Images at Librifly

Drawings and Prints, Print, The Diligent Worker Aspiring to the Righteousness of the Lord, from The Reward of Labour and Diligence, plate 3, The Reward of Labour and Diligence, Artist, After, Philips Galle, Maarten van Heemskerck,

The Miser, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.4 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), A miser sits at the left and protests as

Design for an with Tournament Headdress, ca. 1620–56 , Black ink with grey, green, brown and pink washes, Sheet: 17 x 11 5/16 in. (43.2 x 28.7 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), Side

A Rotation Office, June 8, 1774, Etching and aquatint; printed in brown ink, Sheet: 7 3/16 × 8 7/8 in. (18.2 × 22.5 cm), Prints, After Henry Wigstead (British, 1745?–1800 Margate

Chili, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Nude Figures, after Ruben's 'Fall of the Rebel Angels', ca. 1820–22, Brown ink over graphite on laid paper, sheet: 8 1/4 x 12 3/8 in. (20.9 x 31.4 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Plate 4: Psyche's father consulting the oracle, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Le Feste des Trois Rois, n.d., Etching and letterpress, sheet: 21 5/16 x 15 1/2 in. (54.2 x 39.3 cm), Prints, Romeyn de Hooghe (Dutch, 1645–1708

Black-Breasted Red Game Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

The Betrayal of Christ, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 7/16 × 38 3/16 in. (13.8 × 97 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht

唐 彩繪泥塑騎馬仕女俑, Horse and Female Rider, Tang dynasty (618–907), 7th century, China, Unfired clay with pigment, H. 14 1/4 in. (36.2 cm); L. 11 1/2 in. (29.2 cm), Tomb Pottery, This painted clay figure likely comes from

Schenkenschanz, 1642–1644, Etching; second state of three, Sheet: 1 7/8 × 6 9/16 in. (4.7 × 16.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of Schenkenschanz from the river Rhine, with boat in foreground at

Terracotta kylix (drinking cup), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, Overall: 6 in. (15.2 cm), Vases, Interior, two schoolgirls, Exterior, women conversing. The representation in the tondo provides

Red Cloud, Dakota Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

T.W. Doswell, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in

The Martyrdom of Saint Lucy, Etching, image: 18 1/4 x 13 7/8 in. (46.3 x 35.3 cm), trimmed to image, Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Drawings and Prints, Print Poster, Cissie Loftus, Imitations, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, 1876, 1925

Christ praying on Mount of Olives; Roman soldiers entering through garden gate in far background, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/8 in. × 4 in. (13 × 10.1 cm), Prints, Marcantonio Raimondi (Italian,

Edinburgh, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

The Mocking of the Prisoners, ca. 1540, Engraving, plate: 17 3/16 x 22 7/16 in. (43.7 x 57 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Sword of Damocles; verso: Sketches of Man's Head and of a Figure with a Raised Arm, 1805, Pen and black ink, over graphite, sheet: 12 9/16 x 10 in. (31.9 x 25.4 cm), Drawings, Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853

Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Oil on paper, laid down on wood, 15 5/8 x 19 1/2 in. (39.7 x 49.5 cm), Drawings, Camille Corot (French, Paris 1796–1875 Paris), Corot painted this study in the summer of 1832 or 1833 in

The War Council (Conseil de guerre), 1872, Lithograph on wove paper, Image: 10 in. × 8 3/4 in. (25.3 × 22.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois), Daumier scrutinized French politics with such grim,

Lilthorpe's Gallant Attack on Street, Nuisances, 1830–64, Pen, brown ink, and watercolor, Sheet: 8 7/8 × 11 7/8 in. (22.5 × 30.2 cm), Drawings, John Leech (British, London 1817–1864 London

Drawings and Prints, Photograph, Card Number 34, Annie Pixley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Hoffmannesque Scene (Hofmanneske Szene), 1921, Lithograph in gold, maroon, brown and black, plate: 14 3/4 x 10 7/16 inches (37.5 x 26.5 cm), Prints, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Look Lodie! Look... (Voyons Lodie! Voyons...), plate 44 from the suite Les Lorettes, published in Le Charivari, February 13, 1843, February 13, 1843, Crayon and ink lithograph; third and final state, sheet: 13 1/4 x 9 3/4 in. (33.7 x 24.7

The Annunciation, late 15th–early 16th century, Handcolored woodcut, sheet: 8 9/16 x 6 11/16 in. (21.7 x 17 cm), Prints, Hans Wechtlin (German, Strasbourg ca. 1480/85–after 1526

Bloodhound, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

After the Earthquake, San Francisco, 1906, Gelatin silver print, 13.3 x 23.5 cm (5 1/4 x 9 1/4 in.), Photographs, Arnold Genthe (American (born Germany), Berlin 1869–1942 New Milford, Connecticut), Early on the morning of April 18, 1906,

Study of a Reclining Nude, Etching and Engraving, sheet: 9 3/4 x 11 7/8 in. (24.7 x 30.2 cm), Prints, Jean Edme Nochez (French, born Paris, 1736), After François Boucher (French, Paris 1703–1770 Paris

Cassell's Magazine: December, 1896, Lithograph, Sheet: 12 5/8 x 15 in. (32.1 x 38.1 cm), Louis John Rhead (American, born England, 1857–1926

Captain Worley, Setting out from New York, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Invention of the Compass, plate 2, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 5 1/16 x 17 9/16 in. (12.8 x 44.6 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Elephant, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Verso of a Sheet with Philip the Belle, from The Genealogy of Emperor Maximilian I, 1509–12, Woodcut; first state of two (Hollstein), Sheet: 8 1/16 × 7 1/16 in. (20.5 × 18 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531

Speculum Romanae Magnificentiae: Tablet with Calendar from the Farnese Palace, 16th century, Engraving, sheet: 13 9/16 x 19 5/16 in. (34.5 x 49 cm), Prints, Anonymous

Drawings and Prints, Print, Don Quixote Attacking the Windmill, HB Sketches, No. 420, Subject, Publisher, Subject, Artist, Lithographer, Daniel O'Connell, Thomas McLean, Sir Francis Burdett, 5th Baronet, John Doyle, Alfred Ducôte,

Drawings and Prints, Photograph, Mr. Toole, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870, 1920,

Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut on cream paper, Image: 2 5/16 × 3 7/8 in. (5.9 × 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York

Design for a fountain with a seated nymph at left and triton holding a shell to his mouth at right, 1768, Etching, sheet: 13 9/16 x 10 3/16 in. (34.5 x 25.8 cm), Prints, Charles Hutin (French, Paris 1715–1776 Dresden

The Agony in the Garden, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Drawings and Prints, A Rainy Day at Cookham, Artist, Publisher, Artist, After, Frederick Walker, Seeley & Co., Ernest Stamp, British, London 1840–1875 Perthshire, Scotland, London, British, Sowerby, Yorkshire 1869–1942

The Creation of Eve, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 2 15/16 × 1 7/8 in. (7.5 × 4.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Hans Holbein

Patrick Fitzgerald, Pedestrian-Go As You Please, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2

Bachelor's Button (Centaurea Cyanus), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in

Jupiter from The Gods Who Preside Over the Planets, 1528, Etching, sheet: 3 5/16 x 1 15/16 in. (8.4 x 5 cm), Prints, Master I.B. (German, active 1525–1530

C.H. (Self-Portrait), 1920, Etching with plate tone, Plate: 3 3/4 x 3 in. (9.5 x 7.6 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Caius Marius in prison; two Cimbrian soldiers entering his cell, 1560–70, Engraving, sheet: 8 x 10 5/8 in. (20.3 x 27 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), Designed by Polidoro da Caravaggio (Italian,

Dutch Warships (Naves Bellicæ Hollandicæ), 1647, Etching; bottom right corner where '2' is added to plate in the second state has been torn off and replaced so state is indeterminate., Sheet: 5 3/4 × 9 5/16 in. (14.6 × 23.7 cm), Prints,

Drawings and Prints, Print, Market in Hayti, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1924

Drawings and Prints, Print, St. James the Greater, Artist, Lucas Cranach the Younger, German, Wittenberg 1515–1586 Wittenberg, Cranach, Lucas, the Younger, German, 1515, 1586, 1515

Antwerp Cathedral (Prospectvs Tvrris Ecclesiæ Cathedralis), 1649, Etching; fourth state of four (NH), Plate: 18 × 13 5/16 in. (45.7 × 33.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Antwerp Cathedral; view of west

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

Nativity, 17th century, Etching, sheet: 4 9/16 x 3 1/8 in. (11.6 x 7.9 cm), Prints, Anonymous, Italian, 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Sts. Anne, Joseph, Joachim, Bernard and John the Evangelist (Parenté de la Vierge), 1648, Engraving; second state of two (BN), sheet: 16 3/4 x 12 1/8 in. (42.5 x 30.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Thomas A. Edison, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Drawings and Prints, Photograph, Card Number 10, Billie Barlow, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Shark, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a set

The Wicked Husbandman (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London),

The Entombment, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer (German, Nuremberg

St Matthew the Evangelist, holding a banderole (possibly a modern impression), ca. 1480–1520, Engraving, printed from a plate engraved in the niello manner, Sheet: 14 3/16 × 12 5/8 in. (36 × 32 cm), Prints, Anonymous

Drawings and Prints, Photograph, Card Number 502, Theo, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Chest of Drawers, 1755–85, Made in Newport, Rhode Island, United States, American, Mahogany, white pine, chestnut, 34 3/4 x 36 3/4 x 21 1/2 in. (88.3 x 93.3 x 54.6 cm), Furniture, Attributed to John Goddard (1724–1785), This chest is

The March to Finchley (A Representation of the March of the Guards towards Scotland in the Year 1745), December 31, 1750, Etching and engraving; fifth state of eight, Sheet: 17 x 21 15/16 in. (43.2 x 55.8 cm), Prints, after William Hogarth

Cross-Section of Round Temple [Pinaculu Termar], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 4 3/4 x 5 7/8 in. (12 x 14.9 cm) (uneven plate),

Drawings and Prints, Poster, Advertisement for Philadelphia Sunday Press: May 17, 1896, Artist, George Reiter Brill, American, Pittsburgh, Pennsylvania 1867–1918 Florida, Brill, George Reiter, 1867, 1918, 1896

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809, Etching and mezzotint; first state of three (Finberg), plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner

Drawings and Prints, Print, Sambar Deer (Aristoteles Hert), Artist, Samuel Jessurun de Mesquita, Dutch, Amsterdam 1868–1944 Auschwitz, Mesquita, Samuel Jessurun de, 1868, 1944, 1928, 1928

Philosophy Enthroned, mid-16th century, Pen and black ink, watercolor, gouache, heightened with gold paint; framing line in brown ink, Sheet: 9 3/4 × 7 1/16 in. (24.7 × 18 cm), Drawings, Virgil Solis (German, (?) 1514–1562 Nuremberg

Plate 29: Civilis Floods the Land by Defensively Breaking the Dikes, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 5/16 × 8 1/16 in. (16 ×

Cardinal Jules Mazarin, 1656, Engraving, Sheet: 13 1/16 × 10 1/16 in. (33.2 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, The Virgin seated with the infant Christ on her lap, the young Saint John the Baptist kneeling on Christ's cradle and caressing his foot, a lamb at right, after Reni, Artist, After, Engraved by, Guido Reni,

Resurrection of Christ, 1512, Woodcut, Sheet: 10 1/4 × 8 1/8 in. (26 × 20.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

A horseman galloping towards right with sword in hand, other horsemen in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 9/16 x 2 11/16 in. (9 x 6.9 cm), Prints, Stefano

Drawings and Prints, Photograph, Card Number 355, Nora Sayles, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Le Nouvéliste, 1770–1814, Wash manner, Prints, Jean François Janinet (French, Paris 1752–1814 Paris), After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Portrait of Adrienne-Sophie Marquise de ***, 1779, Etching and engraving; second state of four (Bocher), Sheet: 10 15/16 × 7 7/8 in. (27.8 × 20 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

May Robson, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 6),

Bacchanal with infant satyrs and putti at left, a naked male figure reclines in front of a pedestal carved in bas-relief, two clothed figures look toward the right, ca. 1625–78, Etching, sheet: 4 7/8 x 11 1/4 in. (12.4 x 28.5 cm), Prints,

Drawings and Prints, Print, Decorated Roman alphabet, Artist, Anonymous, French, 15th century, Anonymous, French, 15th century, 1400, 1500, ca. 1499

Bronze tripod, Late Cypriot II or III, ca. 1450–1050 B.C., Cypriot, Bronze, H. 3 7/8 in. (9.8 cm), Bronzes, This small vessel stand was cast from a mold. Most known examples of cast tripods come from tombs and sanctuaries

Vaulted Hall with Candelabra, 1675–1743, Pen, ink, and wash, sheet: 11 1/4 x 9 1/4 in. (28.6 x 23.5 cm), Drawings, Ferdinando Galli Bibiena (Italian, Bologna 1657–1743 Bologna

Democritus and Heraclitus, 1625–77, Etching; not by Hollar, Plate: 9 9/16 × 12 5/8 in. (24.3 × 32 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

The Seamstress, 1853, etching on chine collé; second state, plate: 4 1/8 x 2 15/16 in. (10.5 x 7.5 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Saints Peter and John healing the Sick, 16th century, Etching with pink tone block, sheet: 10 11/16 x 16 3/16 in. (27.1 x 41.1 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Procession through the Hippodrome, Constantinople (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, plate 15), 1723–24, Etching and engraving, sheet: 9 13/16 x 13 7/16 in. (24.9 x

Card Number 304, Jenny Bartine, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Amor, Tod und Jenseits, from the series Intermezzi, n.d., Etching and aquatint on chine collé, Sheet: 7 7/8 × 17 1/16 in. (20 × 43.4 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Duke of Portland, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued

Proposal for Astor House (Park Hotel), New York (perspective), ca. 1830–1834, Watercolor, ink, and graphite on paper, 20 5/16 x 31 1/2in. (51.6 x 80cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey),

The Fourth Spring, Etching; first state of two, Plate: 5 3/16 × 6 15/16 in. (13.2 × 17.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Print, Silver Statuette of the Christ Child, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder,

Drawings and Prints, Print, Miraculous Draught of Fishes, from The Passion of Christ, plate 29, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Miss Georgie Blake, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Head of a Woman Looking Downward, late 19th century, Colored lithograph, Sheet: 17 11/16 x 12 3/8 in. (45 x 31.4 cm), Prints, George William Thornley (French, 1857–1935), After (?) François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The Resentment of Queen Catherine (Paul de Rapin, History of England), Publisher, Artist, Engraver, After, John Thane, William Hamilton, John Ogborne, British, London 1748–1818, British, London 1751–1801

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Artist, Sitter, Publisher, Engraver, After (?), Said to portray, Cornelius Johnson, William Shakespeare, Abraham Wivell I,