Images at Librifly

Persian, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Special Pleading, March 1780, Etching, Sheet: 11 7/8 × 8 15/16 in. (30.2 × 22.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Suicide of Lucretia, from Scenes from Roman History, Engraving, Sheet (trimmed): 3 1/16 × 4 1/2 in. (7.8 × 11.5 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Second Premium Design for the Capitol of Ohio, Columbus, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 7/8 in. (42.8 x 32.7 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Brent Goose, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards

Cimeter, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series

Negress and the Buzzards, Ernest Haskell (American, Woodstock, Connecticut 1876–1925 West Point, Maine), 1915

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display by Lorenz Müller as proof of his mastership, Nuremberg 1635, Artist, Anonymous, 1635

Landscape with Cottage, ca. 1597–98, Woodcut; second state, Sheet: 4 1/2 x 5 3/4 in. (11.4 x 14.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), The Haarlem artist Hendrick Goltzius was apparently first

Agate Arrow Point, Warm Springs, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series

The Rock in the Middle of the River, Engraving; third state of three, Sheet: 3 7/8 × 5 11/16 in. (9.9 × 14.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Ibex, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Drawings and Prints, Print, The Fall of the Walls of Jericho (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Henry Hugh Armstead, British, London, New York,

Door and Chimney of the Billiards room at Versailles, plate I from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode', 17th century, Etching, image: 7 11/16 x 5 1/4 in. (19.5 x 13.3 cm), After Jules

Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2), June 4, 1800, Stipple engraving, image: 17 3/16 x 23 3/8 in. (43.6 x 59.4 cm), Prints, After John Downman (British,

Portrait of Charles-Frédéric de Heinecken, 1770, Etching and engraving, Sheet: 10 3/4 × 8 1/16 in. (27.3 × 20.5 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Saint Barthelemy, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 11/16 in. (34.3 × 22.1 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Peasant Couple Dancing, early 16th century, Engraving; second state, Sheet: 2 3/16 × 1 7/16 in. (5.6 × 3.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749–1824 London), After Benjamin

Harper's Bazar: Thanksgiving, 1894, Lithograph, Mount: 19 1/4 x 14 1/4 in. (48.9 x 36.2 cm), Prints, Louis John Rhead (American, born England, 1857–1926

Frieze with Centaurs Fighting at Center with Human Riders, 1500–1550, Engraving; second state of two (Pauli), Sheet: 1 1/16 x 3 1/4 in. (2.7 x 8.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Frieze with centaurs fighting. At

Plate 4: marine gods and other cavorting figures, ca. 1640–70, Etching, sheet: 4 9/16 x 18 1/16 in. (11.6 x 45.8 cm), Prints, Giulio Carpioni (Italian, Venice 1613–1678 Venice

Two deformed heads facing each other, 1625–77, Etching; second state of two, Sheet: 3 1/16 × 4 5/8 in. (7.8 × 11.7 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), On the left an old woman with an enormous chin

European Sculpture and Decorative Arts, Bust, Francesco Bernardi known as Il Senesino (1686–1758), British, Artist, Louis François Roubiliac, British (born France), Lyons 1695/1702–1762 London, Roubiliac, Louis François, 1695, 1762,

Drawings and Prints, Print, Plate 4: Psyche's father consulting the Oracle, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Publisher, Artist, After,

Daffodils (Narcissis Pseudo-Narcissus), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in

T.W. Doswell, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

Captain of Infantry, 1587, Engraving, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Admiral Second Rank, Japan, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

The Distrest Poet, March 3, 1737, Engraving; second state of three, sheet: 13 7/8 x 15 7/8 in. (35.3 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

View of Conflans, 17th century, Etching; second state, sheet: 5 15/16 x 9 15/16 in. (15.1 x 25.2 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Banknote motif: the number 100 against an ornamental lathe work oval resembling woven rope with a border of grain, flowers and berries, ca. 1824–42, Engraving and etching, sheet: 1 3/8 x 1 9/16 in. (3.5 x 4 cm), Prints, Associated with Cyrus

Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian

Jupiter, Pluto, and Neptune Offering their Riches to Fortune, 1624, Etching, Sheet: 10 1/8 x 7 7/8 in. (25.7 x 20cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris), After Claude Vignon (French, Tours 1593–1670

Jane Hading, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Drawings and Prints, Print, Old Sea Dam, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1920–25

Young Shepherdess and old man with a Monkey, from the Scherzi, ca. 1740, Etching, Plate: 8 7/8 x 7 in. (22.5 x 17.8 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

St. James the Less, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 3/16 × 4 5/16 in. (15.7 × 11 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Plate 15: mid-bust of a young woman in profile wearing a hat topped with feathers, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 1/4 x 2 1/2 in. (8.2 x 6.3 cm), Prints, Stefano della Bella

Bronze handle from a hydria (water jar), Hellenistic, 2nd half of 2nd century B.C., Greek, Bronze, w. 9 7/8 in. (25.1cm), Bronzes, Parallels to handles on intact bronze hydriai strongly suggest that this object was once itself attached to a

The Visitation, 1580–1600, Engraving, Sheet: 5 1/8 × 3 7/16 in. (13 × 8.8 cm), Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Scene of the Visitation at center, with Anne meeting Mary under an archway at right. Surrounding

Entry of the Polish Ambassador into Rome, 1633, Etching; first or second state of three, Sheet: 6 3/4 x 104 1/4 in. (17.1 x 264.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Saint Roch at right distributing alms to a group of people gathered around him, after Annibale Caracci, Artist, After, Annibale Carracci, Anonymous, Italian, Bologna 1560–1609 Rome, Carracci, Annibale,

Drawings and Prints, Print, Fan Tree and Her Canyon, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1915–25

The Sudarium Held by Two Angels, ca. 1515, Etching with tone; third state of three, sheet: 3 3/8 x 4 3/4 in. (8.5 x 12.1 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

Drawings and Prints, Print, Washington, Crossing the Delaware–On the Evening of Dec. 25th 1776, previous to the Battle of Trenton., Publisher, Sitter, Artist, After, Currier & Ives, George Washington, John Cameron, American, active New

Drawings and Prints, Print, A Contrast, HB Sketches, No. 560, Publisher, Subject, Artist, Subject, Lithographer, Thomas McLean, William Lamb, 2nd Viscount Melbourne, Arthur Wellesley, 1st Duke of Wellington, John Doyle, Henry Peter,

La Famille du Fermier, n.d., Etching, second state, sheet: 19 15/16 x 26 15/16 in. (50.7 x 68.5 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Clément Pierre Marillier (French, Dijon 1740–1808

A woman in profile pulling back on a rope tied around the horns of a young bull, ca. 1660, Etching; second state of two, Sheet: 6 1/4 x 5 7/8 in. (15.8 x 14.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Abduction of Dejanira, Etching and engraving, first state, sheet: 10 x 15 9/16 in. (25.4 x 39.5 cm) trimmed to platemark except for lower margin, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Length 8.1 cm. H. 3.8 cm., Terracottas

Life in Camp, Part 1: Surgeon's Call, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Orphan, ca. 1879, Etching on laid paper, sheet: 22 1/16 x 12 1/16 in. (56.1 x 30.7 cm), Prints, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon), Tissot used printmaking as a means of disseminating his painted compositions, in this

Neptune Between Two Sea Horses, ca. 1560–80, Engraving, plate: 9 9/16 x 6 1/4 in. (24.3 x 15.9 cm) platemark, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

John the Baptist holding a staff, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Plate 32, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Portrait of Jean Monnet, 1765, Etching and engraving; third state of three (Bocher), Sheet: 7 7/8 × 5 7/8 in. (20 × 15 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris

Drawings and Prints, Print, My Service To You, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Thomas Rowlandson, London, British, ca. 1760–1809 London, British, London 1757–1827 London, Ackermann, Rudolph,

Governor Luce, Michigan, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

The Triumph of Amphitrite, 16th century, Woodcut, Sheet: 14 3/4 x 10 5/16 in. (37.5 x 26.2 cm), Prints, Designed by Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid

A Tit Bit for a Strong Stomach, June 20, 1809, Hand-colored etching, Sheet: 10 3/4 x 12 7/8 in. (27.3 x 32.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

The Bridge, [1862] reprinted 1921, Cliché-verre (ed. 1921), Image: 5 7/8 × 7 1/4 in. (14.9 × 18.4 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Photograph, Card Number 739, Erminie Vaughan, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Drawings and Prints, Print, Fete, Ornament & Architecture, Triumphal arch erected in celebration of the entry of King William III, Artist, Jan van den Aveelen, Dutch, ca. 1655–1727, Aveelen, Jan van den, 1655, 1727, 1691

Stylus, ca. 3rd century B.C.–2nd century A.D., Cypriot, Bronze, Other: 3 15/16in. (10cm), Bronzes

The Offering to Bacchus (from a set of five Berain Grotesques), designed ca. 1688, woven ca. 1690–1711, French, Beauvais, Wool, silk (21-27 warps per inch, 8-9 per cm.), H. 115 x W. 80 inches (292.1 x 203.2 cm), Textiles-Tapestries, Style

Woodcut with a Horned Head, 1898–99, Woodcut on transparent laid tissue paper, 5 5/8 x 11 1/4 in. block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

The Sea, 1865 or later, Oil on canvas, 20 x 24 in. (50.8 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), During successive sojourns at Trouville in the mid-1860s, Courbet fully developed the pictorial

Plate 38: head of a man with a moustache and cap, facing right in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture), ca. 1647, Etching, Sheet: 2 15/16 x 2 1/2 in. (7.5 x 6.4 cm), Prints, Stefano

Drawings and Prints, Photograph, Card Number 209, Marie Burroughs, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

A Rake's Progress, Plate 5, June 25, 1735, Engraving; first state of three, sheet: 13 7/8 x 15 3/4 in. (35.3 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London

Sarah Malcolm, after 1733, Etching and engraving, sheet: 7 9/16 x 6 7/8 in. (19.2 x 17.5 cm), Prints, After William Hogarth (British, London 1697–1764 London

Drawings and Prints, Photograph, Card Number 767, Louisa Carleton, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Canada Grouse, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

H.R.H. Duke of Connaught, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a),

Drawings and Prints, Print, The Martyrdom of St. Erasmus, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1506

Card 530, Z. De Lussa, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

The tomb of Caecilia Metella, from Vedute di Roma (Roman Views), ca. 1762, Etching; first state of five (Hind), Sheet: 27 3/4 x 20 7/8 in. (70.5 x 53 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 3/8 in. × 8 in. (16.2 × 20.3 cm), Prints,

Ornate goblet, 1642, Etching; only state, Sheet: 7 11/16 × 5 5/16 in. (19.5 × 13.5 cm), Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), View of an ornate

Two Alternate Designs for a Wall with a Frame for a Painting, 1700–1780, Pen and gray ink, brush and gray wash, over graphite or lead point, with ruled and compass construction. Framing outlines in pen and dark gray ink. Scale, at bottom, in

Patrick Fitzgerald, Go As You Please, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series

St. Francis (?), Etching and engraving, sheet: 17 13/16 x 10 1/16 in. (45.3 x 25.6 cm), Prints, Theodor Verkruis (Dutch, 1646–1739), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Le Serment d'Amour, n.d., Etching, second state, sheet: 23 9/16 x 18 1/4 in. (59.8 x 46.4 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Jean Mathieu (French, 1732–1806

Cleopatra, 1720, Engraving, sheet: 20 1/4 x 14 9/16 in. (51.5 x 37 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Tennis Players, 1896, Etching and aquatint, plate: 9 1/16 x 7 5/16 inches (23 x 18.6 cm), Prints, Eugen Kirchner (German, 1865–1938

Plate 1: A horse drawn cart carrying people and goods, dead horse in the foreground, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching, Sheet: 3 9/16 x 5 9/16 in. (9 x 14.1 cm), Prints, Stefano della Bella (Italian,

Snowball (Viburnum Oputus), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Drawings and Prints, Photograph, Card Number 43, Vernona Jarbeau, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids, 1519, Engraving, mount: 11 x 16 7/8 in. (28 x 42.8 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Raphael (Raffaello Sanzio or Santi)

Allegory of Life, 1561, Engraving, sheet: 14 15/16 x 21 1/4 in. (38 x 54 cm); trimmed, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua

Rocky Landscape With a Bridge and a House, early 17th century, Pen and brown ink, brown wash, incised for transfer; framing line in pen and black ink, probably by a later hand, Diameter: 3 3/4 in. (9.6 cm), Drawings, Charles Cornelisz. de

Drawings and Prints, Print, Initial letter C on patterned background, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500, 1600, 1520

Jewel of the Order of the Thistle, Great Britain, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations'

Study for a Ceiling, n.d., Gouache, 28 1/8 x 17 1/2 in. (71.4 x 44.5 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Ancient Rome, 1757, Oil on canvas, 67 3/4 x 90 1/2 in. (172.1 x 229.9 cm), Paintings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome), This is a pendant to Modern Rome and shows the most famous ancient monuments in the city. It was

Drawings and Prints, Photograph, Minnie Palmer (portrait of bust), from the Actresses and Celebrities series promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, Publisher, Issued by, Allen & Ginter, American,

Two Pendant Designs with Sun-Dials on Top, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with two

Washington's Reception by the Ladies on Passing the Bridge at Trenton, N.J., April 1789, on His Way to be Inaugurated First President of the United States, 1845, Hand-colored lithograph, Image: 11 7/8 × 8 5/8 in. (30.1 × 21.9 cm), Prints,

Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at