Images at Librifly

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display, Nuremberg, 1659, Artist, Anonymous, 1659

Scenes from the Eight Views of the Xiao and Xiang Rivers, Edo period (1615–1868), 17th century, Japan, Pair of six-panel screens; ink and gold on paper, Overall (each screen): 67 1/2 x 147 in. (171.5 x 373.4 cm), Screens, Unkoku Tōeki

Skeletons (calaveras) riding bicycles, ca. 1900, Etching on zinc, sheet: 6 1/16 x 10 9/16 in. (15.4 x 26.8 cm), Prints, José Guadalupe Posada (Mexican, 1851–1913

VIII. Saluant le Public, 1898, Lithograph printed with beige tint stone on laid paper, 22 x 15 in. (55.9 x 38.1 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Ladle-saucer, or shovel, 4th century B.C., Terracotta, Length 13.2 cm. H. 5.1 cm., Terracottas

Tiger, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Scarab. Grecian Key and Fly Pattern Mount, 1897–99, Drypoint, aquatint, softground, lavis, Sheet: 11 3/4 x 10 5/8 in. (29.8 x 27 cm), Prints

Two eagles with wings spread, below two leopard heads attached to tree trunks that form three circles, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 11/16 × 2 11/16 in. (17 × 6.9 cm), Stefano della

Drawings and Prints, Print, Buy from Us with a Golden Curl (frontispiece to Goblin Market and other Poems by Christina Rossetti), Artist, Publisher, Author, Engraver, After, Dante Gabriel Rossetti, Morris, Marshall, Faulkner and Co.,

Studies of a Fallen Male Nude for 'Hercules and the Horses of Diomedes', 1855, Graphite on laid paper, sheet: 8 7/16 x 12 1/2 in. (21.4 x 31.8 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Print, Portrait of Jean-Baptiste Carpeaux (from 'Le Monde Illustré'), Artist, Artist, After, Anonymous, French, 16th century, Étienne-Gabriel Bocourt, Jean-Baptiste Carpeaux, French, born 1821, French,

Drawings and Prints, Photograph, Card Number 320, Mlle. Menilli, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Small Household, mid to late 18th century, Etching and engraving, Sheet (trimmed): 11 7/16 × 7 11/16 in. (29 × 19.6 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Drawings and Prints, Print, The Christ Child sleeping on a cross in a landscape, crown of thorns in the foreground, after Reni, Artist, After, Engraved by, Guido Reni, Gaetano Gandolfi, Italian, Bologna 1575–1642 Bologna, Italian, San

Plate 10: Emperor Titus on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, 1610–50, Etching, Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach), After

The Martyrdom of Saint Anastasia, 1721, Pen and brown ink, brush and pale brown wash, highlighted with white gouache, over black chalk, 20-15/16 x 15-1/16 in. (53.2 x 38.3 cm), Drawings, Michelangelo Cerruti ('Il Candelottaro') (Italian,

Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from The Principles of Design (I

Drawings and Prints, Print, Reliquary with the Trinity, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Scipio Granting Clemency to the Prisoners, 1530–61, Etching and engraving. Second state, sheet: 10 5/16 x 14 15/16 in. (26.2 x 38 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano

Woman with a winged head standing in a niche, ca. 1510–27, Engraving, Sheet: 3 1/8 × 2 1/16 in. (8 × 5.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Our Lady of Catemaco holding the Christ Child, José Guadalupe Posada (Mexican, 1851–1913), 1911

An apostle seen in profile facing right, holding an open book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, Sheet: 3 3/4 x 2 15/16 in. (9.5 x 7.5 cm), Prints, Anonymous, 17th century, After Guido

Drawings and Prints, Print, The Times - Or A View Of The Old House In Little Brittain - With Nobody Going To Hannover, Publisher, Artist, Subject, Subject, Subject, William Humphrey, Thomas Rowlandson, Georgiana Cavendish, Duchess of

Still Life with Shells and a Chip-Wood Box, late 1620s, Oil on canvas, 18 1/2 x 23 3/8 in. (47 x 59.4 cm), Paintings, Sebastian Stoskopff (French, Strasbourg 1597–1657 Idstein), A French-speaking Lutheran from Strasbourg, Stoskopff worked

Roundel with Winged Horse, 9th century, Attributed to Egypt, Wool, linen; tapestry weave, Textile: L. 10 1/2 in. (26.7 cm), Textiles-Woven

The Second Stage of Cruelty (The Four Stages of Cruelty), February 1, 1751, Etching and engraving; first state of two, sheet: 14 15/16 x 12 5/8 in. (37.9 x 32 cm), Prints, William Hogarth (British, London 1697–1764 London

A.S. Colyar, The Nashville Daily American, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series

The Hearing of Qadi, 1746–47, Etching and engraving, Sheet (trimmed): 2 11/16 × 5 3/16 in. (6.9 × 13.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Muse on a pedestal standing in frontal view and holding a double flute, Etching, sheet: 9 1/16 x 3 3/4 in. (23 x 9.5 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45

The Argonauts led by Minerva (Reale dell armata di Argonuti con da Minerves), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence,

Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598, 1598, Etching, Sheet (Trimmed): 8 9/16 × 5 9/16 in. (21.7 × 14.2 cm), Guido Reni (Italian,

Thetis Seated with a Triton, Engraving, sheet: 9 3/16 x 6 1/8 in. (23.3 x 15.5 cm) borderline, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

The Calumny of Apelles, 1560, Engraving, sheet: 14 3/8 x 12 1/2 in. (36.5 x 31.7 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Madge Bannister, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, mount: 13 3/16 x 13 3/8 in. (33.5 x 34 cm), Prints, Anonymous

Drawings and Prints, Print, Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, Italian, 1500, 1600,

Terracotta statuette of a 'temple boy', Early Hellenistic, 3rd century B.C., Cypriot, Terracotta; mold-made, H. 4 3/4 in. (12.1 cm), Terracottas, Votive 'temple boy' figures are more common in limestone, and small terracotta such as this are

Swans in a Marsh, 1851, Etching on laid paper; between fifth and sixth states, Sheet: 8 1/4 x 10 3/4 in. (21 x 27.3 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left, 1530–60, Engraving, sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60),

Male Figure: Court Official, 16th–17th century, Nigeria, Court of Benin, Edo peoples, Brass, H. 25 3/4 x W. 7 x D. 5 7/8 in. (65.4 x 17.8 x 14.9 cm), Metal-Sculpture, Scholars have suggested that this figure was placed upon a commemorative

The Repository of Arts, Literature, Fashions, Manufactuers, 2nd series, volume 11, January–June 1821, Illustrations: etching, engraving, aquatint, lithography, hand-coloring, 9 7/16 in. × 6 in. × 1 9/16 in. (24 × 15.3 × 4 cm

Drawings and Prints, Print, The Chronicles Being Read to the King (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Arthur Boyd Houghton, British, London, New

Plate with David Anointed by Samuel, 629–630, Made in Constantinople, Byzantine, Silver, Overall: 10 1/2 x 1 1/2 in., 47.1oz. (26.6 x 3.8 cm, 1334g), Metalwork-Silver, In 628–29 the Byzantine emperor Herakleios (r. 610–41) successfully

St. Jerome in a Landscape, 1762–63, Etching, Sheet: 5 1/4 × 6 in. (13.3 × 15.3 cm), Prints, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Plate 8: four small heads, a soldier at upper left, a Turk with a turban and beard at upper right, a bearded man in profile at bottom left, a young woman in profile at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à

Drawings and Prints, Drawing, The Prophet Jeremiah, Artist, Sebastiano Conca, Italian, Gaeta 1676 or 1680–1764 Naples, Conca, Sebastiano, Italian, 1676, 1764, 1718, 1718

Bonifazzio, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Self-Portrait, ca. 1720, Pen and brown ink, Sheet: 14 9/16 × 13 in. (37 × 33 cm), Drawings, John Vanderbank, the younger (British, London (?) 1694–1739 London), The son of the proprietor of the Soho Tapestry Manufactory, Vanderbank

Drawings and Prints, Print, Madam Blubber's Last Shift or The Aerostatic Dilly, Publisher, Artist, Subject, Subject, Hannah Humphrey, Thomas Rowlandson, Sir Cecil Wray, Lady Albinia Hobart, Countess of Buckinghamshire, Admiral Samuel

Drawings and Prints, Print, Decorative border panel with flaming candelabra ornamented with foliate designs, swags, and a cow'skull, from Life of the Virgin and Christ, Life of the Virgin and Christ, Artist, Francesco Rosselli, Florence

South Carolina, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series

Songs: 'I am the boy for bewitching them...', 1822, Soft ground etching, Image: 7 7/8 × 10 1/16 in. (20 × 25.6 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song book.

Combats et Triomphes, 16th century, Engraving, probably second state, sheet: 2 3/8 x 8 9/16 in. (6 x 21.7 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

A New Method of Macarony Making, as Practised at Boston, 1830, Lithograph, image: 12 1/16 x 10 in. (30.6 x 25.4 cm), Prints, David Claypoole Johnston (American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts

Queen Regent of Spain, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set

Lelia Farrell, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 6),

Basilisk Supporting the Arms of the city of Basel, 1511, Woodcut, sheet: 9 5/16 x 6 9/16 in. (23.7 x 16.7 cm), Prints, Master DS (Swiss, active 1503–1515

Plate 1: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656–58, Etching; second state, sheet: 8 1/16 x 10 13/16 in. (20.4 x 27.4 cm), Prints, Giovanni Battista Galestruzzi

Portrait of George Sand, 1837, Engraving, sheet: 6 5/8 x 4 13/16 in. (16.8 x 12.3 cm), Prints, Luigi Calamatta (Italian, Civitavecchia 1802–1869 Milan

The Sparrow Aviary, 1843, Etching; second state of two, Overall: 6 11/16 x 5 1/8 in. (17 x 13 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, Chap. VIII: Comment Docteur! (What, Doctor?), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Artist, Publisher, Lithographer, Victor Adam, Sazerac and Duval, Langlumé, French,

Drawings and Prints, Print, Queen Catherine, Cardinal Wolsey and Cardinal Campeius (Shakespeare, King Henry VIII, Act 3, Scene 1), Boydell'shakespeare Gallery, Subject, Artist, Engraver, Publisher, After, William Shakespeare, Matthew

Plate 11: a Polish bust in profile, turned to the right, another Polish head seen from behind in the background, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 5/16 x 2 9/16 in. (8.4 x 6.5

Emeu Wren, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a

Two deformed heads facing inwards, 1625–77, Etching; second state of two, Sheet: 2 3/4 × 4 1/8 in. (7 × 10.5 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two deformed heads both with enormous upper lips. The

William Sexton, Billiard Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in

Title Plate, from Pendant Designs with Deities in Niches and Flower-Arabesques, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 3/4 × 4 1/16 in. (14.6 × 10.3 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

帶板陶模, Casting Model for Belt Plaque, 2nd–1st century B.C., North China, Clay, L. 4 1/2 in. (11.4 cm), Ceramics, A primary beast-of-burden on the Silk Route, the camel plays a surprisingly minor role in the visual arts of Central

Lippincott's: December, 1896, Lithograph, Sheet: 16 3/4 × 13 7/8 in. (42.5 × 35.3 cm), Joseph J. Gould, Jr. (American, 1880–1935

Presentation in the Temple, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Frontispiece for Book of Cartouches, mid-18th century, Etching and engraving (reverse copy), Sheet (trimmed): 11 3/4 × 7 7/8 in. (29.9 × 20 cm), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Fete, Ornament & Architecture, Page from 'La Mer de Histoires', Artist, Anonymous, French, 16th century, Anonymous, French, 16th century, 1500

Drunkenness of Noah: Shem and Japheth cover the naked body of Noah, who lies in a tent, a male figure at far right points to Noah, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 9/16 x 5

Drawings and Prints, L’Atelier de Rembrandt, tableau de J. Gilbert (from L’Univers Illustré, p. 395), Artist, After, William Luson Thomas, Sir John Gilbert, British, London 1830–1900 Chertsey, Surrey, British, London 1817–1897

Zweite Zukunft from Eva und die Zukunft (Rad.-Werk III), 1898, Etching and aquatint; eighth state of eight, Plate: 11 5/8 x 10 1/2 in. (29.5 x 26.6 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Buttermilk Channel, 1889, Etching; trial proof, plate: 7 1/2 x 11 3/4 in. (19.1 x 29.8 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Print, Initial letter D on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Drawings and Prints, Print, A Cully Pillag'd, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, October 30, 1786

Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900

The White Kimono, 1915, Etching and drypoint, sheet: 10 1/16 x 14 in. (25.5 x 35.5 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

John Phillips, Chasing Deserters, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Forward Wheel Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25

Scene 7, from Jack and the Giant Killer, Scenes for a Toy Theater, 1870–90

Governor Lowry, Mississippi, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Drawings and Prints, Print, The highly ornamented second gondola of Ambassador Giovanni Battista Colloreado entering Venice, Artist, After, Luca Carlevaris, Giovanni Antonio Faldoni, Italian, Udine 1663/65–1730 Venice, Italian, ca.

Summer, 1629, Etching; third state of three, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Banknote motif: the number 3, its interior composed of lathe work edged with a band of black, ca. 1824–42, Engraving, sheet: 1 3/8 x 1 in. (3.5 x 2.6 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Drawings and Prints, Print, Marriage Announcement–Ernest Haskell and Emma Loveland Laumeister, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1920

Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, ca. 1550–60, Etching and Engraving, sheet: 10

Drawings and Prints, Print, The Giant & the Dwarf, HB Sketches, No. 523, Publisher, Subject, Lithographer, Subject, Artist, Thomas McLean, Daniel O'Connell, Alfred Ducôte, Lord John Russell, John Doyle, British, active London

Saint Martin, n.d., Engraving, Sheet: 6 3/8 × 3 1/2 in. (16.2 × 8.9 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Robin, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of 50

Drawings and Prints, Print, Heavenly Hosts, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1921

Plate 30: Venus and Cupid pleading their case before Jupiter and other Gods with Mercury transporting Psyche to the heavens at lower right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die (Italian, active Rome, ca.

Plumed Partridge, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

The infant Moses rescued from the Nile, ca. 1540–45, Etching, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

The Village Festival (Fête de village dans la campagne romaine), ca. 1735–40, Etching; proof state, sheet: 12 9/16 x 16 15/16 in. (31.9 x 43.1 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris

Treasury House, 10 Downing Street, London: Plan of Sir Robert Walpole's Dressing Room (Middle Room, West Front, First Floor), ca. 1732–42, Pen and black ink, sheet: 25 3/8 x 17 15/16 in. (64.5 x 45.6 cm

H.G. Crocker, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in