Images at Librifly

Ecce Homo, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

Study of the Virgin and Child, mid-17th century, Black and red chalk, heightened with white chalk, on blue paper, sheet: 13 x 11 7/16 in. (33 x 29 cm), Drawings, Cornelis Schut (Flemish, Antwerp 1597–1655 Antwerp

Two Costume Designs or Portrait Types, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

Strasbourg, 1642–44, Etching; second state of three, Sheet: 1 3/4 × 6 7/16 in. (4.5 × 16.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of Strasbourg from the bank of the Ill; angler at centre foreground,

Plaques with Scenes from the Story of Joshua, 900–1000, Made in Constantinople, Byzantine, Ivory, traces of polychromy, gilding; bone (border strips), 17a–c: a: 2 1/2 x 3 9/16 x 1/4 in. (6.3 x 9 x 0.6 cm); b: 1 1/16 x 3 9/16 x 1/16 in.

Guitar, 1797, Madrid, Spain, Spanish, Spruce or fir top, cypress back and ribs, mahogany neck, rosewood fingerboard and frets, ebony nut, gut strings, Chordophone-Lute-plucked-fretted, Benito Sanchez de Aguilera (Spanish, Madrid, active

Alma Stanley, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

The Annunciation, early 16th century, Etching, sheet: 4 5/16 x 2 11/16 in. (10.9 x 6.8 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Copy of Leaf Ornament with Lilies of the Valley, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.1 cm), after Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Bulgaria, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

White-Throated Shag, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Costume Design Portfolio for the Play 'Captain Jinks of the Horse Marines', 1901, Bound in green and gold damask portfolio with a gold fabric lining, Mount: 11 1/16 x 8 1/8 in. (28.1 x 20.7 cm), Percy Anderson (British, 1850/51–1928 London),

Annie Summerville, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Speculum Romanae Magnificentiae: Trajan's Column, 1581–86, Etching, sheet: 19 x 11 5/8 in. (48.2 x 29.6 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Polish horseman in profile facing right, a tower and other figures on horses in background, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1648–53, Etching; first state of two, Sheet: 7

Drawings and Prints, Print, Unfalo Causing a Fall of Theuerdanck's Horse, from Theuerdanck, Artist, Author, Publisher, Hans Schäufelein, Melchior Pfintzing, Hans Schönsperger, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German,

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, Sheet: 16 15/16 x 11 15/16 in. (43 x 30.3 cm), Prints, After William

Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left, 1784–88, Aquatint and soft ground etching, Plate: 9 15/16 x 13 in. (25.2 x 33 cm), Prints, After George Barret, the elder (Irish, Dublin 1732?–1784

Songs: 'Deserted by the waning moon...', 1822, Soft ground etching, Image: 8 1/16 × 9 1/2 in. (20.5 × 24.1 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song book.

Plate 24: The Warring Men Born of the Serpent's Teeth (Militum Seges e draconis dentium seminio), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630

First View of the Environs of Antwerp (Premiere Vue des Environs d'Anvers), Etching and engraving, Sheet: 11 7/8 x 14 3/16 in. (30.2 x 36 cm), Prints, Maria Fr. Ozanne (French, active 18th c.), After Jan Brueghel the Elder (Netherlandish,

Joseph in the centre being sold by his brothers standing above a well, camels at the right, 1533, Engraving, sheet: 8 1/4 x 11 1/4 in. (21 x 28.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello

Drawings and Prints, Print, Man wearing a coat and a hat with a cane under his arm, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

Portrait of a Woman in Gray, ca. 1865, Oil on canvas, 36 x 28 1/2 in. (91.4 x 72.4 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), This beguiling sitter is depicted as if in a transitory moment, seemingly about to rise from the

The Virgin and Child with the Skull (copy), 16th century, Engraving printed on blue paper, Sheet: 2 3/4 x 3 7/8 in. (7 x 9.8 cm), Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), Nikolaus Wilborn (German, active ca.

J. B. Eads, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's Inventors'

Portsmouth Doorway, 1916, Etching with plate tone, Plate: 5 1/2 x 4 7/16 in. (13.9 x 11.3 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Harper's: June, 1895, Lithograph, Sheet: 18 9/16 × 12 13/16 in. (47.2 × 32.6 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Portrait of George Savile, Marquis of Hallifax, Thomas Birch, The Heads of Illustrious Persons of Great Britain, Engraver, Artist, Author, Sitter, Publisher, After, Related to work by, Jacob Houbraken, Mary

Drawings and Prints, Photograph, Card Number 48, Madelaine Luccette, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Landscape with a Bridge and a Village Church, ca. 1600 (?), Brush and grey ink, over black chalk; framing line in brush and grey ink, sheet: 5 9/16 x 7 11/16 in. (14.1 x 19.5 cm), Drawings, Anonymous, Flemish, 17th century

Virgin and Child, ca. 1275–1325, British, Caen Limestone, Overall: 59 1/4 x 19 3/8 x 11 3/4 in. (150.5 x 49.2 x 29.8 cm), Sculpture-Stone, Attributed to Alexander of Abingdon (British, active 1291–1317), Discovered only in the 1980s in

Spanish Mackerel, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8),

John M. Mason, D.D. S.T.P. (1770–1829), 1822, Engraving; only state, image: 12 5/16 x 9 13/16 in. (31.3 x 24.9 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Wesley Jarvis

Chantier de Bois a Bruler, 19th century, Lithograph, Sheet: 10 11/16 x 8 13/16 in. (27.1 x 22.4 cm), Prints, Victor Adam (French, 1801–1866

The Triumph of Death on Time, from The Triumph of Petrarch, Engraving, Sheet: 5 7/8 × 8 1/4 in. (14.9 × 21 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Path over a Valley, Engraving, Sheet: 8 15/16 x 12 13/16 in. (22.7 x 32.6 cm), Prints, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Gladiator's Sword, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887

Interior with Pink Wallpaper III, from the series Landscapes and Interiors, 1899, Color lithograph; second state of two, sheet: 14 1/2 x 11 13/16 in. (36.8 x 30 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

A Pier in England (Une Jetée en Angleterre), 1879, Etching, drypoint, aquatint, and roulette; second state of eight, sheet: 16 5/8 x 11 5/8 in. (42.3 x 29.6 cm), Prints, Félix-Hilaire Buhot (French, Valognes 1847–1898 Paris

Small figure striding forward with cane and bulging abdomen, body in profile view and head in three-quarters view, from the series 'Varie figure gobbi', ca. 1621–25, Etching, Plate: 2 7/16 x 3 9/16 in. (6.2 x 9 cm), Prints, Jacques Callot

Apollo and Daphne, ca. 1538–40, Etching, sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), Schiavone learned to etch by studying the prints of Parmigianino,

Drawings and Prints, Print, A Saint-Lazare par Aristide Bruant, Artist, Henri de Toulouse-Lautrec, French, Albi 1864–1901 Saint-André-du-Bois, Toulouse-Lautrec, Henri de, French, 1864, 1901, 1882, 1901

Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame, 1621, Etching and engraving, sheet: 5 9/16 x 4 5/16 in. (14.1 x 11 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome), Late in

Le Troupeau Traversant Le Ruisseau, Etching, sheet: 10 3/8 x 8 5/8 in. (26.4 x 21.9 cm), Prints, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

Banknote vignette with a blacksmith and forge, ca. 1824–37, Engraving and etching on chine collé, plate: 1 7/8 x 3 1/8 in. (4.7 x 8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New

Violaceous, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a

Frontispiece to the life of Alexander the Great, at left is Bellona and at right a female personification of abundance, the Coat of Arms of the Duke of Croy, 1608, Etching; fifth state of five (Bartsch), sheet: 9 1/16 x 11 7/16 in. (23 x 29 cm),

Saint John the Baptist Bearing Witness, ca. 1506–7, Oil and gold on wood, 29 3/4 x 82 1/2 in. (75.6 x 209.6 cm), Paintings, Workshop of Francesco Granacci (Italian, Villamagna 1469–1543 Florence), This panel concluded the series to which

Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 7 1/2 x 9 5/8 in.

Hattie Clarke, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Brazilian, printer's sample from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set

Speculum Romanae Magnificentiae: Temple of Janus, 1550, Engraving, sheet: 22 1/8 x 16 3/4 in. (56.2 x 42.6 cm), Prints, Anonymous

Cœnotaphiorum (17), 1563, Etching; first state of four, sheet: 6 9/16 x 8 1/4 in. (16.7 x 21 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Broadsheet relating to a dialogue between Concepcion and her friend Mateana, José Guadalupe Posada (Mexican, 1851–1913), 1903

Plate 10: The Ancient Gallery: a large covered gallery, light entering from the background, six figures standing atop piles of rocks in the foreground, from 'Les soirées de Rome', ca. 1763–64, Etching, Plate: 5 3/8 × 3 5/8 in. (13.7 × 9.2

Musk Ox, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Selina Delaro, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Treasury House, 10 Downing Street, London: Plan of the End Room Below (Northwest Corner Room, First Floor), ca. 1732–42, Pen and black ink, sheet: 22 5/8 x 17 13/16 in. (57.5 x 45.3 cm

Three Cows, Etching, plate: 4 1/2 x 5 7/16 in. (11.5 x 13.8 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

Wit's Last Stake, or the Cobbling Voters and Abject Canvassers, April 22, 1784, Hand-colored etching, Sheet: 10 3/8 × 14 1/4 in. (26.3 × 36.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Print, The Departure of the Israelites–Destruction of Pharoah and His Host (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, Camden Press, Scribner and Welford, Dalziel Brothers, Thomas Dalziel,

Drawings and Prints, Photograph, Card Number 164, Clara Ellison, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Panpiper Vessel, 14th–15th century, Peru, Chimú, Silver, malachite, H. 8 1/4 x W. 4 1/4 x D. 2 3/4 in. (21 x 10.8 x 7 cm), Metal-Containers, Made of many separate pre-shaped pieces of sheet silver joined by soldering, this engaging vessel

Saint Jerome Hearing the Trumpet of the Last Judgment, ca. 1621, Etching and engraving, sheet: 12 7/16 x 9 5/16 in. (31.6 x 23.7 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Herodias, before 1635, Oil on canvas, 29 5/8 x 24 5/8 in. (75.2 x 62.5 cm), Paintings, Francesco Cairo (Italian, Milan 1607–1665 Milan), This painting was probably executed in Turin, where Francesco Cairo was court painter to Duke Vittorio

Portrait of J. Louis David, 1814, Engraving, sheet: 13 x 9 1/4 in. (33 x 23.5 cm), Prints, Eugène Bourgeois (French, Paris 1855–1909

Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her., ca. 1500–1534, Engraving; only state, Sheet: 2 13/16 × 1 13/16 in. (7.2 × 4.6 cm), Prints, Marcantonio

Drawings and Prints, Photograph, Card Number 59, Olga Brandon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Buenos Aires, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards

Drawings and Prints, Photograph, Card Number 373, Miss Willoughby, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Golden Age, 1620, Engraving, sheet: 12 3/16 x 16 3/4 in. (30.9 x 42.6 cm), Prints, Adriaen Matham (Dutch, ca. 1599–1660), Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Maison antique a Nymmes, 16th century, Engraving, shadows added with brush, mount: 10 9/16 x 16 3/4 in. (26.8 x 42.5 cm), Prints, Anonymous

The Sixth Day (Dies VI), from the series The Creation of the World, ca. 1598, Engraving; third state of three, Diameter: 10 5/16 in. (26.2 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Jan Muller

Turn Out of the Employees of the American Express Company, Corner of Hudson, Jay & Staple Streets, New York City on June 21, 1858, 1858, Colored lithograph, with hand coloring, image: 19 7/16 x 14 1/8 in. (49.4 x 35.9 cm), Prints

Seated Peasant, 1830–75, Etching (undescribed first state?)printed in red ink on wove paper, sheet: 1 x 1 5/8 in. (2.5 x 4.1 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Drawings and Prints, Print, The Creation of Adam who reclines at left and touching the hand of God, Artist, After, Polidoro da Caravaggio, Cherubino Alberti (Zaccaria Mattia), Italian, Caravaggio ca. 1499–ca. 1543 Messina, Italian, Borgo

Hunting Dogs with Dead Hare, 1857, Oil on canvas, 36 1/2 x 58 1/2 in. (92.7 x 148.6 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This picture dates to the same year that Courbet debuted his hunting scenes at

Ecce Homo, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Ehrenhold Delivering Ehrenreich's Message to Theuerdank, from [Theuerdank] Die geuerlicheiten vnd einsteils der geschichten des loblichen streytparen vnd hochberümbten helds vnd Ritters herr Tewrdannckhs, 1517, Woodcut on vellum, Sheet: 14 3/4

Head of a Man, mid-18th century, Crayon-manner engraving, Sheet: 19 3/8 x 14 in. (49.2 x 35.5 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Triumph of Time on Fame, from The Triumphs of Petrarch, Engraving, Sheet: 5 15/16 × 8 5/16 in. (15.1 × 21.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Ewer with Molded Inscription, 9th century, Probably made in Iraq, Glass, greenish; mold blown, applied handle, H. 4 3/8 in. (11.1 cm), Glass, This ewer belongs to a group of about twenty similar objects. Nine of them, including this one,

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

'A peine si, par les hublots et les fenetres eclairees, je pus voir...', 1902, Lithograph, contours only, plate: 9 13/16 x 12 3/4 in. (25 x 32.4 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Miss May Belfort (Large Plate), 1895, Crayon and spatter lithograph printed in black ink on wove paper; first state, Image: 19 9/16 × 13 3/8 in. (49.7 × 34 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina, 1565, Engraving, sheet: 16 1/8 x 12 5/8 in. (41 x 32 cm), Prints, Anonymous

A Peep at the Circus, 1887, Illustrations: color lithography, 12 x 10 x 1/4 in. (30.5 x 25.4 x 0.6 cm), Books

Hercules and the Nemean Lion: Hercules grasps the shoulders and chest of the lion, which is viewed from the back, beside a rocky outcrop, ca. 1530–87, Engraving, plate: 8 5/16 x 5 1/2 in. (21.1 x 14 cm), Prints, Adamo (Ghisi) Scultori

Denis Talon, ca. 1656, Engraving, Sheet: 14 3/16 × 11 1/8 in. (36 × 28.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Llama, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

Death (from the series A Love), 1887–1903, Etching, engraving, and aquatint; third edition; state seven of nine, Plate: 12 3/8 × 17 15/16 in. (31.4 × 45.5 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Henri II d'Orléans, Duc de Longueville, ca. 1655, Engraving; first state of three (Petitjean & Wickert), sheet: 10 5/16 x 7 1/4 in. (26.2 x 18.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, ca. 1617–25,

Louis Hesselin, 1658, Engraving; first state of two (Petitjean & Wickert), Sheet: 13 1/8 × 10 1/4 in. (33.3 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Card 408, Minnie Palmer and L. Chester, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series

Drawings and Prints, Print, Eel-Catcher's House, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Phippsburg, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine), 1924

Sir J. Astley, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in