Images at Librifly

A Standing Young Washerwoman, late 18th–early 19th century, Brush and brown ink, over black chalk or graphite, Sheet: 19 1/16 x 13 9/16 in. (48.4 x 34.4 cm), Drawings, Jacob van Strij (Dutch, Dordrecht 1756–1815 Dordrecht

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

A Muse of Poetry, 19th century, Graphite and chalk on paper, 14 1/2 x 6 in. (36.8 x 15.2 cm), Drawings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris

Drawings and Prints, Print, The Modern Egbert, or The King of Kings, Subject, Subject, Subject, Artist, Baron Edward Thurlow, William Pitt, Henry Dundas, 1st Viscount Melville, George Nugent Temple Grenville, 1st Marquess of Buckingham,

Margarette Urbanska, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 8),

The Early Ploughman, 1861, Etching; fifth state of nine (probably), plate: 5 5/8 x 8 1/8 in. (14.3 x 20.6 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Jug with arabesques on the base, 1625–77, Etching. only state, Plate: 6 7/16 × 4 7/16 in. (16.4 × 11.3 cm), Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London),

Three Designs for Enamel Buttons, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Three designs for enamel buttons in red, green, gold and silver. The first two

Drawings and Prints, Print, l'Amour simple, Abattement, Le Desir (from Caracteres des passions, gravés sur les desseins de l'illustre Monsieur le Brun), Etcher, Artist, After, Sébastien Le Clerc, le Jeune, Charles Le Brun, French,

Laburnums and Battersea, 1889–90, Etching and drypoint with pencil additions; second state of five., Image: 13 3/8 x 8 11/16 in. (34 x 22.1 cm), Prints

Rushing Bear, Pawnee, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2), issued

The Stoning of Saint Stephen, Engraving, Sheet: 10 11/16 x 6 1/8 in. (27.1 x 15.6 cm), Prints, Domenico del Barbiere (Italian, Florence (?) 1506–1565 Paris

A Seated Woman, 1888, Watercolor, Sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Franz Skarbina (German, Berlin, 1849–1910 Berlin

Drawings and Prints, Print, Reform Advised, Reform Begun, Reform Complete, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, January 8

Saint Francis of Assisi praying before a crucifix, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, Sheet: 3 5/16 × 1 15/16 in. (8.4 × 5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Drawings and Prints, Print, Decorated Roman alphabet, Artist, Anonymous, French, 15th century, Anonymous, French, 15th century, 1400, 1500, ca. 1499

Shop Card for Mrs. Holt's Italian Warehouse, 1720–72, Etching and engraving; first state of two, sheet: 9 x 5 9/16 in. (22.8 x 14.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Designs for Four Mirrors and a Two Handled Vase, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Catfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889

Banknote motifs: panel of lathe work ornament with rounded ends, with a repeating floral pattern, ca. 1824–42, Engraving on chine collé, plate: 3 15/16 x 2 5/16 in. (10 x 5.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Saint Anne and the Virgin with the Infant Christ, ca. 1500–1527, Engraving, 3 1/4 x 1 15/16 in. (8.3 x 5.0 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Scene in the Jewish Quarter of Constantine, 1851, Oil on canvas, 22 3/8 x 18 1/2 in. (56.8 x 47 cm), Paintings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), Chassériau witnessed this scene and

Cranberry, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Over-the-Shoulder bass saxhorn in E-flat, mid to late 19th century, Philadelphia, Pennsylvania, United States, American, Brass, nickel-silver, 58 1/8 × 9 3/4 × 11 in. (147.6 × 24.8 × 27.9 cm), Aerophone-Lip Vibrated-trumpet / trombone,

River Landscape after the painting in the cabinet of Mr. Poullain, 1780, Etching and engraving, Sheet: 5 3/4 x 7 5/16 in. (14.6 x 18.5 cm), Prints, J. F. Borgnet (French, active ca. 1780–1790), After Jan Brueghel the Elder (Netherlandish,

Christmas Eve, 1862 (from Harper's Weekly), January 3, 1863, Wood engraving, Sheet: 14 7/16 × 21 7/16 in. (36.7 × 54.4 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), Nast's image was published in the 1862

Drawings and Prints, Drawing, Ceres pleading with Jove for the Return of Prosperpina: Ovid, Metamorphoses, Book V, Artist, Thomas Carwitham, British, active 1713–33, Carwitham, Thomas, British, 1670, 1770, 1713–33

Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from the series 'The Elements', ca.

Hannibal Before the Senate in Carthage, 1798-99, Pen and black ink, gray wash, heightened with white; verso: point of brush and gray wash, 7 9/16 x 6 in. (19.2 x 15.3 cm), Drawings, Étienne Pierre Adrien Gois (French, Paris 1731–1823

Plate 2: at top, the head of a young man, frontal view, at bottom, four eyes, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x 2 1/2 in. (8.4 x 6.3 cm), Prints, Stefano della Bella

Bartholomew from the Martyrdom of the Twelve Apostles, Woodblock, Sheet: 6 1/2 × 4 15/16 in. (16.5 × 12.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Drawings and Prints, Print, Characters, from Jack and the Giant Killer, Plate 7 for a Toy Theater, Publisher, Benjamin Pollock, British, 1857–1937, Pollock, Benjamin, 1857, 1937, 1870–90

Trade Card of Richard Hand, The Oldest Original Chelsey Bunn Baker, 1718, Etching and engraving, Plate: 6 7/8 x 5 1/4 in. (17.5 x 13.3 cm), Prints, Said to be designed by William Hogarth (British, London 1697–1764 London

Winding Column from Saint Peter's, Rome, Engraving, Plate: 18 1/16 x 11 1/4 in. (45.8 x 28.6 cm), Prints, Anonymous, Italian, 16th century

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Etching, Plate: 7 11/16 x 6 5/16 in. (19.5 x 16 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

The Doge's Palace Seen from San Giorgio Maggiore, 1908, Oil on canvas, 25 3/4 x 36 1/2 in. (65.4 x 92.7 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Monet visited Venice for the first time in autumn 1908. Captivated by the

Drawings and Prints, Print, The Flight into Egypt; the Virgin carrying the infant Christ, Joseph pointing to the left, trees behind them, after Reni, Artist, Publisher, Artist, After, Engraved by, Guido Reni, Pierre Mariette, Samuel

The Expulsion from Paradise from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam and Eve fleeing towards the left, while

Design for a Decorative (Key?) Plate and a Key Grip, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Page with two designs. On the left a square plate has been depicted

Wood Duck, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards

The wedding of Jason and Creusa, at left Medea takes her children, 1530–60, Engraving, plate: 4 15/16 x 12 3/16 in. (12.5 x 31 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Joseph Trullier, 1626, Engraving, sheet: 6 1/4 x 4 1/8 in. (15.8 x 10.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Quarter of a Ceiling with Grotesque Decorations, ca. 1760 –80, Pen and black ink with light-brown wash, Sheet: 7 1/8 × 7 1/4 in. (18.1 × 18.4 cm), Guiseppe Mannocchi (Italian, 1731–1782

Portrait of Voltaire, 1801, Etching and engraving; third state of three (Bocher), Sheet: 9 3/16 × 5 13/16 in. (23.3 × 14.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Antoine Houdon (French, Versailles

View of the Barrière de la Villette in Paris, 1810–13, Pen and gray ink, over graphite; framing line in pen and gray ink, Sheet: 8 1/2 x 10 11/16 in. (21.6 x 27.1 cm), Drawings, Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853

Country Village with Post Mill from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa, 1559–61, Etching; third state of three, Sheet: 5 5/16 x 7 7/16 in. (13.5 x 18.9 cm), Prints, Johannes van Doetecum the elder

Mock Turtle, January 24, 1785, Hand-colored etching, Sheet: 7 1/2 × 9 9/16 in. (19.1 × 24.3 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Study for The Coiffure (No. 2), ca. 1891, Graphite with softground on the verso (bled through to the recto), sheet: 5 13/16 x 4 7/16 in. (14.8 x 11.3 cm), Drawings, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le

Drawings and Prints, Photograph, Card Number 211, Marie Burroughs, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Nine Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Invasion, Plate 2: England, March 8, 1756, Etching; third state of three, plate: 12 9/16 x 15 1/4 in. (31.9 x 38.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Prometheus chained, two pendentives and an egyptian Saint Marie, bound in Monuments des Arts du Dessin, volume 3, plate 234, Author, Publisher, Artist, Artist, Editor, Written by, Published by, After, Edited

Drawings and Prints, Photograph, Edison, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Seaport Scene, 17th century, Etching; state IV, sheet: 6 3/16 x 9 3/16 in. (15.7 x 23.3 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Decoration for a Thesis in Honor of St. Francis Solano, 1639, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Cupid Instructed by Mercury, 18th century, Engraving, Sheet (trimmed): 10 9/16 × 15 5/8 in. (26.8 × 39.7 cm), Prints, Pierre François Basan (French, Paris 1723–1797 Paris (?)), After François Boucher (French, Paris 1703–1770 Paris

Joseph and Potiphar's Wife, from The Story of Joseph, 1546, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Caius Marius in Prison, two Cimbrian soldiers entering his cell, 1560–69, Engraving, sheet: 8 x 10 5/8 in. (20.3 x 27 cm) within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Polidoro da Caravaggio

Nubia, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

William Purcell, The Rochester Union and Advertiser, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors'

Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand, ca. 1520–30, Engraving, Sheet: 7 11/16 × 6 3/8 in. (19.6 × 16.2 cm), Prints, Anonymous, After Marcantonio

Drawings and Prints, Document, Charles St. Memin's American Passport, Sitter, Issued to, Charles B. J. F. de Saint-Mémin, French, Dijon 1770–1852 Dijon, Saint-Mémin, Charles de, French, 1770, 1852, June 30, 1810

Moon Light in Central Park, ca. 1871–75, Hand-colored lithograph, sheet: 13 1/2 x 18 1/8 in. (34.3 x 46 cm), Prints

Drawings and Prints, Print, The Triumph of Two Roman Emperors (left-hand side) with a Roman Emperor riding in a triumphal chariot, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian, Borgo Sansepolcro

Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.8 cm), Prints, Antonio Tempesta

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, ca. 1530–60, Engraving, Sheet: 9 3/4 × 14 1/16 in. (24.7 × 35.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 4 15/16 × 3 1/2 in. (12.5 × 8.9 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant, with a ribbon and

Cover for 'Las Nueve Jornadas de los Santos Peregrinos', Holy Family in the manger, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Saint Joseph holding the infant Christ, who raises up his hands, an oval composition, after Reni, ca. 1600–1660, Etching, Sheet: 5 1/2 in. × 4 in. (14 × 10.1 cm), Prints, Anonymous, 17th century, After Guido Reni (Italian, Bologna

Order of the Elephant, Denmark, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued

Ornamental Design with a Mask and an Eagle between Two Fauns below, 1549, Engraving, sheet: 2 5/8 x 1 15/16 in. (6.7 x 4.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Whopping Crane, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards

George Armstrong Custer, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in

Drawings and Prints, Print, Cut One and Thigh Protect New Guard, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo,

The Valley of the Nervia, 1884, Oil on canvas, 26 x 32 in. (66 x 81.3 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Monet painted The Valley of the Nervia during a ten-week trip to the Italian Riviera in early 1884. The

Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden, 18th–19th century, (a, b): engraving, Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm), After Salvator Rosa (Italian, Arenella

From the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

L'Agonie des Fleurs, 1890–95, Etching, softground, aquatint; seventh state of nine, Image: 17 11/16 × 13 3/4 in. (45 × 35 cm), Prints

A bust of a young man wearing a cap with feathers, turned three-quarters to the left, the coat of arms of the Grand Duke of Tuscany in top left, title page from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne),

Intaglio with Saint Theodore Teron Slaying a Many-Headed Dragon, 1300 or later, Byzantine, Agate, Overall: 1 5/16 x 1 x 1/4in. (3.4 x 2.6 x 0.6cm), Lapidary Work-Gems, Theodore Teron (the recruit) was one of several soldier-martyrs whose cults

Drawings and Prints, Print, The Last Supper, Artist, Kerr Eby, American, Tokyo, Japan 1889–1946 Norwalk, Connecticut, Eby, Kerr, 1889, 1946, 1937

Earring in the form of a three-lobed wineskin, Parthian, ca. 2nd–1st century B.C., Mesopotamia, said to be from Nineveh, Parthian, Gold, L. 1 13/16 in. (4.6 cm), Metalwork-Ornaments, Interaction between Mesopotamia and the Greco-Roman

Cassandra (Twelve Characters from Shakespeare), March 15, 1776, Etching, Plate: 15 5/8 x 12 11/16 in. (39.7 x 32.2 cm), Prints, Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his

Triumph of Julius Caesar., 1431–1506, Pen and brown ink, Overall: 9 9/16 x 10 1/4in. (24.3 x 26.1cm), Drawings, After Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Von Weihern und Fischteichen, illustration from Petrarch, Glück und Unglück Spiegel, figure 65, 1652, Etching, sheet: 5 1/2 x 6 15/16 in. (14 x 17.7 cm), Prints, Balthasar Schwan (German

Christ on the Cross, from The Passion of Christ, 1596–98, Engraving, Sheet: 7 3/4 x 5 1/16 in. (19.7 x 12.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Sumatra, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

St Francis of Assisi Adoring the Christ Child on the Virgin's Lap, Engraving; second state of two (BN), sheet: 9 1/4 x 13 7/8 in. (23.5 x 35.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Fox, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

Three Tahitian Women, 1896, Oil on wood, 9 5/8 x 17 in. (24.4 x 43.2 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), This panel once carried a note by the artist: 'To the unknown collector of my

Piazza in Covent Garden, ca. 1647, Etching; second state of two, Sheet: 5 11/16 in. × 10 in. (14.4 × 25.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View across the market in Covent Garden towards St Paul's Church

Plate 13: ruins of an ancient temple in the background, a herd of cows in the foreground, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1643–48, Etching, Sheet: 5 3/16 x 5 5/16 in. (13.2 x 13.5 cm),

Two Children, One Playing the Drum, Etching and Engraving, sheet: 11 7/16 x 8 3/8 in. (29 x 21.2 cm), Prints, Attributed to Louis Antoine Crozat, Baron de Thiers, Paris (French, 1699–1770), After François Boucher (French, Paris

Hoffman House, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Peach, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote Allen

Drawings and Prints, Photograph, De Marsy, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870, 1920,

A Rake's Progress, Plate 2, June 25, 1735, Etching and engraving; fourth state of four, plate: 14 x 16 1/16 in. (35.5 x 40.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Tobias Blessed by Blind Tobit, from The Story of Tobias, Etching and engraving, sheet: 6 11/16 x 8 1/4 in. (17 x 20.9 cm), Prints, Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen), After Moses van Uyttenbroeck (Dutch,

Salmacis and Hermaphrodite, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 7/8 x 2 5/16 in. (4.7 x 5.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Three Arab Horsemen at an Encampment, ca. 1832, Watercolor on wove paper, Overall: 8 9/16 x 11 5/8 in. (21.7 x 29.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix’s journey to North Africa in