Images at Librifly

Drawings and Prints, Print, Whalers, The Turner Gallery, Publisher, Engraver, Artist, After, D. Appleton & Co., Robert Brandard, Joseph Mallord William Turner, New York, NY, British, Birmingham 1805–1862 London, British, London

Vertical Panel with Inhabited Candelabrum Rising from a Cuirass, 1553, Engraving, Sheet: 5 5/16 × 1 3/4 in. (13.5 × 4.4 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Tendrils bearing fruit with grotesques, and a

La Première Imprudence: Robe du soir, de Beer, 1920, Hand-colored commercial process illustration (pochoir), sheet: 9 3/4 x 7 5/16 in. (24.8 x 18.6 cm), George Barbier (French, Nantes 1882–1932 Paris

Judith, 16th century, Etching, sheet: 6 3/8 x 3 3/8 in. (16.2 x 8.5 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Plate 103: Neptune Sending a Deluge to Troy (Neptunus ob violatum a Laomendonte pactum eluviem Troianis agris immittit), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/4 in. (10.1 × 12 cm), Prints, Antonio Tempesta (Italian,

Study of a Standing Man with Headcloth and Two Studies of his Hands, early to mid-19th century, Graphite, heightened with white chalk, on light brown paper, sheet: 14 13/16 x 10 3/8 in. (37.7 x 26.4 cm), Drawings, Wilhelm Schadow (German,

Candelabra Grotesque with Heads of Dolphins and Dragons in the Center, ca. 1525–50, Etching; second state, sheet: 12 13/16 x 4 7/16 in. (32.6 x 11.2 cm), Lambrecht Hopfer (German, active ca. 1525–50

November, from The Months, ca. 1580, Engraving, Sheet: 6 5/16 x 6 1/16 in. (16.1 x 15.4 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Hans Bol (Netherlandish, Mechelen 1534–1593 Amsterdam), Hans van

Bowl with Green, Yellow, and Brown Splashed Decoration, 10th century, Excavated in Iran, Nishapur, Earthenware; white slip, incised and splashed with polychrome glazes under transparent glaze (sgraffito ware), H. 2 7/8 in. (7.3 cm),

Agamemnon killing Odios, ca. 1545, Etching, sheet: 14 9/16 x 23 1/4 in. (37 x 59 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Harper's, May, 1895, Lithograph, Sheet: 16 13/16 × 13 3/8 in. (42.7 × 34 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Seated Virgin and Child with St. John the Baptist on a hillside, the Baptist embraces a lamb, a reed cross lies on the earth behind the Virgin's left leg, ca. 1560–1606, Etching, sheet: 6 7/16 x 10 11/16 in. (16.3 x 27.1 cm), Prints, Paolo

Plate 34: The Romans Burning the Dutch Countryside, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 5/16 × 8 1/8 in. (16.1 × 20.6 cm), Prints,

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right, 1530–60, Engraving, sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Master of the Die (Italian, active Rome,

Drawings and Prints, Drawing, Study of antique Armchair, Artist, David Cox, British, Birmingham 1783–1859 Harborne, West Midlands, Cox, David, British, 1783, 1859, 1849

Harper's, August, 1895, Lithograph, Sheet: 18 11/16 × 11 15/16 in. (47.4 × 30.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Capitol of Virginia in Richmond, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Portrait of Bossuet, 1803, Etching and engraving; fourth state of four (Bocher), Sheet: 8 1/8 × 5 7/16 in. (20.6 × 13.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Death of the Virgin, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Fourth Book of Groups of Children, Etching and engraving, Sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Seascape with the Ruins of the Temple of the Sybil at Tivoli after a painting in the cabinet of the Duc de Choiseul, Etching and engraving, Sheet: 6 1/2 x 5 9/16 in. (16.5 x 14.2 cm), Prints, Anonymous, French, 18th century

Drawings and Prints, Print, Market Place Santo Domingo, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1924

Half Longitudinal Section and Half Plan, ca. 1750, Pen, black ink and wash, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Ornamental Engraving with Morris Dancers, n.d., Engraving, Sheet: 4 3/4 × 10 9/16 in. (12 × 26.8 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

The Noon Recess – Drawn by Winslow Homer (Harper's Weekly, Vol. XVII), June 28, 1873, Wood engraving, Image: 9 1/8 x 13 5/8 in. (23.2 x 34.6 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Drawings and Prints, Print, Triple Cascade, Artist, Anthonie Waterloo, Dutch, Lille 1609–1690 Utrecht, Waterloo, Anthonie, Dutch, 1609, 1690, 1629, 1690

St. Philipp, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Little Ollie, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

St. Mary Magdalen Reclining in a Grotto, Engraving; second state of two, sheet: 7 5/16 x 8 13/16 in. (18.6 x 22.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Greek, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Thetis Standing with Two Tritons, Engraving, plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Drawings and Prints, Print, Cold Broth & Calamity, Artist and publisher, After, Henry Wigstead, Thomas Rowlandson, British, 1745?–1800 Margate, British, London 1757–1827 London, Wigstead, Henry, Rowlandson, Thomas, 1740, 1757,

Horizontal Panel with a Half-Length Man and Woman Facing a Vase at Center, 1520–61, Engraving, Sheet: 15/16 × 3 5/16 in. (2.4 × 8.4 cm), Jacob Binck (German, Cologne 1494/1500–1569 Kaliningrad (Königsberg)), Ornament panel with

The mocking of Christ who is seated in center, blindfolded, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 in. × 4 in. (13.2 × 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

A view of part of the intended Bridge at Blackfriars, London, ca. 1764, Etching, Plate: 16 3/8 × 24 1/2 in. (41.6 × 62.2 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It

Arms and Armor, Crossbow, German, possibly Austrian, 15th century, 1401, 1500, Wood

Drawings and Prints, Print, The Wiggle Much Comic Strip, No. 1 (published in The New York Herald, March 20, 1910), Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939

William Floyd, before 1837, Engraving; third state of three, sheet: 6 x 4 1/4 in. (15.3 x 10.8 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Ralph Earl (American, Worcester

Justice (Die Gerechtikait), from The Seven Virtues, Woodcut; third state of three (Hollstein), Sheet: 6 11/16 × 3 in. (17 × 7.6 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Royalist trompe l'oeil, 18th century, Engraving, sheet: 7 x 6 7/16 in. (17.8 x 16.4 cm), Anonymous, French, 18th century

Two Angels, Fresco, (a) 23 3/8 x 31 1/2 in. (59.4 x 80 cm); (b) 23 1/2 x 31 1/2 in. (59.7 x 80 cm), Paintings, North Italian Painter (first quarter 14th century), The very powerfully conceived frescoes of angels once decorated a chapel in the

Bacchanal, 1600–1642, Etching, 3 11/16 x 9 5/8 in. (9.4 x 24.5 cm) (clipped impression), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Décleres, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50 cards

Drawings and Prints, Print, The Last Judgement, Christ in the upper centre surrounded by many figures, below figures sound trumpets and people are being forced from the boat into hell, Artist, After, Anonymous, Michelangelo Buonarroti,

Proof from a block of sketches, 1834–75, Woodcut on china paper, laid down on card; second (final) state; posthumous impression, sheet: 4 15/16 x 4 in. (12.5 x 10.1 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Drawings and Prints, Print, Title Page, from Bozzy and Piozzi by Peter Pindar, Esq., Publisher, George Kearsley, London, Kearsley, George, 1753, 1790, 1787

The Dying Greek, ca. 1830, Engraving, plate: 5 15/16 x 7 3/4 in. (15.1 x 19.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Robert Walter Weir (American, New Rochelle, New York

Drawings and Prints, Drawing ; Ornament and architecture, Project for a Fountain for La Place du Carrousel, Artist, Pierre François Léonard Fontaine, French, Pontoise 1762–1853 Paris, Fontaine, Pierre François Léonard, French, 1762,

The Sleeping Shepherd; Early Morning, 1857, Etching; third state of four, sheet: 8 3/8 x 7 7/16 in. (21.2 x 18.9 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Drawings and Prints, Print, Botheration, Publisher, Artist, After, William Hinton, Thomas Rowlandson, Samuel Alken, British, active London, 1779–86, British, London 1757–1827 London, British, London 1756–1815, Hinton, William,

Jean-Joseph Fournier, 1815, Graphite on wove paper, Sheet: 9 1/2 x 6 3/8 in. (24.2 x 16.2 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Broadsheet with a caricature of a horseman and his horse and a group of men playing billiards, José Guadalupe Posada (Mexican, 1851–1913), 1902

The Parson's Head, October 1788, Etching and stipple engraving, Sheet: 6 5/16 x 5 3/8 in. (16 x 13.7 cm), Prints, after William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, The State Auction, Publisher, Artist, Subject, Subject, Subject, William Humphrey, Thomas Rowlandson, William Pitt, Charles James Fox, George III, King of Great Britain and Ireland, Henry Dundas, 1st

Seaward Pines, Nantucket, 1932, Drypoint, plate: 11 3/8 x 8 7/8 in. (28.9 x 22.5 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Predication de St. Jean, Engraving, Sheet: 21 1/16 x 26 3/4 in. (53.5 x 68 cm), Prints, Charles Dupuis (French), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Drawings and Prints, Print, Doctor, Country Characters, Artist, Publisher, Artist, After, Thomas Rowlandson, Rudolph Ackermann, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London, Rowlandson,

Bank Holiday, Corner of Beaufort Street, Chelsea, 1888–89, Etching, Plate: 2 15/16 x 2 3/4 in. (7.5 x 7 cm), Prints

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Flora Walsh as Josephine, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards

Drawings and Prints, Print, Young Christ Among the Doctors, Artist, After, Jan van Troyen, Jusepe de Ribera (called Lo Spagnoletto), Flemish, ca. 1610–after 1666, Spanish, Játiva 1591–1652 Naples, Troyen, Jan van, Ribera, Jusepe de

Landscape with a Fantastic Castle, 1865, Watercolor and graphite, Sheet: 10 1/4 × 15 1/16 in. (26.1 × 38.3 cm), Drawings, George Sand (French, Paris 1804–1876 Nohant

Reuben [Genesis 49:3-4], from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 3/8 x 10 7/8 in. (21.2 x 27.7 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Children's Games, 1615–42, Etching, Sheet: 2 15/16 x 10 1/4 in. (7.5 x 26cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Romanorium Viri et Feminae Habitus, from Fashions of Different Nations (copy), early 17th century, Engraving; first state of two, sheet: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Master ID (Dutch, active early 17th century), After Pieter

St. Sebastian's Fair, Etching and engraving; first state of four, plate: 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm), Prints, Anonymous, Netherlandish, 16th century, After Peeter van der Borcht (Netherlandish, Mechelen ca. 1545–1608 Antwerp

Lillian Elmore, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Elderly Man Flanked by Egyptian Gods, Roman Period, ca. A.D. 250, From Egypt, Tempera on sycomore, H. 38 cm. (14 15/16 in.); W. 22.4 cm (8 13/16 in.), This old man is painted in tempera on a fairly thick wooden panel. Drawn in black ink above

St. Catherine of Alexandria, 1644–52, Etching and engraving; second state of two, Sheet: 8 1/2 × 6 1/8 in. (21.6 × 15.6 cm), Prints, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), St. Catherine of Alexandria

The Thieves Robbing the Man from The Good Samaritan, Engraving, Sheet: 8 11/16 x 10 15/16 in. (22.1 x 27.8 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Treehouse, 1773, Etching, Sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm), Prints, Jean Jacques Avril, the Elder (French, Paris 1744–1831 Paris), After Jean Pillement (French, Lyons 1728–1808 Lyons

Two Old Men Dressed in Basque Costumes Walking, 1956, Brush and black, blue and red watercolor., 18 3/16 x 14 1/8 in. (46.2 x 35.9 cm), Drawings, Jacques Ochs (Belgian, 1883–1944

The Etruscan Cloth, 1850, Pen and ink, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Fanny Davenport, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

The Expulsion from Paradise, from The Small Passion, 1510, Woodcut, sheet: 4 7/8 x 3 7/8 in. (12.5 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drawings and Prints, Photograph, Card Number 766, Theo, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Lippincotts: February, 1895, Lithograph, Sheet: 19 1/16 × 12 5/8 in. (48.4 × 32.1 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

The Large Tree from Upright Italian Landscapes, Etching and engraving, sheet: 10 1/4 x 8 1/16 in. (26 x 20.4 cm), Prints, Jan Both (Dutch, Utrecht ca. 1618–1652 Utrecht

Drawings and Prints, Print, Ballad of the Involuntary and Voluntary Fall (Ballade vom unfreiwilligen und vom freiwilligen Sturz), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa

Three Children with a Fruit Plate, 1738–45, Etching and engraving, Sheet (trimmed): 10 3/16 × 11 11/16 in. (25.8 × 29.7 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

Ruins of a round building, 1673, Etching; first state of three, Sheet: 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp), Ruins of a round Roman building, overgrown with

Soldiers at Rest (Milites requiescentes) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 12 x 16 11/16 in. (30.5 x 42.4 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

A soldier sliding his right hand along the training-pike, from the Lansquenets series, plate 22, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms), Engraving; second state of three (New Hollstein), plate: 10 7/16 x 7

Plate 41, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Garrit Furman, ca. 1830, Engraving on chine collé, plate: 6 1/16 x 4 7/16 in. (15.4 x 11.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas Seir Cummings (American (born

View of Ariccia, Italy, ca. 1758, Pen and gray ink, brush and gray, brown, and ochre wash over graphite, sheet: 13 x 14 3/4 in. (33 x 37.4 cm), Drawings, Jonathan Skelton (British, active 1735–59, died Rome), Jonathan Skelton played a

Drawings and Prints, Print, Dancing Nymphe Danseuse), L'Estampe originale, Album IX, Artist, Publisher, Walter Crane, André Marty, British, Liverpool 1845–1915 Horsham, French, born 1857, Crane, Walter, Marty, André, British,

Chinese Man and Woman, ca. 1742, Etching and engraving, Sheet: 18 1/2 × 12 5/8 in. (47 × 32.1 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Calisto Changed Into a Bear From Fable of Calisto, Artist, Léon Davent, French, active 1540–56, Davent, Léon, 1540, 1556, 1547–50, 1547, 1550

Drawings and Prints, Photograph, Card Number 595, Miss Roberts, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

A Midnight Modern Conversation, March, 1732, Etching and engraving; third state of three, plate: 13 5/8 x 18 5/8 in. (34.6 x 47.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Clothing Beggars, 1635, Etching, Sheet: 11 1/4 × 13 7/8 in. (28.5 × 35.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Kermis of Saint George, ca. 1569; printed after 1601, Etching and engraving; fourth state of four, Sheet: 13 1/16 x 20 9/16 in. (33.1 x 52.2 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605),

Jean de Montpezat de Carbon, ca. 1673, Engraving; third state of three (Petitjean & Wickert), Sheet: 15 1/2 × 12 3/8 in. (39.4 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Grizzly Bear, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

Drawings and Prints, Print, The Prophet Ezekiel, from Prophets and Sibyls, Prophets and Sibyls, Artist, After, Francesco Rosselli, Baccio Baldini, Florence 1448–1508/27 Venice (?), Italian, Florence 1436?–?1487, Rosselli, Francesco,

Vase, 1893–96, Made in Queens, New York, New York, United States, American, Favrile glass, 14 1/8 x 11 1/2 in. (35.9 x 29.2 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902), American glass

A Military Convoy Surprised by an Explosion, ca. 1790–1800, Pencil, pen and brown ink, gray wash, 13 3/4 x 20 1/2 in. (35 x 52.1 cm), Drawings, Dirk Langendijk (Dutch, Rotterdam 1748–1805 Rotterdam