Images at Librifly

A Man Asleep Alongside a Dog and a Horse, early 15th century, Pen and brown ink on brownish paper., 9 5/8 x 7 5/8 in. (24.5 x 19.3 cm), Drawings, Veronese School, workshop or follower of Stefano da Verona (Stefano di Giovanni) (Italian, Verona

Three Costume Sketches of a Bonnet, a Cloak, and a Hat, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French,

Drawings and Prints, Print, Rouen, from Bon Secours, Artist, Joseph Pennell, American, Philadelphia, Pennsylvania 1857–1926 New York, Pennell, Joseph, 1857, 1926, 1907

Drawings and Prints, Print, Christ Healing the Deaf-Mute, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans,

from The Set of The Bears, ca. 1664, Etching, sheet: 4 1/2 x 5 3/4 in. (11.5 x 14.6 cm), Prints, Marcus de Bye (Dutch, The Hague 1639–after 1688), After Marcus Gheraerts the Elder (Flemish, Bruges ca. 1520–ca. 1590 London (?) (active

Drawings and Prints, Print, The infamous son who poisioned his parents, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1900, 1895, 1905

Plate 1: A procession figures walking to the right carrying various objects, ca. 1660–90, Etching, sheet: 6 3/8 x 18 in. (16.2 x 45.7 cm), Prints, Pietro Santi Bartoli (Italian, Perugia 1615–1700 Rome), After Polidoro da Caravaggio

Realm of Juno, 1646, Etching, only state, Sheet: 3 5/16 × 6 7/16 in. (8.4 × 16.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome), Juno seated on tall throne

Lillie, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses

Crab, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889 in

Andromache and Priam Urging Hector Not to Go to War (from Scenes from the Story of the Trojan War), ca. 1470–90, Made in Tournai, South Netherlands, South Netherlandish, Wool warp, wool wefts with a few silk wefts., Overall: 190 x 104in.

Gustave Boyer (b. 1840) in a Straw Hat, 1870–71, Oil on paper, laid down on canvas, 21 5/8 x 15 1/4 in. (54.9 x 38.7 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Early twentieth-century scholars

Drawings and Prints, Photograph, Card Number 773, The Highest Bidder, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Storming of Moran, at the Shore, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 11 11/16 × 8 3/4 in. (29.7 × 22.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king) is a loosely

Drawings and Prints, Print, Outlines of Figures, Animals, Carriages and Boats, Outlines, Publisher, Artist, M. Lay, Thomas Rowlandson, British, active Brighton, ca. 1790, British, London 1757–1827 London, Lay, M., Rowlandson,

Drawings and Prints, Print, Arms of the Ludovisi Family Surrounded by Four Allegorical Figures, Publisher, Artist, After, François Langlois, Grégoire Huret, Jean Couvay, French, baptized Chartres, 1588–1647 Paris, French, Lyon

Trieste, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

The Genius of Franklin, 1778, Etching printed in brown ink, first state of two, Image: 21 5/8 × 16 1/2 in. (54.9 × 41.9 cm), Prints, Marguerite Gérard (French, 1761–1837), after Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Drawings and Prints, Drawing, Laban Searching for his Idols, Artist, Jan de Braij, Dutch, Haarlem ca. 1627–1697 Amsterdam, Braij, Jan de, 1622, 1697, 1667, 1667

Old man seated and writing in a book, an angel at right looking over his shoulder, after Reni (?), 17th century, Etching, Sheet (Trimmed): 7 11/16 × 6 1/2 in. (19.6 × 16.5 cm), Prints, Anonymous, After (?) Guido Reni (Italian, Bologna

Plate 6: a peasant on horseback in profile facing the right, holding a basket and talking to another man standing behind the horse, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/8 x 3 7/8 in. (8 x

Design for an Altar., 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite with ruled and compass construction. Framing outlines in pen and brown ink (recto). Ornaments with lead point or graphite (verso), sheet: 19

Drawings and Prints, Photograph, Card Number 142, Miss Kingdon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

South Carolina, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series

Frontispiece, with Statue of Minerva, ca. 1748, Etching, Sheet: 24 15/16 × 19 7/16 in. (63.3 × 49.4 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, A woman who gave birth to three children and four animals, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1900–1910, 1895, 1905

Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series 'Le Antichità Romane', 1756, Etching, Sheet: 20 3/8 x 14 13/16 in. (51.8 x 37.6 cm), Giovanni Battista Piranesi

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display by Lorenz Müller as proof of mastership, Nuremberg 1635, Artist, Anonymous, 1635

Drawings and Prints, Print, calling card, Paul Cézanne, calling card envelope, Artist, Anonymous, before 1896, 1845, 1896

Lime house, 1912, Etching, Plate: 6 7/8 × 13 3/16 in. (17.5 × 33.5 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

Stage Setting with Ballet, 1657–1743, Ink and blue wash, 13-5/8 x 19 in. (34.6 x 48.3 cm); 14 x 20, Drawings, Ferdinando Galli Bibiena (Italian, Bologna 1657–1743 Bologna

Diversae Probae, 1645, Etching; only state, Sheet: 2 1/16 × 1 7/8 in. (5.2 × 4.8 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Title-page to 'Diversæ Probæ' (Antwerp, 1645), with studies of six male heads,

Pluto, 1594, Chiaroscuro woodcut, 13 9/16 x 10 1/4 in. (34.5 x 26 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Rape II (Raub II, Weib halb), 1911, Drypoint; second state of two, plate: 11 1/2 x 9 1/2 inches (29 x 24 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin

The Fourth Spring, Etching, first state of two, Plate: 5 3/16 × 6 15/16 in. (13.2 × 17.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni, 1600–1640, Etching, Sheet: 8 1/4 × 5 13/16 in. (21 × 14.7 cm), Prints, Anonymous, 17th

[Boston Lawyers or Clergymen (?)], ca. 1850, Daguerreotype, 16.5 x 21.6 cm (6 1/2 x 8 1/2 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American,

Design for a Choir Screen with Two Variants, from: Clôtures de chapelles, 17th century, Etching; third edition, sheet: 6 1/4 x 8 15/16 in. (15.8 x 22.7 cm), Jean Le Pautre (French, Paris 1618–1682 Paris

Drawings and Prints, Print, Christ Before the People, from The Passion of Christ, plate 15, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

PALM, 1911, Gouache and watercolor on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Deer, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Broadsheet relating to a train accident that killed many people, group of people carrying wounded victims on stretchers, José Guadalupe Posada (Mexican, 1851–1913), 1920 (published

Drawings and Prints, Print, More of Werther–The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence, Publisher, Artist, After, E. Jackson, Thomas

A Fencing Match, 1788, Etching, Plate: 7 5/8 x 10 7/8 in. (19.3 x 27.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Portrait of Agathe de Châtillon, Engraving; first state, sheet: 6 1/4 x 5 7/16 in. (15.8 x 13.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Apollo and the Muses, 1549, Etching, Sheet: 8 3/8 x 11 5/8 in. (21.2 x 29.5 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda

Lamp, Early Byzantine, 7th century A.D., Roman, Terracotta, Overall: 1 3/4 x 3 5/8 in. (4.4 x 9.2 cm), Terracottas

Drapery Study of a Woman with an Outstretched Arm, ca. 1770–80, Black and white chalk with stumping on buff-colored paper, Sheet: 17 1/4 x 13 7/8 in. (43.8 x 35.2 cm), Drawings, Attributed to Louis Lagrenée (French, Paris 1725–1805 Paris

'Les jambes tendues et vibrantes...', 1902, Lithograph, contours only, sheet: 12 5/8 x 9 15/16 in. (32.1 x 25.2 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Life in Camp, Part 2: Drummer, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of lithographed

Design for a Shelf System to Display Porcelain, ca. 1700–1730 , Pen and black ink, gray wash., Sheet: 10 15/16 × 7 7/8 in. (27.8 × 20 cm), Anonymous, 18th century, Design for a system for porcelain display, often found over the mantel of

Sea Port (Port de Mer) after the painting in the collection of Madame la Comtesse de Verrue, Etching and engraving, Sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Pierre François Beaumont (French, 1719 ?–after 1777), After Jan Brueghel

Door and Part of the Wainscot in the restored Salon of the Trianon Palace, plate IV from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode', 17th century, Etching, image: 7 11/16 x 5 1/4 in. (19.5 x 13.3

Bowl, 1924, Made in Mid-Atlantic United States, Syracuse, New York, United States, Porcelain, H. 2-3/4, Diam. 5-5/8 inches, Ceramics-Porcelain, Adelaide Alsop Robineau was one of the most influential figures in ceramics just after the turn

Drawings and Prints, Photograph, Card Number 360, Carrie Perkins, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

A horseman and a lady riding side saddle, galloping towards the right, another horseman follows, in an elaborate frame decorated with a mask of a young woman, cherubs, and fruit, ca. 1652–57, Etching, Sheet: 11 1/16 x 8 3/8 in. (28.1 x 21.3

Skate, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a set

Helmeted head, 17th century (?), Etching; copy in reverse, Plate: 2 15/16 × 2 1/16 in. (7.4 × 5.3 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian,

The Tropic Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889

Broadsheet showing a blindfolded man being executed (no letterpress in bottom section), José Guadalupe Posada (Mexican, 1851–1913), ca. 1890–1910

Publius Horatius, 1586, Engraving, 14 5/16 x 9 3/16 in. (36.4 x 23.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Swing, ca. 1738, Etching and engraving, Sheet: 9 1/8 × 10 3/16 in. (23.1 × 25.8 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Berge, Palais Royal, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Frankfurt, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci, ca. 1590–1600, Etching, Sheet (Trimmed): 11 3/4 × 18 1/2 in. (29.9 × 47 cm), Prints, Francesco Brizio (Italian, Bologna ca. 1574–1623

Henri de Mesmes, Engraving; second state of four, sheet: 13 3/4 x 9 1/2 in. (35 x 24.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Le Bas Relief aux Trois Amours (The Throne of Neptune), 1519, Engraving, sheet: 7 11/16 x 14 3/16 in. (19.5 x 36.1 cm), Prints, After Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Drawings and Prints, Print, Fete, Ornament & Architecture, Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal',

'Et telle est-l'invulnerable beaute de son corps...', 1902, Lithograph, contours only, sheet: 12 3/4 x 9 13/16 in. (32.4 x 25 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Christ Crucified between the Two Thieves: The Three Crosses, 1653, Drypoint printed on vellum, Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The Three Crosses, one of

Pietà, 1596, Engraving; second state of two, sheet: 7 1/8 x 5 3/16 in. (18.1 x 13.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Dream of Paris, Engraving, Plate: 2 7/16 x 3 3/8 in. (6.2 x 8.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Drawings and Prints, Print, Country Lovers, Publisher, Artist, Publisher, Artist, After, Henry Wigstead, Thomas Rowlandson, Samuel Hooper, George Moutard Woodward, British, 1745?–1800 Margate, British, London 1757–1827 London,

St. Christopher, early 16th century, Engraving, Sheet: 2 11/16 × 1 7/8 in. (6.8 × 4.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Garden of the Tuileries on a Winter Afternoon, 1899, Oil on canvas, 28 7/8 x 36 3/8 in. (73.3 x 92.4 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), Pissarro rented a large apartment at 204 rue

The Fisherman and the Afrite (or Genie), 1868, Wood engraving, image: 6 13/16 x 5 3/8 in. (17.3 x 13.7 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American,

[Vraye Representations Des Portals, Palissades et Pavillions...], 1635, Etching, 14 11/16 x 11 1/2 x 1/8 in. (37.3 x 29.2 x 0.3 cm), Books

Speculum Romanae Magnificentiae: Ancient Rome, and its Hills, from the West, 1582, Etching, sheet: 17 15/16 x 21 7/16 in. (45.5 x 54.4 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Sullivan, Batter, St. Louis, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284),

Triumph of a Roman Emperor (left side), 1603, Etching, Sheet: 19 1/16 × 14 9/16 in. (48.4 × 37 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

The return of the prodigal son who falls at his father's feet, ca. 1536–40, Etching, sheet: 5 1/2 x 3 9/16 in. (14 x 9 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Drawings and Prints, Photograph, Card Number 576, P. Hall, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

La Sainte Famille et Les Bergers (The Holy Family and the Shepherds), 1839, Etching, Mount: 4 1/8 × 3 7/16 in. (10.4 × 8.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Speculum Romanae Magnificentiae: Roman Naval Battle, 16th century, Engraving, sheet: 13 9/16 x 19 1/8 in. (34.5 x 48.5 cm), Prints, Anonymous

Anne d'Austrische, from 'The game of queens' (Le jeu des Reines renommées), 1644, Etching, Sheet: 3 3/4 x 2 5/16 in. (9.6 x 5.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Equilibre Europeen, from Actualités, published in le Charivari, April 3, 1867, Artist, Printer, Honoré Daumier, Destouches, French, Marseilles 1808–1879 Valmondois, Paris, Daumier, Honoré, Destouches,

Drawings and Prints, Print, Elijah Fed By Ravens (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Francis Sylvester Walker, British, London, New York, NY,

The Massacre of the Innocents, ca. 1590, Pen and brown ink, brush and brown wash, over traces of black chalk (recto). Sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso), 15-11/16 x 21-13/16 in. (39.9 x 55.4 cm),

Drawings and Prints, Print, The Adoration of the Shepherds with the Christ Child at center and angels above, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian, Borgo Sansepolcro 1553–1615 Rome, Italian,

Drawings and Prints, Print, Ornament & Architecture, Fete, Fireworks display, Nuremberg, 1659, Artist, Anonymous, 1673

Leghorn, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Drawings and Prints, Print, Comfort in the Gout, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827,

Celebration of a Circumcision from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), 1553, Woodcut, Sheet: 14 × 27 1/2 in. (35.5 × 69.9 cm), Prints, After Pieter Coecke van Aelst (Netherlandish, Aelst

Anne of Austria, 1660, Engraving; sixth state of six (Petitjean & Wickert), Sheet: 19 × 13 7/16 in. (48.2 × 34.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 5 3/16 x 3 7/16 in. (13.2 x 8.7 cm), Lambert Suavius

A woman standing, facing the left in profile, wearing a hat and a lace collar, reading from a prayer book, ca. 1629, Etching, Sheet (trimmed): 6 1/8 × 3 13/16 in. (15.5 × 9.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676

Richard Weston, Earl of Portland, 1645, Etching; second state of three, Plate: 9 1/2 × 7 9/16 in. (24.2 × 19.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of Richard Weston, first Earl of Portland, half

The Virgin Searching For Her Son in the Temple, Engraving, Sheet: 2 1/2 × 1 5/8 in. (6.3 × 4.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Elles (portfolio cover), 1896, Crayon, brush, and spatter lithograph printed in three colors on wove paper; second state of three (frontispiece edition), Image: 20 7/16 × 15 3/4 in. (51.9 × 40 cm), Prints, Henri de Toulouse-Lautrec (French,

Envy, from The Vices, 1552, Engraving, Sheet: 4 1/8 × 2 1/2 in. (10.4 × 6.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest