Images at Librifly

A View of Cavi in the Sabine Hills, 1848, Graphite, heightened with white gouache, on light brown paper, Sheet: 8 × 10 9/16 in. (20.3 × 26.8 cm), Drawings, Louis Gurlitt (German, Altona 1812–1897 Naundorf

Caring for the Dead, illustration from Speculum Passionis, 1507, 1507, Woodcut with letterpress text verso, Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Drawings and Prints, Print, The Imperial Troops Bringing Civilization to the Indians, from The Victories of Emperor Charles, plate 6, The Victories of Emperor Charles, Artist, Publisher, After, Dirk Volckertsz Coornhert, Maarten van

The Eight Beatitudes, from Christian and Profane Allegories, Engraving, sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Bay of Naples, 1881, Oil on canvas, 23 1/2 x 32 in. (59.7 x 81.3 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), In this work, painted in 1881 during Renoir’s sojourn in Italy, the volcano Vesuvius can be

Hideous Larvae, 1896, Lithograph, sheet: 17 11/16 x 12 5/16 in. (45 x 31.3 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Classical Allegory with the arms of the Ochsenfelder, mid-16th century, Pen and black ink, bodycolor, watercolor, with highlights in gold, Sheet: 9 13/16 × 7 1/4 in. (25 × 18.4 cm), Drawings, Virgil Solis (German, (?) 1514–1562

Various Saints Witnessing John the Baptist's Homage to the Infant Christ, Etching, sheet: 13 3/16 x 8 1/4 in. (33.5 x 21 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

The Resurrection, 1512, Woodcut, Sheet: 9 1/16 × 7 in. (23 × 17.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Lynx, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Drawings and Prints, Photograph, Card Number 701, Mme. De Marey, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, Drawing Ornament & Architecture, Design for the Epitaph of the 't Seraets-Van Etten family, Artist, Abraham van Diepenbeeck, Flemish, 's Hertogenbosch 1596–1675 Antwerp, Diepenbeeck, Abraham van, Flemish, 1596, 1675,

Jean Loret, ca. 1658, Engraving, Sheet: 9 13/16 × 6 15/16 in. (25 × 17.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

King of Holland, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of 50

(Design for a Dagger and Sheath), 1543, Etching, Sheet: 14 7/16 x 3 9/16 in. (36.6 x 9 cm), Prints, Augustin Hirschvogel (German, Nuremberg 1503–1553 Vienna

Frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761), July 1760, Engraving; second state of three, sheet: 9 1/16 x 14 15/16 in. (23 x 37.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811, Etching and mezzotint; first state of five (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

King of the Crows, Crow, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

Songs: 'A Blessing unknown to ambition & Pride', 1822, Soft ground etching, Image: 7 7/8 × 10 1/16 in. (20 × 25.6 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song

Blunderbuss, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Blackwork Print with Nine Motifs, ca. 1620, blackwork, Plate: 1 9/16 x 2 in. (3.9 x 5.1 cm

Drawings and Prints, Print, The birth of the Virgin; woman seated with an infant in her lap, numerous women surrounding her, angels above, after Reni, Artist, Publisher, After, Engraved by, Guido Reni, Étienne Picart, Pierre Drevet,

John Evans, Careening, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main' series

James H. Fogarty, Baseball Player, Right Fielder, Philadelphia, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's

Drawings and Prints, Print, Bashful Lovers, Publisher, Artist, After, Henry Wigstead, George Moutard Woodward, Thomas Rowlandson, British, 1745?–1800 Margate, British, ca. 1760–1809 London, British, London 1757–1827 London,

Engagement of Princess Charlotte to William of Orange, London, 1813, ca. 1813, Pen and black ink, watercolor, and gouache, over graphite

St. Peter and St. Andrew, from The Apostles, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 3/16 x 10 5/16 in. (18.3 x 26.2 cm), Anonymous, Italian, Venetian, 17th century,

Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 1582, Engraving and etching, sheet: 19 3/8 x 15 5/16 in. (49.2 x 38.9 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Portrait of Baccio Bandinelli, in three-quarter length next to a window pane containing a statuette and statuette fragments, the artist grasps with his right hand the head of a statuette resting at his left side, ca. 1540–48, Engraving, sheet:

Copy of The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 5/16 in. (6.4 × 5.8 cm), Prints, after Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, [1906–7], Process prints from line blocks, 13 7/8 x 11 in. (35.2 x 27.9 cm), Portfolios, Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton

A Shady Enclosure of Trees, 1815, Etching; second state, plate: 6 1/8 x 7 1/2 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Persian Starling, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

Bowl, Bronze, 1 3/4in. (4.5cm), Bronzes

Chinese Court Ladies and Children, Edo period (1615–1868), 17th century, Japan, Six-panel folding screen; ink and color on gilt paper, 65 1/4 x 146 1/4in. (165.8 x 371.5 cm), Screens, In the Style of Kano Eitoku (Japanese, 1534–1590),

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain, 16th century, Engraving, sheet: 4 3/4 x 7 3/16 in. (12 x 18.3 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Drawings and Prints, Print, Interior with Dancing Couples and Musicians, Artist, After, Willem Pietersz. Buytewech, Cornelis Koning, Dutch, 1591–1624, Dutch, active Haarlem, 1608–33, Buytewech, Willem Pietersz., Koning, Cornelis,

Designs for Two Commodes , from 'Livre de differents dessein de Comodes', 1745–56, Etching, Sheet: 13 5/16 × 9 in. (33.8 × 22.8 cm), Jean François Cuvilliés the Elder (German (born Belgian), Soignies 1695–1768 Munich), Two designs for

Melpomene, ca. 1540–45, Etching, Sheet (trimmed): 7 15/16 × 5 7/8 in. (20.2 × 15 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Christ carrying the cross surrounded by soliders, several on horseback, 1530–60, Engraving, sheet: 9 1/4 x 7 11/16 in. (23.5 x 19.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Drawings and Prints, Drawing Ornament & Architecture, Design for a Chimney piece decorated with figures of Venus and Cupid, Artist, Emil Wolff, German, Berlin 1802–1879 Rome, Wolff, Emil, German, 1802, 1879, ca. 1835–50, 1830, 1840

Drawings and Prints, Drawing Ornament & Architecture, Design for a Choir Screen with a Tomb in Red-Gray Marble, Artist, Anonymous, Flemish, 17th century, Anonymous, Flemish, 17th century, 1600

Drawings and Prints, Print, The Flying Philosopher, Artist, Unknown, ca. 1800, 1795, 1805, Etching with hand coloring, Sheet: 4 1/4 in. × 5 in. (10.8 × 12.8 cm

The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right, 商山四皓・蘇東坡風水洞, Momoyama period (1573–1615), late 16th century, Japan, Pair of six-panel folding screens;

Kingfisher, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of

'Have you pray'd tonight, Dedesmona?': plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900), plate: 12 5/8 x 9 11/16 in. (32 x

Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), 18th century, Etching and engraving, Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm), Prints, After Jacques Philippe Le Bas (French, Paris 1707–1783 Paris),

Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame, 1623, Etching and engraving, plate: 5 11/16 x 4 1/2 in. (14.5 x 11.4 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Charles A. Dana, The New York Sun, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Breaking the Legs (John Beaver, Roman Military Punishments, 1725), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Charles-Antoine Jombert, 1770, Etching and engraving; fifth state of five (Bocher), Mount: 10 1/2 × 7 13/16 in. (26.6 × 19.9 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

The Looker-On, ca. 1895, Lithograph, Sheet: 15 1/16 × 11 1/16 in. (38.2 × 28.1 cm), Prints, Charles Arthur Cox (American, active 1890–99

Three human skulls, study for 'Democritus in Meditation', 1662, Etching, Sheet: 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 15: Forum of Augustus (Foro di Augusto), ca. 1748, Etching, Plate: 5 3/16 × 10 7/16 in. (13.2 × 26.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Mad Bear, Lower Yanktonas Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36),

Hercules and Atlas, from The Labors of Hercules, 1550, Engraving, Sheet: 4 9/16 × 3 1/8 in. (11.6 × 8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 x 6 in. (22.8 x 15.3 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Faunes Dansant (Dancing Fauns), 19th century, Etching, Mount: 9 3/8 × 6 1/4 in. (23.8 × 15.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence

Drawings and Prints, Drawing, Medieval Hunting Scene, Artist, Former Attribution, Franz Pforr, Moritz von Schwind, German, Frankfurt 1788–1812 Rome, Austrian, Vienna 1804–1871 Munich, Pforr, Franz, Schwind, Moritz von, German,

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome..., from Vedute di Roma (Roman Views), ca. 1750, Etching; second state of four (Hind), Sheet: 21 1/16 x 30 1/8 in. (53.5 x 76.5 cm), Prints,

Feeding the Ducks, ca. 1894, Drypoint, softground etching, and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro), plate: 11 11/16 x 15 3/4 in. (29.7 x 40 cm), Prints, Mary Cassatt (American, Pittsburgh,

The Crucifixion, ca. 1590, Engraving, sheet: 4 3/4 in. (12 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Saturn (from The Planets), 1597, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Bearded man, dressed in rags, holding his head with one hand and a walking stick with the other, from the series 'The beggars' (Les gueux), ca. 1622–23, Etching, plate: 5 7/16 x 3 7/16 in. (13.8 x 8.8 cm), Prints, Jacques Callot (French,

Drawings and Prints, Print, Henry Stacy Marks (from 'The Portfolio'), Etcher, Artist, Sitter, After, Benjamin Damman, Walter William Ouless, Henry Stacy Marks, French, Dunkirk 1835–1921 Neuilly-sur-Seine, British, St. Helier

Drawings and Prints, Drawing, A Knight of the Order of the Garter, Artist, Sir Peter Lely (Pieter van der Faes), British, Soest 1618–1680 London, Lely, Peter, Sir (Pieter van der Faes), Dutch, British, 1618, 1680, 1663–71

Chinese Children Playing with a Parrot, 1760–70, Etching, sheet: 8 1/4 x 6 5/16 in. (21 x 16 cm), Prints, Louis Antoine Crozat, Baron de Thiers, Paris (French, 1699–1770), After François Boucher (French, Paris 1703–1770 Paris

Southern Landscape with a Waterfall and Goats, late 18th century, Pen and brown and black ink, grey wash, heightened with white gouache, on blue paper; framing line in pen and brown ink, by the artist, sheet: 6 3/4 x 9 5/16 in. (17.1 x 23.7

Langshan, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in 1891 in a

Title Page, from Grotisch fur alle Kunstler, 1580–1600, Engraving, sheet: 2 5/8 x 5 3/4 in. (6.6 x 14.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Title page for a series of four plates, with the title lettered in

Drawings and Prints, Print, La politesse Françoise, or The English Ladies Petition to His Excellency the Mushroom Ambassador, Artist, Subject, Thomas Rowlandson, Jean Balthazar, comte d'Adhémar de Montfalcon, British, London 1757–1827

Study for an Allegory, late 17th–early 18th century, Red chalk, heightened with white chalk, sheet: 22 7/16 x 18 1/4 in. (57 x 46.4 cm), Drawings, Augustin Terwesten (Dutch, Ouwekerk 1649–1711 Berlin

Tigress Attacked by a Tiger While Nursing her Young, 1853, Wood engraving; second and final state, 8 9/16 x 6 7/8 in. (21.8 x 17.5 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Photograph, Card Number 305, M. Ricotti, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Drawings and Prints, Print, Give Points and Left Parry, Hungarian and Highland Broadsword, Artist, Publisher, Thomas Rowlandson, Henry Angelo, British, London 1757–1827 London, British, London 1756–1835 London, Rowlandson, Thomas,

Madagascar, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of

Sadie Kirby, Erminie Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

Angels Swinging Censers, ca. 1170, Made in Troyes, French, Pot-metal glass, vitreous paint, and lead, 18 1/2 x 17 5/16 in. (47 x 44 cm), Glass-Stained, The stained glass produced for the Collegiate Church of Saint-Étienne in Troyes during

Statue of a Ptolemaic Queen, perhaps Cleopatra VII, Ptolemaic Period, Ptolemaic Dynasty, 200–30 B.C., From Egypt, Dolomitic limestone, H. 62.5 cm (24 5/8 in.); W. 22 cm (8 11/16 in.); D. 15 cm (5 7/8 in.), The statue represents a Ptolemaic

John C. New, The Indianapolis Journal, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Man in Venetian costume standing before a large fireplace, right arm outstretched, ca. 1770–1800, Etching and aquatint, Sheet: 10 1/4 × 7 1/2 in. (26 × 19 cm), Prints, Anonymous, The print seems close to the work of Giovanni David

Chinese Bulbul, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890

A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left, 1766, Etching and engraving, plate: 5 3/16 x 3 3/4 in. (13.2 x 9.5 cm),

Minnie Cummings, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Bust of Bellona, 1882–85, Drypoint, third state of three, before bevelled plate, plate: 5 3/4 x 3 15/16 in. (14.6 x 10 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian,

Ecce Homo, from The Passion, Woodblock, Sheet: 6 3/4 × 9 15/16 in. (17.2 × 25.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Pine Grosbeak, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in

Drawings and Prints, Book, The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 2, Printer, Publisher, Artist, Francis & Seymour Palmer, W. H. Graham, Frances Flora Bond

Order of the House of Hohenzollern, Prussia, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series

The Holy Family with Saint Clare, 1590–1600, Etching, Sheet (Trimmed): 9 5/16 × 7 1/4 in. (23.7 × 18.4 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna), Verso not visible as print is laid to another sheet of paper

Drawings and Prints, Photograph, Card Number 116, Josie Hall, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Two Costume Designs or Portrait Types, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

Banknote motif: oval of lathe work ornament with a wavy edge, ca. 1824–42, Engraving, printed in green ink, sheet: 1 3/4 x 1 7/16 in. (4.5 x 3.6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the facade of the

Rivaux Abbey, Yorkshire (Liber Studiorum, part X, plate 51), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Drawn and etched by Joseph Mallord William Turner (British, London

Fastening a Corset – A Passing Conquest, from the series Elles, 1896, Crayon, brush and spatter lithograph with scraper printed in five colors on wove paper, sheet: 20 11/16 x 15 15/16 in. (52.5 x 40.5 cm), Prints, Henri de Toulouse-Lautrec