Images at Librifly

Hawaiian Islands, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9),

Death of Goetz von Berlichingen, 1845, Wood engraving; proof before letters, Block: 8 9/16 x 5 3/4 in. (21.8 x 14.6 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of this print is based on a

Roses in a Bowl, 1883, Oil on canvas, 11 3/4 x 16 3/8 in. (29.8 x 41.6 cm), Paintings, Henri Fantin-Latour (French, Grenoble 1836–1904 Buré), Small, exquisite flower paintings such as this were destined for England, where this genre had

Plate 32: Thisbe Killing Herself (Thisbe Pyrami exemplum aemulata pectus sibi trasuerberat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630

Drawings and Prints, Print, La croix rouge, Artist, Lucien Laforge, French, Paris 1889–1952 Paris, Laforge, Lucien

The Beggars (Eulenspiegel, owlglass), 1520, Engraving and etching, sheet: 6 7/8 x 5 9/16 in. (17.5 x 14.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Victor le Bouthillier, 1658, Engraving; first state of four, sheet: 13 3/16 x 9 1/2 in. (33.5 x 24.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Christ in Limbo, from The Little Passion, (copy), n.d., Woodcut from a series of 19 prints, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Johannes Mommaert

Mlle. Cadwell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Drawings and Prints, Photograph, Card Number 28, Miss Brum, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

The Blue King's Council to Attack the White King by Surprise, from Der Weisskunig, 1514–16, Woodcut; proof (Hollstein), Sheet: 8 11/16 × 7 13/16 in. (22 × 19.9 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der

Nebraska, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Broadsheet relating to the story of a falling meteor that was interpreted by Catholics as God's punishment to the people of the town of Alamos for their poor reception of Bishop Pedro Moreno, José Guadalupe Posada (Mexican, 1851–1913), 1903

Virgin and Child, ca. 1455–60, Oil on wood, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Paintings, Dieric Bouts (Netherlandish, Haarlem, active by 1457–died 1475), Dieric Bouts has based this small, exquisite image on the ancient Byzantine

Eyes Closed, 1890, Lithograph, image: 8 9/16 x 7 1/4 in. (21.7 x 18.4 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Francesco I d'Este, with the Expedition of the Embassadors and Ministers of State, Declares his Ofference to Urban VIII, Innocent X, and Alexander VII to Continue to Defend Against the Turks, from L'Idea di un Principe ed Eroe Cristiano in

Interior of the church of San Lorenzo in Florence, five pillars, each with a large figure of death on a pedestal, ten hooded figures with staffs in foreground, two altars in the background, cartouches containing female figures above, from

Rebecca and Eliezer at the Well, ca. 1542–45, Etching, Sheet (trimmed): 11 5/8 × 10 5/16 in. (29.5 × 26.2 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, ca. 1520–40, Etching and engraving, sheet: 6 3/16 x 3 9/16 in. (15.7 x 9 cm), Prints,

The so-called Villa of Maecenas at Tivoli. Interior with two figures in the opening of an arch above. (Veduta interna della Villa di Mecenate), ca. 1764, etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Plate 9: bust of Minerva, wearing a helmet with feathers, looking towards the left, from 'Various heads and figures' (Diverses têtes et figures), 1650, Etching, Sheet: 3 5/16 x 2 1/2 in. (8.4 x 6.3 cm), Prints, Stefano della Bella (Italian,

Drawings and Prints, Print, Broken Tackle, Artist, Sir Hubert von Herkomer, British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon, Herkomer, Hubert von Sir, British, born Germany, 1849, 1914

Design for a Plate with Neptune in a Shell Drawn by Horses in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 5/8 × 6 9/16 in. (16.9 × 16.6 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for

Le Sourire, 1899, Woodcut on china paper, block: 4 x 7 1/4 in. (10.2 x 18.4 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Speculum Romanae Magnificentiae: Ground plan of a building with the arms of Pope Julius III engraved at the center, 16th century, Engraving, sheet: 18 7/8 x 13 3/8 in. (48 x 33.9 cm), Prints, Anonymous

Plate 47, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Banditti Returning, November 9, 1780, Etching, Sheet: 14 7/8 x 16 1/8 in. (37.8 x 41 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Drawings and Prints, Print, Reflections on Sheepscott, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

A Rake's Progress, Plate 8, June 25, 1735, Engraving; second state of three, sheet: 13 15/16 x 15 15/16 in. (35.4 x 40.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Strasbourg: The Toll House, 1625–77, Etching; first state of two, Sheet: 1 7/8 × 6 1/2 in. (4.7 × 16.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Distant view of a Toll House on the bank of the river Ill near

St. Michael, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, King Henry IV, Publisher, Artist, Subject, Subject, Thomas McLean, William Heath ('Paul Pry'), Elizabeth Conyngham, Marchioness Conynhgam, George IV, King of Great Britain and Ireland, Sir William Curtis,

The Reaper, 1853, Woodcut on chine collé, block: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm), Prints, Designed by Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Jacques-Adrien Lavieille (French, 1818–1862

The Beggar's Opera, Act III, July 1, 1790, Etching and engraving, Plate: 18 x 23 1/8 in. (45.7 x 58.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Infant Christ, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories, Engraving, sheet: 10 5/8 x 7 1/2 in. (27 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Design for a covered vase, ca. 1815–17, Pen and ink, Sheet: 19 1/4 x 13 3/8 in. (48.9 x 34 cm), Drawings, Thomas Fletcher (American, Alstead, New Hampshire 1787–1866 New Jersey), Sidney Gardiner (American, Mattituck, New York

Venetian Craft, early 20th century, Etching, Plate: 7 3/8 × 11 7/16 in. (18.8 × 29.1 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

Judith, from Celebrated Women of the Old Testament, 1568–96, Etching; second state of two, Sheet: 3 5/16 x 2 5/16 in. (8.4 x 5.8 cm), Prints, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Vertical Panel with Five Jewelry Motifs, 1580–1600, Engraving, Sheet: 3 7/8 × 3 1/16 in. (9.8 × 7.7 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design for jewelry, with two large motifs at top

Drawings and Prints, Print, Urged by Fürwittig, Theuerdanck Tries to Manipulate a Polishing Stone, from Theuerdanck, Artist, Author, Publisher, Hans Schäufelein, Melchior Pfintzing, Hans Schönsperger, German, Nuremberg ca. 1480–ca.

Blackwork Print with Two Vertical Panels Flanking an Oval at Center with Four Small Circles, 1592, Blackwork engraving, Sheet: 1 13/16 × 2 5/16 in. (4.6 × 5.8 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with an oval

Drawings and Prints, Print, Cries of London, No. 8: Hot Cross Buns, Cries of London, Publisher, Artist, After, R. Ackermann, Thomas Rowlandson, Henri Merke, London, British, London 1757–1827 London, Swiss, Niederweningen, canton

Pilate Washing His Hands, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (8 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Wolf-Charmer, 1867, Wood engraving, image: 6 15/16 x 5 3/8 in. (17.6 x 13.6 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American, 1826–1912

Drawings and Prints, Drawing, Madonna and Child with the Infant Saint John the Baptist, Three Women, and angel, Artist, Former Attribution, Adriaan de Weerdt, Hendrick van den Broeck, Netherlandish, Brussels ca. 1510–ca. 1590 Cologne,

Harper's Young People: The Fur-Seal's Tooth by Kirk Monroe, March 6, 1894, 1894, Lithograph, Sheet: 18 11/16 × 13 3/4 in. (47.4 × 34.9 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

W.E. Crist, Tricyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in

A man with two trumpets in the centre flanked by other figures including an old and a young man at right, ca. 1510–27, Engraving, Sheet: 3 1/4 × 4 5/8 in. (8.3 × 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

Virgin and Child, Engraving; first state of two, sheet: 8 3/4 x 13 11/16 in. (22.2 x 34.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Siegmund Wilhelm Wohlbruck (1762-1834), n.d., Lithograph; first state, Prints, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin

Drawings and Prints, Print, Anche a me, Madre mia! (Me too, mother!), Artist, William Young Ottley, British, Thatcham, Berkshire 1771–1836 London, Ottley, William Young, 1771, 1836

Drawings and Prints, Print, Copy of John Frederic the Magnanimous, in Electoral Robes, Artist, Lucas Cranach the Younger and Workshop, German, Wittenberg 1515–1586 Wittenberg, Cranach, Lucas, the Younger, and Workshop, German, 1515,

Drawings and Prints, Print, Christ Before Caiaphas, from The Passion of Christ, plate 10, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Overall: 1 1/2 x 3 7/8 in. (3.8 x 9.8 cm), Terracottas

Mars standing at the left leaning on a shield, Cupid at the right, ca. 1542–46, Etching, sheet: 6 7/8 x 3 9/16 in. (17.5 x 9 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Drawings and Prints, Print, The Water Turned Into Blood–The Boils and Blanes (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, Camden Press, Scribner and Welford, Dalziel Brothers, Thomas Dalziel, British, London, New

Drawings and Prints, Photograph, Card Number 44, Jessie Stoddart, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Charles II, 1649, Etching; thirde state of six (NH), Sheet: 10 in. × 7 5/16 in. (25.4 × 18.6 cm), Prints, After Anthony van Dyck (Flemish, Antwerp 1599–1641 London), Portrait of Charles II as a boy, three-quarter length, wearing flat

Male nude lying on his side with his right arm behind his back, ca. 1635–1640, Etching, Sheet: 3 1/8 × 4 3/4 in. (8 × 12 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau,

Bread Fruit, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Drawings and Prints, Print, New York Ferry Boat, Lithographer, Lithographed and published by, Currier & Ives, American, active New York, 1857–1907, Currier & Ives, American, 1857, 1907, ca. 1860–65, 1855, 1870

Saint Simon, 1726, Etching and engraving, Sheet: 13 3/4 × 8 3/4 in. (34.9 × 22.3 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The Chinese Junk Keying–Captain Kellett–As she appeared in New York harbour July 13th, 1847–212 days from Canton.–720 tons burthen., Lithographer, Lithographed and published by, Nathaniel Currier, American,

Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching and engraving, Sheet: 11 11/16 x 9 1/16 in. (29.7 x 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650

Christ Taking Leave of His Mother, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/16 × 2 3/16 in. (7.8 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538

Burning of a Cadaver, 1540–45, Etching, Sheet (trimmed): 10 1/4 × 15 13/16 in. (26 × 40.2 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau

Morpeth North (Liber Studiorum, part IV, plate 21), March 29, 1809, Etching and mezzotint; first state of four (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Simon Dreux d'Aubray, 1658, Engraving; second state of two (Petitjean & Wickert), Sheet: 17 3/8 × 12 13/16 in. (44.1 × 32.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Three Children in Clouds, 18th century, Etching and engraving, Sheet: 11 7/8 x 17 1/16 in. (30.2 x 43.3 cm), Prints, Monogrammist DA (French, 18th century), After François Boucher (French, Paris 1703–1770 Paris

Juno Ordering Aeolus to Unleash the Winds, 1775, Pen and brown ink, brush and brown and gray wash, with white gouache, over black and red chalk underdrawing on light buff paper prepared with a pink wash. Framing lines in pen and brown ink.,

Jean-Louis Guez de Balzac, ca. 1635–37, Engraving; third state of three, sheet: 7 3/16 x 4 5/8 in. (18.3 x 11.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Holy Family, mid 19th–19th century, Etching and engraving, on chine collé, Plate: 21 3/4 × 15 11/16 in. (55.3 × 39.8 cm), Prints, Josef Kohlschein (German, 1841–1915), After Franz Ittenbach (German, 1813–1879

Ships at Dock, 1922, Graphite on paper, 12 7/8 x 20 5/8 in. (32.7 x 52.4 cm), Drawings, Boris Grigoriev (Russian, Rybinsk 1886–1939 Cagnes-sur-Mer

Father of the Family Giving Broth to His Baby, 1610–85, Etching; fifth state, Sheet: 5 1/8 × 3 3/4 in. (13 × 9.6 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

India Peacock, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in

Drawings and Prints, Print, Woman Reading Before a Window (La liseuse devant la fenetre), l'Estampe originale, Album IX, Artist, Publisher, Paul-Albert Besnard, André Marty, French, Paris 1849–1934 Paris, French, born 1857, Besnard,

The Parable of the Sower, from The Story of Christ, 1534–35, Engraving, Sheet: 1 1/2 × 2 1/4 in. (3.8 × 5.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Fabric Armor and Helmet with Buddhist and Taoist symbols, possibly 18th century, Korean, Cotton, hemp, copper alloy, iron, H. as mounted with helmet 47 3/4 in. (121.3 cm); W. as mounted with helmet 22 in. (55.9 cm); H. of armor as mounted 33

Plate 6: six hands, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x 2 1/2 in. (8.4 x 6.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

A Roman emperor sitting in a niche holding a globe and sceptre and looking to his left, ca. 1500–1534, Engraving, Sheet: 4 5/16 × 3 1/4 in. (11 × 8.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Expulsion from Paradise, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/16 × 2 1/8 in. (7.7 × 5.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Man's Fortitude, late 18th–early 19th century, Pen and black ink, grey wash, over graphite, sheet: 14 3/16 x 18 11/16 in. (36 x 47.5 cm), Drawings, Johann Heinrich Wilhelm Tischbein (German, Haina 1751–1829 Eutin

August, 1628–29, Etching, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Drawings and Prints, Photograph, Card Number 14, Miss Kingdon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Two Costume Designs or Portrait Types of Two Women with Straw Hats, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 5/8 x 9 15/16 in. (16.9 x 25.2 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand

Christ Asleep during the Tempest, ca. 1853, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix painted at least six versions of this New Testament lesson in

Drawings and Prints, Print, Judith standing and looking up, holding the head of Holofernes in her left hand and a sword in her right, tents in the background, after Reni, Artist, After, Guido Reni, Anonymous, Italian, Bologna 1575–1642

Drawings and Prints, Print, Cross on the Route from Clermont to Royal, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Printer, Eugène Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France),

Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, sheet: 12 1/2 x 13 1/8 in. (31.8 x 33.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Galba, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 13 1/4 x 11 in. (33.6 x 28 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Photograph, Card Number 309, Clarabel De Puyster, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C.,

Hercules Preventing the Centaurs from the Rape of Hippodameia, from The Labors of Hercules, 1550, Engraving, Sheet: 4 1/4 x 2 3/4 in. (10.8 x 7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Although nothing

Inner Temple Lane, 1883, Etching and drypoint; published state, plate: 6 1/4 x 4 3/16 in. (15.9 x 10.6 cm), Prints, Charles Adams Platt (American, New York 1861–1933

The Apocalyptic Riders, from The Apocalypse, 1523–24, Woodcut, Sheet: 6 7/16 × 5 1/16 in. (16.3 × 12.9 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Plate 3 from a series of 21 woodcuts with scenes from the

The Impeyan Pheasant, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Drawings and Prints, Drawing, A Wooden Door of a Farm Building near Merano, Artist, Franz Meyerheim, German, Berlin 1838–1880 Marburg, Meyerheim, Franz, German, 1838, 1880, 1860, 1860

The Birth of the Virgin, 16th century, Etching, Sheet: 12 1/16 × 17 5/16 in. (30.7 × 44 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Giulio Romano (Italian, Rome 1499?–1546 Mantua