Images at Librifly

Study for Geometry in “The Sorbonne', 1886–87, Fabricated black crayon, squared with blue crayon, 10 x 6 7/8 in. (25.4 x 17.5 cm), Drawings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris), The youthful, pensive figure in

Ponte Santa Trinità, Florence, before 1832, Watercolor and graphite, Sheet: 8 x 11 5/16 in. (20.3 x 28.8 cm), Drawings, James Duffield Harding (British, Deptford, Kent 1797–1863 Barnes, Surrey), Ponte Santa Trinità, a bridge across the

Drawings and Prints, Print, The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1), Boydell'shakespeare Gallery, Publisher, Engraver, Artist, Subject, After, John & Josiah Boydell, Thomas Ryder, William

Vase with a Group of Mermaids, Mermen and Sea Centaurs, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase or ewer on a hatched ground. The vase is caracterized by a frieze filled with mermaids, mermen

Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors, 1481, Tempera and gold on canvas, transferred from wood, Overall, with added strips, 31 x 24 3/8 in. (78.7 x 61.9 cm); painted surface 30 1/8 x 23

Agony in the Garden, 1680–1743, Etching, sheet: 12 x 20 1/4 in. (30.5 x 51.5 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Drawings and Prints, Print, The Woman in White, Artist, Engraver, After, Block cut by, Frederick Walker, William Harcourt Hooper, British, London 1840–1875 Perthshire, Scotland, British, London 1834–1912 London, Walker, Frederick,

View of Ornans, probably mid-1850s, Oil on canvas, 28 3/4 x 36 1/4 in. (73 x 92.1 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This landscape, probably painted in the mid-1850s, stands at the beginning of a

The Suicide of Portia, ca. 1612–16, Etching with stippling and engraving, Sheet (trimmed): 9 7/16 × 7 1/4 in. (24 × 18.4 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

The Descent from the Cross; Christ being taken from the cross, St John supports weight with cloth rope, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 in. × 4 in. (12.8 × 10.1 cm), Prints, Marcantonio Raimondi

Card 765, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 5), issued ca.

St. Theresa Kneeling in Prayer, 1661, Engraving; second state of two (BN), sheet: 17 5/16 x 11 5/16 in. (44 x 28.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two Men on a Rock Terrace, Etching; second state of two, plate: 3 15/16 x 5 11/16 in. (10 x 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Fall of the Giants, ca. 1530s–40s, Engraving, sheet: 13 3/8 x 22 3/8 in. (34 x 56.8 cm) trimmed to platemark, Prints, Attributed to Girolamo Fagiuoli (Italian, active Bologna, by 1539, died 1574 Bologna), After Perino del Vaga (Pietro

Water, from series The Four Elements, 17th century, Etching, sheet: 2 15/16 x 7 15/16 in. (7.5 x 20.2 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Zu Düren, 1664, Etching; first state of two, Sheet: 3 1/4 × 5 1/16 in. (8.3 × 12.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Fortified walls of Zuren at left, with two round towers and square bastion and moat

Drawings and Prints, Print, Phyllis and Aristotle, Artist, After, Bartholomeus Spranger, Johann Sadeler I, Netherlandish, Antwerp 1546–1611 Prague, Netherlandish, Brussels 1550–1600/1601 Venice, Spranger, Bartholomeus, Sadeler,

Drawings and Prints, Print, An Essay on the Sublime & Beautiful, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, April 10, 1792

Welcome Footsteps (Well-known Footsteps), May 7, 1883, Engraving on chine collé, Sheet approx.: 15 3/4 × 20 in. (40 × 50.8 cm), Prints, After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden

Remains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views), ca. 1766, Etching; second state of four (Hind), Sheet: 20 11/16 x 28 15/16 in. (52.5 x

Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694-1727), ca. 1727, Pen, brown ink and grey wash, 20 x 14-1/8 in. (50.8 x 35.9 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756

An ordinary ship travelling between Douvre and Calais (Naviere ordinaire qui passe de Douvre a Calais), ship in the sea at center, other boats to left and right, a ship to left in the background, from 'Views of seaports' (Vues de ports de mar),

Drawings and Prints, Print, Two damned souls fighting, after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Prints after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Artist, After, Cherubino Alberti

Drawings and Prints, Print, The Nursery, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann, British, London 1757–1827 London, Rowlandson, Thomas, Ackermann, Rudolph, 1757, 1764, 1827, 1834, 1799

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Print, Olga Nethersole, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1890

Touch (Tactus), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.2 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Touch (Tactus) shown at center as a female

Standing man holding kettles, 18th century, Etching, Sheet: 9 15/16 x 7 5/8 in. (25.2 x 19.4 cm), Prints, Anonymous, French, 18th century, After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The Churchgoers, Artist, After, Israhel van Meckenem, Anonymous, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, Anonymous, German, 1435, 1503, 1495, 1550

Christ Crowned with Thorns, ca. 1470–80, Metalcut with one star and several dot punches; hand-colored., 9-1/8 x 6-11/16 in. (trimmed), Prints

Drawings and Prints, Print, Nude, Artist, Childe Hassam, American, Dorchester, Massachusetts 1859–1935 East Hampton, New York, Hassam, Childe, American, 1859, 1935, 1918

Card 745, Louise Paullin, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

Sugar bowl, Marc-Etienne Janety (French, 1739–1820, master 1777), 1786, French, Paris, Platinum, blue glass, 5 1/4 × 7 in. (13.3 × 17.8 cm), Metalwork-Gold and Platinum, Marc-Etienne Janety (French, 1739–1820, master 1777), Janety

A Road in a Gorge near Naples, 1782, Watercolor, gum arabic glazes, over graphite, Sheet: 14 3/4 × 19 1/8 in. (37.5 × 48.5 cm), Drawings, Thomas Jones (British, Trevonen, Wales 1742–1803 Pencerrig, Wales), Jones belonged to an

The Camel from a set of five Grotesques, designed ca. 1688, woven ca. 1690–1711, French, Beauvais, Wool, silk (21-27 warps per inch, 8-9 per cm.), H. 118 x W. 208 1/2 inches (299.7 x 529.6 cm), Textiles-Tapestries, Style of Jean Berain

Speculum Romanae Magnificentiae: Capital of Composite Order, mid-16th century, Etching, Sheet: 11 1/2 x 13 in. (29.2 x 33 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

A Harlot's Progress, Plate 6, before April 1732, Etching and engraving; first state of three, sheet: 12 3/16 x 15 1/16 in. (31 x 38.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Au Moulin Rouge: Un Rude! Un Vrai Rude!, 1893, Crayon, brush, and spatter lithograph with scraper printed in black on imitation japan paper; only state, Image: 14 5/16 × 10 1/16 in. (36.3 × 25.5 cm), Prints, Henri de Toulouse-Lautrec

A Mounted Grey Horse Being Schooled in Piaffe, after 1646, Black chalk, graphite, brush and grey ink; framing line in black chalk or graphite, by a later hand, Sheet: 5 5/8 × 7 15/16 in. (14.3 × 20.2 cm), Drawings, Philips Wouwerman (Dutch,

Dying Magdalen Sustained by Angels, 1627, Engraving; second state of three, sheet: 15 3/16 x 10 5/8 in. (38.5 x 27 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

View of Berlin with the Ephraim Palais at Left, 1847, Watercolor, Sheet: 7 7/8 x 5 7/8 in. (20 x 15 cm), Drawings, Eduard Gaertner (German, Berlin 1801–1877 Zechlin

Scene 5, from Jack and the Giant Killer, Scenes for a Toy Theater, 1870–90

Genius Surrounded by a Banderole Showing the Alphabet, 1542, Engraving; third state of three (Pauli), Sheet: 1 3/4 x 3 1/8 in. (4.4 x 7.9 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At center, a winged figure seen from behind,

Drawings and Prints, Photograph, Card Number 731, May Johnston, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Ghost Cypress, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1914–25

Return from Fishing, Honfleur (Retour de Peche, Honfleur) (Bateaux dans le brouillard / Boats in a Fog), 1894, Roulette and lavis; first state of two, Plate: 5 3/4 in. × 8 in. (14.6 × 20.3 cm), Prints, Henri-Charles Guérard (French, Paris

Machine Gun, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Drawings and Prints, Photograph, Card Number 110, Modjeska, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Santa Claus in Camp (published in Harper's Weekly, January 3, 1863), 1863 (?), Relief print and electrotype, Image: 10 3/4 × 9 1/8 in. (27.3 × 23.1 cm), Prints, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), Nast's

Drawings and Prints, Print, Fete, Ornament & Architecture, Fireworks celebrating the peace between France and the Empire, January 1698, Artist, Anonymous, French, 17th century, Anonymous, French, 17th century

Drawings and Prints, Photograph, Card Number 341, Minnie Steele, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, Photograph, Card Number 770, Fanny Rice, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Self-Portrait at Age Thirty-Five, 1537, Engraving, Sheet: 7 3/4 × 4 7/8 in. (19.7 × 12.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Plate 2: the people rendering divine honors to Psyche, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Cover for 'El 23 de Infanteria', three infantry soldiers standing in a line holding rifles and a flag, José Guadalupe Posada (Mexican, 1851–1913), ca. 1912

Drawings and Prints, Print, Une maison de la rue de la Victoire, Artist, Marie Alexandre Alophe, French, 1812–1883, Alophe, Marie Alexandre, 1812, 1883, 19th century, 1812, 1883

Design for Silverwork with Garlands, Birds, and Grotesque Motifs, ca. 1568–1633, Engraving, Sheet: 2 7/8 × 4 5/16 in. (7.3 × 10.9 cm), Hieronymus Bang (German, Osnabrück 1553–1630 Nuremberg), Ornament design with a bird standing on a

The Gulf of Marseilles Seen from L'Estaque, ca. 1885, Oil on canvas, 28 3/4 x 39 1/2 in. (73 x 100.3 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Cézanne enthused about the fishing village of

Covered goblet, 1788, Made in Frederick County, New Bremen, Maryland, United States, American, Blown and engraved glass, H. 11 1/4 in. (28.6 cm), Glass, New Bremen Glass Manufactory (1784–1795), John Frederick Amelung (active 1784–ca.

Léon-Bouthillier, Comte de Chavigny, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 7/16 × 9 3/4 in. (31.6 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne

Costume Study for Osmin in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/8 × 8 1/16 in. (28.3 × 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Portrait of Justus Suttermans, 17th century, Etching, sheet: 10 3/16 x 6 5/8 in. (25.8 x 16.8 cm), Prints, Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Drawings and Prints, Print, The Lamentation Over the Dead Christ, Artist, Publisher, After, Jusepe de Ribera (called Lo Spagnoletto), Alphonse-Charles Masson, Chalcographie du Louvre, Spanish, Játiva 1591–1652 Naples, French,

Otter, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Hercules and Omphale, 1560–1609, Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk, sheet: 15 3/8 x 17 in. (39 x 43.3 cm), Drawings, After Annibale Carracci (Italian, Bologna 1560–1609 Rome

Drawings and Prints, Print, Gathering Manna (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Arthur Boyd Houghton, British, London, New York, NY, British,

Massacre of the Innocents, 1511, Woodcut; first state of two (New Hollstein), Sheet: 7 9/16 × 5 3/4 in. (19.2 × 14.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Courtyard with a Fountain, Spain, May 1832, Graphite on laid paper, sheet: 4 x 6 3/8 in. (10.2 x 16.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

George Brinton McClellan, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in

Evening: The Four Times of Day, March 25, 1738, Engraving; second state of three, sheet: 19 1/8 x 17 11/16 in. (48.6 x 45 cm), Prints, After William Hogarth (British, London 1697–1764 London

Agony in the Garden, 1680–1719, Engraving, sheet: 17 1/2 x 15 7/8 in. (44.5 x 40.4 cm), Prints, Benoit Thiboust (French, ?1660–1719?), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Le Soleil Au Signe du Lyon, 1623, Printed book with cut ornament and etched plates, Overall: 12 3/16 x 8 1/4 x 1 in. (31 x 21 x 2.5 cm), Books

Allegory on the Death of the Earl of Arundel, ca. 1646, Etching; third state of three, Plate: 17 × 12 5/8 in. (43.2 × 32 cm), Prints, After Cornelis Schut (Flemish, Antwerp 1597–1655 Antwerp

Portrait of Abraham Bloemaert, 17th century, Etching and engraving, sheet: 12 3/16 x 9 1/8 in. (31 x 23.2 cm), Prints, Nicolas Visscher (Dutch, Amsterdam 1618–1709 Amsterdam

Foot-Soldier with Fire-Pan and Bucket, 1529, Engraving, Sheet: 2 1/2 × 1 9/16 in. (6.4 × 3.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Two Designs A Push Bell, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Two designs for a push bell. The design on the left has an oval shape and contains two fishes

Drawings and Prints, Drawing, Studies of Fortitude and Purity for the Mosaic St. George and the Dragon, Artist, Sir Edward John Poynter, British (born France), Paris 1836–1919 London, Poynter, Edward John, Sir, British, born France,

Rébus on the subject of fortune, a riddle depicted on drapery surrounded by a frame, an oval composition, ca. 1637–42, Etching, Sheet: 11 5/16 x 8 3/8 in. (28.8 x 21.3 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence), The

Plate 31, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Sheet: 8 1/16 × 4 13/16 in. (20.5 × 12.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

Annunciation, 1666, Engraving; first state of two, sheet: 15 3/4 x 18 11/16 in. (40 x 47.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Fox Hunting, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Louis-Emmanuel de Valois, comte d'Alais et duc d'Angoulême, 17th century, Engraving; third state of five, sheet: 9 13/16 x 11 in. (25 x 27.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Two Gossips, 1610–85, Etching, sheet: 4 1/16 x 3 5/8 in. (10.3 x 9.2 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

The Wheel underneath the Haybarn, Engraving; first state of three, Plate: 3 11/16 × 5 13/16 in. (9.3 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Isabella Clara Eugenia, n.d., Engraving, Sheet: 15 7/16 x 10 1/2 in. (39.2 x 26.7 cm), engraved by Abraham Verhouven (Antwerp, 1580–1639), after Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Part of a bound album containing 92

Broadsheet relating to the terrible events of 17 August 1890 when aa government officia was murdered after drinking, a corrida in the bottom section written by Sergeant Zeferino Martínez who witnessed the event, ? José Guadalupe Posada (Mexican,

Plate 15: Psyche relating her misfortunes to her sisters, from The Fable of Psyche, 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Léonie Yahne in her dressing room, in L'Age Difficile, 1895, Crayon and spatter lithograph with scraper printed in olive green on wove paper; only state, Image: 12 5/8 x 9 1/16 in. (32 x 23 cm), Prints, Henri de Toulouse-Lautrec (French, Albi

Drawings and Prints, Print, The Rape of Ganymede by Jupiter in the guise of an eagle carrying him into the heavens, his dog barking below, Artist, After, Nicolas Beatrizet, Michelangelo Buonarroti, French, Lunéville 1515–ca. 1566 Rome

A female saint standing with a cavalier and surrounded by angels and skeletons, José Guadalupe Posada (Mexican, 1851–1913), ca 1890–1910

Drawings and Prints, Print, Characters, from Jack and the Giant Killer, Plate 5 for a Toy Theater, Publisher, Benjamin Pollock, British, 1857–1937, Pollock, Benjamin, 1857, 1937, 1870–90

Portrait of Marguerite Le Comte, 1764, Etching, Sheet: 9 13/16 x 7 1/2 in. (24.9 x 19 cm), Prints, Claude Henri Watelet (French, Paris 1718–1786 Paris), After Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris), This rare proof

A Standing Grenadier of the Municipal Guard, 1891, Watercolor over traces of graphite, heightened with white on gray wove paper, glued to cardboard, sheet: 20 1/2 x 11 5/8 in. (52 x 29.6 cm), Drawings, Édouard Detaille (French, Paris

Terracotta lamp with gladiator, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/8 x 3 1/4 in. (2.9 x 8.3 cm), Terracottas

Head of a young man, turned slightly to right, 1625–77, Etching; second state of two, Plate: 2 1/16 × 1 3/4 in. (5.2 × 4.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Head of a young man, turned slightly to

Drawings and Prints, Print, Thunder Clouds, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1923

Portrait of Prosper Jolyot de Crébillon, ca. 1802, Etching and engraving; third state of four (Bocher), Sheet: 6 3/4 × 4 1/2 in. (17.2 × 11.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Summer, a woman, crowned with corn, standing in a cornfield with corn in her right hand and a scythe in her left hand, within a cartouche topped with corn, from 'The four Seasons' (Les quatre Saisons), ca. 1638–43, Etching, Sheet: 3 11/16 x

Hercules and Cerberus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 11/16 in. (10.7 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest