robert Nanteuil (French, Reims 1623–1678 Paris