Images at Librifly

Icon with the Crucifixion, mid-10th century, Made in probably Constantinople, Byzantine, Ivory, Overall: 5 15/16 x 3 1/2 x 5/16 in. (15.1 x 8.9 x 0.8 cm), Ivories, This Byzantine depiction of the Crucifixion emphasizes Christ's victory over

Mrs. E. J. Nicholson, The New Orleans Daily Picayune, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors'

Drawings and Prints, Print, Reaping (from Wayside Posies: Original Poems of the Country Life), Artist, Engraver, Publisher, After, John William North, Dalziel Brothers, George Routledge & Sons, British, London 1842–1924 Stamborough,

Drawings and Prints, Print, Card Number 367, Lizzie Webster, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Photograph, Card Number 212, Lulu Beza, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Spring, 1629, Etching; third state of three, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

H.M. King of the Netherlands, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series

Mercury Lulling Argus to Sleep from Landscapes with Biblical and Mythological Scenes, 1558, Etching, Sheet: 8 15/16 x 12 3/4 in. (22.7 x 32.4 cm), Prints, Hieronymus Cock (Netherlandish, Antwerp ca. 1510–1570 Antwerp

The Burning of Sodom (formerly 'The Destruction of Sodom'), 1843 and 1857, Oil on canvas, 36 3/8 x 71 3/8 in. (92.4 x 181.3 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This Old Testament scene shows an angel in the sky

Mars and Venus, 1588, Engraving; first state of four, Sheet: 17 1/8 × 12 7/8 in. (43.5 × 32.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), after Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611

Two Swans, 1654–58, Etching; second state of two, Sheet: 5 3/16 × 7 7/16 in. (13.2 × 18.9 cm), Prints, After Francis Barlow (British, Lincolnshire ca. 1626–1704 London), Two swans swimming, with an old fishing weir on the river bank at

Iris, Neptune, and Sleep, 1544, Etching, Sheet (trimmed/oval): 9 11/16 × 14 3/8 in. (24.6 × 36.5 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

William M. Singerly, The Philadelphia Record, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series

Fire, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50 cards to

Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45,

Bishop Hatto and the Rats, ca. 1866–67, Wood engraving, Block: 6 15/16 x 5 1/2 in. (17.7 x 13.9 cm), Prints, Henry Marsh (American, 1826–1912), After John La Farge (American, New York 1835–1910 Providence, Rhode Island

William G. East, English Oarsman, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43),

Pendant Design with a Sea Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, Engraving; second state of two (New Hollstein), Sheet: 7 1/16 × 5 1/4 in. (17.9 × 13.4 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

Broadsheet relating to the horrible discovery of a woman beaten to death in a cave in the town of Guadalupe and an abandoned child, José Guadalupe Posada (Mexican, 1851–1913), 1900

Design for a Clock, Title Page to 'Cahier de six Pendules', ca. 1770, Etching, Overall: 10 9/16 × 7 13/16 in. (26.8 × 19.8 cm), Jean François Forty (French, active Paris, 1775–90), Design for a clock with two putti supporting an urn. The

View of the Back of Statues of the Dioscuri at the Quirinal, 1550, Engraving, sheet: 13 11/16 x 19 5/16 in. (34.7 x 49 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman

Drawings and Prints, Print, Tweedledum and Tweedledee, The Schoolmaster [i]s abroad!, HB Sketches, No. 373, Subject, Lithographer, Publisher, Artist, Louis Philippe, King of France, Henry Peter, 1st Baron Brougham and Vaux, Ducôte and

Black Hawk, Sac & Fox, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

La Fontaine d'Amour, 1785, Etching, second state, sheet: 24 15/16 x 19 in. (63.4 x 48.3 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Drawings and Prints, Print, Attorney, Country Characters, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, George Moutard Woodward, London, British, London 1757–1827 London, British, ca. 1760–1809 London, Ackermann,

La Galerie Antique, ca3–65, Etching, sheet: 6 1/16 x 4 1/16 in. (15.4 x 10.3 cm), Prints, Hubert Robert (French, Paris 1733–1808 Paris

Colorado, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fifth state of five (Bocher), Sheet: 19 13/16 × 14 15/16 in. (50.4 × 38 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751),

The Temptation of Christ by the Devil, first half 12th century (possibly 1129–34), Made in Castile-León, Spain, Spanish, Fresco transferred to canvas, 69 1/2 in. × 9 ft. 10 in. (176.5 × 299.7 cm), Paintings-Fresco, The hermitage of San

The Model, ca. 1926, Oil on canvas, 28 5/8 x 23 5/8 in. (72.7 x 60 cm), Paintings, Boris Grigoriev (Russian, Rybinsk 1886–1939 Cagnes-sur-Mer

Drawings and Prints, Print, Lucretia seated, half naked, stabbing herself in the stomach with a dagger in her right hand and holding a cloth in her raised left hand, looking upwards, after Pellegrini?, Artist, Publisher, Artist, Engraved

A statue of Apollo, naked standing in a niche, holding a lyre in his left hand and leaning on a tree trunk, 1512–15, Engraving, sheet: 8 15/16 x 4 5/16 in. (22.7 x 10.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Card 663, Miss Haven, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 2),

Speculum Romanae Magnificentiae: Trophies of Marius, late 16th century, Engraving and etching, sheet: 18 3/4 x 13 1/8 in. (47.6 x 33.3 cm), Prints, Anonymous

Le claqueur, plate 19 from the series Bohémiens de Paris, published in Le Charivari, February 13, 1842, Lithograph, sheet: 14 15/16 x 10 1/4 in. (38 x 26 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

St. James Major leaning on a pole before a niche, his left leg crossed over his right, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 13/16 x 3 5/8 in. (19.9 x 9.2 cm), Prints, Lambert Suavius

Boys Peeping at Nature, 1731–51, Etching and engraving; fourth state of four, plate: 5 7/8 x 4 7/8 in. (14.9 x 12.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right, 1524–27, Engraving, Sheet: 11 1/4 × 8 9/16 in. (28.6 × 21.7 cm) trimmed within platemark, Prints, Giovanni

Drawings and Prints, Print, Saint John the Baptist in a decorative border, after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome,

Raindrops and Surf, 1921, Etching, Plate: 8 1/2 × 6 1/16 in. (21.6 × 15.4 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, 1610–50, Etching and engraving, Sheet: 11 5/8 × 9 1/16 in. (29.5 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach),

Bacchanal, 1615–42, Etching, Sheet: 3 1/4 x 10 1/4 in. (8.2 x 26cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Gathering Fruit, ca. 1893, Drypoint, softground etching, and aquatint; printed in color on green paper from three plates; eleventh state of eleven (Mathews & Shapiro), Plate: 16 3/4 x 11 11/16 in. (42.5 x 29.7 cm), Prints, Mary Cassatt

Horned Owl (Portrait Great Horned Owl), 1940, Drypoint, plate: 8 x 10 1/2 in. (20.3 x 26.7 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Pierre Picard, Proposing His Plan, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Personification of Faith, 1642, Engraving; second state of three (copy in reverse), sheet: 11 7/16 x 9 1/4 in. (29.1 x 23.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Ten Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

A Caterpillar, late 17th–early 18th century, Watercolor with gum arabic, sheet: 2 x 3 7/8 in. (5.1 x 9.8 cm), Drawings, Jan Vincentsz van der Vinne (Dutch, Haarlem 1663–1721 Haarlem

Indian in an Ambush, 19th century, Etching, Plate: 4 13/16 x 3 7/8 in. (12.3 x 9.9 cm), Prints, After Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Engraved by Paul-Edme Le Rat (French, Paris 1849–1892 Paris

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw, 1916, Drypoint, first state of 2, plate: 6 3/4 x 4 3/16 in. (17.2 x 10.7 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

The Collonade, n.d., Etching; second state of two, 7.7 x 11.5 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Drawings and Prints, Print, The Road from Gaud (La Route de Gaud), L'Estampe originale, Album III, Artist, Publisher, Maxime Maufra, André Marty, French, active late 19th century, French, born 1857, Maufra, Maxime, Marty, André,

Drawings and Prints, Print, Polaire, Artist, after, Henri de Toulouse-Lautrec, French, Albi 1864–1901 Saint-André-du-Bois, Toulouse-Lautrec, Henri de, French, 1864, 1901, 1895, 1895

Drawings and Prints, Print, The Constitution and Guerriere–Fought August 19th, 1812–The Guerriere had 15 men killed and 63 wounded–The Constitution had 7 men killed and 7 wounded, Publisher, Lithographed and Published by, Copyright,

Christ in Limbo, from the Small Woodcut Passion, n.d., Woodcut, hand-colored, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sandpiper, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards to

Swindern's Love-Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Gulliver Presented to the Queen of Babilary, Frontispiece to 'The Travels of Mr. John Gulliver', February 1730, Etching and engraving, sheet: 5 1/2 x 2 13/16 in. (13.9 x 7.1 cm), Prints, After William Hogarth (British, London 1697–1764

Drawings and Prints, Print, Christ carrying the cross, at right the two thieves on the road to Calvary, two crosses in the background, after Reni (?), Artist, Artist, After (?), Engraved by, Intermediary draughtsman, Guido Reni, John

The Adoration of the Magi, ca. 1626, Engraving; fourth state of four, 34.7 x 43.3 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

The Three Fates, ca. 1589, Engraving; third state of four, 30.0 x 25.0 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam)

Drawings and Prints, Print, Six Stages of Marring a Face, Artist and publisher, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, May 29, 1792

Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Watercolor, ink, and graphite on paper, Sheet: 14 3/4 x 19 3/4 in. (37.5 x 50.2 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey),

Charles W. Bennett, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued

A Sheet of Heads, late 18th–mid-19th century, Pen and brown ink, 11 7/16 x 8 1/16 in. (29 x 20.5 cm), Drawings, Mauro Gandolfi (Italian, Bologna 1764–1834 Bologna), This polished sheet with ten clustered heads is a fine example of the

Broadsheet with songs for a two-step dance (paso doble), a man and woman talking while elegantly dressed couples dance in the background, José Guadalupe Posada (Mexican, 1851–1913), ca. 1918 (published

Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from 'Twelve cartouches' (Recueil de douze cartouches), ca. 1640–45, Etching, image: 3 1/4 x 2 13/16 in. (8.2 x 7.2 cm), François Collignon (French,

Title page: Roman Antiquity of the Time of the Republic and the First Emperors (Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori)., ca. 1748, Etching, Plate: 9 1/4 × 14 1/16 in. (23.5 × 35.7 cm), Prints, Giovanni Battista

Nymph Supported by Two Satyrs, 1763, Etching, image: 9 3/8 x 7 7/8 in. (23.8 x 20 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Frontispiece for Heft IV of 'Homer nach Antiken gezeichnet', Göttingen: Heinrich Dieterik, 1801–05 and Stuttgart: J. G. Cotta, 1821, ca. 1796, Etching with black chalk; touched proof impression, plate: 17 13/16 x 14 1/16 in. (45.2 x 35.7

Studies of Boats, 17th century, Pen and brown ink with black chalk, Sheet: 3 5/8 x 5 9/16 in. (9.2 x 14.2 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Edwin Cowles, The Cleveland Leader, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35), issued

Once Upon a Midnight Dreary. Illustration to The Raven by Edgar Allan Poe, 1875, Lithograph on laid paper, sheet: 13 3/4 x 21 1/16 in. (35 x 53.5 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Gnu, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Drawings and Prints, Photograph, Card Number 351, Carrie Rumbold, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Judge Herkinbald (Archambauld) Stabbing his Nephew, 1553, Engraving, Sheet: 4 7/16 × 2 11/16 in. (11.3 × 6.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Speculum Romanae Magnificentiae: Ornamental foliage from churches, 16th century, Etching and engraving; second state of two (Hind), mount: 10 9/16 x 16 3/4 in. (26.8 x 42.5 cm), Prints, Attributed to Jacopo Francia (Italian, before

Harper's: November, 1898, Lithograph, Sheet: 11 1/2 × 18 5/8 in. (29.2 × 47.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

A Penny Barber, 1789, Hand-colored etching and aquatint, Sheet: 13 7/16 × 9 1/8 in. (34.1 × 23.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Montana, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Drawings and Prints, Drawing, Design for the Medal to Commemorate the Charter of 1830, Artist, Henri-Baron de Triqueti, French, 1804–1874, Triqueti, Henri-Baron de, French, 1804, 1874, 1830, 1830

Barren Coast and Slight Storm, 1794, Graphite, brush and black and gray wash, Sheet: 10 x 14 in. (25.4 x 35.6 cm), Drawings, John Glover (British, Houghton-on-the-Hill, Leicester 1767–1849 Launceston, Tasmania), Made when Glover was in

Falstaff and His Friends ('The Merry Wives of Windsor'), 1868, Etching and engraving, sheet (trimmed within plate): 9 3/4 x 13 1/16 in. (24.8 x 33.2 cm), Prints, After Charles Robert Leslie (British, London 1794–1859 London

Prisoners on a Projecting Platform, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints,

Jupiter, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 2 x 2 5/16 in. (5.1 x 5.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Broadside celebrating Cuba's victory over Spain in the Spanish American War, soldiers holding the Cuban flag and flanking the alleogorical figure of Cuba, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913

The Rape of the Lock, 19th century (?), Lithographed copy of an engraving, sheet: 4 5/16 x 5 9/16 in. (10.9 x 14.2 cm), Prints, Copy of design possibly by William Hogarth (British, London 1697–1764 London

Drawings and Prints, Drawing, Man Mounting a Horse, Artist, Jacques François Joseph Swebach, French, Metz 1769–1823 Paris, Swebach, Jacques François Joseph, French, 1769, 1823, 1783, 1823

Drawings and Prints, Photograph, Card Number 74, Lillian Russell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Photograph, Card Number 39, E. Carringford, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

St. Bartholomew, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 8.6 cm. H. 2.4 cm., Terracottas

Design for an Altar, 1700–1773, Pen, brown ink, with brush and gray wash, over graphite, 12-5/8 x 14-11/16 in. (32.1 x 37.3 cm), Drawings, Luigi Vanvitelli (Italian, Naples 1700–1773 Caserta

The Carselands (or The Carse), 1914, Etching; fourth state of four, Plate: 2 15/16 x 5 3/4 in. (7.4 x 14.6 cm), Prints, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Portrait of Ioannes Altus (Johann Alten), of the Swiss Guard, standing by the Quirinal and pointing out the antiquities of Rome, 1623, Etching; first state of two, sheet: 14 x 20 11/16 in. (35.5 x 52.5 cm), Prints, Francesco Villamena

Getting Up, from the series Elles, 1896, Crayon, brush and spatter lithograph with scraper printed in four colors on wove paper, sheet: 15 7/8 x 20 1/2 in. (40.4 x 52 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Embers Glow, 1890–97, Etching and aquatint printed in colour à la poupée from a single plate; third state of three, Plate: 9 13/16 x 8 3/16 in. (25 x 20.8 cm), Prints

Leaf from the Epistle to the Hebrews, 1101, Byzantine, Tempera, gold and ink on parchment, 7 31/32 x 6 1/4 in. (20.3 x 16.0 cm), Manuscripts and Illuminations, Joannes Koulix , scribe, This leaf, the first page of Saint Paul's Epistle to the

Pyramus and Thisbe, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.3 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg