Images at Librifly

Ophelia (Shakespeare, Hamlet, Act 4), 1784, Etching and stipple engraving, printed in brown ink; fourth state of four, oval image: 4 1/2 x 3 5/8 in. (11.4 x 9.2 cm), Prints, After James Nixon (British, ca. 1741–1812), Ophelia appears in

Songs: 'Ye little loves that round her wait...', 1822, Soft ground etching, Image: 7 7/8 × 10 1/16 in. (20 × 25.5 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song

Three heads, 1645, Etching; only state, Sheet: 3 1/4 × 1 5/8 in. (8.2 × 4.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Three heads turned left (youth, middle age, old age

The Three Graces sitting on clouds, cupid at the left, after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome, ca. 1517–20, Engraving, 12 3/8 x 8 1/4 in. (31.4 x 21.0 cm), Prints, Marcantonio Raimondi (Italian, Argini

Provincial Fishing Village (Sketch), 1882, Etching; only state, plate: 2 11/16 x 4 13/16 in. (6.7 x 12.3 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Print, Consecration of the Colors (Fahnenweihe), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian,

Rattle, Whistle, and Bells, 1755–68, Made in New York, New York, United States, American, Gold, coral, L. 6 1/8 in. (15.6 cm); 2 oz. 13 dwt. (82.3 g), Nicholas Roosevelt (1715–1769

Cover for 'Cantares Oaxaquenos: Nueva Coleccion de Canciones Modernas para 1898', couples walking arm in arm on the outskirts of a town, José Guadalupe Posada (Mexican, 1851–1913), ca. 1898

The Knight and the Lady, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67

Façade of the church of San Lorenzo in Florence, decorated with the emperor's arms, four figures of death flanking the three entrances, the two in center on horseback, a large angel above central door, from 'Ceremonies for the Funeral of

Garnet Joseph Wolseley, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a

The Slave Merchant, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.7 × 13.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784, Stipple engraving; printed in sepia ink, Sheet (trimmed within plate): 14 3/4 × 17 5/8 in. (37.5 × 44.8 cm), Prints, After Robert Edge Pine (British, London (?) 1720/30?–1788

Moon and Autumn Grasses, 月に秋草図屏風, Edo period (1615–1868), mid- to late 17th century, Japan, Pair of six-panel folding screens; ink, color, silver, and gold flecks on paper, Overall (each screen): 59 7/16 in. x 11 ft. 10 3/8

From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 4), issued ca. 1888 by Allen

Two Genii with a Skull and Grasshoppers, 1594, Engraving, Sheet: 2 × 3 1/4 in. (5.1 × 8.2 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti reclining inwards, leaning on a skull at center. Above, an ornament

R.D. Sears, Champion American Lawn Tennis Player, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second

Cassandra, Frontispiece, Vol. 5, 1725, Etching and engraving, sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, The Entombment, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg ca.

Drawings and Prints, Photograph, Card Number 394, Nina Smith, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Virgin and Child with Two Boys, 1507, Engraving; first state of two, Sheet: 2 13/16 × 2 1/16 in. (7.1 × 5.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

ALUM, 1922, Watercolor and gouache on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Patience as the Victor over Fortune from Six Sayings about Fortune, ca. 1560, Engraving, Plate: 8 1/16 × 9 5/8 in. (20.4 × 24.4 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Erste Zukunft from Eva und die Zukunft (Rad.-Werk III), 1898, Etching and aquatint; seventh state of seven, Plate: 15 1/2 x 10 1/2 in. (39.4 x 26.6 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Wisconsin, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Medea kills the two children she had by Jason: Histoire de Jason et de la conquête de la toison d'or., 1563, Engraving, Plate: 6 1/8 x 9 1/16 in. (15.5 x 23 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard Thiry

Seated Nude Young Man in Nearly Frontal View, ca. 1618, Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper., sheet: 23 x 16-7/16 in. (58.4 x 41.8 cm), Drawings, Guercino (Giovanni

Norway, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Quince, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Kamanche, ca. 1869, Iran (Persia), Iranian (Persian), Wood, metal, etc., D. 10 3/16 × L. 36 1/2 × Body Diam. 9 in. (25.8 × 92.7 × 22.9 cm), Chordophone-Lute-bowed-unfretted, Kamanche is a Persian term that was first used in the 10th

Vignette with the Head of Bacchus on a Cornelian, Tome I, Page 242, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M.

The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, ca. 1590–1610, Etching, Sheet (Trimmed): 9 in. × 5 7/8 in. (22.8 × 14.9 cm), Prints, Guido Reni (Italian,

Bending Soldier Leaning against a Tree, 1520, Engraving, Sheet: 1 15/16 × 1 5/8 in. (5 × 4.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

A Roadside Chapel near Tivoli, 1835, Watercolor over graphite, Sheet: 8 1/16 x 11 9/16 in. (20.4 x 29.4 cm), Drawings, August Georg Friedrich Lucas (German, Darmstadt 1803–1863 Darmstadt

Plan and Elevation of an Entrance, 1793, Pen and brown ink, brush with gray and yellow wash, sheet: 18 7/8 x 14 3/16 in. (48 x 36.1 cm), Drawings, Attributed to Giovanni Battista Galliani (Italian, active ca. 1794

Drawings and Prints, Print, Virgin and Child Surrounded by Cherubs' Heads, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1660, 1660

The Hanged Man, ca. 1855–60, Brush and ink wash on wove paper, sheet: 12 x 7 11/16 in. (30.5 x 19.5 cm), Drawings, Victor Hugo (French, Besançon 1802–1885 Paris

Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, ca. 1550–1600, Engraving,

Drawings and Prints, Print, Saint Jerome, Artist, After, Johann Sadeler I, Bartholomeus Spranger, Netherlandish, Brussels 1550–1600/1601 Venice, Netherlandish, Antwerp 1546–1611 Prague, Sadeler, Johann, I, Spranger, Bartholomeus,

Drawings and Prints, Print, A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc., Artist, James Barry, Irish, Cork 1741–1806 London, Barry, James, Irish, 1741

Belt Buckle, 3rd–2nd century B.C., North China, Gilded bronze, H. 2 1/4 in. (5.7 cm); W. 1 1/2 in. (3.8 cm), Metalwork

Congratulations on Your Name Day (Herzlichen Glückwunsch zum Namenstage), 1907, Color lithograph, sheet: 5 1/2 x 3 7/16 in. (14 x 8.8 cm), Prints, Rudolf Kalvach (Austrian, Vienna 1883–1932 Kosmanos

Drawings and Prints, Print, An allegory of Peace personified as a woman standing in a landscapeholding the left hand of a winged genius, Engraver, Artist, After, Lorenzo de Musi, Marcantonio Raimondi, Italian, active Venice, ca. 1535,

The Forge of Vulcan, 1546, Engraving, sheet: 11 3/16 x 14 13/16 in. (28.4 x 37.7 cm), Prints, Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen

Half-dressed Nymph with two children, surrounded by four men, from the Scherzi, ca. 1743–50, Etching, Plate: 8 3/4 x 6 11/16 in. (22.2 x 17 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), June 10, 1808, Etching and mezzotint; first state of three, plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Drawings and Prints, Print, The House with the Stepped Gable, from Verscheyden Landtschapjes (Various Landscapes), Plate 7, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz. Visscher, Dutch, 1591–1624, Dutch, Amsterdam

Drawings and Prints, Print, Christ's Entry into Jerusalem, Artist, Léonard Limosin, ca. 1505–1575/1577, LIMOSIN LÉONARD, 1505, 1577, 1544, 1544, Etching, Sheet: 10 1/8 × 7 1/4 in. (25.7 × 18.4 cm

Drawings and Prints, Print, poster, This is a dear old lady, Publisher, Issued by, United States Homes Registration Service, United States Homes Registration Service, 1900, 1922, ca. 1917, 1915, 1922, Commercial color lithograph

Changing Pasture, ca. 1880s, Oil on canvas, 24 x 39 5/8 in. (61 x 100.6 cm), Paintings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem), In the second half of the nineteenth century, The Hague became the center of a major school of landscape

Head of a Bearded Man Wearing a Hood in Profile Facing Left, 1636–1638, Pen and brown ink, sheet: 10 7/16 x 6 5/8 in. (26.5 x 16.8 cm) maximum; very irregular borders, Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino

Drawings and Prints, Drawing, A Soldier, Artist, William Hamilton, British, London 1751–1801 London, Hamilton, William, British, 1751, 1801, 1770–80, 1770, 1780

Speculum Romanae Magnificentiae: Wild Animals, from antique wall paintings, plate 1, 1547, Engraving, sheet: 11 5/8 x 16 5/8 in. (29.5 x 42.2 cm), Prints, Anonymous

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles, 1530–60, Engraving, sheet: 15 9/16 x 12 in. (39.5 x 30.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

The Tribute Money: two Pharisees, one holding out a coin in his right hand, approach Christ from the left, after ca. 1560–68, Engraving, sheet: 10 15/16 x 9 1/4 in. (27.8 x 23.5 cm), Prints, Martino Rota (Italian, ca. 1520–1583 (active

Five Standing Muscovites (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, pl. 313), 1723–24, Engraving; first state of two, sheet: 2 11/16 x 4 1/4 in. (6.8 x 10.8 cm), Prints, Attributed

Harper's: March, 1895, Lithograph, Sheet: 19 1/4 × 13 13/16 in. (48.9 × 35.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Louis XIV, 1661, Engraving; third state of three (Petitjean & Wickert), Sheet: 14 1/2 x 17 5/16 in. (36.8 x 44 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

Drawings and Prints, Print, The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni, Artist, After, Engraved by, Guido Reni, Mauro Gandolfi, Italian, Bologna 1575–1642 Bologna, Italian,

Grey Squirrel, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to

Drawings and Prints, Drawing Ornament & Architecture, Design for an Elaborate Ceiling with Figures and Animals, Artist, Toussaint Dubreuil, French, Paris ca. 1561–1602 Paris, Dubreuil, Toussaint, French, 1561, 1602, ca. 1580–1600,

Carl Philipp Glume, the Artist's Brother, 1748, Etching, plate: 6 7/16 x 5 13/16 in. (16.4 x 14.8 cm), Prints, Johann Gottlieb Glume (German, 1711–1778

Portrait of a Man, ca. 1481–82, Tempera on wood, 20 3/8 x 13 in. (51.8 x 33 cm), Paintings, Cosimo Rosselli (Italian, Florence 1440–1507 Florence), Whether this portrait was painted in Rome, where Cosimo Rosselli was employed in the

Christ on the Way to Calvary, ca. 1560, Engraving, Prints, After Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège

Marie Jansen, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Financial District, From the Hotel Bossert, 1933, printed later, Gelatin silver print, 16.7 x 24 cm (6 9/16 x 9 7/16 in. ), Photographs, Samuel H. Gottscho (American, 1875–1971

Sketch of a Boat, 1881, Etching; trial proof, plate: 2 3/4 x 4 3/16 in. (7 x 10.6 cm), Prints, Charles Adams Platt (American, New York 1861–1933

A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle

The Enamored Couple: Lucelle and Ascagnes, 1616, Etching, Sheet: 10 15/16 × 7 9/16 in. (27.8 × 19.2 cm), Prints, Willem Pietersz. Buytewech (Dutch, 1591–1624

The Beach at Scheveningen (?), with Strollers, 1775–1825, Pencil, pen and brown ink, brown and gray washes, 16 5/16 x 21 1/16 in. (41.5 x 53.5 cm), Drawings, Simon Andreas Krausz (Dutch, 1760–1825

Portfolio Cover for a Collection of Caricatures and Satires, Anonymous, British, 19th century, Queen Victoria (British, London 1819–1901 Isle of Wight), Prince Albert of Saxe-Coburg and Gotha (Coburg, Germany 1819–1861 Windsor), ca. 1845

Landscape, 1809–44, Graphite, Sheet: 7/8 x 1 5/8 in. (2.2 x 4.2 cm), Drawings, Henry William Burgess (British, active 1809–44), This tiny drawing represents a river winding through tree-lined banks with hills beyond. It may be an idea for

Card 405, Belle Brush, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Un chapeau neuf, plate 45 from the series Les beaux jours de la vie, published in Le Charivari, March 6, 1845, Lithograph, sheet: 14 15/16 x 9 15/16 in. (38 x 25.3 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Father Feeding his Child, 1610–85, Etching, Sheet: 4 15/16 × 3 9/16 in. (12.5 × 9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Hardouin de Beaumont de Péréfixe, 1663, Engraving; second state of three (Petitjean & Wickert), sheet: 13 11/16 x 10 9/16 in. (34.8 x 26.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Peasant with Stick, 1610–85, Etching, Sheet: 3 in. × 2 3/8 in. (7.6 × 6 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Private Amusement, January 1, 1786, Etching, Sheet: 9 11/16 × 11 3/4 in. (24.6 × 29.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util, 1645, Etching and burin, Sheet: 2 15/16 × 4 5/8 in. (7.5 × 11.7 cm), Nicolas Cochin (French, Troyes 1610–1686

Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the

Rhode Island, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Second View of the Surroundings of Bruges (IIe. Vue des environs de Bruges), Etching and engraving, Sheet: 12 1/4 x 16 1/8 in. (31.1 x 41 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Jan Brueghel the Elder

Martyrdom of Saint James the Lesser, from the series 'The little apostles' (Les petits apôtres), ca. 1632, Etching, Sheet: 4 3/8 x 3 3/8 in. (11.1 x 8.5 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of five, Sheet: 4 1/16 × 4 1/8 in. (10.3 × 10.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Photograph, Card Number 567, Alma Stewart Stanley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

A Shady Enclosure of Trees, 1815, Etching; second state, plate: 6 x 7 5/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Drawings and Prints, Album Prints Ornament & Architecture, Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...) Parte prima (Plate 13), Artist, Publisher, After, Published by, Theodor van Kessel, Adam van Vianen I,

Frontispiece for 'The Works of Scarron' (Œuvres de Scarron); the poet sitting in a chair, seen from behind, women to either side representing caricatures of the nine muses, Pan, Bacchus, and Pegasus on a representation of Mt. Helicon above,

Saint Jerome in His Study, 1514, Engraving, sheet: 9 11/16 x 7 7/16 in. (24.6 x 18.9 cm) trimmed on plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Of Dürer's three technically brilliant Meisterstiche (master

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 1/2 x 11 3/4 in. (21.6 x 29.9 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French, Boissy

The Martyrdom of St Stephen, 1576, Engraving, Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Marcello Venusti (Italian, Mazzo di Valtellina (Sondrio) ca. 1512–1579 Rome

Lamp, 3rd century A.D., Roman, Terracotta, Length 9.4 cm. H. 4.6 cm., Terracottas

Brown Leghorn, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in 1891 in

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (7), ca. 1600–1617 , Etching, Sheet: 2 13/16 x 8 11/16 in. (7.2 x 22 cm), Theodor Bang (German, active in Nuremberg (fl6)), Frieze made up out of two parts. The upper tier is a

Upright Cabinet Piano, 1835, New York, United States, American, Wood, various materials, Case L. (perpendicular to the keyboard): 60.5 cm (23-7/8 in.); W.: (parallel to keyboard): 120 cm (47-1/4 in.): Total H.: 215.5 cm (84-7/8 in.); 3 octave

Society Couples Dancing, 1580–1600, Engraving, Sheet: 1 15/16 × 9 1/4 in. (5 × 23.5 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Six

Abbot, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Death, with mitrte and crozier, drags an

Jas. Galway, Preakness Stables, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series

Six Scholars Sitting Around a Table, Woodcut; second state of two (Hollstein), Sheet: 4 15/16 × 6 in. (12.5 × 15.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Anne of Austria, 1671, Engraving; first state of two (Petitjean & Wickert), Sheet: 20 7/8 × 16 5/8 in. (53.1 × 42.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris