Images at Librifly

Moses and the burning bush, ca. 1544–47, Etching, sheet: 4 15/16 x 8 1/2 in. (12.5 x 21.6 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Sweden, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing

Judith placing the head of Holofernes on a tray held by an attendant, with the body of Holofernes on a canopied bed, ca. 1621–35, Engraving; second state, sheet: 3 15/16 x 2 11/16 in. (10 x 6.9 cm), Prints, Jacques Callot (French, Nancy

Spring, 1879, Engraving on chine collé, laid down on paper, Image: 13 1/16 × 6 9/16 in. (33.1 × 16.6 cm), Prints, After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden

Drawings and Prints, Photograph, Card Number 71, Lotta, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

The Three Men and the Porter, Engraving; second state of three, Plate: 3 11/16 × 5 5/8 in. (9.4 × 14.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Two ox skulls and a portion of a third, study for 'Democritus in Meditation', 1662, Etching, Sheet: 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Drawings and Prints, Print, Greetings of the Season from Annie L. Morris, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Drawings and Prints, Print, Four Putti Making and Drinking Wine, Publisher, Artist, After, François Langlois, Guercino (Giovanni Francesco Barbieri), French, baptized Chartres, 1588–1647 Paris, Italian, Cento 1591–1666 Bologna,

Title Page: Livre d'Oyseaux (Book of Birds), 1655–1660, Etching, Sheet: 4 x 7 15/16 in. (10.2 x 20.2 cm), Prints, Albert Flamen (Flemish, born ca. 1620, active 1648–88

January, 1628–29, Etching; first state of two, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Terracotta lamp, Imperial, ca. A.D. 175–250, Roman, Terracotta; mold-made, Length 9.2 cm. H. 4 cm., Terracottas

The Pedlar, from the Dance of Death, 1651, Etching; second state of four, Sheet: 3 in. × 2 3/16 in. (7.6 × 5.6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), A pedlar with a basket on his back walks to

Drawings and Prints, Print, The Virgin holding the infant Christ, an oval composition, after Reni, Artist, Publisher, After, Guido Reni, Anonymous, 17th century, Giovanni Domenico de Rossi, Italian, Bologna 1575–1642 Bologna, Italian,

Willebroeck bey Boom, 1651, Etching; second state of two, Sheet: 5 11/16 × 8 9/16 in. (14.5 × 21.8 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp), View of a small harbour on a river, with moored

Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Cover for 'Del Pequeno Adivinadorcito', a young boy resting his head on his hand and writing at a desk, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Terracotta jug, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta, H. 17 in. (43.2 cm), Vases, Base Ring Ware vessel walls are thin and hard, exhibiting a metallic quality. The term 'Base-Ring' refers to the ring base characteristic

VI. Soularde, 1898, Lithograph printed with beige tint stone on laid paper, 19-3/4 x 14-7/8 in. (50.2 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Captain Paul Boyton, Swam the Straits of Gibraltar, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2

Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I)

Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her, ca. 1516, Engraving, Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna,

Frank Murphy, Pugilist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in

藍綸子地松鎖模様振袖, Kosode with Design of Pines and Interlocking Squares, Edo period (1615–1868), second half of the 18th century, Japan, Tie-dyed (shibori) pattern on figured silk satin (rinzu), 71 x 50 in. (180.3 x 127 cm),

Drawings and Prints, Print, The Parable of the Workers in the Vineyard, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27,

Drawings and Prints, Print, The Death of Eglon (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Ford Madox Brown, British, London, New York, NY, British,

Needle, Cypriot, Bronze, Other: 3 13/16in. (9.7cm), Bronzes

After the Battle, 17th century, Etching; state II, sheet: 7 1/16 x 10 5/16 in. (18 x 26.2 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Leaf from Aedes Walpolianae mounted with two drawings: (a): Hall Chimney-Piece, Houghton Hall, Norfolk; (b): Hall Ceiling, Houghton Hall, Norfolk, 1735, (a, b): ink and wash, Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm

Initial letter D with putto, Heinrich Vogtherr the Elder (German, born 1490, active 1538–1540), ca. 1538

금제 귀걸이 삼국, 金製耳飾 三國, Earring (One of a Pair), Three Kingdoms period (57 B.C.–A.D. 668), Silla Kingdom, 5th century, Korea, Gold, L. 2 1/2 in. (6.4 cm), Jewelry, The beauty and sophisticated craftsmanship of these

Drawings and Prints, Print Poster, Hartford Building and Loan Association: Hamlet, Artist, Designer, Printer, After, Wilbur Macey Stone, J. & W. Beggarstaff, R. S. Peck and Company, Hartford, Connecticut, American, 1862–1941, British,

A Village Road from Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 1/8 x 6 3/16 in. (10.4 x 15.7 cm), Prints, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), After The Master of the Small

Portrait of Benjamin Franklin, After Joseph Siffred Duplessis (French, Carpentras 1725–1802 Versailles), 1780–1820

Horatius Cocles, from the series The Roman Heroes, 1586, Engraving; second state, 14 1/2 x 9 5/16 in. (36.9 x 23.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Australia (Indian), from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886

Samson and Delilah, ca. 1517, Woodcut; second state, image: 9 9/16 x 6 3/4 in. (24.3 x 17.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Austro-Hungary, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10),

The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Drawings and Prints, Drawing, Intimacy, Artist, Theo Van Rysselberghe, Belgian, Ghent 1862–1926 Saint Clair, Rysselberghe, Theo Van, 1862, 1926, 1890, 1890

Speculum Romanae Magnificentiae: Corinthian entablature from Santa Bibiana, Rome, 1537, Engraving, sheet: 7 11/16 x 5 1/8 in. (19.5 x 13 cm), Prints, Master PS (Italian or French, active 1530s

Combing Hair, 1896, Lithograph printed in two colors on wove paper, 20-7/16 x 15-3/4 in. (51.9 x 40.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

God Summons Noah and His Family into the Ark, 1827 (?), Pen and brown ink, heightened with white gouache, on blue paper, sheet: 9 5/16 x 14 5/8 in. (23.6 x 37.2 cm), Drawings, Joseph von Führich (Austrian, Kratzau 1800–1876 Vienna

Chancelier Michel IV Le Tellier, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Celestial Balcony, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1915

Royal Standard, Great Britain, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series

Kampen, 1642–44, Etching; second state of two, Sheet: 1 7/8 × 6 7/16 in. (4.7 × 16.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Distant view of Kampen on the banks of the river IJssel; three figures seen near

Drawings and Prints, Photograph, Card Number 541, Miss Harding, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci (Italian, Bologna 1557–1602 Parma), ca. 1590–93

The Visitation, 1540s, Engraving, sheet: 12 1/2 x 19 3/16 in. (31.8 x 48.7 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563

The Nativity, n.d., Wood engraving on Japan tissue, image: 7 5/16 x 4 13/16 in. (18.5 x 12.3 cm), Prints, John La Farge (American, New York 1835–1910 Providence, Rhode Island

Halt, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50 cards to

Jain Digambara Tirthanhara Standing in Kayotsarga Meditation Posture, Chalukyan period, 9th century, India (Karnataka), Copper alloy, H. 13 1/8 in. (33.3 cm); W. 4 1/4 in. (10.8 cm); D. 2 in. (5.1 cm), Metalwork, The Deccan and Tamil Nadu were

Speculum Romanae Magnificentiae: Grotesque Winding Column in St. Peter's, 16th century, Engraving, sheet: 16 3/8 x 4 1/8 in. (41.6 x 10.4 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

The Seasons, 1793, Stipple engraving, Plate: 5 9/16 × 6 7/8 in. (14.2 × 17.5 cm), Prints, A nymph with her eyes covered with a scarf holds a laurel crown over a bust of Janus while putto dance or warm themselves at a brazier near the base of

Drawings and Prints, Print, Humorous Subject, Artist, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

Drawings and Prints, Print, Jacob Hears the Voice of the Lord (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Frederick Augustus Sandys, British, London, New

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, 1549, Engraving, Sheet: 4 3/16 × 1 5/8 in. (10.6 × 4.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornament design with two children or putti

Drawings and Prints, Print, The Judgment of Paris, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1508

Madame Édouard Bernier (Marie-Octavie-Stéphanie Laurens, 1838–1920), 1871, Oil on canvas, 30 3/4 x 24 1/2 in. (78.1 x 62.2 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Marie-Octavie Bernier was the wife of

Snuff Tray, 4th–10th century, Chile or Peru, Wari, Wood, H. 3 3/8 x W. 5 1/8 in. (8.6 x 13 cm), Wood-Containers, Snuff inhaled through tubes from small trays or tablets such as this one was a widespread practice in Precolumbian South

Landscape with Apollo and Daphne, from the Series of Six Mythological Scenes, 17th century, Etching; impression of the first state of three, Prints, Anthonie Waterloo (Dutch, Lille 1609–1690 Utrecht

The Elephant from a set of five Grotesques, designed ca. 1688, woven ca. 1690–1711, French, Beauvais, Wool, silk (21-27 warps per inch, 8-9 per cm.), Overall (confirmed): 116 x 181 in. (294.6 x 459.7 cm), Textiles-Tapestries, Style of

Drawings and Prints, Print, Awful Conflagration of the Steam Boat Lexington in Long Island Sound on Monday Eve, January 13th, 1840, by which melancholy occurrence, over 100 Persons Perished, Lithographer, Artist, Publisher, Nathaniel

Drawings and Prints, Print, St. Barbara, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Christ Carrying the Cross, ca. 1475–80, Engraving, 11 3/8 x 16 7/8in. (28.9 x 42.9cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), The largest and most painterly of his prints, Christ Carrying the Cross is

Drawings and Prints, Print, Matthew Bramble Offering Charity to the Ensign's Widow, an illustration from Tobias Smollett's The Expedition of Humphry Clinker (London, 1793), Vol. 1, The Expedition of Humphrey Clinker, Artist, After, Charles

The fate of an evil tongue; seven putti stand around an anvil on which they hammer a tongue, landscape and architecture behind, ca. 1507, Engraving, Sheet: 11 5/8 × 8 1/8 in. (29.5 × 20.6 cm), Prints, Nicoletto da Modena (Italian, Modena,

Henry Monnier, from Galerie contemporaine, littéraire, artistique, 1876–1881, Woodburytype, 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Photographs, Étienne Carjat (French, Fareins 1828–1906 Paris

Drawings and Prints, Print, Fete, Ornament & Architecture, Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Artist, Author, Artist, After, Melchior

Drawings and Prints, Print, The Triumph of War, from The Cycle of the Vicissitudes of Human Affairs, plate 5, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After, Cornelis Cort, Maarten van Heemskerck, Hieronymus Cock,

Lasouche, Variettees/ Depoix, Gymnase/ Marguerite Hood, Variettees/ Alex Martins, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade

Drawings and Prints, Print, Old Schoolfellows, from the Illustrated London News, Artist, Engraver, After, Alfred Rankley, Harvey Orrin Smith, British, 1819–1872 London, British, active 1847–70, Rankley, Alfred, Smith, Harvey

Diana in Her Chariot (La Lune sur son char), 1633, Engraving, sheet: 10 15/16 x 7 1/2 in. (27.8 x 19 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669

Plate 2: a peasant woman herds two cows across a stream, walking towards the left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/4 x 3 7/8 in. (8.3 x 9.8 cm), Prints, Stefano della Bella (Italian,

Drawings and Prints, Photograph, Card Number 64, Agnes Booth, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Hercules Squeezing Antaeus to Death, from The Labors of Hercules, 1550, Engraving, Sheet: 4 5/8 × 3 3/16 in. (11.8 × 8.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Apollo and Diana, ca. 1503, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.5 x 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Smoking Fire, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison), Sheet: 25 x 19 1/2 in. (63.5 x 49.5 cm), Prints, Giovanni Battista

Three cherubs and two boys on clouds, each raising one arm, 1625–77, Etching, first state of two, Plate: 5 1/16 × 8 in. (12.8 × 20.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Martyrdom of Two Female Saints, 1625–1704, Brush, gray wash, highlighted with white gouache, over black chalk, with traces of red chalk upper left, 16-3/8 x 10-1/8 in. (41.6 x 25.7 cm), Drawings, Cosimo Ulivelli (Italian, Florence

Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, ca. 1505–62, Engraving, Sheet: 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), Prints, After Giulio Romano (Italian, Rome 1499?–1546 Mantua),

Hercules, in profile, killing the Nemean lion with his arm around its neck, from 'The labors of Hercules', 1548, Engraving, sheet: 2 1/8 x 3 1/16 in. (5.4 x 7.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Design for the Dining Room at Kirtlington Park, Oxfordshire, 1747–48, Pen, grey, and brown ink and washes, Sheet: 17 15/16 x 20 1/2 in. (45.6 x 52.1 cm), John Sanderson (British, active from 1730, died 1774

The Funeral, ca. 1867, Oil on canvas, 28 5/8 x 35 5/8 in. (72.7 x 90.5 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), Manet’s unfinished painting is thought to depict the funeral of the writer Charles Baudelaire, which

An Arrowhead Blue Butterfly and a Scotch Bonnet Sea Shell, 17th century, Oil on paper, sheet: 3 3/4 x 4 3/4 in. (9.5 x 12 cm), Drawings, Balthasar van der Ast (Dutch, Middelburg 1593/94–1657 Delft

Burning the Rumps at Temple Bar (Plate 11: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 7/16 in. (19.3 x 24 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Small Portraits of the Popes from Christ to Innocent IX, late 16th century, Engraving, sheet: 16 1/16 x 20 11/16 in. (40.8 x 52.6 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Cupid on a lion, 1652, Etching; only state, Sheet: 4 3/8 in. × 6 in. (11.1 × 15.2 cm) cut into iamge at sides, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Giulio Romano (Italian, Rome 1499?–1546 Mantua), Cupid

Minerva Flanked by Peace and Justice (Armoiries de Gallard et de Mesmes), Engraving; second state of four (BN), sheet: 8 3/4 x 11 5/8 in. (22.3 x 29.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Mecca, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

After the Bath (large version), 1891–92, Lithograph, transfer, and crayon on laid paper; fifth (final) state, image: 11 13/16 x 12 3/16 in. (30 x 31 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

The Goatherd, [1862] reprinted 1921, Cliché-verre (Le Garrec printing, 1921), image: 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Lazarus at the Rich Man's Gate, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 11 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lazarus, in the foreground at right, raises a bowl, while dogs lick at the

Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]), ca. 1768, Etching, sheet: 18 5/8 x 24 3/8 in. (47.3 x 61.9 cm), Prints, Giovanni

Francesco I d'Este Combines Forces with The Republic of Venice and Genoa Against the Ottoman Turks, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16

The Miraculous Draught of Fishes, 1540–50, Etching, Sheet: 10 11/16 x 13 1/4 in. (27.2 x 33.7 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520

Drawings and Prints, Print, Portrait of a Male Figure Wearing a Maltese Cross, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1720, 1760

Cupids Tickling Each Other, 18th century, Etching, Sheet: 10 13/16 x 9 1/4 in. (27.4 x 23.5 cm), Prints, Anonymous, French, 18th century, After François Boucher (French, Paris 1703–1770 Paris