Images at Librifly

Drawings and Prints, Print, The Dinner Spoil'd!, Matrimonial Comforts, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Thomas Rowlandson, London, British, ca. 1760–1809 London, British, London 1757–1827 London,

Tail-piece: Two Winged Women Hold a Cartel Decorated by Fame, Etching, sheet: 3 7/8 x 5 1/16 in. (9.9 x 12.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Raphael and His Mistress, 1510–20, Chiaroscuro woodcut printed from three blocks in blue ink, sheet: 6 15/16 x 5 1/2 in. (17.7 x 14 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna), After Raphael (Raffaello Sanzio or Santi)

A Nobleman from the Time of Francis I, 1833, Etching and drypoint; second state of five, Plate: 7 1/16 x 5 1/4 in. (18 x 13.3 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Print, The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian, Bologna 1575–1642 Bologna, Reni, Guido, Anonymous,

Kirghiz, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Emperor of Austria, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Egyptian Art, Sealing, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., -1981, -1640, Mud

Drawings and Prints, Print, Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German,

Pomegranate with Tendril, Engraving, Sheet: 1 3/16 × 1 7/16 in. (3 × 3.7 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Harper's: November, 1895, Lithograph, Sheet: 16 5/16 × 11 3/4 in. (41.4 × 29.8 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Spanish Translation of Saint Augustine's 'City of God', 1446–82, Spanish, Tempera and gold on parchment, tooled leather binding, 15 1/2 x 11 3/8 x 3 1/21 in. (39.4 x 28.9 x 8.9 cm), Manuscripts and Illuminations, Cano de Aranda (Spanish,

Drawings and Prints, Print, Characters, from Jack and the Giant Killer, Plate 2 for a Toy Theater, Publisher, Benjamin Pollock, British, 1857–1937, Pollock, Benjamin, 1857, 1937, 1870–90

Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, Plate 2 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), ca. 1650–56, Etching, Stefano della Bella (Italian, Florence

Pompone II de Bellièvre, 1653, Engraving; first state of two (Petitjean & Wickert), Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Deveneter (Sketch), 1885, Etching; only state, plate: 2 1/4 x 5 1/16 in. (5.7 x 12.9 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.1 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence

St. Stephen's Walbrook (Microcosm of London, pl. 90), November 1, 1809, Hand-colored etching and aquatint, Plate: 9 x 10 3/4 in. (22.8 x 27.3 cm), Prints, Designed and etched by Thomas Rowlandson (British, London 1757–1827 London),

Landscape flanked by trees in the left and right foreground, silhouettes of two goats, a river with cliffs beyond, from 'The Small Landscapes', ca. 1641–78, Etching, plate: 1 7/8 x 2 5/16 in. (4.7 x 5.8 cm), Prints, Karel Dujardin (Dutch,

Drawings and Prints, Drawing, Self-Portrait as Monsieur Prudhomme, Artist, Henry-Bonaventure Monnier, French, Paris 1799–1877 Paris, Monnier, Henry-Bonaventure, 1799, 1877, 1858, 1858

Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659,

Lamp, Greek or Roman, Terracotta, Overall: 1 3/8 x 4 in. (3.5 x 10.2 cm), Terracottas

Design for a bed, 1527, Etching, sheet: 12 3/4 x 9 11/16 in. (32.4 x 24.6 cm), Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

Drawings and Prints, Print, Sea Algae (Algues marines), L'Estampe originale, Album IV, Artist, Publisher, Pierre Roche (pseudonym of Fernand Massignon), André Marty, 1855–1922, French, born 1857, Roche Pierre, Marty, André, French,

Drawings and Prints, Print, St James's Courtship, Artist, Publisher, Thomas Rowlandson, Ackermann & Co., British, London 1757–1827 London, Rowlandson, Thomas, Ackermann & Co., 1757, 1829, 1827, 1855, April 10, 1799

Curlew, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards to

Vulcan's Forge, ca. 1542, Etching, Sheet: 10 3/16 x 7 7/8 in. (25.8 x 20 cm), Prints, Master I 0 V (active ca. 1542–45), after Jean Cousin the Elder (French, Souci (?) ca. 1490–ca. 1560 Paris

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Sleeping Leopard, January 1, 1791, Soft ground etching with roulette work; second state of two, 7 1/8 x 9 5/16 in. (18.1 x 23.7 cm), Prints, George Stubbs (British, Liverpool 1724–1806 London

John Adams, from the Presidents of the United States series (N51) for Virginia Brights Cigarettes, 1885–89, Albumen photograph, Sheet: 2 7/8 x 1 3/4 in. (7.3 x 4.4 cm), Trade cards from the 'Presidents of the United States' series (N51),

Jaguar, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10, 1596, Etching; first state of two (Bartsch), sheet: 13 3/4 x 20 1/2 in. (35 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

'The Derelict' or 'The Lost Boat', 1916, (none assigned) Ipswich, Massachusettes, United States, Color woodcut, Image: 5 9/16 × 3 7/8 in. (14.1 × 9.8 cm), Paper, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York

Flounder, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Woman with houpette on forehead turned to left, 1643, Etching; second state of two, Plate: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A woman with long curly hair, shown nearly

The Last Supper, ca. 1761–64, Etching on laid paper, sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Sebastiano Ricci (Italian, Belluno 1659–1734 Venice

Embarking from Brighthelmstone to Dieppe (from, Imitations of Modern Drawings), 1787, Etching, Plate: 10 7/8 x 14 13/16 in. (27.7 x 37.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Design for a Candelabra, ca. 1760–70, Red chalk with partial black underdrawing, Sheet: 19 in. × 12 1/4 in. (48.3 × 31.1 cm), Anonymous, French, 18th century, The idea of using the elements from nature to shape the design of an object is

Dummy for 'The Wiggle Much' Comic Strip, Number 16 (not published by The New York Herald), 1910, Black ink, Sheet: 14 3/4 x 21 3/4 in. (37.5 x 55.3 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

St. Matthias, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 6 x 4 1/8 in. (15.2 x 10.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Order of the Zaehringen Lion, Baden, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30),

Drawings and Prints, Print, A l'aube, from Les Evacués, Artist, Louis-Robert Antral, French, Châlon-sur-Marne 1895–1939 Paris, Antral, Louis-Robert, French, 1895, 1939, 1917

Sweet William (Dianthus barbutas), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890

Top Knot Pigeon, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889

Title page: men carrying bags across a rowboat and onto shore in center, one man carrying two bags in right in the foreground, ships to left and right in the background, from 'Views of seaports' (Vues de ports de mar), 1647, Etching, Sheet: 3

Die Schlange from Eva und die Zukunft (Rad.-Werk III), 1898, Etching; ninth state of nine, Plate: 11 9/16 x 6 1/8 in. (29.4 x 15.5 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display celebrating the end of the Thirty Years War, Nuremberg, 1650, Artist, Artist, After, Michael Herr, Anonymous, Peter Troschel, German, Metzingen bei Reutlingen

Allégorie pour la Commémoration d'un Mariage (Allegory for the Commemoration of a Marriage), mid-18th century, Crayon-manner engraving in red ink, Sheet: 18 9/16 x 12 13/16 in. (47.2 x 32.6 cm), Prints, Gilles Demarteau (French, Liège

The Tuileries Garden, from Album des Peintres-Graveurs, 1896, Color lithograph; second state of two, sheet: 16 13/16 x 22 1/2 in. (42.7 x 57.2 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background, ca. 1540, Engraving, sheet: 15 1/2 x 22 1/4 in. (39.4 x 56.5 cm)

The Conquest of Gradisca, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 13/16 × 7 3/4 in. (22.4 × 19.7 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king) is a loosely

Enoch and his family surrounding a meal table and holding their hands in a gesture of prayer; behind them is the open end of house; to the right a woman hands out bread to a child, young man, and old man, ca. 1580–1623, Engraving, plate: 3

Drawings and Prints, Print, The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le mendiant), L'Estampe originale, Album I, Artist, Publisher, Louis Anquetin, André Marty, French, Etrépagny 1861–1932

Alphonse Promayet (1822–1872), 1851, Oil on canvas, 42 1/8 x 27 5/8 in. (107 x 70.2 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Promayet, a violinist who was a childhood friend and schoolmate of Courbet's,

Portrait of a Prelate, ca. 1580, Oil on copper, Diameter 5 1/2 in. (14 cm), Paintings, Attributed to Lavinia Fontana (Italian, Bologna 1552–1614 Rome), The daughter of a leading painter in Bologna, Lavinia Fontana became the most famous

Drawings and Prints, Photograph, Card Number 517, Flora Walsh, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Visions of a City Tree, After John William North (British, London 1842–1924 Stamborough, Somerset), Dalziel Brothers (British, active 1839–1893), 1865–70

Drawings and Prints, Print, Cucorongna - Pernoualla, from the Balli di Sfessania, Artist, Jacques Callot, French, Nancy 1592–1635 Nancy, Callot, Jacques, French, 1592, 1635, ca. 1622

Drawings and Prints, Drawing, A Woman and a Turbaned Man in Despair with a Young Child, Artist, François Joseph Navez, Belgian, Charleroi 1787–1869 Brussels, Navez, François Joseph, Belgian, 1787, 1869, 1807–69, 1817, 1869

Disegni Varij di Polifilo Zancarli (Friezes), ca. 1625, etching, Plate: 4 15/16 x 17 3/8 in. (12.6 x 44.1 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Design for a

Dido holding a dagger in her right hand, left arm outstreched, ca. 1510, Engraving, Sheet: 6 5/16 × 5 1/16 in. (16.1 × 12.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael (Raffaello

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Length 9.2 cm. H. 4 cm., Terracottas

Meroüée / Prudent et vaillant..., from 'Game of the Kings of France' (Jeu des Rois de France), 1644, Etching, Sheet: 3 7/16 x 2 3/16 in. (8.8 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Last Judgment, 1535–55, Etching, Sheet (trimmed): 13 9/16 × 17 15/16 in. (34.4 × 45.5 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), after Luca Penni (Italian, Florence 1500/1504–1557 Paris

Commodore's Pennant, Italy, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

Psyche Asleep in a Landscape, 1837, Watercolor, white gouache, over graphite, sheet: 9 13/16 x 15 13/16 in. (24.9 x 40.2 cm), Drawings, Karl Joseph Aloys Agricola (Austrian, Bad Säckingen 1779–1852 Vienna

Gods and Goddesses in a Landscape, 1740–1802, Etching, sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Prints, Attributed to Giuseppe Canale (Italian, 1725–1802), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Drawings and Prints, Print, Game of the Goose, with the rules printed in the centre, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1900–1910, 1895

Helmeted Head, 1645, Etching; only state, Plate: 2 5/16 × 1 3/4 in. (5.9 × 4.5 cm), Prints, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), A warrior shown bust-length in three-quarter

Elkwood, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

View of a City, plate XI from Livre de paysages dédié à Monsieur de Beringhen, 1693, Etching, Image: 3 9/16 x 7 in. (9.1 x 17.8 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Pius V and the Ambassador of the King of Poland, ca. 1712, Black and red chalk, brush and brown wash, highlighted with white, 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm), Drawings, Benedetto Luti (Italian, Florence 1666–1724 Rome

The Bench, 1790–1810, Engraving, Sheet: 2 5/8 x 2 15/16 in. (6.7 x 7.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

U. S. Ship North Carolina, 102 Guns, 1843, Lithograph; uncolored proof, Image: 9 1/8 x 13 1/8 in. (23.2 x 33.3 cm), Prints, Proof. A marine print. A three-masted ship faces left with an American flag flying off the stern. The New York City

A Harlot's Progress, Plate 2, April 1732, Etching and engraving; fourth state of four, plate: 12 3/8 x 14 13/16 in. (31.4 x 37.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Chevalier E. Ginistrelli, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a),

Moth andt three butterflies, 1646, Etching; first state of three, Plate: 3 1/8 × 4 9/16 in. (8 × 11.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Photograph, Card Number 762, Effie Shannon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Raphael, 1651, Etching, second state of two (NH), Plate: 9 3/4 × 6 3/4 in. (24.7 × 17.2 cm), Prints, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), Self-portrait by Raphael, half-length, standing behind a

Drawings and Prints, Print, Silver Statuette of St. Philip, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Botanical Study with a Species of the Nettle Family (genus Urtica), ca. 1820, Watercolor over graphite, 19 11/16 x 12 1/2 in. (50 x 31.8 cm), Drawings, Anonymous, French, 19th century

María Teresa (1638–1683), Infanta of Spain, 1651–54, Oil on canvas, Overall 13 1/2 x 15 3/4 in. (34.3 x 40 cm); original painted surface 12 7/8 x 15 1/8 in. (32.7 x 38.4 cm), Paintings, Velázquez (Diego Rodríguez de Silva y Velázquez)

Manuscript Illumination with the Presentation in the Templ in an Initial S, from a Gradual, 1450–60, Made in Ferrara, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 11 1/4 x 13 9/16 in. (28.5 x 34.4 cm), Manuscripts and

Empress of Austria, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Design for a Plate with Thetis on a Shell in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 3/4 × 6 5/8 in. (17.1 × 16.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for a circular plate

Architectural Design for a Monumental Altar, with a Composition with Saint Michael Against Satan and two Saints (Saints Peter and Paul?), n.d., Pen and brown ink, over black chalk, brush with green, purple, yellow, and brown washes, ruler

Saint Luke holding a paint brush and palette, after Reni (?), 1600–1650, Etching, Sheet: 4 1/2 × 3 5/16 in. (11.5 × 8.4 cm), Prints, Anonymous, 17th century, After Guido Reni (Italian, Bologna 1575–1642 Bologna

The Sheep Meadow, [1862] reprinted 1921, Cliché-verre, second state (ed. 1921), image: 7 5/8 x 13 3/4 in. (19.4 x 34.9 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition, ca. 1570, Red and black chalk, sheet: 14 7/16 x 10 5/16 in. (36.6 x 26.2 cm), Drawings, Poppi (Francesco Morandini) (Italian, Poppi 1544–1597

Drawings and Prints, Print, Moses at left with the Israelites who gather manna as it falls from the sky, two angels above, after Reni, Tabulas a praestantissimis Italiae Pictoribus expressas, Artist, Artist, After, Intermediary draughtsman,

Femme de Naples, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

David with the Head of Goliath, 1705–62, Engraving and etching, sheet: 10 7/16 x 11 7/16 in. (26.5 x 29 cm), Prints, Johann Georg Bergmüller (German, Türkheim 1688–1762 Augsburg), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Saint Anthony Tormented by Demons, late 15th century, Engraving; second state, Prints, Engraved by Master FVB (Netherlandish, active ca. 1475–1500), after Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, St. James's and St. Giles's, Publisher, Artist, After, Samuel William Fores, Thomas Rowlandson, Henry Wigstead, British, 1761–1838, British, London 1757–1827 London, British, 1745?–1800 Margate, Fores,

Plate 5: The Ancient Temple: a woman descending a staircase at left and giving alms to a beggar, a rotunda at right, from 'Les soirées de Rome', ca. 1763–64, Etching, sheet: 8 1/8 x 6 1/8 in. (20.7 x 15.5 cm), Prints, Hubert Robert (French,

The Holy Family, ca. 1595–1600, Etching and engraving, sheet: 7 7/8 x 5 1/2 in. (20 x 14 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna

The Entombment, 1535–55, etching, Mount: 13 11/16 in. × 11 7/16 in. (34.7 × 29 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Nicolas Potier de Novion, 1664, Engraving; second state of two (Petitjean & Wickert), Sheet: 13 7/8 × 10 11/16 in. (35.2 × 27.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890