Images at Librifly

Drawings and Prints, Print, Pastime in Ancient Egypt, Artist, Publisher, After, Sir Lawrence Alma-Tadema, Charles William Sharpe, Gebbie and Barrie, Philadelphia, British (born The Netherlands), Dronrijp 1836–1912 Wiesbaden, British,

The Brook in the Wood, Engraving; sixth state of seven, Sheet: 4 13/16 × 5 3/8 in. (12.2 × 13.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Print, Amputation, Artist, Publisher, Thomas Rowlandson, William Hinton, British, London 1757–1827 London, British, active London, 1779–86, Rowlandson, Thomas, Hinton, William, 1757, 1779, 1827, 1786

John Grass, Blackfeet Sioux, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2),

Malay Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in 1891 in a

Update Out, Everybody's Paper, 1890–99, Lithograph, Sheet: 14 1/8 × 10 11/16 in. (35.8 × 27.2 cm), Prints, Charles Arthur Cox (American, active 1890–99

Woman Wiping her Foot, late 19th century, Colored lithograph, Mount: 17 11/16 x 12 3/16 in. (45 x 31 cm), Prints, George William Thornley (French, 1857–1935), After (?) François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Angel leading a young boy and gesturing to the clouds, Artist, After, Engraved by, Guido Reni, Antonio Maria Visentini, Italian, Bologna 1575–1642 Bologna, Italian, Venice 1688–1782 Venice, Reni, Guido,

View of Nuremberg, to the west; left, center and right plates, 1552, Etching, Sheet (left): 12 1/16 × 19 5/16 in. (30.7 × 49 cm), Prints, Hanns Lautensack (German, Bamberg (?) ca. 1520–1564/66 Vienna

Reverse copy of Neapolitaine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched]

Lobster, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Rhinoceros, 1542 (date changed to 1548), Engraving, sheet: 10 1/4 x 14 5/16 in. (26 x 36.3 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), Copy in reverse after Albrecht Dürer (German,

St. Jerome in the Wilderness (S. Hieronymus in Deserto) from The Large Landscapes, ca. 1555–56, Etching and engraving, Sheet: 12 3/16 x 16 13/16 in. (31 x 42.8 cm), Prints, Johannes van Doetecum the elder (Netherlandish, active 1554–ca.

Lazarillo Stealing Grapes from the Poor Blind Beggar, 17th century, Etching with drypoint; third state of three, 13.2 x 11.9 cm, Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

The Triumphal Arch, from Grotteschi (Grotesques), ca. 1748, Etching, engraving, drypoint, burnishing; first state of five (Robison), Sheet: 19 1/2 x 25 7/16 in. (49.5 x 64.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Sir R. Jardine, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

Lamp, Early Byzantine, 7th century A.D., Roman, Terracotta, Overall: 1 3/4 x 3 7/8 in. (4.4 x 9.8 cm), Terracottas

Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811, Etching, aquatint and mezzotint; first state of three, plate: 7 1/8 x 10 7/16 in. (18.1 x 26.5 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Francesco d' Ageno, 1785–90, Etching and stipple engraving; second state of two, Sheet: 6 1/4 × 4 1/4 in. (15.9 × 10.8 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Thomas Gainsborough (British, Sudbury

Susanna, 1583, Engraving; second state of two, Oval sheet: 7 5/16 x 5 11/16 in. (18.6 x 14.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Poster, Advertisement for Philadelphia Sunday Press: April 7, 1896, Artist, George Reiter Brill, American, Pittsburgh, Pennsylvania 1867–1918 Florida, Brill, George Reiter, 1867, 1918, 1896

The Sportsman near the Large Tree, Engraving; fifth state of five, Plate: 4 × 5 1/4 in. (10.1 × 13.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Virgin of Sorrows: The Descent from the Cross; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/8 in. (7.2 × 5.4 cm), Prints, Engraved by Giorgio Ghisi (Italian,

Portuguese Barthelemy, The Wreck, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Drawings and Prints, Print, Great Western General Booking Office, HB Sketches, No. 499, Lithographer, Subject, Subject, Publisher, Subject, Subject, Artist, Alfred Ducôte, Sir James Robert George Graham, Daniel O'Connell, Sir John

Drawings and Prints, Print, Courtship in Low Life, Artist, After, Thomas Rowlandson, Samuel Alken, British, London 1757–1827 London, British, London 1756–1815, Rowlandson, Thomas, Alken, Samuel, 1757, 1756, 1827, 1815, December

Peleus and Talamon, from the series 'Vessels of the Argonauts, ' for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1608, Etching, sheet: 7 5/16 x 10 13/16 in. (18.6 x 27.5 cm), Remigio Cantagallina (Italian, Borgo Sansepolcro

Shabti of Merneptah, New Kingdom, Ramesside, Dynasty 19, ca. 1213–1203 B.C., From Egypt; Probably from Upper Egypt, Thebes, Limestone, h. 18.5 cm (7 5/16 in), Merneptah was the fourteenth son of Ramesses II by his queen Istnofret. Already

The Treacherous Sinon Brought into the Trajan's Camp by the Shepherds, 1535–55, Etching, Sheet (trimmed): 12 11/16 × 17 7/16 in. (32.2 × 44.3 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence

Rings and necklace, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Carnelian and linen thread; blue-glazed steatite and linen thread; carnelian, turquoise, moss

The fate of an evil tongue; seven putti stand around an anvil on which they hammer a tongue, landscape and architecture behind, ca. 1507, Engraving printed in grey/blue ink, Sheet: 11 7/16 x 8 1/8 in. (29.1 x 20.6 cm), Prints, Nicoletto da

Jupiter and Calisto, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 3/4 x 2 1/4 in. (4.4 x 5.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Red and White Poppies, 芥子図屏風, Momoyama (1573–1615)– Edo (1615–1868) period, early 17th century, Japan, Six-panel folding screen; ink, color, and gold leaf on paper, 65 3/4 x 147 1/2 in. (167.0 x 374.7 cm), Screens,

The Houses of Parliament (Effect of Fog), 1903–4, Oil on canvas, 32 x 36 3/8 in. (81.3 x 92.4 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Between 1899 and 1901, Monet produced nearly a hundred views of the Thames River

Album with drawings, prints and text, 1861–64, Watercolor, pen and ink, wood engravings, lithographs, sheet: 19 x 13 3/4 in. (48.3 x 34.9 cm), Marcus Clayton Stone (British, London 1840–1921 London

Ball Scene, 1920, Etching, Plate: 11 5/8 × 7 3/8 in. (29.5 × 18.7 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

Early, 1914, Etching, Plate: 9 3/4 x 7 in. (24.7 x 17.8 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora

Amandava, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a

Captain Paul Boyton, Swam the Straits of Gibraltar, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, '

The Trojans hauling the Wooden Horse into Troy, 1545, Engraving, Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Francesco Primaticcio (Italian, Bologna

Albury, 1625–77, Etching; first state of two, Sheet: 3 9/16 × 6 1/4 in. (9 × 15.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Albury; group of men, women and children advancing towards the foreground along path

War Club, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving, sheet: 19 11/16 x 13 in. (50 x 33 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Drawings and Prints, Print, Fete, Ornament & Architecture, Fireworks display with triumphal arch supported by three pontoons on the water, decorated with symbols of Louis XIV, Artist, Anonymous, French, 17th century, Anonymous, French,

Cormorant, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards

The Entrance Gate of St. Bernard in Paris, 17th century, Etching; second state, sheet: 6 7/16 x 10 1/2 in. (16.3 x 26.7 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

An die Schönheit, from the series Vom Tode Zweiter Teil, 1898–1910, Engraving and etching, Plate: 16 1/4 × 12 3/4 in. (41.2 × 32.4 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Drawings and Prints, Print, The Goddess of Discord in the Garden of the Hesperides, from the llustrated London News, Draftsman, Artist, Engraver, After drawing by, After, Edmond Morin, Joseph Mallord William Turner, Henry Linton, French,

Woman with stiff lace collar and flat-crowned fur hat, 1645, Etching; only state, Plate: 4 × 3 3/4 in. (10.2 × 9.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A woman shown bust-length, directed to right, looking

Drawings and Prints, Photograph, Card Number 304, Emilia de Silva, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Several horses fighting, one horse to right kicking two horses on the ground below to left, other horses fighting in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 7/16 x 2

Elles (portfolio cover), 1896, Crayon, brush, and spatter lithograph printed in brown on Japan paper; first state of three, Image: 22 9/16 × 18 7/16 in. (57.3 × 46.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Drawings and Prints, Photograph, Card Number 53, Annie Pixley, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Speculum Romanae Magnificentiae: Doric order, ca. 1537, Engraving, sheet: 8 7/16 x 5 1/8 in. (21.5 x 13 cm), Prints, Master G.A. (Italian, active ca. 1535

Raising of the Cross from Ulrich Pinder, Speculum Passionis Domini Nostri Ihesu Christi, 1507, Woodcut, Sheet: 9 7/16 × 6 7/16 in. (24 × 16.4 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?)

Satyr Family with the Obelisk, from the Scherzi, ca. 1743–50, Etching, Image: 8 13/16 x 6 15/16 in. (22.4 x 17.7 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Juno (from The Muses and the Three Great Goddesses), 1540–56, Engraving, 8 7/8 x 6 15/16 in. (22.6 x 17.7 cm), Prints, Engraved by Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), after Léon Davent

Nicolas de Netz, eveque d'Orleans, Etching, sheet: 12 3/8 x 10 1/16 in. (31.5 x 25.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Sixth interlude: garden of Calypso (Intermedio sesto: giardino di Calipso), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1608, Etching, sheet: 7 5/8 x 10 1/2 in. (19.3 x 26.6 cm),

Perspective Elevation of Reverend Mr. Gaird's Church, Glasgow, in the Gothic Style, 1858, Ink and wash, sheet: 18 1/8 x 14 1/4 in. (46 x 36.2 cm

Le Calandrier des Vieillards (The Calander of the Elderly), from Suite d'Estampes Nouvelles pour les Contes de la Fontaine (Series of New Prints for the Tales of the Fountain), 18th century, Etching and engraving, Sheet: 13 3/16 x 14 5/8 in.

Stags, [1862] reprinted 1921, Cliché-verre (ed. 1921), image: 6 x 7 3/8 in. (15.2 x 18.7 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Christ Preaching, called La Petite Tombe, ca. 1652, Etching, engraving, and drypoint, plate: 6 x 8 1/16 in. (15.3 x 20.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

'O Spartan dog': plate 15 from Othello (Act 5, Scene 2), 1844, Etching, engraving, roulette, drypoint, aquatint or sulphur tint on chine collé, sheet: 25 x 19 1/4 in. (63.5 x 48.9 cm), Prints, Théodore Chassériau (French, Le Limon,

Fred Wood, Cyclist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in a set

Edward 'Ned' Hanlan, Oarsman, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in

Drawings and Prints, Photograph, Card Number 301, Rosa Hersey, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Annunciation to the Shepherds, n.d., Pen and brown ink, brown wash, heightened with white, on blue-washed paper., 15 13/16 x 21 13/16 in. (40.2 x 55.4 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Drawings and Prints, Print, Perseus and the Sleeping Medusa, Artist, Alexander Runciman, British, Edinburgh, Scotland 1736–1785 Edinburgh, Runciman, Alexander, 1736, 1785, 1774

Wayfarers Near a Ruin in a Hilly Landscape, 1863 (?), Graphite, sheet: 10 3/8 x 13 1/8 in. (26.4 x 33.3 cm), Drawings, Victor Paul Mohn (German, Meissen 1843–1911 Berlin

Drawings and Prints, Print, Musée pour rire no 3, dernier numéro du journal des modes, Artist, Marie Alexandre Alophe, French, 1812–1883, Alophe, Marie Alexandre, French, 1812, 1883, 19th century, 1812

A horseman atop a rearing horse, in profile and turned towards the right, gardens in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 3/8 x 2 3/4 in. (8.5 x 7 cm), Prints,

Saint Catherine of Siena standing holding flowers and book in her right hand, a heart and crucifix in her left, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 11/16 in. (8.0 x 4.3 cm), Prints, Marcantonio

Drawings and Prints, Drawing; Watercolor, Kirri Cottage for Julia Jackson Davis, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson, 1803, 1892, 1849

Student at a Table by Candlelight, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Gardanne, 1885–86, Oil on canvas, 31 1/2 x 25 1/4 in. (80 x 64.1 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), This is one of three views of Gardanne, a hill town near Aix-en-Provence where Cézanne

Naval Battle, 17th century, Etching; state II, sheet: 7 3/16 x 10 1/2 in. (18.2 x 26.6 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Naval battle with ruined ship and smoking battlements, from 'Italian landscapes' (Diverse vedute designate in Fiorenza / Paysages italiens), ca. 1618–35, Etching, sheet: 4 7/16 x 9 5/8 in. (11.3 x 24.5 cm), Prints, Jacques Callot (French,

The Century: October, 1895, Commercial relief process, Sheet: 18 3/4 × 11 13/16 in. (47.7 × 30 cm), H. M. Lawrence (American, active 1890s

Justice, an allegorical figure holding a balance in her left hand and a sword in her right, from the series 'The Seven Virtues and Knowledge', 1579, Engraving, sheet: 2 5/16 x 1 9/16 in. (5.8 x 3.9 cm), Prints, Jan (Johannes) Wierix

Drawings and Prints, Print, Frontispiece, from Peter's Prophecy, or The President and Poet, by Peter Pindar, Esq., Publisher, George Kearsley, London, Kearsley, George, 1753, 1790

Drawings and Prints, Photograph, Card Number 542, Mrs. James Brown Potter, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C.,

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537, Oil on wood, 69 1/2 x 75 7/8 in. (176.5 x 192.7 cm), Paintings, Master of the Dinteville Allegory (Netherlandish or French, active mid-16th century), In this large,

Drawings and Prints, Print, Le Ris (from Caracteres des passions, gravés sur les desseins de l'illustre Monsieur le Brun), Etcher, Artist, After, Sébastien Le Clerc, le Jeune, Charles Le Brun, French, Paris 1676–1763 Gobelins, French,

Stitch Bird, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in

Drawings and Prints, Print, Noli Me Tangere, from The Passion of Christ, plate 25, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Bart Roberts, Trying Deserters, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Speculum Romanae Magnificentiae: A Fountain and Basin, 1581, Engraving and etching, sheet: 17 1/2 x 13 in. (44.5 x 33 cm), Prints, Pieter Perret (Netherlandish, 1555–1639

Portrait Head of a Man, 1800–1900, Charcoal, 21-3/8 x 14-7/8 in. (54.3 x 37.8 cm), Drawings, Oresto Caldini (Italian, Florentine, 19th Century

Pierre Dupuy, ca. 1651, Engraving; first state of two (Petitjean & Wickert), Sheet: 6 5/16 × 4 7/16 in. (16.1 × 11.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Les Hazards heureux de l'Escarpolette, n.d., Etching, before first state, sheet: 21 7/16 x 17 5/16 in. (54.4 x 44 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas de Launay (French, Paris,

Portrait Busts of Two Women, 1850–90, Color lithograph with tint stone, Sheet: 14 15/16 × 12 5/8 in. (38 × 32 cm), Prints, Drawn on stone by James Archer (British, Edinburgh, Scotland 1823–1904 Halsemere, Surrey), Two bust-length

Capitol of North Carolina in Raleigh, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

Aeneas carrying Anchises on his shoulders while Troy burns in the background, 1530–60, Engraving, sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio or

Te Po, 1893–94, Woodcut printed in color on wove paper lined with silk, 8 1/4 x 14 1/4 in. (21 x 36.2 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Drawings and Prints, Print Poster, Mrs. Fiske, Becky Sharp, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, 1876, 1925

Toussaint Lemaistre (1807/8–1888), 1833, Oil on canvas, 15 1/8 x 11 5/8 in. (38.4 x 29.5 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), Corot painted fewer than fifty portraits. Most were made about 1830 and all depict his

Pastoral Journey with Flocks and Herds at a Stream, 1660–64, Brush with red and brown oil paint, 16 x 22-3/4 in. (40.6 x 57.8 cm), Drawings, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Sacred Conversation, ca. 1550–56, Etching, Sheet (trimmed): 9 1/2 × 7 3/16 in. (24.1 × 18.3 cm), Prints, Léon Davent (French, active 1540–56), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540