Images at Librifly

Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of

Entry of the Prince of Saxony with his Wife into Dresden on September 2, 1719, after their Marriage in Vienna, ca. 1700–1755, Etching, printed in red-brown ink, Sheet: 6 3/8 x 7 3/16 in. (16.2 x 18.2 cm), Adolf van der Laan, Dutch,

Pauline Hall, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Salon des Cent: Exposition Internationale d'affiches, 1895, Lithograph printed in seven colors on machine wove paper, 24-7/16 x 31-1/2 in. (62.1 x 80.0 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Cover for 'Rosendito, Los Leones, y El Sapo', a young boy and man holding walking sticks, José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

The Annunciation to the Shepherds, 1580–1600, Engraving, Sheet: 4 15/16 × 3 7/16 in. (12.6 × 8.7 cm), Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Scene of the Annunciation to the Shepherds. The Archangel descends at center

Old Dominy House, Easthampton, 1928, Etching, Plate: 8 7/8 x 11 7/8 in. (22.5 x 30.2 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Elevation of a Catafalque with a royal Crown surmounting the Casket, 1696–1756, Pen, brown ink and grey wash, 20-3/8 x 14-1/4 in. (51.8 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

The Last Supper, from The Large Passion, 1510, Woodcut, sheet: 15 9/16 x 11 5/16 in. (39.6 x 28.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Wyoming, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Card 544, Lillie Howard, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Drawings and Prints, Photograph, Card Number 206, Lizzie Hughs, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Drawings and Prints, Print Poster, Sunset Magazine: October, Artist, Lafayette Maynard Dixon, American, 1875–1946, Dixon, Lafayette Maynard, American, 1875, 1946, 1902, 1902

Carp, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889 in

Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5

Albury, 1625–77, Etching, first state of three, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Albury; man and woman with children seen from behind walking along country lane at right, followed by woman with small child;

Hercules and Cerberus, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 3 1/16 in. (10.7 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Drawings and Prints, Print, The Rainbow, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1924

Angela, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses

Drawings and Prints, Print, A saint seated at a table with his right hand resting on a skull, from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna; plate 33 of the series, Artist, After, Jusepe de Ribera (called Lo

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520–36, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian,

Nine Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Studies of Hands and Figures for the 'Salon du roi', 1820–63, Graphite on laid paper, sheet: 10 x 14 5/8 in. (25.4 x 37.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Roman, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

A Rake's Progress, Plate 8, [June 25, 1735] reissued 1763, Etching and engraving; third state of three (retouched 1763), plate: 13 15/16 x 16 1/8 in. (35.4 x 40.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Classical Ruins, 1673, Etching; second state of two, Sheet: 4 1/8 × 6 9/16 in. (10.5 × 16.6 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp), Ruins of a classical building at right, resembling the Colisseum

English Horseguards, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards

The Ram, Chapelain of the Lion, Gives the Benediction to Renard before His Depature for Rome from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.6 × 11.8 cm), Prints, Allart van

Drawings and Prints, Print, Large Pool, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1915

Drawings and Prints, Print, St James's and St Giles's, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827,

The breadth and flatness of the frontal bone, 1896, Lithograph, sheet: 17 11/16 x 12 3/8 in. (45 x 31.4 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Black African Removing Bottles From a Cooler, 18th century, Etching; first state, Sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Antoine Watteau (French, Valenciennes

General Andrew Jackson, June 1828, Engraving; second state of two, sheet: 23 13/16 x 16 5/16 in. (60.5 x 41.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After John Vanderlyn

Christ in the Wilderness, ca. 1515–20, Oil on canvas, 18 x 21 3/4 in. (45.7 x 55.2 cm), Paintings, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescia ca. 1498–1554 Brescia), Following his baptism by John the Baptist, Christ

The Seine at Vétheuil, 1880, Oil on canvas, 23 3/4 x 39 1/2 in. (60.3 x 100.3 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), The extreme horizontality, the sweeping arc of the riverbank, and the types of the brushstrokes

Drawings and Prints, Print, Too Many for a Jew, Artist, Publisher, Thomas Rowlandson, Samuel Alken, British, London 1757–1827 London, British, London 1756–1815, Rowlandson, Thomas, Alken, Samuel, 1757, 1756, 1827, 1815, Sept

J.B. Haggin, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

Three Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Grand Duchy of Luxemburg, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2

View of La Crescenza, 1648–50, Oil on canvas, 15 1/4 x 22 7/8 in. (38.7 x 58.1 cm), Paintings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), In its immediacy and breadth of handling, this small picture recalls

Everyman, ca8, Engraving and letterpress text; first state of two; text version A, Sheet: 9 3/4 x 11 5/8 in. (24.7 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?)

Pleasures of Occupation, Etching and engraving, sheet: 4 1/16 x 5 7/8 in. (10.3 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Bearing the Body of Christ, 1586, Engraving; first state of two, Plate: 7 3/16 × 7 5/8 in. (18.3 × 19.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Horizontal Panel with Bacchus in a Medallion, after 1596, Engraving, Sheet: 3 1/4 × 5 3/16 in. (8.2 × 13.1 cm), Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), after Floris Balthasarsz van Berckenrode (Delft ca. 1562–1616

Drawings and Prints, Print, A Cockney & his Wife going to Wycombe, Publisher, Artist, Copy after, John Miller, William Blackwood, James Gillray, London, Edinburgh, British, Chelsea 1756–1815 London, Miller, John, Blackwood, William,

The Bath (Le Bain), 1894, Woodcut on cream wove paper, Sheet: 8 1/2 x 10 in. (21.6 x 25.4 cm), Prints, Félix Vallotton (Swiss, Lausanne 1865–1925 Paris

White Leghorn Hen, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in

A woman on horseback seen from behind descending a hill to the right, a large tree to the left, landscape of Florence to left in the background, from 'Four large landscapes' (Quatre grands paysages en hauteur), ca. 1652–57, Etching; fourth

Maud Branscombe, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses), ca. 1769, Etching, Sheet: 15 3/4 x 21 9/16 in. (40 x 54.7 cm), Giovanni Battista

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Maples in Early Spring, 1931, Etching, Sheet: 12 9/16 x 9 13/16 in. (31.9 x 25 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

The Lion Takes the Advice of the Other Animals for Renard's Punishment from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 1/2 in. (9.6 × 11.5 cm), Prints, Allart van Everdingen (Dutch,

Drawings and Prints, Print, Cut Two and Horse's Off Side Protect, New Guard, Hungarian and Highland Broadsword, Artist, Publisher, Thomas Rowlandson, Henry Angelo, British, London 1757–1827 London, British, London 1756–1835 London,

Speculum Romanae Magnificentiae: The Baths of Diocletian, 1582, Etching, sheet: 11 7/8 x 20 7/8 in. (30.2 x 53 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Drawings and Prints, Print, poster, Let your photos help record history of Connecticut at war, Publisher, Issued by, Connecticut State Council of Defense, Connecticut State Council of Defense, 1915, 1922, ca. 1917–18, 1917, 1918,

Edmée Lescot (from Le Café Concert), 1893, Brush, crayon, and spatter lithograph printed in black on wove paper; only state, Image: 10 5/8 × 7 1/2 in. (27 × 19 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Secure Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Costume design for Jacopo Giraldi, depicted on horse back, ca. 1620–56 , Brown ink, Sheet: 11 1/16 x 8 1/4 in. (28.1 x 21 cm), Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), Design for a rich costume for a noble

Drawings and Prints, Print, The Incredulity of Thomas, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans, Petri,

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésie pélagienne et armoiries de la duchesse d'Aiguillon), Engraving; third state of three, sheet: 9 1/2 x 13 3/16 in. (24.2 x 33.5 cm), Prints, Claude Mellan (French, Abbeville

Female Winged Allegorical Figure Holding a Sphere, 1558/1559, Engraving, sheet: 9 5/8 x 5 1/2 in. (24.5 x 14 cm) within platemark, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After circle of Giulio Romano (Italian, Rome

Virgin and Child, Engraving (reverse copy), sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm), Prints, Gerard Valck (Dutch, Amsterdam 1651/52–1726 Amsterdam), After Claude Mellan (French, Abbeville 1598–1688 Paris

Plate 31: Thisbe Running from the Lionness at the Well (Thisbe leaenae spectu territa fugit), from Ovid's 'Metamorphoses', 1606, Etching, sheet: 12 3/8 x 20 1/2 in. (31.4 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Portrait of Pierre-Henri de Valenciennes, 1788, Etching and engraving; fourth state of four (Bocher), Sheet: 8 3/4 × 5 11/16 in. (22.3 × 14.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Michel Moreau

Card 525, Marie St. John, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Self-Portrait with a Long Beard, 1845, Lithograph, sheet: 14 x 10 9/16 in. (35.5 x 26.8 cm), Prints, Joseph Henri Deville (Swiss, Geneva 1803–1857 Geneva), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Jesus on the Mount of Olives, 1625–77, Etching, only state, Sheet: 3 9/16 × 2 3/8 in. (9 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Plate 1. Jesus kneels in prayer in the upper right of the

The Hearth, from the series Landscapes and Interiors, 1888–1940, Color lithograph; second state of two, plate: 15 7/8 x 12 13/16 in. (40.3 x 32.6 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

The Bath House, n.d., Woodcut, sheet: 15 3/8 x 11 1/8 in. (39.1 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Madonna of Loreto, the Virgin lifts a veil above the Child, who lies on a bed and pillow, Joseph stands behind with both hands on his staff, 1575, Engraving, Sheet: 11 9/16 x 8 1/2 in. (29.3 x 21.6 cm), Prints, Giorgio Ghisi (Italian, Mantua

Drawings and Prints, Photograph, Card Number 336, Carrie Behr, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Virgo Argentinensis. (Unmarried woman from Strasbourg), 1625–77, Etching; only state, Plate: 3 9/16 × 2 5/16 in. (9.1 × 5.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A young woman from Strasbourg walking to left

Portrait of Henry de la Tour, Vicomte de Turenne, 1800, Etching and engraving; third state of three (Bocher), Sheet: 10 9/16 × 7 3/16 in. (26.9 × 18.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Melchior de Gillier, 1652, Engraving, Sheet: 12 3/16 × 9 3/16 in. (31 × 23.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, 1530–60, Engraving, sheet: 7 7/8 x 9 1/16 in. (20 x 23 cm), Prints, Master of the Die (Italian,

Scene of Martyrdom, 18th century, Brush and red wash, over black chalk, highlighted with white. Framing lines in pen and brown ink, 22-15/16 x 15-5/16 in. (58.3 x 38.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

Drawings and Prints, Print, Winged angel holding a palm in his right hand and with drapery behind him, Artist, Publisher, After, Cherubino Alberti (Zaccaria Mattia), Mariette, Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino

The Gamesters, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.4 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Three men play cards at a table. The

Title page to the series, The Haunted House (La Maison Hantée), 1896, Lithograph on china paper, sheet: 17 11/16 x 12 1/2 in. (45 x 31.8 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Drawings and Prints, Drawing, Rural Landscape, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

The Resurrection, from The Passion of Christ, 1596, Engraving, sheet: 7 3/4 x 5 1/8 in. (19.7 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve

Levi, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 3/8 x 10 5/8 in. (21.3 x 27 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert

Drawings and Prints, Photograph, Card Number 776, Fanny Rice, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Bray's Chapel in St. George's Chapel, Windsor., 1663, Etching; first state of two, Plate: 11 11/16 × 8 1/4 in. (29.7 × 21 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Panel with Hunting Scenes, ca. 1350, Made in Paris, France, French, Ivory, Overall: 4 5/16 x 12 1/8 x 3/16 in. (11 x 30.8 x 0.5 cm), Ivories, The stag hunt, one of the principal secular themes of the Middle Ages, is here eloquently

Jacques Amelot, ca. 1655, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 3/4 in. (32.9 × 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

M.H. de Young, San Francisco Chronicle, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Game Cock (Carney Cock), 1931, Drypoint, plate: 11 5/8 x 8 3/4 in. (29.5 x 22.2 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Serving Breakfast (Madame Baron and Mademoiselle Popo) (from the series Elles), 1896, Crayon lithograph with scraper printed in sanguine on wove paper, sheet: 15 13/16 x 20 11/16 in. (40.2 x 52.5 cm), Prints, Henri de Toulouse-Lautrec (French,

Festive Green Parrot, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in

The Fourth Spring, Etching; first state of two, Plate: 5 1/4 × 6 15/16 in. (13.3 × 17.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Print, Bridge, Bass Rocks, Artist, Childe Hassam, American, Dorchester, Massachusetts 1859–1935 East Hampton, New York, Hassam, Childe, American, 1859, 1935

Drawings and Prints, Print, Comforts of Bath, Plate 2, Comforts of Bath, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, January 6, 1798

Drawings and Prints, Print, Waddling Out!, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Moutard Woodward, London, British, London 1757–1827 London, British, ca. 1760–1809 London, Ackermann, Rudolph,

Drawings and Prints, Print, The Virgin holding the infant Christ, after Reni, Artist, After, Guido Reni, Johann Christoph Winkler, Italian, Bologna 1575–1642 Bologna, German, Augsburg 1701–ca. 1770 Vienna, Reni, Guido, Winkler,

Shabti of Seniu, New Kingdom, Dynasty 18, early, ca. 1525–1504 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Meketre Valley, radim near Cliff Tomb (), 1918–19, Glazed steatite, paint, H. 27.3 cm (10 3/4 in); w. 8 cm (3 1/8

Henri-Louis Habert de Montmor, 1640, Engraving; first state of three (BN), sheet: 13 9/16 x 9 3/16 in. (34.5 x 23.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2), Publisher, Artist, Subject, Engraver, After, Hurst, Robinson & Co., Robert Jennings, London, Robert