Images at Librifly

Drawings and Prints, Print, Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I), Publisher, Subject, Artist, Publisher, Engraver, After (?), Hurst, Robinson & Co., William Shakespeare, Henry Perronet Briggs, Robert Jennings,

Miss Kate Uart, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

The Apotheosis of Emperor Maximilian II, 16th century, Etching on two sheets; proof state, sheet: 27 x 19 1/2 in. (68.6 x 49.5 cm), Prints, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg), After Wenzel Jamnitzer (German, Vienna

Drawings and Prints, Print, Larderole Castle, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Printer, Eugène Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France), Mulhouse 1788–1839

Drawings and Prints, Photograph, Card Number 189, Fannie Summerville, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Cephalus and Procris, from The Greek Heroines, 1539, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Lot and His Daughters, Engraving, Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

縹絽地風景歌文字模様単衣, Unlined Summer Kimono (Hito-e) with Landscape and Poem, Edo period (1615–1868), second half of the 18th century, Japan, Embroidered and resist-dyed silk gauze (ro), 64 x 47 1/4 in. (162.5 x 120 cm),

Broadsheet relating to a worker's strike in Orizaba, workers holding up the Mexican flag and flanked by soldiers with guns, José Guadalupe Posada (Mexican, 1851–1913), 1920 (published

Plate 19: a Polish nobleman in court dress, standing in center, seen from behind, another nobleman to right in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/4 x 3 7/8 in. (8.2 x 9.9

Broadsheet relating to a young girl who was beheaded while she was left home alone by her father, Tomás Sánchez, José Guadalupe Posada (Mexican, 1851–1913), ca. 1902

A Montana Cowboy, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Chisel ?, Early Iron Age, ca. 1050–1000 B.C., Cypriot, Bronze, 6 1/4in. (15.9cm), Bronzes

Drawings and Prints, Print, The Ecstacy of St. Mary Magdalen, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1506

Bonn, 1642–1644, Etching; second state of two, Sheet: 1 3/4 × 6 7/16 in. (4.5 × 16.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View from the river Rhine, with Bonn on the left bank, where buildings include a

Dead Christ Lamented by an Angel, ca. 1614, Engraving; second state of three, 21.8 x 18.0 cm, Prints, Jacopo Ligozzi (Italian, Verona 1547–1627 Florence), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Five Designs for Drinking Vessels, 1899–1900, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Five designs for drinking vessels, four portrayed in roughly the same size

Drawings and Prints, Print, Ornament & Architecture, Fete, Entrance of the Cardinal and Archduke Albert to Brussels in 1596, Artist, Anonymous, 16th century, Anonymous, 16th century, 1500, 1600, after 1596

'Oui c'est Agamemnon c'est ton Roi qui t'éveille!...' (Iphigénie), plate 13 from the series Physionomies tragico-classiques, published in Le Charivari, April 27, 1841, Lithograph, Sheet: 10 3/16 × 14 11/16 in. (25.9 × 37.3 cm), Prints,

Plate 29: Bacchus Changing his Kidnappers into Monsters (Tyrrheni nautae in Dlephinos), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 3 15/16 × 4 9/16 in. (10 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges 1523–1605

Singer Standing Between Two Smokers, 1610–85, Etching, sheet: 3 9/16 x 2 3/8 in. (9 x 6 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Peace and Mercy Win the Promise of Redemption for Man (Episode from The Story of the Redemption of Man), 1500–1520, South Netherlandish, Wool warp, wool and silk wefts, Overall: 167 x 312 1/2in. (424.2 x 793.8cm), Textiles-Tapestries

Drawings and Prints, Drawing, Costume Design for a Eunuch in Scheherazade, Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, ca. 1910, 1905, 1915

Uruguay, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Harper's: April, 1899, Liithograph, Sheet: 10 1/16 × 9 3/16 in. (25.6 × 23.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Boyers, Navium Varia Figura et Forma

A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines), 1639, Etching, Sheet: 5 1/16 x 8 1/8 in. (12.8 x

Return of the Flock, [1862] reprinted 1921, Cliché-verre (ed. 1921), Image: 13 3/8 × 10 3/4 in. (34 × 27.3 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Africa from a set of The Four Continents, designed ca. 1786, woven 1790–91, French, Beauvais, Wool, silk (19-21 warps per inch, 8 per cm.), H. 144 x W. 180 inches (365.8 x 457.2 cm), Textiles-Tapestries, This suite of four remarkable

Sahara, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Drawings and Prints, Photograph, Card Number 32, Annie Robe, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Photograph, Card Number 105, F. Johnson, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Siesta II (from the series Etched Sketches), 1879, Etching and aquatint on chine collé; second edition; between fourth and fifth states of five, Sheet: 15 7/8 × 12 1/16 in. (40.4 × 30.6 cm), Prints, Max Klinger (German, Leipzig 1857–1920

The Last Judgment, 1505, Woodcut, Sheet: 10 15/16 × 7 1/2 in. (27.8 × 19 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Drawings and Prints, Print, Drawbridge, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1912

Silver-Spangled Polish, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued

Loading Up, 1881, Etching; trial proof c, plate: 8 7/8 x 6 15/16 in. (22.5 x 17.6 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Print, Ornamental Engraving with the Tree of Jesse, Artist, Israhel van Meckenem, German, Meckenem ca. 1440/45–1503 Bocholt, Meckenem, Israhel van, German, 1435, 1503, 1450, 1503

Two Dromedaries (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, plate 314), 1723–24, Engraving; first state of two, sheet: 3 5/16 x 4 5/16 in. (8.4 x 10.9 cm), Prints, Attributed to

Horizontal Panel with Two Medallions Containing Cupid, after 1596, Engraving, Sheet: 2 × 3 5/16 in. (5.1 × 8.4 cm), Floris Balthasarsz van Berckenrode (Delft ca. 1562–1616 Delft

Drawings and Prints, Print, Portrait of King Henry IV of France in a decorative border, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria Mattia), Italian, 1553, 1615,

Two Costume Designs or Portrait Types, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

The Search for an Inn, 1861, Etching; fifth state of seven, sheet: 7 1/16 x 10 1/16 in. (18 x 25.5 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, Cries of London: No.1: Buy a Trap, a Rat-Trap, Cries of London, Publisher, Artist, After, Rudolph Ackermann, Thomas Rowlandson, Henri Merke, London, British, London 1757–1827 London, Swiss, Niederweningen,

Landscape with Trees near a Pond, 1840–97, Pencil and black chalk, 14-7/8 x 21-7/8 in. (37.8 x 55.6 cm), Drawings, Willem Roelofs (Dutch, Amsterdam 1822–1897 Berchem

Two Costume Designs or Portrait Types, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

The Wounded Goetz Taken In by the Gypsies, 1836–43, Lithograph; second state of two, Image: 11 15/16 × 9 1/16 in. (30.3 × 23 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Based on a scene in Goethe's

Conversation in the Street, 1610–85, Etching, Plate: 3 13/16 x 3 3/16 in. (9.7 x 8.1 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Bust portrait of Ferdinando Francesco de Avalos, marquis of Pescara, in an oval ornamented frame, 1568, Engraving, plate: 6 9/16 x 5 3/16 in. (16.6 x 13.1 cm), Nicolò Nelli (Italian, active Venice, ca. 1552–79

The Young Housekeeper, 1741–63, Etching and engraving, sheet: 8 3/4 x 5 13/16 in. (22.3 x 14.7 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Magnolia (Magnolia Soulangeana), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Five boys, two satyrs, and a goat (copy), 17th century, Etching and engraving, Plate: 5 1/8 × 7 13/16 in. (13 × 19.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Dancing Couple Stepping to the Left, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 1/2 in. (5.3 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Drawings and Prints, Print, Fete, Ornament & Architecture, Virgo in Fide Fundata Sum, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500

Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual, 1450–60, Made in Ferrara, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 12 5/16 x 13 9/16 in. (31.2 x 34.5 cm), Manuscripts and

Drawings and Prints, Photograph, Card Number 139, Emma Carson, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Hercules Killing the Dragon Ladon, from The Labors of Hercules, 1550, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

To all appearances, it was a hand of flesh and blood just like my own, 1896, Lithograph, sheet: 17 11/16 x 12 3/8 in. (44.9 x 31.4 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Portrait of a Young Man, mid-19th century, Black chalk, heightened with white chalk, on brown-grey paper, Sheet: 11 15/16 x 9 13/16 in. (30.4 x 24.9 cm), Drawings, Wilhelm von Kügelgen (German, St. Petersburg 1802–1867 Ballenstedt

Plate 5, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

An Oriental Merchant with Merchandise at Riverside, 17th century, Etching; third state of four, 12.1 x 11.4 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Sleeping Saw-Whet No. 1, 1923, Drypoint, plate: 5 7/8 x 7 11/16 in. (14.9 x 19.5 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Card Number 147, Martha Forsythe, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

The Falls of the Sawkill, 1830, Steel engraving, plate: 8 13/16 x 6 7/16 in. (22.4 x 16.4 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After William James Bennett (American, London

Cœnotaphiorum (27), 1563, Etching; first state of four, sheet: 9 1/8 x 5 7/8 in. (23.2 x 15 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

A naked man at left showing an axe to a woman at right, ca. 1510–27, Engraving, Sheet: 6 1/2 × 4 3/4 in. (16.5 × 12 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Print, Outlines of Figures with a Carriage, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, June 1790, 1790

A Golden Reliquary with the Tree of Jesse, from the Large Series of Wittenberg Reliquaries, 1509, Woodcut, Sheet: 4 13/16 × 3 1/8 in. (12.2 × 8 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Portrait of Henri Charles de la Tremouille, 1664, Engraving, Sheet: 14 3/4 x 11 1/8 in. (37.4 x 28.2 cm), Prints, Pierre Philippe (Dutch, born 1664), After Jan de Baen (Dutch, Haarlem 1633–1702 The Hague

Cupid with Bandaged Eyes, 1540–56, Engraving, Sheet (trimmed): 7 1/2 × 12 1/4 in. (19 × 31.1 cm), Prints, Léon Davent (French, active 1540–56

The Flood, 1829, Lithograph, image: 1 11/16 x 3 in. (4.3 x 7.6 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), Calvert, the oldest member of the Ancients, was arguably its finest printmaker. His

William A. Rowe, Cyclist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in

Striding Man, 1914, Drypoint and roulette, sheet: 9 3/4 x 6 1/2 in. (24.8 x 16.5 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin

Spain, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Drawings and Prints, Photograph, Maud Branscombe, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

By the Seashore, 1883, Oil on canvas, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir likely painted this work in his studio, posing his model and future wife, Aline

A Fool and a Woman, 1520, Engraving, sheet: 4 1/16 x 2 7/8 in. (10.3 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Swing. Page 21 from the Madrid Album, 1796–97, Brush, indian ink, and gray wash on laid Netherlandish paper, 9-5/16 x 5-3/4 in. (23.7 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Charles XII at Bender (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. II, pl. 30), 1723–24, Etching and engraving; first state of two, sheet: 9 7/8 x 13 9/16 in. (25.1 x 34.4 cm),

Esslingen, 1663–65, Etching, only state, Sheet: 2 1/16 × 4 7/16 in. (5.2 × 11.3 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of Esslingen, Germany from the right bank of the river Neckar, with church and

Landscape with a Round Tower, ca. 1616, Etching, sheet: 4 15/16 x 7 1/2 in. (12.5 x 19.1 cm), Prints, Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Opening the Fold, or Early Morning, 1880, Etching; third state of ten, plate: 6 7/16 x 9 1/8 in. (16.3 x 23.1 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

River Landscape with Mercury Abducting Psyche, ca. 1595, Etching; first state of two, Sheet: 10 11/16 x 13 3/8 in. (27.2 x 34 cm), Prints, Simon Novellanus (16th century), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

La Sainte Famille (The Holy Family), 19th century, Etching; first state of two (Van Gelder), Mount: 12 × 8 11/16 in. (30.5 × 22.1 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Abyssinian Roller, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in

Peasants' Brawl from The Peasants' Feast or the Twelve Months, 1547, Engraving; second state of two (Pauli), Sheet: 1 7/8 x 2 7/8 in. (4.8 x 7.3 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Six peasants brawl with swords, a

Drawings and Prints, Print, The assumption of the Virgin, who rises with arms outstretched, angels supporting her from below, after Reni, Artist, Publisher, Engraver, After, Guido Reni, Valentine Green, Rupert Green, Carl Ernst Christoph

La Famille Renouard (The Renouard Family), 1801, Etching; first state of three (Bocher), Sheet: 11 5/8 × 8 5/16 in. (29.6 × 21.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

The Hut with the Ruinous Hedge, Engraving; third state of three, Sheet: 3 5/8 × 5 7/16 in. (9.2 × 13.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

President of Venezuela, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a

Drawings and Prints, Photograph, Card Number 113, Josephine Stone, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Sir Charles Wheatstone, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Doric entablature, ca. 1535, Engraving, Sheet: 5 11/16 x 6 7/16 in. (14.4 x 16.3 cm), Master G.A. (Italian, active ca. 1535

Drawings and Prints, Photograph, Card Number 593, Mary Anderson, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Wooded Landscape, 18th century, Graphite and gray wash, sheet: 16 3/8 x 13 13/16 in. (41.6 x 35.1 cm), Drawings, Paulus van Liender (Dutch, 1731–1797

Tympanum with a Horse and Rider, second half 14th century, Attributed to Caucasus, probably Kubachi, Dagestan, Stone; carved, with traces of paint, H. 28 3/4 (73 cm), Stone, This tympanum once adorned the facade of the so called House of

The Birth of the Virgin, 16th century, Etching, Sheet (trimmed): 11 13/16 × 16 7/8 in. (30 × 42.8 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, after Giulio Romano (Italian, Rome 1499?–1546 Mantua

Textile Design for a Horse Cover, ca. 1620–56 , Brown ink and wash, Sheet: 11 1/8 x 8 1/4 in. (28.2 x 20.9 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop), Side view of the rear of a horse, covered