Images at Librifly

Naval combat, a ship at center, seen from behind, firing at four enemy ships, another ship entering from the right, a rowboat with nine people to left, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre), ca. 1638–43,

Ruins and a barred gate on the Esquiline Hill in Rome, 1673, Etching; first state of three, Sheet: 2 3/4 × 4 3/16 in. (7 × 10.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Roman ruins on a rock on the Esquiline Hill

Rustic Market (Nundinae Rusticorum) from The Large Landscapes, ca. 1555–56, Etching with engraving; second state of three, 11 5/8 x 16 13/16 in. (29.6 x 42.7 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Sketch, 1903, Platinum print, 15.3 x 20.7 cm. (6 x 8 1/8 in.), Photographs, Gertrude Käsebier (American, 1852–1934), A frequent model for Käsebier and F. Holland Day, Beatrice Baxter Ruyl, who posed here, made illustrations for

Broadsheet relating to the capture of Valentin Mancera who is shown playing the guitar and being cornered by men in uniforms carrying weapons, José Guadalupe Posada (Mexican, 1851–1913), ca.1902

January, February, March 1897, 1896, Lithograph and commercial relief process, Sheet: 14 × 11 in. (35.6 × 27.9 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Portrait of Guillaume Coustou, 1770, Etching and engraving; third state of five (Bocher), Mount: 10 1/4 × 8 3/16 in. (26 × 20.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

The Wounded (Der Verletzte), 1912, Lithograph, image: 9 13/16 x 12 3/8 inches (24.9 x 31.4), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Designs for Three Friezes with Hunting Themes, Plate 9 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 5/16 × 9 3/4 in. (8.4 × 24.8 cm), Stefano della Bella (Italian, Florence

Drawings and Prints, Print, Guarserro - Mestolino, from the Balli di Sfessania, Artist, Jacques Callot, French, Nancy 1592–1635 Nancy, Callot, Jacques, French, 1592, 1635, ca. 1622

Drawings and Prints, Print, The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais, British, active 1839–1893, British,

Plate 50, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

The Charmers of the Age, March 1, 1782, Etching; third state of four, sheet: 7 11/16 x 10 1/2 in. (19.5 x 26.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Young Woman with Six Goats, 1815, Etching; third state, plate: 6 1/8 x 7 5/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Skeleton Hanging from a Tree in a Landscape, late 16th–early 17th century, Black chalk, pen and brown ink, brush and brown and blue wash, sheet: 7 1/2 x 10 3/4 in. (19 x 27.3 cm), Drawings, Paul Bril (Netherlandish, Breda (?) 1553/54–1626

Drawings and Prints, Photograph, Maud Waldemere, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Drawings and Prints, Print, Full-length Portrait of Thomas Nast with Two Caricatures, Sitter, Thomas Nast, American (born Germany), Landau 1840–1902 Guayaquil, Nast, Thomas, 1840, 1902, ca. 1888, 1883, 1893

Montrose, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Jewel of the Order of the Thistle, Great Britain, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations'

Paradise Tanager, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889

The Parable of the Good Samaritan, 1549, Etching, Sheet: 9 13/16 x 7 7/8 in. (25 x 20 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam

The so-called Temple of Fortuna Virilis (now Church of S. Maria Egizziaca) (Veduta del Tempio della Fortuna Virile), ca. 1758, etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

The Annunciation, 1514, Woodcut, Sheet: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two,

Pendant Design with a Temple and Vase Above Cross-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 7/8 × 4 1/16 in. (14.9 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Yellow-Casque Black Hornbill, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in

View of the Campidoglio on the Capitoline Hill, with equestrian statue at lower right, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), 1562, Etching, sheet: 6 1/8 x 8 3/8 in. (15.5 x 21.2 cm),

Plate 3: La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; undescribed state between second

Dona Mitilena, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet),

Patent Office in Washington, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Andrew from the Martyrdom of the Twelve Apostles, Woodblock, Sheet: 6 7/16 × 4 15/16 in. (16.3 × 12.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

St. Simon, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Florence Baker, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

Midsummer Night's Dream, [1870], Illustrations: commercial process and engraving, 9 13/16 x 7 5/16 in. (25 x 18.5 cm), Books, A prolific German silhouette artist, Konewka designed illustrations for many British and American literary

Ex Libris of Eduard Arnhold, n.d., Image: 5 1/16 × 4 1/16 in. (12.8 × 10.3 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Man Resting on a Spade, 1874, Woodcut on thin laid paper; only state, block: 7 3/8 x 5 3/16 in. (18.8 x 13.2 cm), Prints, Engraved by Pierre Millet (French

Ecce Homo (reverse copy), n.d., Woodcut, sheet: 7 1/2 x 5 3/8 in. (19.1 x 13.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Allegories in Honor of the Birth of the Dauphin, ca. 1638, Etching, Sheet: 14 1/8 x 3 7/8 in. (35.8 x 9.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Drawings and Prints, Print, The Medicine Man, Market Place, Mexico, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933

Tiger Lily (Lilium superbum), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Miss Ruth Stetson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Orangoutang, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

Broadsheet relating to a miracle that occured when a distinguished man regained his sight in the parish church of Soledad de Santa Cruz, José Guadalupe Posada (Mexican, 1851–1913), ca. 1905–1910

Singers at the Window, 1610–85, Etching, Sheet: 9 9/16 × 7 1/2 in. (24.3 × 19 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

The Printmaker, late 19th–mid-20th century, Etching on laid paper, sheet: 13 1/16 x 10 1/16 in. (33.1 x 25.5 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Fragments of a Plate with Engraved Designs, 9th century, Attributed to Syria or Iraq. Excavated in Iran, Nishapur, Glass, blue; blown, applied trail, scratch-engraved, H. ca. 9/16 in. (ca. 1.5 cm), Glass, The striking blue color of this

Eight Designs for Decorated Cups, including Boabdil Pattern, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Buff Cochin China Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued

Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50), May 23, 1812, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/8 x 10 1/8 in. (18.1 x 25.7 cm), Prints, Turner distilled his ideas about landscape

Apollo and Marsyas and the Judgment of Midas, 1581, Engraving, Sheet: 9 3/16 x 12 9/16 in. (23.4 x 31.9 cm), Prints, Melchior Meier (German, active Italy, ca. 1572–82), According to Ovid, Apollo engaged in two musical competitions. When

Drawings and Prints, Print, Dead Sisters, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Drawings and Prints, Print, The Death of Mark Antony (Shakespeare, Antony and Cleopatra, Act 4, Scene 15), Artist, Publisher, Engraver, Subject, After, Nathaniel Dance-Holland, Thomas Watson, Thomas Watson, William Shakespeare,

Drawings and Prints, Print, The Lovers, Artist, After, Housebook Master, Israhel van Meckenem, German, active Middle Rhineland, ca. 1470–1500, German, Meckenem ca. 1440/45–1503 Bocholt, Housebook, Master, Meckenem, Israhel van,

Drawings and Prints, Print, Variety Act 7: Sepp and Kathi Steidler, Popular House Comedians (Varietenummer 7: Sepp und Kathi Steidler, Beliebte Hauskomiker), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia)

L'Église de St. Nicolas, 1823, Lithograph, sheet: 17 11/16 x 12 3/8 in. (45 x 31.5 cm), Prints, Théodore Gericault (French, Rouen 1791–1824 Paris

Three Trombonists, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 5/8 × 3 1/8 in. (11.7 × 7.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525, Engraving, Sheet: 8 1/8 × 7 3/8 in. (20.7 × 18.8 cm) trimmed to platemark, Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow

The true maner [manner] of the execution of Thomas Earle of Strafford, 1641, Etching; third state of three, Plate: 7 5/16 × 10 3/8 in. (18.6 × 26.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Execution of Thomas

Drawings and Prints, Print, Christ Taking Leave of His Mother, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German,

Philadelphia Sunday Press: July 5, 1896, Lithograph, Sheet: 21 7/8 × 15 3/8 in. (55.5 × 39 cm), Prints, George Reiter Brill (American, Pittsburgh, Pennsylvania 1867–1918 Florida

Speculum Romanae Magnificentiae: Corinthian base, ca. 1537, Engraving, sheet: 4 1/2 x 6 1/8 in. (11.5 x 15.5 cm), Prints, Master G.A. (Italian, active ca. 1535

Cabinet, ca. 1877–80, Made in Philadelphia, Pennsylvania, United States, American, Walnut, maple, white pine, glass, 96 x 42 x 20 in. (243.8 x 106.7 x 50.8 cm), Furniture, Attributed to Daniel Pabst (1826–1910), This Modern Gothic

Portrait of H. Gluckmann of Poland, n.d., Graphite, sheet: 10 3/4 x 4 7/16 in. (27.3 x 11.3 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome

Jesus and St. John embracing, with Cherubs, 1646, Etching; first state of two, Sheet: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), The infants Jesus and St. John embrace; three cherubs

Drawings and Prints, Print, At the Shrine of Venus, Artist, Printer, After, Sir Lawrence Alma-Tadema, Gebbie & Husson Company, Ltd., London, British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden, Alma-Tadema, Lawrence, Sir,

Banknote motif: band of lathe work ornament, ca. 1824–42, Engraving on chine collé, plate: 9 x 2 in. (22.9 x 5.1 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

King Christian IV of Denmark Judging Christoffer Rosenkrantz; verso: Don Quixote and Others Attending Master Peter's Puppet Show, Wilhelm Marstrand (Danish, Copenhagen 1810–1873 Copenhagen), ca. 1865

Soldier's Funeral (from The Life and Death of a Soldier), May 1, 1781, Etching, aquatint and stipple, printed in brown ink, Sheet: 14 15/16 x 16 5/16 in. (38 x 41.4 cm), Prints, Etched and published by Robert Blyth (British, ca.

Broadsheet relating to men who frequent bars, different groups of men walking in the streets and one man running after a trolley car, José Guadalupe Posada (Mexican, 1851–1913), ca. 1903

Drawings and Prints, Drawing, Design for Peacock Panel and a Tile, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

Card 533, Miss Behr, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, sheet: 11 1/4 x 6 7/16 in. (28.5 x

Allegory of the Foglia River and the city of Pesaro's coat of arms, frontispiece for 'Il Pesarese', 1639, Etching, Sheet: 8 1/4 x 5 3/8 in. (20.9 x 13.6 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Tiger at a Standstill, [1854] reprinted 1921, Cliché verre; second state; posthumous impression, Overall: 7 15/16 x 6 9/16 in. (20.2 x 16.7 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Hercules and the Boar of Erymanthus: Hercules holds down the boar's snout with his left hand and raises his club with his right hand, in the middle ground Hercules carries the boar on his shoulders, from the series 'The Labors of Hercules', 1608,

Night: The Four Times of Day, March 25, 1738, Etching and engraving; first state of two, sheet: 19 3/16 x 15 7/8 in. (48.7 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Woman with a Rake, probably 1856–57, Oil on canvas, 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm), Paintings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Millet first treated this subject in a woodcut, one of ten in the series

Marcantonio Pasqualini (1614–1691) Crowned by Apollo, 1641, Oil on canvas, 96 x 76 1/2 in. (243.8 x 194.3 cm), Paintings, Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome), Sacchi was the leading classical painter in Rome in the second

Amnon and Jonadab, from The Story of Amnon and Tamar, 1540, Engraving; second state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Amnon, standing before a

Title Plate with Blackwork Motifs, Trophies and Grotesques, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 1/2 × 3 7/16 in. (11.5 × 8.8 cm), Etienne Carteron (French, born Châtillon-sur-Seine,

Grand Garden View, Etching, Sheet: 16 9/16 × 27 1/8 in. (42 × 68.9 cm), Prints, Abraham Genoels II (Flemish, Antwerp 1640–1723 Antwerp

Speculum Romanae Magnificentiae: Monte Pincio Palace and Gardens, mid to late 16th century, Etching, sheet: 15 15/16 x 21 in. (40.5 x 53.4 cm), Prints, Attributed to Antonio Tempesta (Italian, Florence 1555–1630 Rome

Bust of a bearded man, ca. 1600–1640, Etching, Sheet (Trimmed): 3 9/16 × 1 1/2 in. (9.1 × 3.8 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

The First Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, sheet: 14 3/4 x 12 1/2 in. (37.5 x 31.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Five men fighting beasts, at lower left is a fallen boar, Artist, After, Master of the Die, Giulio Romano, Italian, active Rome, ca. 1530–60, Italian, Rome 1499?–1546 Mantua, Master of the Die, Giulio

Speculum Romanae Magnificentiae: Tablet with Calendar from the Farnese Palace, late 16th century, Engraving, sheet: 10 1/4 x 16 7/16 in. (26 x 41.7 cm), Prints, Anonymous

At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre, 1893, Crayon, brush, and spatter lithograph printed in black on wove paper, Image: 13 7/16 × 9 1/4 in. (34.2 × 23.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi

Drawings and Prints, Photograph, Card Number 147, Mlle. Rescalli, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Philosopher, from the Scherzi, ca. 1740, Etching, Plate: 9 x 6 3/4 in. (22.9 x 17.1 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Songs: 'That Love's a Tyrant I can prove...', 1822, Soft ground etching, Image: 7 7/8 × 10 1/8 in. (20 × 25.7 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song book.

Speculum Romanae Magnificentiae: Portico of the Temple of Julius, 1550, Engraving, sheet: 18 7/8 x 13 1/8 in. (48 x 33.4 cm), Prints, Anonymous

Three Children Among Clouds Carrying a Drapery, 1738–45, Etching and engraving, Sheet: 17 13/16 in. × 12 in. (45.3 × 30.5 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris

The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), ca. 1775, Etching, Prints, Giovanni Battista

Hamlet Reproaches His Mother, ca. 1834, Graphite on wove paper, Overall: 6 7/8 x 9 3/16 in. (17.5 x 23.3 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), In this illustration of a scene in Act 3 of

Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6), 1791, Etching and engraving, hand-colored, Image: 12 3/16 × 14 15/16 in. (31 × 38 cm), Prints, After William Hamilton (British, London 1751–1801 London

Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 × 3 7/8 in. (5.9 × 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922

Kingmate, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Allegory in Honor of the Roman College Founded by the Borghese Family, 1615–88, Engraving; third state of three, sheet: 10 7/16 x 14 in. (26.5 x 35.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris), After Pietro da Cortona

Drawings and Prints, Print, Nap in the Country, Nap in Town, Artist, Publisher, Thomas Rowlandson, Samuel Alken, British, London 1757–1827 London, British, London 1756–1815, Rowlandson, Thomas, Alken, Samuel, 1757, 1756, 1827,

The Madonna nursing the Christ Child at the foot of a tree, ca. 1501–3, Engraving, upper and lower right corners are restored, plate: 6 5/16 x 8 5/8 in. (16 x 21.9 cm) trimmed; slightly irregular, Prints, Jacopo de' Barbari (Italian, active