Images at Librifly

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

William Lakeland, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

Sara Jewett, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Richmond, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

The Massacre of the Innocents, 1665–1747, Red chalk, over traces of black chalk, 17-3/16 x 23-3/8 in. (43.7 x 59.3 cm), Drawings, Giuseppe Maria Crespi (Italian, Bologna 1665–1747 Bologna

Giant Kangaroo, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in

Title, 'Les Soirées de Rome', n.d., Etching, sheet: 6 5/8 x 4 5/16 in. (16.9 x 10.9 cm), Prints, Hubert Robert (French, Paris 1733–1808 Paris

Hercules and the Centaurs: Hercules holds the head of a centaur with his left hand and raises his club with his right hand, in the foreground and background are fallen and fleeing centaurs, from the series 'The Labors of Hercules', 1608, Etching,

Drawings and Prints, Print, Tired Out (from the Christmas number of The Graphic), Artist, After, Adrien-Emmanuel Marie, French, Neuilly-sur-Seine 1848–1891 Cadiz, Marie, Adrien-Emmanuel, 1848, 1891, 1885, 1885

Peasants Going to Work, 1863, Etching in brown/black ink on thin laid paper; seventh (final) state, plate: 15 3/16 x 12 1/16 in. (38.6 x 30.7 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Frieze with a Putto Holding a Platform, 1580–1600, Engraving, Sheet: 2 7/8 × 6 1/4 in. (7.3 × 15.8 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with dense grotesque ornament decoration on a black background. At

Drawings and Prints, Print, Steward, Country Characters, Artist, Publisher, Artist, After, George Moutard Woodward, Rudolph Ackermann, Thomas Rowlandson, British, ca. 1760–1809 London, British, London 1757–1827 London, Woodward,

The Company of Undertakers, March 3, 1736, Etching and engraving; second state of two, plate: 10 1/4 x 7 1/16 in. (26 x 18 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 2: Design for a Frieze with Felines holding up a Garland and the Medici Coat of Arms in the Center, Plate 2 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 3/8 × 9 15/16 in. (8.6 ×

Christ Washing the Feet of the Disciples, from The Small Passion, ca. 1508, Woodcut, sheet: 4 7/8 x 3 7/8 in. (12.5 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 107: The Wreck of Ceyx's Ship (Ceyx Clarium oraculum petens, tempstate in Aegeo mari obruitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/16 × 4 5/8 in. (10.3 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence

Instruments of Naval Combat, A Sailor Sounding the Trumpet, 17th century, Etching and drypoint; state III, sheet: 7 1/16 x 10 3/8 in. (18 x 26.3 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

International: November, 1896, Lithograph, Sheet: 20 1/4 × 13 15/16 in. (51.4 × 35.4 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on brown paper, Image: 2 3/16 × 3 3/4 in. (5.6 × 9.5 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922

Wheat Field with Cypresses, 1889, Oil on canvas, 28 7/8 × 36 3/4 in. (73.2 × 93.4 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), Cypresses gained ground in Van Gogh’s work by late June 1889 when he resolved

Grotesque Figures, 1610–85, Etching, Sheet: 3 11/16 × 2 5/8 in. (9.4 × 6.6 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Tribute Money, 1844, Graphite on wove paper (tracing paper, laid down), Overall: 8 7/16 x 11 1/16 in. (21.5 x 28.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Dark Brahma Cockerel, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in

Drawings and Prints, Print, Late Hours!, Matrimonial Comforts, Artist, Publisher, Artist, After, Thomas Rowlandson, Rudolph Ackermann, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London,

Adel Depois, from the Actresses series (N67) promoting Dixie Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series (N67), issued ca.

Girls Picking Apples, 1915, Lithograph printed in two variants of green, blue, and pink, plate: 21 1/4 x 19 11/16 inches (54.0 x 50.0 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely

Drawings and Prints, Print, Study of a Woman (Etude de femme / Abundance), L'Estampe Originale, Album IX, Artist, Publisher, Pierre Puvis de Chavannes, André Marty, French, Lyons 1824–1898 Paris, French, born 1857, Puvis de Chavannes,

Dance Under the Trellis, 1610–85, Etching, sheet: 5 1/8 x 7 5/16 in. (13 x 18.6 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 3/16 × 4 3/16 in. (20.8 × 10.7 cm), Prints,

Drawings and Prints, Print, The Pea Cart, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827, 1838,

Ornamental Design with a Bat in the Center, 1550, Engraving, Sheet: 2 3/4 × 2 in. (7 × 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament panel design with a bat at center, a trophy above, and a shell at

Venezuela, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x 2 9/16 in.

Issued Barley Instead of Wheat [first version] (John Beaver, Roman Military Punishments, 1725), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Grammatica, from The Seven Liberal Arts, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, Brussels 1550–1600/1601 Venice, Vos, Maerten de, Sadeler,

Unidentified profile portrait, older man facing left, 1773–1820, Silhouette, 5 1/4 × 4 1/2 in. (13.4 × 11.4 cm), Cut Paper, Anonymous, German, Wrapped in paper with five other profiles. Inscription on the packet in brown ink: Frau

The Belgian Wagon (Plaustrum Belgicum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of two, Sheet: 12 3/16 x 16 3/4 in. (31 x 42.5 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

S.S. Brown, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in

The Lovers, 17th century, Etching, sheet: 5 15/16 x 4 1/8 in. (15.1 x 10.4 cm), Prints, Anonymous, Italian, 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Venus stepping out of the sea, holding a billowing drapery in her left hand, Cupid at right offering pearls while riding a dolphin and a putto at left offering flowers, another in the clouds, ca. 1600–1640, Etching, Sheet: 8 11/16 × 6 1/2

Charles Carrol of Carrolton, 1835, Engraving on chine collé; second state of three, plate: 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Chester

Saint Martin on Horseback, 15th–16th Century, Woodcut; second and last state, sheet: 9 5/16 x 6 7/16 in. (23.7 x 16.3 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Martyrdom of Saint Matthias, from the series 'The little apostles' (Les petits apôtres), ca. 1632, Etching, Sheet: 4 1/4 x 3 1/4 in. (10.8 x 8.2 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

The Battle Near Teramundt (Teremonde), from Der Weisskunig, printed 18th century, Woodcut, Sheet: 9 1/2 × 8 7/16 in. (24.2 × 21.5 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king) is a

Leaf Ornament with Lilies of the Valley, Engraving, Sheet: 2 5/8 × 1 3/4 in. (6.7 × 4.5 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Portrait of Martin von Molitor, 1812, Etching, sheet: 15 1/2 x 11 3/4 in. (39.4 x 29.8 cm), Prints, Adam von Bartsch (Austrian, Vienna 1757–1821 Vienna), After Joseph Abel (Austrian, 1764–1818

Drawings and Prints, Print, The Virgin with apostles looking up towards the Holy Dove and two angels, after Reni, Artist, Publisher, After, Engraved by, Guido Reni, Giovanni Girolamo Frezza, Johann Jakob Frey the Elder, Italian, Bologna

Cardinal Antonio Barberini, 1663, Engraving, sheet: 13 15/16 x 10 13/16 in. (35.4 x 27.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 163, Carrie Rumbold, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Bust of St. Paul, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553

Drawings and Prints, Print, Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 58-78), Heinrich Fuessli'sämmtliche Werke, 1807,

Drawings and Prints, Photograph, Campbell & Lane, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Print, ca. 1570–1650, Etching, Sheet: 11 7/16 × 9 3/8 in. (29 × 23.8 cm), Prints, Anonymous, After Orazio Samacchini (Italian, Bologna 1532–1577 Bologna), This etching reverses a painting by Orazio Samacchini

Cœnotaphiorum (6), 1563, Etching; first state of four, sheet: 6 9/16 x 8 1/4 in. (16.7 x 21 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Moonrise, 1861, Etching; second state of six, image: 6 7/8 x 9 1/4 in. (17.5 x 23.5 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Mars and Venus, 1588, Engraving; first state, Sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8

The Alliance of Venus with Bacchus and Ceres, Engraving, sheet: 11 13/16 x 8 1/8 in. (30 x 20.7 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

George Washington, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set

Krieg, from the series Vom Tode Zweiter Teil, n.d., Plate: 20 5/16 × 13 1/4 in. (51.6 × 33.7 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

The Idle 'Prentice Executed at Tyburn: Industry and Idleness, plate 11, September 30, 1747, Etching and engraving; second state of three, sheet: 10 5/8 x 15 13/16 in. (27 x 40.2 cm), Prints, William Hogarth (British, London 1697–1764

Liberia, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Giant Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in

VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, 19-5/8 x 14-7/8 in. (49.8 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Two youths in profile to left with two grotesque heads facing each other below, 1625–77, Etching; only state, Plate: 2 13/16 × 1 11/16 in. (7.1 × 4.3 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two heads of

The Miracle of St. Bernard (copy), after 1512, Woodcut, hand-colored, Sheet: 2 7/16 × 1 15/16 in. (6.2 × 4.9 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Six Designs for Drinking Vessels, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Six designs for drinking vessels, presented in two rows. The upper row shows three

Medallions with portraits of Sebald Beham and Anna Beham, 1647, Etching; first state of three, Sheet: 2 5/8 × 4 11/16 in. (6.7 × 11.9 cm), Prints, Medallion with portrait of the artist Sebald Beham at left, another at right with portrait of

Drawings and Prints, Print, Initial letter I with garlands, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 5/16 × 2 5/16 in. (5.9 × 5.8 cm

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right, Venus in a chariot drawn by three doves at the left, ca. 1540–60, Engraving, plate: 6 7/8 x 8 7/16 in. (17.5 x 21.5 cm), Prints, Anonymous, 16th century, After

Toadfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

Drawings and Prints, Print, The Sailor's Return, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann, British, London 1757–1827 London, Rowlandson, Thomas, Ackermann, Rudolph, 1757, 1764, 1827, 1834, October 10, 1799

Shrimps!, March 25, 1782, Stipple engraving, sheet: 10 3/16 x 7 5/16 in. (25.8 x 18.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Vienna: St. Michael's Church (Wien: Die Michaelerkirche), Artist, Publisher, Urban Janke, Wiener Werkstätte, Austrian, Blottendorf/Vienna, 1887–1914, Janke, Urban, Wiener Werkstätte, Austrian, 1887,

Anne de Chaumont-Guitry, Comtesse d'Amblimont, 18th–early 19th century, Lithograph, Plate: 3 3/16 in. (8.1 cm), Prints, Pierre Michel Alix (French, Paris 1762–1817 Paris

Design for an Ornamental Crest for Silver Plate, early 18th century, Engraving, Sheet (trimmed into an oval): 4 7/8 x 4 3/4 in. (12.4 x 12 cm), Prints

Drawings and Prints, Print, The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13, Thronus Justitiae, tredecim pulcherrimus tabulis..., Artist, Publisher, After, Joachim Wtewael, Willem van Swanenburg,

Plate 4: a cartouche formed by a tiger skin and flanked by two centaurs, from 'Nouvelles inventions de Cartouches', ca. 1647, Etching, sheet: 6 1/8 x 4 15/16 in. (15.5 x 12.6 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Noli Me Tangere, from The Passion of Christ, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, Brussels 1550–1600/1601 Venice, Vos, Maerten de,

Calphurnius, from the series The Roman Heroes, 1586, Engraving, 14 7/16 x 9 3/16 in. (36.6 x 23.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 8, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, baptized 1560, died Paris, 1622, Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630,

Elevation of a Catafalque with royal Crown and Order of the Golden Fleece, for a Duke of Lorraine, probably Leopold (d. 1729), around 1729, Pen, brown ink and grey wash, 20-3/8 x 13-1/2 in. (51.8 x 34.3 cm), Drawings, Workshop of Giuseppe

Drawings and Prints, Photograph, Card Number 221, Mlle. Garland, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Apollo holding pipes in his right hand accompanied by Pegasus, 1556–60, Etching, Sheet: 8 15/16 x 6 13/16 in. (22.7 x 17.3 cm), Prints, Angiolo Falconetto (Italian, active ca. 1555–67), After Giulio Romano (Italian, Rome 1499?–1546

Saturn, Eros, and a Woman, Etching, sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm), Prints, Giuseppe Diamantini (Italian, 1621–1705

The Virgin on the Grassy Bank, 1505, Woodcut, Sheet: 9 3/16 × 6 1/4 in. (23.3 × 15.9 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etchings, Each print approximately:, Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791

Rumpelstiltskin at the Spinning-Wheel and the Dwarf, early 19th century, Pen and black ink, brown wash, over graphite, sheet: 4 1/8 x 3 1/8 in. (10.4 x 7.9 cm), Drawings, Gustav Heinrich Naeke (German, Frauenstein 1786–1835 Dresden

Panel of a Diptych Announcing the Consulship of Justinian, 521, Made in Constantinople, Byzantine, Ivory, Overall: 13 7/8 x 5 3/8 x 3/8 in. (35.2 x 13.7 x 1 cm), Ivories, Justinian, who would be the greatest emperor of the early Byzantine

Drawings and Prints, Photograph, Card Number 166, Topogganing, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli,

Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century, Etching and engraving, Sheet: 14 1/8 x 18 1/8 in. (35.8 x 46 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French,

Japan, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

St. Stephen, Hungary, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in 1890 in

Chess Piece, Rook, 11th–12th century, Attributed to Western Islamic Lands, Ivory; carved, H. 1 3/4 in. (4.5 cm), Glass

An apostle with a long beard looking down at an open book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, Sheet: 3 15/16 × 2 15/16 in. (10 × 7.5 cm), Prints, Anonymous, 17th century, After Guido

Christ in Limbo with Adam and Eve, ca. 1500–1534, Engraving, 8 7/16 x 6 3/4 in. (21.5 x 17.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After (?) Francesco Francia (Italian, Bologna ca.

Horizontal Panel Design with Five Male Figures Fighting a Dragon, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm), Anonymous, Italian, Venetian, 17th century, In the manner of Polifilo