Images at Librifly

Firenzi, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Angels Giving Dates to Child, 1610–42, Etching, 4 1/2 x 6 1/4 in. (11.4 x 15.8 cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Frontispiece, from Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger), 1782, Etching and aquatint, Sheet: 15 7/16 × 21 9/16 in. (39.2 × 54.8 cm), Jean Jacques Lagrenée (French, Paris

The Artist Hoffman, 1815, Etching; fourth state, plate 3 11/16 x 3 13/16 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

The Royal Society, frontispiece to Thomas Sprat, 'The History of the Royal Society of London.', 1667, Etching, only state, Sheet (trimmed and inlaid): 8 in. × 6 3/8 in. (20.3 × 16.2 cm), Prints, After John Evelyn (British, 1620–1706

Bronze spearhead, Early Cypriot III, ca. 2000–1900 B.C., Cypriot, Bronze, length 11 1/2 in. (29.2 cm), Bronzes, Although there are no indications that the Early Bronze Age was a period of conflict on the island, spearheads are often found

Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 6, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630, French, baptized 1560, died Paris, 1622,

Pair of Earplugs Ornamented with Figures and Inlaid Stones, Eastern Javanese period, early 9th–14th century, Indonesia (Java), Gold, W. 3/8 in. (1 cm); Diam. 1 3/4 in. (4.4 cm), Jewelry

Portrait of Ricardo Vines, 1903, Lithograph, sheet: 12 7/8 x 8 9/16 in. (32.7 x 21.8 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

The Fisherman's Hut, Engraving; first state of three, Plate: 2 15/16 × 4 1/4 in. (7.5 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Remains of ancient buldings among which stands the sepulchral urn of Marcus Agrippa made entirely of porphyry, which serves today as the Tomb of Clement XII ... (Vestiggi d'antichi Edifici fra i quali evvi l'Urna Sepolcrale tutta d'un pezzo di . .

St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 13 11/16 x 17 11/16 in. (34.8 x 45 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

CYAN, 1922, Watercolor on paper, 12 3/4 × 10 3/4 in. (32.4 × 27.3 cm), Drawings

Carlotta, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Arion, 1763–66, Etching and engraving; third state of three (Bocher), Sheet: 14 3/8 × 19 5/16 in. (36.5 × 49.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Jacques Jean Pasquier (French, 1718–1785), After

Harper's: March, 1895, Lithograph, Sheet: 19 1/4 × 13 13/16 in. (48.9 × 35.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, The Sick Mother, Artist, Paul-Albert Besnard, French, Paris 1849–1934 Paris, Besnard, Paul-Albert, 1849, 1934, 1889, 1889

Queen of Greece, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of 50

Pleasures of Occupation, Etching and engraving, sheet: 4 5/16 x 5 7/8 in. (11 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto), ca. 1753, Etching, Sheet: 22 9/16 x 17 1/2 in. (57.3 x 44.5 cm), Prints, Francesco Piranesi (Italian, Rome 1758–1810 Paris

Heads of two young women, 1645, Etching; second state of two, Plate: 3 3/8 × 4 1/2 in. (8.5 × 11.4 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Studies of the heads and shoulders of two young women, the one at

Ornament with Two Couples of Satyrs, 1549, Engraving, Sheet: 3 7/16 x 1 5/8 in. (8.8 x 4.2 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Abram and the Angel (Dalziels' Bible Gallery), After Frederic, Lord Leighton (British, Scarborough 1830–1896 London), Dalziel Brothers (British, active 1839–1893), 1865–81

Large sculpture gallery built on arches and lit from above . . . (Galleria grande di Statue, la cui struttura è con Archi e col lume preso dall'alto . . . .), ca. 1750, Etching, Plate (Image): 14 1/16 × 9 13/16 in. (35.7 × 24.9 cm), Prints,

The Resurrection, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 2 15/16 × 2 in. (7.5 × 5.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

La Bonne Mere, n.d., Etching, between second and third states, sheet: 24 15/16 x 18 3/4 in. (63.3 x 47.7 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas de Launay (French, Paris,

The Master Printmaker: Adolphe Albert, 1898, Lithograph printed in black on wove paper, 18-1/2 x 13-3/4 in. (47.0 x 34.9 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Waggoner, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 7/8 × 2 3/16 in. (7.3 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

Two Silver Jewelry Designs, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Two designs for silver jewelry pieces, possibly brooches or the tips of stickpins. The

Peasant with a Pipe, 1640–80, Etching, Sheet: 4 1/2 × 3 7/8 in. (11.5 × 9.9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Four Designs of Costume Accessories, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

Spinner from the Auvergne, 1830–99, Woodcut, Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon

The Box with the Gilded Mask, 1894, Crayon, brush, and spatter lithograph with scraper, printed in five colors on imitation japan paper; only state, Sheet: 19 3/4 × 12 13/16 in. (50.2 × 32.5 cm), Prints, Henri de Toulouse-Lautrec (French,

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs, Anonymous, Italian, 16th century, Anonymous, Italian, Venetian, 18th century, ca. 1730–60

European Sculpture and Decorative Arts, Fan, Spanish, ca. 1750, 1745, 1755, Paper, paint

Henri-Jules de Bourbon, duc d'Enghien, 1661, Engraving; first state of two (Petitjean & Wickert), Sheet: 15 1/4 × 11 5/8 in. (38.7 × 29.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes

Battle Axe, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/2 × 4 5/8 in. (21.6 × 11.7 cm), Prints, Giovanni Jacopo

Francesco I d'Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659,

Portrait of Gessner, 1775, Etching; third state of four (Bocher), Sheet: 10 1/4 × 3 15/16 in. (26 × 10 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After baron Dominique Vivant Denon (French, Givry 1747–1825

Study of a Garland of Fruits and Vegetables, ca. 1653 (?), Pen and brown ink, Sheet: 4 5/16 × 6 11/16 in. (10.9 × 17 cm), Martinus Saeghmolen (Dutch, Oldenburg ca. 1620–1669 Amsterdam

Plate 31: Gods celebrating the wedding of Cupid and Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499–1592

Drawings and Prints, Print, Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian,

Card 472, Agnes Booth, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Lippincott's: April, 1895, Lithograph, Sheet: 19 in. × 12 7/16 in. (48.2 × 31.6 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

白繻子地墨竹図打掛　祇園南海筆, Overrobe (Uchikake) with Bamboo, Edo period (1615–1868), first half of the 18th century, Japan, Ink and gold powder on silk satin, Overall: 64 3/4 x 48 7/8 in. (164.5 x 124.2 cm), Costumes,

Smoker (copy), 1610–85, Etching, Sheet: 3 9/16 × 2 3/8 in. (9.1 × 6 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Plate 12: a shepherd sleeping on the ground to right, three horses to left, other horses and various figures to right, the Baths of Diocletian in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de

Death on a battlefield, atop a horse riding towards the left, wearing a hat with many feathers, other figures of Death battling to left and right in the background, ca. 1646, Etching; third state of four, Sheet: 8 7/8 x 11 3/4 in. (22.5 x 29.8

Title to Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 1/8 x 6 5/16 in. (10.5 x 16.1 cm), Prints, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), After The Master of the Small Landscapes

Studies of a Couple Seated on the Ground, Looking at a Songbook, ca. 1740, Red, black, and white chalk on light gray-brown paper, Sheet: 10 1/4 x 14 9/16 in. (26 x 37 cm), Drawings, Nicolas Lancret (French, Paris 1690–1743 Paris

Portrait of Johann Schweickhardt von Kronberg, Archbishop of Mainz, early 17th century, Pen and brown and black ink, brown wash, heightened with body color, sheet: 10 1/4 x 7 1/2 in. (26.1 x 19.1 cm), Gerhard Brück (German, active early 17th

The Staircase with Trophies, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving; first state of six (Robison), Sheet: 25 x 19 1/2 in. (63.5 x 49.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body, Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples), 1624

Soldier's Death (from The Life and Death of a Soldier), May 1, 1781, Etching and aquatint, printed in brown ink, Sheet: 14 13/16 x 16 5/16 in. (37.6 x 41.4 cm), Prints, Etched and published by Robert Blyth (British, ca. 1750–1784), After

Drawings and Prints, Print, Frédéric Barromée, archeveque, cardinal de Milan, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century

Evangelista Torricelli, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Governor Biggs, Delaware, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co., ca. 1888

Artist's Gridded Sketch of Senenmut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Radim below entrance, Tomb of Senenmut (TT 71), 1935–36, Limestone, ink, h. 22.5 cm (8 7/8 in); w.

Naphtali, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 7/16 x 10 3/4 in. (21.5 x 27.3 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz

Drawings and Prints, Print, Imitations at Drury-Lane by the Journalist (Picturesque Beauties of Boswell, Part the Second), Publisher, Artist, Subject, Artist, Subject, After, E. Jackson, Thomas Rowlandson, Samuel Johnson, James Boswell,

Jar, 土器壷, Late Jōmon period (ca. 2500–1000 B.C.), Japan, Earthenware with incised decoration, H. 7 7/8 in. (20 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics, This small, bulbous-shaped bottle with narrow neck is typical of wares found at

L'audience de l'Empereur chinois (The audience of the Chinese Emperor), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 9/16 x 25 3/8 in. (42 x 64.5 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After

German Student, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, Arithmetica, from The Seven Liberal Arts, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, Brussels 1550–1600/1601 Venice, Vos, Maerten de,

Card Number 87, Agnes Folsom, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Mercury standing holding a cadecus in his right hand, a lyre in his left, ca. 1536–40, Etching, sheet: 6 11/16 x 3 9/16 in. (17 x 9 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Saint-Tropez (The Port of St. Tropez), 1894, Lithograph in six colors, Sheet: 10 13/16 x 14 7/16 in. (27.5 x 36.7 cm), Prints, Paul Signac (French, Paris 1863–1935 Paris

Digger, 1863, Woodcut in brown ink on laid paper; second (final) state; posthumous impression, block: 5 1/2 x 4 1/8 in. (14 x 10.5 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Plate 5: figures unloading goods from a boat at the right, ca. 1660–90, Etching, sheet: 6 9/16 x 18 in. (16.6 x 45.7 cm), Prints, Pietro Santi Bartoli (Italian, Perugia 1615–1700 Rome), After Polidoro da Caravaggio (Italian, Caravaggio

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects, 1606, Engraving, Sheet: 7 9/16 x 5 1/8 in. (19.2 x 13 cm), Prints, Oliviero

Floy Crowell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

'Car il faut que les demons...', 1902, Lithograph, contours only, sheet: 9 13/16 x 12 11/16 in. (25 x 32.2 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Drawings and Prints, Print, Ragusej Merchant, from 'Les quatre premiers livres des navigations et pérégrinations orientales' by Nicolas de Nicolay, Artist, After, Léon Davent, Anonymous, French, active 1540–56, Davent, Léon,

John Yellow Flower, Ute, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

Dominique de Ligny, 1654, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 7/16 × 9 3/4 in. (31.6 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Portrait of Grinling Gibbons, 1690, Mezzotint, sheet: 13 3/8 x 10 5/16 in. (34 x 26.2 cm), Prints, After Sir Godfrey Kneller (German, Lübeck 1646–1723 London

Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like

Ralph Temple, Cyclist, Champion Trick Rider, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2

Study of a Woman Viewed from Behind, 1833, Etching; second state of four, Plate: 6 7/16 x 4 1/2 in. (16.3 x 11.4 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

An old man seated and writing in a book (an evangelist?), 17th century, Etching, Sheet: 7 13/16 × 6 7/16 in. (19.8 × 16.4 cm), Prints, Anonymous, After (?) Guido Reni (Italian, Bologna 1575–1642 Bologna

Philosopher (from the series On Death II), 1898–1910, Etching and aquatint, Plate: 19 1/2 × 13 5/16 in. (49.5 × 33.8 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

'He smothers her': plate 13 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching and engraving on chine collé; second edition (Gazette des Beaux-Arts), plate: 13 11/16 x 9 3/4 in. (34.7 x 24.8 cm), Prints, Théodore Chassériau

Drawings and Prints, Print, The Crowe & The Pigeon, Artist, Publisher, Thomas Rowlandson, Robert Hixon, British, London 1757–1827 London, British, active London, 1794–1817, Rowlandson, Thomas, Hixon, Robert, 1757, 1794, 1827,

H.R.H. Prince of Wales, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

Costume Design for 'Fourth Ballet Girl (Fraülein Hochspitz)' (in long beige gown), 1901, Watercolors over graphite, Mount: 11 1/16 x 8 1/8 in. (28.1 x 20.7 cm), Percy Anderson (British, 1850/51–1928 London), Design for the costume for

R.T. Van Horn, Kansas City Daily Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Designs for Dishes, 1845–55, Pen and ink, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Christ kneels and writes on the pavement in the centre and the woman taken in adultery between three soldiers on the right., 1653, Etching, sheet: 14 1/8 x 19 3/4 in. (35.9 x 50.2 cm), Prints, Luca Giordano (Italian, Naples 1634–1705 Naples

The Hamlet on the Mountainside, Engraving; second state of four, Plate: 4 1/8 × 4 5/16 in. (10.4 × 10.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Arrowhead, Classical, ca. 480–330 B.C., Greek, Cypriot, Bronze, Other: 4in. (10.2cm), Bronzes

Drawings and Prints, Print, Mars and Venus Served by Cupid and the Graces, Artist, after, Léon Davent, Luca Penni, French, active 1540–56, Italian, Florence 1500/1504–1557 Paris, Davent, Léon, Penni, Luca, 1540, 1500, 1556,

Young Ladies of the Village, 1851–52, Oil on canvas, 76 3/4 x 102 3/4 in. (194.9 x 261 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This painting, which initiated a series of pictures devoted to the lives

Agnes Booth, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Drawings and Prints, Print, Variety Act 9: Also Mario Brasso, Leap of Death Artist (Varietenummer 9: Aldo Mario Brasso, Todessprungkünstler), Artist, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa

Drawings and Prints, Print, Marguerite de Montmorency, duchesse de Ventadour, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1720

The Temptation of Adam and Eve, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 3/8 × 2 1/2 in. (8.6 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam and Eve stand to the left of the Tree

Essempio di recammi, page 15 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Lynx, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Architecturally-Shaped Tabernacle with a Saint and Four Putti, ca. 1530–49, Etching with gray wash, Sheet (trimmed): 5 3/8 × 5 5/8 in. (13.7 × 14.3 cm), Anonymous 16th century, Previously attributed to Jacques Androuet Du Cerceau (French,