Images at Librifly

Pastoral (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778, Etching, Sheet: 11 7/16 x 7 3/8 in. (29 x 18.7 cm), Prints

Judith, half-length and in profile to the left, a sword in her right hand and the head of Holofernes in her left hand, an open window at top left, Engraving, Sheet: 3 1/4 x 2 5/8 in. (8.2 x 6.6 cm), Prints, Barthel Beham (German, Nuremberg

Drawings and Prints, Print, Newspaper article accompanying print in The Sun, Awful Conflagration of the Steam Boat Lexington in Long Island Sound on Monday Eve, January 13th, 1840, by which melancholy occurrence, over 100 Persons Perished,

A Blacksmith, 1833, Aquatint, drypoint on laid paper; fifth state of six, Sheet: 9 5/16 x 6 in. (23.7 x 15.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Jizō Bosatsu (Ksitigarbha), Kamakura period (1185–1333), second half of the 13th century, Japan, Wood with lacquer, color, and gold leaf, H. 45 3/4 in. (116.2 cm); W. 24 1/8 in. (61.3 cm); D. 23 7/8 in. (60.6 cm), Sculpture, Represented

Carrier Pigeon, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a

The Fish Rejoice in the Departure of the Cabin Boy, 1861, Etching; first state of three, sheet: 7 1/16 x 10 1/16 in. (18 x 25.5 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

An apostle holding a staff facing left, ca. 1540–60, Etching, sheet: 4 1/2 x 3 1/8 in. (11.5 x 8 cm), Prints, Possibly by Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Frances Kemble, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Sir R. Arkwright, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Desk, ca. 1902, Walnut, copper, pewter, vellum, H. 29-1/2, W. 23-2/3, D. 22-1/2 in. (74.9 x 60.1 x 57.2 cm), Furniture, Carlo Bugatti (Italian, Milan 1855–1940 Molsheim), Strikingly original, Carlo Bugatti's furniture combines the

Haman's Condemnation, 1740–75, Mezzotint, sheet: 20 5/8 x 14 1/2 in. (52.4 x 36.8 cm), Prints, Richard Houston (Irish, Dublin 1721/22–1775 London), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Drawings and Prints, Print, The Old Chartist (in Once a Week, vol. 6, p. 183), Engraver, Artist, After, Joseph Swain, Frederick Augustus Sandys, British, Oxford 1820–1909 London, British, Norwich 1829–1904 London, Swain, Joseph,

Alexander Mastering Bucephalus, ca. 1540–45, Etching, Sheet: 14 1/2 × 9 3/4 in. (36.8 × 24.7 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Drawings and Prints, Print, Comforts of Bath, Plate 10, Comforts of Bath, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, January 6, 1798

Drawings and Prints, Print, Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame, Artist, Artist, Formerly attributed to, After, Andrea Schiavone (Andrea Meldola), Battista Angolo

The Flagellation, from The Passion, Woodblock, Sheet: 9 15/16 × 6 3/4 in. (25.3 × 17.2 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Title Page, 1516, Woodcut, Sheet: 6 15/16 × 4 15/16 in. (17.7 × 12.5 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Christ Nailed to the Cross, from the Small Woodcut Passion, n.d., Woodcut, hand-colored, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sullivan, Left Field, Chicago, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284),

Drawings and Prints, Print, The Tempest, Act I: Ferdinand and Miranda, Artist, Engraver, Artist, Publisher, Subject, After, After, Giovanni Battista Cipriani, George Barrett, Samuel Middiman, Francesco Bartolozzi, John & Josiah

Indian Clubs, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in

View of Flanders (Veue de Flandre) after the painting in the collection of Madame la Comtesse de Verrue, Etching and engraving, Sheet: 7 3/8 x 10 5/16 in. (18.7 x 26.2 cm), Prints, Pierre François Beaumont (French, 1719 ?–after 1777), After

The Virgin holding the Christ Child, ca. 1500–1527, Engraving, 3 5/16 x 2 1/16 in. (8.4 x 5.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630

Speculum Romanae Magnificentiae: The Colosseum, 16th century, Engraving, Sheet: 12 1/16 x 18 in. (30.7 x 45.7 cm), Anonymous , Italian, 16th century

A Standing Young Lady Taking Off Her Gloves, 1876 or after, Pen and brown ink, over graphite, Sheet: 13 × 9 5/8 in. (33 × 24.5 cm), Drawings, Alfred Stevens (Belgian, Brussels 1823–1906 Paris

Life in Camp, Part 2: Teamster, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of lithographed

A.S. Colyar, The Nashville Daily American, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

'Avec des gestes lents et charmants, Clara lissa l'or roux de ses cheveux...', 1902, Color lithograph, sheet: 12 13/16 x 9 15/16 in. (32.6 x 25.3 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

The Box with the Gilded Mask, 1894, Crayon, brush, and spatter lithograph with scraper printed in five colors on imitation japan paper; only state, Sheet: 19 3/4 × 12 13/16 in. (50.2 × 32.5 cm), Prints, Henri de Toulouse-Lautrec (French,

Stag, 1625–77, Etching, Plate: 7 13/16 × 5 1/2 in. (19.9 × 14 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A stag stands looking to right. Not by Hollar

Drawings and Prints, Print, Silver Statuette of St. John, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Drawings and Prints, Print, Fete, Ornament & Architecture, People celebrating at the coronation of Ferdinand II in Frankfurt, Artist, Anonymous, German, 16th century, Anonymous, German, 16th century, 1500

Plate 26: Cerialis Pardons and Relieves Roman Soliders who had Helped Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 3/8 × 8 1/8 in.

Morocco, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Card 772, Louise Paullin, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 7),

Design for the Proposed Church at Middlesborough, 1837, Pen and brown ink, heightened with watercolor washes, sheet: 16 9/16 x 21 9/16 in. (42 x 54.8 cm), John Green (British, Northumberland 1787–1852 Newcastle), Benjamin Green (British,

Fourth scene, the sea, from 'The marriage of the gods' (Le nozze degli Dei), 1637, Etching, Sheet: 7 15/16 x 11 1/16 in. (20.1 x 28.1 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Berry Pomeroy Castle (Liber Studiorum, part XII, plate 58), January 1, 1816, Etching and mezzotint; first state of three (Finberg), plate: 7 3/4 x 10 3/4 in. (19.7 x 27.3 cm), Prints, Designed and engraved by Joseph Mallord William Turner

Parrish Hall at Bennington, Hertfordshire, 1902, Pen and in, over graphite, with watercolor, sheet: 12 1/2 x 24 3/4 in. (31.8 x 62.9 cm), Ernest Geldart (British, London 1848–1929

The Adoration of the Magi, Oil on canvas, 23 3/4 x 18 3/4 in. (60.3 x 47.6 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), The picture is usually considered a preliminary sketch for an altarpiece painted by

The Entrance Hall of the Regensburg Synagogue, 1519, Etching, Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg), In the muted light of an open doorway and a rosette window,

Drawings and Prints, Photograph, Card Number 622, Miss Snowden, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Israel Putnam, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set of

Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary, mid-15th century, Made in Lombardy, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 6 15/16 x 6 1/4 in. (17.6 x 15.8 cm), Manuscripts and

Apollo and the Muses, ca. 1557, Engraving, Sheet: 13 x 16 5/16 in. (33 x 41.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Christ with the Instruments of Torture Supported by a Little Angel, 1517, Woodcut, Sheet: 8 7/8 × 5 15/16 in. (22.5 × 15.1 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg

Feu d'Artifice donné à Paris au Mariage de Napoléon, 1810, Etching and engraving, hand-colored, 9 3/4 x 15 7/16 in. (24.8 x 39.2 cm), Prints, Anonymous, French, 19th century

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views), ca. 1750, Etching; first state of four (Hind), Sheet: 19 5/16 x 28 3/4 in. (49 x 73 cm), Prints,

Deposition of the Cross, ca. 1544, Etching, Sheet (trimmed): 12 13/16 × 11 1/8 in. (32.6 × 28.3 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Nativity with God the Father and angels, ca. 1647–50, Etching, sheet: 8 1/16 x 15 3/4 in. (20.5 x 40 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Drawings and Prints, Print, Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden), Artist, Engraver, Publisher, After, Henry Fuseli, Anker Smith, Joseph Johnson, Swiss,

Banknote vignette with female figures representing Liberty and Justice, ca. 1824–37, Engraving and etching, plate: 1 15/16 x 3 1/16 in. (5 x 7.8 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Card Number 711, Laura Burt, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s

Adam with a Lion, 16th century, Engraving, Sheet: 3 11/16 × 2 5/8 in. (9.4 × 6.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam, standing before a crouching lion, looks to the right and holds up the

Baron Schickler, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued

Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso), 1680, Red chalk, brush and brown wash, highlighted with white, on brownish paper (recto); red chalk study of a female head (verso), 18 1/16 x 14 5/8in. (45.9

A bearded, seated man looks over his right shoulder toward a child and woman bearing a vessel, possibly a variation on a theme of Armida and Adraste from 'Jerusalem delivered' (Gerusalemme liberata), ca. 1750–55, Etching, Sheet: 13 5/8 x 6

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Double Goblet with Oval Decorations, 1530, Engraving, Sheet: 3 5/8 x 2 1/16 in. (9.3 x 5.2 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for a double goblet with raised ovals forming a ring around the center. From a set of

Cuirassier, 1872, Watercolor on paper, Sheet: 10 1/8 x 7 in. (25.7 x 17.8cm), Drawings

Design for a fountain with an obelisk, ca. 1760–1780 , Pen and ink over graphite and watercolor, Frame: 17 5/16 x 18 1/8 in. (44 x 46 cm), Anonymous, 18th century (possibly French), Neoclassical fountain in the style of Delafosse, Boullée

Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome), 1760, Etching, Plate: 22 x 28 in. (55.9 x 71.1 cm), Prints, Giovanni Battista Piranesi (Italian,

Brunnhilde (The Twilight of the Gods), 1894, Lithograph, Image: 14 13/16 × 11 5/8 in. (37.7 × 29.5 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

The Monet Family in Their Garden at Argenteuil, 1874, Oil on canvas, 24 x 39 1/4 in. (61 x 99.7 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), In July and August 1874 Manet vacationed at his family’s house in

The Annunciation, Woodblock and letter press, Image: 5 7/16 × 3 11/16 in. (13.8 × 9.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

A Rake's Progress, Plate 7, June 25, 1735, Etching and engraving; fourth state of four, plate: 13 7/8 x 16 1/8 in. (35.2 x 40.9 cm), Prints, William Hogarth (British, London 1697–1764 London

Woman with large circular fur hat and lace ruff, 1645, Etching; only state, Sheet: 3 9/16 × 3 9/16 in. (9.1 × 9.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A woman shown nearly half-length to right, looking

The Fall of Troy and Escape of Aeneas, mid-1540s, Engraving, sheet: 15 1/4 x 19 7/8 in. (38.8 x 50.5 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giovanni Battista Scultori (Italian, 1503–1575

Design for a Framing Motif, 1712–93, Pen and brown ink, brush with light and dark green watercolor (?), over graphite or lead or black chalk, 16-1/4 x 17 in. (41.2 x 43.2 cm), Drawings, Attributed to Francesco Guardi (Italian, Venice

Drawings and Prints, Print, Portrait of Charles Chaplin, Artist, Louise Abbema, French, Étampes 1858–1927 Paris, Abbema, Louise, French, 1858, 1927, 19th–early 20th century, 1858, 1927

Drawings and Prints, Drawing, View of the West Facade of Dunkeld Cathedral, Artist, Carl Gustav Carus, German, Leipzig 1789–1869 Dresden, Carus, Carl Gustav, German, 1789, 1869, 1844 or later, 1844

Drawings and Prints, Print, The Source of Evil (La Source du Mal) (Evil Spring / Deadly Woman), L'Estampe originale, Album VI, Artist, Publisher, Georges de Feure, André Marty, French, Paris 1868–1943 Paris, French, born 1857, Feure,

Saddle-back, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from Opere

Drawings and Prints, Print, Characters, from Jack and the Giant Killer, Plate 6 for a Toy Theater, Publisher, Benjamin Pollock, British, 1857–1937, Pollock, Benjamin, 1857, 1937, 1870–90

Venus and Cupid (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London

Rest in the Country, Etching and engraving, sheet: 13 3/16 x 9 3/8 in. (33.5 x 23.8 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Photograph, Card Number 632, Flora Walch, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Satyr Mask with an Indented Snout and a Wreath of Oak Leaves, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 3/8 × 1 5/8 in. (6.1 × 4.2 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with

Samson Carrying the Gates (Dalziels' Bible Gallery), 1881, Wood engraving on India paper, mounted on thin card, Image: 6 9/16 × 7 3/8 in. (16.7 × 18.7 cm), Prints, Frederic, Lord Leighton (British, Scarborough 1830–1896 London), Dalziel

Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869, Pastel on paper, Sheet: 18 7/8 x 11 13/16 in. (48 x 30cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Revolver, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Virgin and Child, 1527-1530, Etching printed in brown ink with tone; first state of two, sheet: 3 11/16 x 2 1/4 in. (9.3 x 5.7 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Broadsheet relating to the rabbit that does not like hay but only chocolate, a corrida in the bottom section, José Guadalupe Posada (Mexican, 1851–1913), 1903

Card 546, Julia Sheldon, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

The Two Boats on the River, Engraving; third state of four, Sheet: 3 5/16 × 5 3/4 in. (8.4 × 14.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Martyrdom of St. Andrew, Etching; second state of five (Bartsch), sheet: 15 15/16 x 21 15/16 in. (40.5 x 55.8 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome), After Agostino Ciampelli (Italian, Florence 1565–1630 Rome

Drawings and Prints, Print, Spring, Artist, Publisher, Artist, After, Grégoire Huret, Pierre Mariette, Jean Couvay, French, Lyon 1606–1670 Paris, French, 1596–1657, French, Arles ca. 1605–1663 Paris, Huret, Grégoire,

Smell, 18th century, Etching and engraving, Sheet: 14 7/16 x 10 13/16 in. (36.6 x 27.5 cm), François Boucher (French, Paris 1703–1770 Paris

Landscape with Cows Watering in a Stream, 1871, Oil on canvas, 21 1/8 x 34 1/2 in. (53.7 x 87.6 cm), Paintings, Robert S. Duncanson (1821–1872), Born free in upstate New York, the African American Duncanson established an international

Black Frizzled Fowl, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in

Christ Carrying the Cross, from The Passion of Christ, 1596–1598, Engraving, sheet: 8 1/16 x 5 1/2 in. (20.5 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved

Drawings and Prints, Photograph, Card Number 385, Maud Nixon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, Chicken Vendor, Trinidad, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1923

Satyr Mask with a Laurel Wreath Draped Over the Horns, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 3/8 × 1 5/8 in. (6 × 4.1 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with grotesque

Le Christ au tombeau (The Entombment), 1762–63, Etching, Mount: 17 3/16 × 9 9/16 in. (43.6 × 24.3 cm), Prints, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Plate, 1739–43, Chinese, for British market, Hard-paste porcelain, Diameter: 9 in. (22.9 cm), Ceramics-Porcelain-Export, A pattern for this plate survives, the only complete design for an armorial service to be recorded. It was made for

Mary Anderson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued