Images at Librifly

Pendant Design with Adam and Eve, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 1 1/8 in. (9.2 × 2.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

Bronze handle attachment in the form of a mask, Late Hellenistic or Early Imperial, 1st century B.C–1st century A.D., Greek or Roman, Bronze, H. 10 in. (25.4 cm), Bronzes, Despite all the change and innovation in Hellenistic iconography,

Zululand, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set

Drawings and Prints, Print, Comforts of Bath, Plate 11, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761,

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk, ca. 1543–70, Engraving, mount: 22 1/8 x 16 13/16 in. (56.2 x 42.7 cm), Prints, Anonymous, Italian, 16th century, After Enea Vico (Italian, Parma 1523–1567 Ferrara

Vignette with Coin on a Cloud with Roses to the left and Doves Below and to the Right, Tome I, Page 148, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M.

Vase, 1540–45, Etching, Sheet (trimmed): 10 1/4 × 7 9/16 in. (26 × 19.2 cm), Prints, After Antonio Fantuzzi (Italian, active France, 1537–45

Head of a young girl wearing a jeweled headdress, ca. 1645, Etching; only state, Plate: 2 13/16 × 2 1/16 in. (7.1 × 5.3 cm), Prints, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Admiral, San Domingo, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a

Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, August 1, 1797, Softground etching; third state, Plate containing image: 11 11/16 x 14 3/4 in. (29.7 x 37.4 cm), Prints, Thomas Gainsborough (British,

Reverse Copy of The Judgment of Solomon, 1569, Engraving, Sheet: 6 3/8 × 4 11/16 in. (16.2 × 11.9 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Solomon, seated on a throne at left, addresses the two

Michigan, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

On the Beach, Dieppe, 1864, Oil on wood, 12 1/2 x 11 1/2 in. (31.8 x 29.2 cm), Paintings, Eugène Boudin (French, Honfleur 1824–1898 Deauville), The changing skies of France's Channel coast and the fashionable crowds on the resort beaches

A Regular Out and Out'er, 1840–50

Judith and Holofernes, from Biblia, Frankfurt, 1564, Woodcut, Sheet (trimmed): 4 5/16 in. × 6 in. (11 × 15.3 cm), Prints, Anonymous, German, 16th century, After Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Albert van der Helle, 1538, Engraving; first state of two (New Hollstein), Sheet: 7 13/16 × 4 15/16 in. (19.9 × 12.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Lippincott's: November, 1896, Lithograph, Sheet: 16 9/16 × 13 1/8 in. (42 × 33.3 cm), Joseph J. Gould, Jr. (American, 1880–1935

Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, ca. 1635, Oil on canvas, 50 1/4 x 41 in. (127.6 x 104.1 cm), Paintings, Attributed to Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid),

Bowie Knife, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Blue Bullfinch, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

A Castle from Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 1/8 x 6 3/16 in. (10.5 x 15.7 cm), Prints, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), After The Master of the Small Landscapes

Two donkeys standing in a grassy yard, one in profile view facing right and another behind in three-quarter view, a dog and a building wall with two windows beyond, 1652, Etching, sheet: 6 1/8 x 5 7/16 in. (15.5 x 13.8 cm), Prints, Karel

Marble lid of a cinerary chest, Early Imperial, late 1st century A.D., Roman, Marble, Overall: 6 5/8 x 19 1/2 x 16 1/4 in. (16.8 x 49.5 x 41.3 cm), Stone Sculpture, The lid is fashioned to look like the roof of a barrel-vaulted building with

Drawings and Prints, Photograph, Card Number 215, Frances Marion, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Boydell'shakespeare Gallery, Engraver, Artist, Publisher, Subject, After, Francis Legat, James Barry, John & Josiah

A Virginia Cousin & Bar Harbor Tales, 1895, Lithograph, Sheet: 24 3/4 × 17 1/8 in. (62.8 × 43.5 cm), Ethel Reed (American, 1874–after 1900

The Seated Clowness (Mademoiselle Cha-u-ka-o) (from the series Elles), 1896, Crayon, brush, and spatter lithograph with scraper printed in five colors on wove paper with watermark (G. Pellet / T. Lautrec); only state, Image: 20 9/16 × 15 13/16

The lamentation over the dead Christ, ca. 1545–50, Etching, sheet: 8 7/8 x 6 13/16 in. (22.5 x 17.3 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), After Parmigianino (Girolamo Francesco Maria

A woman standing in profile writing on a tablet, ca. 1538–40, Etching, sheet: 6 1/2 x 3 3/8 in. (16.5 x 8.5 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Study from the Nude, Figure Reclining, 1890–94, Transfer Lithograph, Sheet: 16 7/16 x 10 5/8 in. (41.8 x 27 cm), Prints

The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

A Personification of Charity Seated on a Cloud, Surrounded by Putti, ca. 1590–1600, Pen and black ink, brush and gray ink; oval framing line in pen and black ink, Sheet: 7 1/4 × 9 1/4 in. (18.4 × 23.5 cm), Drawings, Monogrammist HSK

Drawings and Prints, Print, The Barn–Staten Island, N.Y., Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925

Drawings and Prints, Print, Cypress Bower, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1920

Cossacks Escorting the Regimental Cassone, 1815, Etching; third state, plate: 6 1/8 x 7 7/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Plate 126: Aeneas and Anchises (AEnea in perentem pietas), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Regeliers Poort, mid-17th century, Etching, sheet: 6 7/16 x 11 3/4 in. (16.4 x 29.9 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

View of Nuremberg, to the west, center plate, 1552, Etching, sheet: 12 3/16 x 21 1/16 in. (31 x 53.5 cm), Prints, Hanns Lautensack (German, Bamberg (?) ca. 1520–1564/66 Vienna

Durham House, Salisbury House and Worcester House on the Thames, 1808, Etching and engraving, sheet: 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm) cut outside the image and text but within the platemark., Prints, After Wenceslaus Hollar (Bohemian, Prague

Gooseberry, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Jeune femme drapée, marchant de gauche à droit, portant un vase de métal (Young draped woman, walking from left to right, carrying a metal vase in the style of red-figure vase painting), most likely from Recueil de Différentes Compositions

Governor Ross, Texas, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 2, Artist, Jean Leclerc IV, Jan van Haelbeeck, French, baptized 1560, died Paris, 1622, Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630,

Marguerite Lemon, maitresse d'Antoine van Dyck, Etching, second state, Sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Drawings and Prints, Print, Outside Guard, St. Georges Guard, Inside Guard, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London,

Drawings and Prints, Print, Meditation (Méditation), L'Estampe originale, Album V, Artist, Publisher, Paul-César Helleu, André Marty, French, Vannes 1859–1927 Paris, French, born 1857, Helleu, Paul-César, Marty, André, French,

Drawings and Prints, Print, Washington's Reception by the Ladies on Passing the Bridge at Trenton, N.J., April 1789, on His Way to be Inaugurated First President of the United States, Publisher, Sitter, Lithographed and published by,

The Committee (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 10), 1725–68, Etching and engraving; fifth state five, sheet: 10 1/4 x 13 3/4 in. (26 x 34.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Plate 11: an attack on a city, horsemen in foreground, clouds of smoke and a cityscape in background, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes), ca. 1640, Etching,

Sailing Vessels and Sloop, 17th century, Etching; state VI, sheet: 8 1/2 x 12 5/8 in. (21.6 x 32 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

The Seller of Celery, 1741–63, Etching and engraving, sheet: 8 13/16 x 5 13/16 in. (22.4 x 14.7 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Lucretia, 1508–10, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso), 15-5/8 x 11-1/2 in. (39.7 x 29.2 cm), Drawings, Raphael (Raffaello Sanzio or Santi) (Italian,

Blue Winged Teal, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Fabius Maximus before the Senate at Carthage, ca. 1761–65, Etching, sheet: 9 5/16 x 6 7/8 in. (23.6 x 17.4 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Giovanni Battista Tiepolo (Italian, Venice 1696–1770

Drawings and Prints, Print Ornament & Architecture, Design for a Knife, Spoon, and Fork, Artist, Erasmus Hornick, Netherlandish, Antwerp ca. 1520–1583 Prague, Hornick, Erasmus, Netherlandish, 1501, 1583, 1560–70

Drawings and Prints, Print, Fashion (Mode), Artist, Publisher, Otto Friedr. Carl Lendecke, Wiener Werkstätte, Austrian, Lemberg (Lviv) 1886–1918 Vienna, Lendecke, Otto Friedr. Carl, Wiener Werkstätte, Austrian, 1886, 1918, 1912,

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 3/16 x 11 5/8 in. (20.8 x 29.5 cm),

Card Number 256, Daisy Murdoch, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s

Ships in a Breeze (Liber Studiorum, part II, plate 10), February 20, 1808, Etching and mezzotint; first state of five (Finberg), plate: 7 3/16 x 10 3/16 in. (18.3 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner

Speculum Romanae Magnificentiae: Portraits of the Emperors from Julius Caesar to Rudolf II, 1582, Engraving, sheet: 16 7/8 x 22 1/8 in. (42.9 x 56.2 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Lafayette, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set of 50

Spanish Mackerel, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in

Night, from the series, Four Times of the Day, 1830–75, Wood engraving on chine collé, Block: 5 13/16 x 8 11/16 in. (14.7 x 22 cm), Prints, After Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Jacques-Adrien Lavieille

Grace Stewart, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 6),

Design for a Dish with Portraits of the Roman Emperors Tiberius, Vespasian, and Titus, ca. 1588, Engraving, Sheet: 5 × 4 15/16 in. (12.7 × 12.5 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a dish with

A broadsheet with a popular song'La China' on the recto, on the verso the dance of 'Cuba Libre', José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

Vase with a Sacrificial Scene, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19 x 11.3 cm), Depiction of a vase or ewer. The vase is caracterized by a frieze with a scene showing putti sacrificing a bull. The print is part of a

Allegory of the Power of Love, before 1535, Engraving, Sheet: 11 13/16 × 11 1/8 in. (30 × 28.3 cm), Prints, Cristofano di Michele Martini (Il Robetta) (Italian, Florence 1462–after 1535 Florence

World's Columbian Exposition: Art and Architecture: The Architecture, 1893, Illustrations: photogravure, facsimile typogravure, 16 3/4 × 11 13/16 × 1 9/16 in. (42.5 × 30 × 4 cm), Books

Speculum Romanae Magnificentiae: Portraits of Roman Jurisconsults, 1583, Engraving, sheet: 14 1/2 x 19 3/8 in. (36.8 x 49.2 cm), Prints, Anonymous

Drawings and Prints, Photograph, Card Number 65, Louise Allen, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Annie Robe, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series (N67),

Fräulein Klein, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Card 3, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen &

Portrait Head of a Man, 1800–1900, Charcoal, 21- 1/8 x 15 in. (53.7 x 38.1 cm), Drawings, Oresto Caldini (Italian, Florentine, 19th Century

Christ in an Attitude of Benediction, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

The New Metamorphosis, Plate 3: The Bandits Abduct Camilla, 1724, Etching and engraving, sheet: 11/16 x 2 15/16 in. (1.8 x 7.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45,

Venus at left holding a golden apple in her right hand and an arrow in her left, Vulcan at his forge beating a piece of iron on an anvil, ca. 1505, Engraving and made up section in pen and ink upper left, 10 1/16 x 8 1/16 in. (25.5 x 20.4 cm),

Lillo, 1642–44, Etching; second state of three, Sheet: 1 3/4 × 6 7/16 in. (4.5 × 16.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of boats on the estuary of the river Schelde, with Lilloo in the distance at

Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 5/16 × 4 1/4 in. (21.1 × 10.8 cm), Prints, Giovanni Jacopo

Jupiter Pressing the Stormclouds, 1540–56, Engraving, Sheet (lunette/trimmed): 9 3/8 × 17 3/16 in. (23.8 × 43.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Costume Design and Design for a Headdress, ca. 1620–56 , Brown ink and wash; red chalk, Sheet: 11 1/8 x 8 1/4 in. (28.2 x 20.9 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), Full-length design for

Moses showing the quails to the Israelites (the miracle of the quails and manna), ca. 1545, Etching, sheet: 8 7/8 x 6 5/16 in. (22.5 x 16 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Christ Before Annas, from the Passion, Woodblock, Sheet: 9 3/4 × 6 11/16 in. (24.8 × 17 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Drawings and Prints, Print, The Captive, from the Illustrated London News, Artist, Artist, After a drawing by, After a painting by, Harrison, Henry Anelay, William Fisher, British, active 1848, British, 1817–1883, Irish, Cork

View of the Surroundings of Bruges (Vue des environs de Bruges), Etching and engraving, Sheet: 12 3/16 x 15 7/8 in. (31 x 40.3 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Jan Brueghel the Elder (Netherlandish,

A gentleman, turned three-quarters to the left, wearing a hat and boots with spurs, carrying a sword in his belt, a town square in the background, 1629, Etching; first state of two, Sheet: 7 3/8 × 5 1/16 in. (18.8 × 12.8 cm), Prints,

Joseph fleeing from Potiphar's wife, ca. 1515–25, Engraving, 8 1/8 x 9 1/2 in. (20.7 x 24.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello Sanzio or Santi) (Italian,

Take Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Drawings and Prints, Print, Plate 16: A white bird tells Psyche of Cupid's illness, as she rides dolphins on the sea accompanied by tritons and nereids, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as

Schönbrunn on Sunday (Schönbrunn: am Sonntag), 1912, Color lithograph, sheet: 5 1/2 x 3 9/16 in. (14 x 9 cm), Prints, Attributed to Moriz Jung (Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians

Christ's Entry into Jerusalem, from The Small Passion, ca. 1508, Woodcut, sheet: 5 x 3 7/8 in. (12.6 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Festival of Dionysius, 1549, Engraving, sheet: 13 1/16 x 19 1/8 in. (33.2 x 48.5 cm), Prints, Anonymous, Italian, 16th century, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is

The Wayside Inn - Oaks in Spring (Sudbury, Massachusetts), 1926, Etching, Plate: 10 1/8 x 7 7/8 in. (25.7 x 20 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Jean Le Camus, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 17 15/16 × 14 15/16 in. (45.5 × 38 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Proverbi (Proverbs), 1564, Engraving with some etching, first state, Sheet: 15 5/16 × 20 3/8 in. (38.9 × 51.7 cm), Prints, Nicolò Nelli (Italian, active Venice, ca. 1552–79

Currants, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Isaac Blessing Jacob, 16th century, Etching, sheet: 3 3/8 x 4 5/16 in. (8.5 x 10.9 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

New Fields, New Hampshire, 1916, Etching and drypoint, Plate: 9 7/16 x 11 7/16 in. (24 x 29 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York