Images at Librifly 2.589.713 / 2.589.715 Entries < previous page Page 537 / 25898 next page > Naval battle, a rowboat filled with people fighting with muskets to left, people drowning in the sea in the center and right foreground, a ship on its side and burning in the background, from 'Peace and War' (Divers desseins tant pour la paix que Designs for ten decorative friezes, ca. 1485–1536, Etching, sheet: 9 3/16 x 6 1/8 in. (23.4 x 15.6 cm), Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg Design for Festival Decorations on the Bases of Piers, 1702–86, Pen and brown ink, brush and gray wash, over black chalk, 13-1/2 x 15-3/8 in. (34.3 x 39.1 cm), Drawings, Carlo Marchionni (Italian, Rome 1702–1786 Rome From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children' Speculum Romanae Magnificentiae: Circus Flaminius in Rome, 1581, Engraving, sheet: 14 3/16 x 21 1/16 in. (36 x 53.5 cm), Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Pirro Ligorio (Italian, Naples A gentleman standing in front of a large castle and wearing a plumed hat and a lace collar, the tomb with an engraving of the head of a woman on the ground to right, 1629, Etching, Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm), Prints, Abraham Rocky Landscape with St. Jerome, Engraving; first state, Sheet: 8 1/2 x 11 in. (21.6 x 28 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp Scourging of Christ, 1700–1740, Pen and brown ink, washed, 22 3/16 x 16 3/4 (56.5 cm. x 42.4 cm), Drawings, Aureliano Milani (Italian, Bologna 1675–1749 Bologna Drawings and Prints, Print, Humorous Subject, Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907 Drawings and Prints, Print, The Hostess, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1924 Bacchanal (after Guido Reni), 1619, Engraving, octagonal sheet: 9 13/16 x 10 1/16 in. (25 x 25.6 cm), Prints, Giovanni Battista Costantini (Italian, active 1615–1628), After Guido Reni (Italian, Bologna 1575–1642 Bologna Two Studies of a Flying Putto, mid-17th century, Red chalk, sheet: approximately 9 13/16 in. (25 cm), Drawings, Cornelis Schut (Flemish, Antwerp 1597–1655 Antwerp Small Motifs of Insects and Plants, 1596, Blackwork and engraving, Plate: 2 11/16 x 1 13/16 in. (6.8 x 4.6 cm), This small print shows a somewhat random collection of various insects, plants, a snail and a turtle. Motifs like these could be Ila Beals, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca. Spearhead or point, Bronze, 3 7/8in. (9.8cm), Bronzes Tyrol, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote Adam and Eve at Work, from The Story of Adam and Eve, 1540, Engraving, Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Adam, in the foreground at left, pulls up roots, Drawings and Prints, Drawing, Design for the cover of the 25th anniversary publication of the Viennese Graphic Design School (1888-1913), Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875, 1944, 1913, The Fall and Redemption of Man, ca. 1480–90, South Netherlandish, Wool warp, wool, silk, silver and gilt wefts, Overall: 122 1/4 x 153in. (310.5 x 388.6cm), Textiles-Tapestries God the Father Appearing to Jacob, ca. 1635–45, Brush with colored oil paint and touches of brown ink; paper partly saturated with oil, 15 3/16 x 20 9/16 in. (38.6 x 52.3 cm), Drawings, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, The Triumph of Time, 1574, Engraving; fourth state of four, Sheet: 8 3/4 x 12 3/8 in. (22.3 x 31.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. Drawings and Prints, Print, Title Page Set in an Architectural Frame with Allegorical figures and Christ, from Thronus Justitiae, tredecim pulcherrimus tabulis..., Thronus Justitiae, tredecim pulcherrimus tabulis..., Artist, Publisher, Yellow Shank Tatien, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 Fustium Admonitio (John Beaver, Roman Military Punishments, 1725), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London Drawings and Prints, Print, Comforts of Bath, Plate 3, Comforts of Bath, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, January 6, 1798 The Pencil of Nature, 1844–46, Salted paper prints from paper negatives, 15.2 x 20.3 cm (6 x 8 in.), Books, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot's hope for commercial exploitation of his invention lay in the Donkey, [1862] reprinted 1921, Cliché-verre (ed. 1921), Image: 6 1/8 × 7 1/2 in. (15.6 × 19.1 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris Chelsea Palaces, in Scarab, Grecian Key and Fly Pattern Mount, 1899, Color etching and aquatint on hand-colored mount, plate: 3 7/16 x 5 1/8 in. (8.7 x 13 cm), Prints, Théodore Roussel (French, Lorient, Brittany 1847–1926 St. A Turkish Man and a Polish Man, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 1/4 × 3 3/8 in. (5.7 × 8.5 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), A Turkish man with a bow and arrow, at left, greets a The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, after Reni, 17th century, Etching, Sheet: 3 1/2 × 4 3/4 in. (8.9 × 12.1 cm), Prints, Anonymous, Italian, 17th century, After Charles de Gonzague, Duc de Nevers, attached letter, 16th–17th century, etching, sheet: 9 7/16 x 7 11/16 in. (24 x 19.5 cm), Prints, Thomas de Leu (French 1560–1620 Four Landscapes, possibly stage set designs, 1911–24, Red chalk over graphite, Image: 8 15/16 × 15 11/16 in. (22.7 × 39.8 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich Illustrations to Proverbs 10: 1-3, ca. 1534, Etching; second state of three, sheet: 5 3/8 x 13 7/16 in. (13.7 x 34.2 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg Abraham's Sacrifice, Woodcut, block: 4 13/16 x 3 3/4 in. (12.2 x 9.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg Pitcher, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen & Ingolstadt, 1665, Etching, only state, Plate: 2 × 4 1/2 in. (5.1 × 11.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Distant view of Ingolstadt from the river Danube; barge with cabin passing by at right; bridge in Woman with a Wreath of Oak Leaves, 1646, Etching; first state of five (probably first state although the print is cut 3 x 3 mm within the platemark so it cannot be determined with certainty), Sheet (clipped impression): 4 7/16 × 3 5/16 in. (11.2 Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars', 1596, Etching; first state of two (Bartsch), Sheet: 11 13/16 × 8 3/4 in. (30 × 22.2 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 1582, Engraving and etching, sheet: 18 1/8 x 21 15/16 in. (46.1 x 55.8 cm), Prints, Etienne DuPérac (French, ca. 1535–1604 Bacchant, Satyr, and Fauness, from the Scherzi, ca. 1740, Etching, Plate: 5 1/4 x 7 13/16 in. (13.3 x 19.8 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid Lewis Baker, St. Paul Daily Globe, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1), Roman Girl at a Fountain, 1875, Oil on canvas, 67 x 39 1/2 in. (170.2 x 100.3 cm), Paintings, Léon Bonnat (French, Bayonne 1833–1922 Monchy-Saint-Eloi), This picture is one of the last genre scenes that Bonnat produced before he turned The Siesta, or Convalescence, 1893, Lithograph in black and beige ink; second state of two, Image: 11 7/16 in. × 9 in. (29.1 × 22.9 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule Jungle Fowl, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a The Travelers and the Giant, 1869, Wood engraving, frame: 6 15/16 x 5 1/2 in. (17.6 x 13.9 cm), Prints, Designed by John La Farge (American, New York 1835–1910 Providence, Rhode Island), Engraved by Henry Marsh (American, 1826–1912 Cockney, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote Drawings and Prints, Print, Unfalo Endangering Theuerdanck While Firing a Cannon, from Theuerdanck, Artist, Author, Publisher, Hans Schäufelein, Melchior Pfintzing, Hans Schönsperger, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Seated nude next to a vase, 1537, Engraving, sheet: 4 1/2 x 3 1/8 in. (11.4 x 8 cm), Prints, Master FG (Italian, active mid-16th century Drawings and Prints, Print, Act 8: Gottlieb Säuselin the Improviser (Varietenummer 8: Gottlieb Säuselin der Improvisator), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa Drawings and Prints, Print, The Family of William Cavendish, Marquess of Newcastle-upon-Tyne, Sitter, Engraver, Sitter, Artist, After, William Cavendish, 1st Duke of Newcastle-upon-Tyne, Peeter Clouwet, Margaret Cavendish, Duchess of The Barque of Dante, 1920–21, Drypoint, Sheet: 11 11/16 x 17 5/8 in. (29.7 x 44.8 cm), Prints, Lovis Corinth (German, Tapiau, Prussia 1858–1925 Zandvoort, Holland), after Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Reverse Copy of Dancing Couple, from The Small Wedding Dancers, 1552, Engraving, Sheet: 4 5/8 × 3 1/4 in. (11.7 × 8.2 cm), Prints, Anonymous, German, 16th century, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest Theological Thesis of Antoine Talon, 1648, Etching; top four of six plates, second state of upper part and fourth state of dedication (BN), sheet: 20 3/16 x 22 3/4 in. (51.2 x 57.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Pitta, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a series Plate VIII from Battles and Victories (Combats et Triomphes), n.d., Engraving, sheet: 2 5/8 x 8 11/16 in. (6.7 x 22.1 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg Göetz van Berlichingen's Horse, ca. 1820, Pen and brown ink on wove paper, Overall: 5 1/8 x 7 9/16 in. (13 x 19.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris Drawings and Prints, Print, Gypsy Mother with Three Children, Artist, Cornelis Visscher, Dutch, Haarlem (?) 1629–1658 Amsterdam, Visscher, Cornelis, 1629, 1658, 1650s, 1650, 1659 Broadsheet with two narrative love ballads, woman wearing a costume consisting of a leotard, cape, and boots, José Guadalupe Posada (Mexican, 1851–1913), 1915 (published Kangaroo, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to A shepherd with two horses and a peasant woman on horseback with a child in her arms to left, a large tree in center, a shepherd with a herd of animals descending a hill to right, mountains in the background, from 'Six large views, four of Rome Drawings and Prints, Photograph, Card Number 330, Lizzie Hughes, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Drawings and Prints, Print, Grammatica, from The Seven Liberal Arts, Artist, Artist, After, Johann Sadeler I, Paulus Fürst, Maerten de Vos, Netherlandish, Brussels 1550–1600/1601 Venice, German, 1608–1666, Netherlandish, Antwerp Order of St. Michael, Bavaria, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued In the Opera Box, ca. 1880, Drawing for soft ground transfer, sheet: 5 13/16 x 4 7/16 in. (14.8 x 11.3 cm), Drawings, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise Princess Eulalia of Spain, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a Drawings and Prints, Drawing Ornament & Architecture, Right Half of a Design for an Altar in Rococo Style, Artist, Anonymous, German, South Germany, 18th century, Anonymous, German, South Germany, 18th century, 1700 Doll, ca. 1830, Papier-maché, glass, hair, silk, lace, gauze, H. 13 3/4 in. (34.9 cm), Textiles Miss Violetta, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued Male Saint, 16th century, Etching on paper colored in blue, sheet: 7 1/16 x 3 3/8 in. (18 x 8.5 cm), Prints, Anonymous, Italian, 16th century, After (?) Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Plate 145: Hersilia Taken to the Heavens (Hersilia Romuli coniunx in Oram deam a Iunone constituitur), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 5/8 in. (10.2 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence Absalom Inviting David and His Brothers, from The Story of Amnon and Tamar, 1540, Engraving; first state of two, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Harper's, September, 1895, Commercial relief process and letterpress, Sheet: 13 7/16 × 9 5/16 in. (34.2 × 23.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York Frontispiece to 'The Battles of the Old Testament' with the arms of the Medici Crowned by Two Putti, 1660, Etching; second state of two (Bartsch), Sheet: 8 1/16 × 11 7/16 in. (20.5 × 29 cm), Prints, Antonio Tempesta (Italian, Florence Prince Rudolph Joseph of Colloredo-Mansfeld, 1835, Watercolor and gouache, graphite, Sheet: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm), Drawings, Ferdinand Georg Waldmüller (Austrian, Vienna 1793–1865 Helmstreitmühle in der Hinterbrühl The Cleansing of the Temple; Christ driving the money-changers from the temple and raising a scourge over his left shoulder, as if to strike a man on the floor, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 in. × Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg Speculum Romanae Magnificentiae: Circus Maximus, 1553, Engraving, sheet: 14 x 21 7/8 in. (35.5 x 55.5 cm), Prints, Anonymous, After Pirro Ligorio (Italian, Naples ca. 1512/13–1583 Ferrara Wood Apple of Bengal, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards American Bittern, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 Chelsea Embankment, June, 5 pm 1889, 1889, Etching, Image: 6 1/16 x 3 15/16 in. (15.4 x 10 cm), Prints Unknown Woman, 1647, Etching and drypoint; third state of four (NH), Plate: 4 15/16 × 4 1/8 in. (12.5 × 10.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Bust length portrait of a woman formerly Lord Manners, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in California, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11), Broadsheet with a ballad about camp life hardships for women, profile of a woman looking downcast wearing a slip and heels, José Guadalupe Posada (Mexican, 1851–1913), ca. 1918 (published Navaja Knife, South America, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), Charles-Maurice Le Tellier, 1663, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 13 3/8 × 10 1/4 in. (33.9 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris Pierrot Laughing, 1855, Gelatin-coated salted paper print (vernis-cuir), 27.3 x 19.8 cm (10 3/4 x 7 13/16 in.), Photographs, Nadar (French, Paris 1820–1910 Paris), Adrien Tournachon (French, 1825–1903), We owe the contemporary image of Albury, 1625–77, Etching, first state of three, Sheet: 3 1/2 × 6 3/16 in. (8.9 × 15.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Albury; four persons rowing on a boat in the river, with boat-house among trees Water, a ship at sea during a storm, from 'The four elements' (Les quatre Eléments), ca. 1645–50, Etching; first state of three, Sheet: 3 7/16 x 7 7/8 in. (8.7 x 20 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence Scene in an Italian City with Figures Near a Fountain (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite washed with India, ink on paper, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton St. Sebastian at the Tree, 1512, Woodcut, Sheet: 5 1/16 × 3 7/16 in. (12.8 × 8.7 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg An avenue lined with statues in a pine forest, jets of water issuing from the ground, various figures in center, a small building in background center, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino), ca. 1653, Etching, Frontispiece with Putti and Animals, 1653, Pen and brown and red ink, sheet: 7 5/16 x 5 1/16 in. (18.5 x 12.8 cm), Valerio Spada (Italian, Valdasa, 1613–1688 Edward Teach (Black Beard), Walking the Plank, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734, 1732–69, Engraving, etching, woodcut, Drawings and Prints, Photograph, Miss Woodworth, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870, Speculum Romanae Magnificentiae: Triumph of Marcus Aurelius, 1583, Engraving, sheet: 16 3/8 x 10 11/16 in. (41.6 x 27.1 cm), Prints, Anonymous, After Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome Mother and Child, 18th century, Etching, sheet: 5 1/2 x 3 1/2 in. (13.9 x 8.9 cm), Prints, Jacques Francois Amand (French, 1730–1769 Tracing of an archangel or Seraphim, late 19th–early 20th century, Pen and ink, sheet: 23 x 10 in. (58.4 x 25.4 cm), Drawings, Ernest Geldart (British, London 1848–1929 Combat of the Giaour and the Pasha, 1827, Lithograph; first state of two, Sheet: 16 × 11 in. (40.6 × 27.9 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The Oriental subjects of early-nineteenth-century 2.589.713 / 2.589.715 Entries < previous page Page 537 / 25898 next page >