Images at Librifly

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 6 × 4 1/2 in. (15.2 × 11.4 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in the

Design for a Two-Handled Platter, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, ca. 1535–67, Engraving, image: 12 5/16 x 8 3/8 in. (31.2 x 21.3 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After

Hamlet and Guildenstern, 1834–43, Lithograph; second state of four, Image: 10 x 8 in. (25.4 x 20.3 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), In 1834 Delacroix began a series of lithographs devoted to

Drawings and Prints, Print, The Mystic Marriage of St. Catherine, Artist, Artist, After a design by, After, Parmigianino (Girolamo Francesco Maria Mazzola), Marco Angolo del Moro, Andrea Schiavone (Andrea Meldola), Italian, Parma

Southern Elevation of a church, 1900, Graphite, pen and ink and watercolor, sheet: 18 x 21 in. (45.7 x 53.3 cm), Ernest Geldart (British, London 1848–1929

The Massacre of the Innocents, ca. 1512–13, Engraving, 10 5/8 x 17 1/16 in. (27.0 x 43.3 cm), Prints, Possibly by Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Marcantonio Raimondi (Italian,

Drawings and Prints, Print, The Last Judgment, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active

Drawings and Prints, Print, Saint Nicholas of Myra flanked by praying figures, Artist, Anonymous, Italian, 15th century, Anonymous, Italian, 15th century, Italian, 1400, 1500, ca. 1460–1470

Vincent Voiture, 1649, Engraving, Sheet: 8 × 5 13/16 in. (20.3 × 14.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

The Skimhampton Road (Easthampton), 1929, Etching, Plate: 8 1/8 × 12 1/4 in. (20.6 × 31.1 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Broadside relating to a news story about the destruction following a volcanic eruption, volcano erupting while animals and men on horseback flee, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913

Florence Baker, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

Borris, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Hercules strangling the serpents: Hercules grasps two serpents in his crib, Juno points toward the serpents from a mass of cloud at right, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/16 x 7 1/16 in. (13.2 x 18 cm),

Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des

Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; after second state of two (Bocher), Mount: 10 1/4 × 9 5/16 in. (26.1 × 23.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

A warrior facing right wearing a plumed helmet and holding a staff, from the series 'Figurine', ca. 1656–1657, Etching with drypoint, Sheet: 7 1/16 x 4 15/16 in. (17.9 x 12.5 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673

A naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching, Sheet: 3 1/8 x 7 1/2 in. (8

Drawings and Prints, Print, Fish House Idyll, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Cardinal Jules Mazarin, ca. 1652, Engraving; first state of three (Petitjean & Wickert), Sheet: 8 15/16 × 7 1/16 in. (22.7 × 17.9 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof, ca. 1650–1725 , pen and ink (partly over graphite) and colored washes, Sheet: 15 7/8 x 11 1/4 in. (40.4 x 28.6 cm), Cross section of a Baroque church or chapel, showing

Right About, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Drawings and Prints, Print, Title Border, Artist, Hans Cranach, German, 1500–1537, Cranach, Hans, German, 1500, 1537, 1500, 1537

Speculum Romanae Magnificentiae: A Roman Legion (from Trajan's Column), 16th century, Engraving, sheet: 11 9/16 x 14 3/4 in. (29.4 x 37.5 cm) trimmed to platemark, Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Thomas Pettitt, Court Tennis Champion, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series

Little Birds, 1850, Etching; fourth state of four, mount: 9 1/2 x 7 in. (24.1 x 17.8 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Christ Taking Leave of His Mother, after Dürer, ca. 1500–1534, Engraving; third state of three, Sheet: 5 1/16 × 3 15/16 in. (12.9 × 10 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After

Green Pastures and Still Waters, 1883, Etching; second state, image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm), Prints, Frederick Albert Slocombe (British, 1847–ca. 1920), After Benjamin Williams Leader (British, Worcester 1831–1923 near

Blackwork Print with an Oval at Center Flanked by Pendants Hanging from Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 13/16 × 3 5/8 in. (12.3 × 9.2 cm), Etienne Carteron (French,

Drawings and Prints, Print, Réunion d’Artistes (Reunion of Artists), Artist, After, Louis Léopold Boilly, Alexandre Clément, French, La Bassée 1761–1845 Paris, French, ca. 1775–?1808, Boilly, Louis Léopold, Clément,

Sir George Chetwynd, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

Cartouche for Le Pont Neuf, 17th century, Pen and brown ink with black chalk, Sheet: 3 13/16 x 3 3/4 in. (9.7 x 9.6 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

A naked female figure representing Fortune, ca. 1500–1510, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Illinois, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Reindeer, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in

Drawings and Prints, Photograph, Flora Walsh, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

The Water Gate, 1922, Pastel, charcoal, ink, and wash on paper, 21 1/2 x 16 1/4 in. (54.6 x 41.3 cm), Drawings, Preston Dickinson (American, New York, New York 1889–1930 Irun, Spain

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta; mold-made, Length 9.1 cm. H. 3.5 cm., Terracottas

Tableau des portraits a la Mode (Plate of Fashion Portraits), 1760–61, Etching; first state of three (Bocher), Sheet: 11 7/8 × 16 13/16 in. (30.1 × 42.7 cm), Prints, Pierre François Courtois (French, Paris 1736–1763 Rochefort), After

A Midnight Modern Conversation, March, 1732, Etching and engraving; second state of three, sheet: 13 7/16 x 18 7/16 in. (34.2 x 46.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Title Page, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving and blackwork, Sheet: 1 13/16 × 1 7/16 in. (4.6 × 3.7 cm), Paul Birckenhultz (1561–1639), Title page with title in rectangular frame at center, with large

Harper's, February, 1894, Lithograph, Sheet: 16 in. × 11 1/4 in. (40.6 × 28.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Lamp, 2nd century A.D., Roman, Terracotta, Length 7.3 cm. H. 2.4 cm., Terracottas

Pierre Jeannin, ca. 1656, Engraving; first state of two (Petitjean & Wickert), sheet: 10 15/16 x 7 3/16 in. (27.8 x 18.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Venus and Mars Embracing as Vulcan Works at His Forge, 1543, Engraving, Sheet: 9 1/16 x 12 7/8 in. (23 x 32.7 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

William O'Connor, Oarsman, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888

Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from Antichità Romane fuori di Roma, ca. 1748, Etching, Plate: 5 1/4 × 10 7/16 in. (13.3 × 26.5 cm),

Woman Emptying a Bucket, 1834–75, Woodcut on laid paper; only state, block: 5 9/16 x 3 11/16 in. (14.1 x 9.4 cm), Prints, Engraved by Pierre Millet (French

The Battle of Yashima, Scenes from The Tale of the Heike, Edo period (1615–1868), 17th century, Japan, One of a pair of six-panel folding screens; ink, color, and gold on gilded paper, 59 x 133 1/4 in. (149.9 x 338.5 cm), Screens, Tosa

Mask with a Long Mustache Tied with a Ribbon Beneath the Chin, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 9/16 × 1 11/16 in. (6.5 × 4.3 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates

Drawings and Prints, Print, Judith standing and looking up, holding the head of Holofernes in her left hand and a sword in her right, tents in the background, after Reni, Artist, Publisher, Artist, After, Engraved by, Guido Reni, John

The Lovers, 15th century, Engraving, sheet: 7 1/16 x 6 1/4 in. (18 x 15.8 cm), Prints, Master bxg (German (?), active ca. 1470–90

Red and Blue Macaw, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Drawings and Prints, Print, Title-Border with a Hermit and a Nun, Vase of Fruit, a Mask and Cornucopias, Artist, Hans Cranach, German, 1500–1537, Cranach, Hans, German, 1500, 1537, 1520

Speculum Romanae Magnificentiae: Castrum, mid-to-late 16th century, Engraving, sheet: 12 5/8 x 20 5/16 in. (32 x 51.6 cm), Prints, Anonymous

Mlle Bécat at the Café des Ambassadeurs, Paris, 1877–78, Lithograph on wove paper (only state), image: 8 1/8 x 7 5/8 in. (20.6 x 19.4 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), Although cafés had flourished in Paris

St. Elizabeth (adaptation), after 1512, Woodcut, hand-colored, Sheet: 2 3/8 × 1 15/16 in. (6.1 × 4.9 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Drawings and Prints, Print, Demosthenes on the Sea Shore – Giving a Lesson to a new Disciple, HB Sketches, No. 564, Publisher, Artist, Subject, Lithographer, Subject, Associated with, Thomas McLean, John Doyle, Henry Peter, 1st Baron

Young Girl in a Pink-and-Black Hat, ca. 1891, Oil on canvas, 16 x 12 3/4 in. (40.6 x 32.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), This is one of many paintings that Renoir made in the 1890s of stylish young

Head of a Woman, mid to late 18th century, Etching and engraving, Sheet (trimmed): 9 1/2 × 7 5/16 in. (24.2 × 18.6 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

St. Jerome, 1521, Engraving, plate: 3 15/16 x 5 13/16 in. (10 x 14.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Drawings and Prints, Print, The Entry into Jerusalem, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans, Petri,

Drawings and Prints, Photograph, Card Number 347, Mabel Santley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Justice (Justicia) from The Virtues, ca. 1559–60, Engraving, Sheet: 10 1/4 x 13 3/16 in. (26 x 33.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Dumblain Abbey, Scotland (Liber Studiorum, part XI, plate 56), January 1, 1816, Etching and mezzotint; first state of four (Finberg), plate: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner

H.W. Slocum, Jr., Lawn Tennis Champion of New England 1887/88, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted

Plate 1: two children sitting on the ground, the child on the right drawing while the child on the left holding the album, the title page from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x

R. Fulton, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's Inventors'

Plate 14: The Argonauts Eurytus, Echion, and Aethalides (Eurito Echione e Etalide Argonote), led by Mercury in the form of a peacock, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le

Miraculous Landing, or the '112!', 1920, Watercolor, transferred printing ink, and ink on paper mounted on cardboard, 12 1/4 in. × 15 in. (31.1 × 38.1 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

The Sacrifice' or 'Mucius Scaevola', after Parmigianino, 16th century, Chiaroscuro woodcut, sheet: 4 1/8 x 5 7/8 in. (10.5 x 15 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian,

Pendant Design with Apollo Standing on an Arch Flanked by Female Figures Holding Fruit, after 1581, Engraving; second state of two (New Hollstein), Sheet: 7 × 4 13/16 in. (17.8 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Drawings and Prints, Print, The Old Woman from Berkeley, Artist, Émile Bernard, French, Lille 1868–1941 Paris, Bernard, Émile, French, 1868, 1941, 1892, 1892

Drawings and Prints, Print, The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais, British, active 1839–1893, British,

Two Men in the Door of the Hut, 17th century, Engraving; third state of three, Sheet: 4 1/8 × 5 13/16 in. (10.4 × 14.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Seated Shepherdess, 1830–75, Woodcut on chine collé; second (final) state, block: 10 5/8 x 8 9/16 in. (27 x 21.8 cm), Prints, Engraved by Jean-Baptiste Millet (French

Women Picking Olives, 1889, Oil on canvas, 28 5/8 x 36 in. (72.7 x 91.4 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), At the end of 1889, Van Gogh painted three versions of this picture. He described the first

Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774, 1775, Etching; first state of three (Bocher), Sheet: 11 3/16 × 8 1/4 in. (28.4 × 21 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807

Jupiter and Danaë, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 3/4 x 2 3/8 in. (4.5 x 6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Wren, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of 50

Drawings and Prints, Photograph, Card Number 377, Mami Cerbi, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

St. Matthias, from 'Christ, Mary, and the Apostles', ca. 1590–ca. 1610, Etching, Sheet: 20 11/16 × 14 7/8 in. (52.5 × 37.8 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Galerie des Glaces at Versailles, 1684, Etching; fourth state, Plate: 6 1/8 x 4 in. (15.5 x 10.2 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris), This work shows the interior of the Hall of Mirrors shortly after its painted

Caudieux at the Petit Casino (from Le Café Concert), 1893, Crayon and spatter lithograph with scraper printed in black on wove paper; only state, Image: 10 13/16 × 8 9/16 in. (27.5 × 21.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi

Red and Blue Macaw, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a

Drawings and Prints, Print, Allegory of Fortuna and Justice, Artist, Monogrammist HC, German, active 1534, Monogrammist HC, 1534, 1534, 1534, Etching and engraving

Drawings and Prints, Print Ornament & Architecture, Chinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois, Artist, Designed by, Etched by, Jean Pillement, Anne Allen, French, Lyons 1728–1808 Lyons, British, born 1749/50–?1808,

Portrait of Vicenzo Giustiniani, 1631, Engraving; second state of two, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Louis Michel Lepelletier de St. Fargeau, Artist, After, Pierre Michel Alix, Louis Garneray, French, Paris 1762–1817 Paris, French, active first half 19th century, Alix, Pierre Michel, Garneray, Louis,

Drawings and Prints, Photograph, Card Number 706, Miss Greenwood, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Design for a Frieze with Acanthus Scrolls and Two Small Figural Motifs Below, Plate 15 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 9/16 × 9 15/16 in. (9.1 × 25.3 cm), Stefano della

Cardinal Jules Mazarin, 1655, Engraving, Sheet: 8 3/4 × 6 15/16 in. (22.3 × 17.6 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Virgin of Sorrows: Christ Disputing with the Doctors; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 3/4 × 2 1/4 in. (7 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian,

Drawings and Prints, Drawing, A King and a Horse with Ghostly Women, Artist, William Hamilton, British, London 1751–1801 London, Hamilton, William, British, 1751, 1801, 1770–80, 1770, 1780

Portrait of an Ecclesiastic, ca. 1461, Metalpoint, black chalk on white prepared paper, 7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.), Drawings, Jean Fouquet (French, Tours ca. 1425–ca. 1478 Tours), Although the inscription describes the sitter as

Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British, Rotheram 1797–1861 Brompton), This delicately painted watercolor, made when Cowen was twenty-two,

Drawings and Prints, Drawing Ornament & Architecture

Drawings and Prints, Print, Cries of London, No. 4: Do You Want Any Brickdust?, Cries of London, Artist, Publisher, After, Thomas Rowlandson, Henri Merke, R. Ackermann, British, London 1757–1827 London, Swiss, Niederweningen, canton