Images at Librifly

Drawings and Prints, Print, Stevenson's House, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1915

Christ with a Staff, Oil on canvas, 37 1/2 x 32 1/2 in. (95.3 x 82.6 cm), Paintings, Follower of Rembrandt (Dutch, third quarter 17th century), This impressive picture was clearly inspired by Rembrandt's style of the 1660s and was conceivably

The Invasion, Plate 2: England, March 8, 1756, Etching; third state of three, sheet: 12 9/16 x 15 3/16 in. (31.9 x 38.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Lucretia Instructing her Daughters in Needlework, 1557, Woodcut (illustration), Sheet: 3 11/16 × 5 9/16 in. (9.3 × 14.2 cm), Prints, Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520–ca.

Drawings and Prints, Drawing Ornament & Architecture, Design for an Epitaph surmounted by a Statue of the Virgin and Child, Artist, Anonymous, Flemish, 17th century, Anonymous, Flemish, 17th century, 1600

The Committee (Twelve Large Illustrations for Samuel Butler's Hudbras, Plate 10), 1725–68, Etching and engraving; fourth state of five, plate: 10 13/16 x 13 15/16 in. (27.5 x 35.4 cm), Prints, William Hogarth (British, London 1697–1764

Frieze with Neptune and Tritons, ca. 1500–1530, Engraving, Sheet: 4 9/16 × 12 11/16 in. (11.6 × 32.3 cm), Prints, Girolamo Mocetto (Italian, ca. 1470–1531

Pilate washing his hands, from The Passion, Woodblock, Sheet: 9 13/16 × 6 9/16 in. (24.9 × 16.7 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Stuttgart: The Lake, 1663–65, Etching, only state, Plate: 2 1/8 × 4 1/2 in. (5.4 × 11.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), The Lake, the Grosse See, covers the foreground on which a small gondola is

John Morrell, Baseball Player, 1st Baseman, Boston, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series

Frontispiece for 'The funeral of Emperor Ferdinand II' (Esequie dell'imperadore Ferdinando II): the imperial coat of arms in center, supported by two eagles, the eagle on the left holding a scepter in its mouth, the eagle on the right holding a

The Flower Girl Fanchonette, 1741–63, Etching and Engraving, sheet: 8 3/4 x 5 3/4 in. (22.3 x 14.6 cm), Prints, John Ingram (British, London 1721 active to 1763), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The Westminster Mendicant, Artist, Subject, Publisher, Thomas Rowlandson, Sir Cecil Wray, Hannah Humphrey, British, London 1757–1827 London, British, Yorkshire 1734–1805 Lincolnshire, London, Rowlandson,

Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from The Story of Apollo and Daphne, 1530–60, Engraving, sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately, Prints,

Study after Michelangelo's Giorno (recto and verso), ca. 1550–55, Black and white chalk on blue paper, 13-3/4 x 19-7/8 in. (35 x 50.5 cm), Drawings, Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice), Working from a

Design for a Term with Two Embracing Satyrs, from: Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes (...), 1645, Etching, sheet: 8 3/4 x 5 1/16 in. (22.3 x 12.9 cm), Jean Le Pautre (French, Paris 1618–1682

Self-Portrait with Hand on the Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, Etching and drypoint, image: 6 x 5 1/4 in. (15.2 x 13.3 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

The Guardian Angel: an angel at left placing his hand on the head of a sleeping seated man, ca. 1500–1503, Engraving, plate: 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm) trimmed to plate, Prints, Jacopo de' Barbari (Italian, active Venice by

Scarlet Finch, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in

From the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

Puma, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

Jacob Schaefer, Billiard Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in

The Suspicious Elf (Verzweifelter Alb), 1912, Lithograph, image: 10 9/16 x 13 1/2 inches (26.8 x 34.3 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Two Yellow-legs (Wading in), 1930, Drypoint, plate: 9 1/8 x 9 15/16 in. (23.2 x 25.2 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Digger, 1863, Woodcut on laid paper; second (final) state; posthumous edition, block: 4 1/8 x 5 1/2 in. (10.5 x 14 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

The skeleton of Don Juan Tenorio, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910

Chap. III: C'est Superbe! (How Wonderful!), Victor Adam (French, 1801–1866), 1824

An old skinny man at left talking with a fat man at right, ca. 1510–27, Engraving, Sheet: 3 15/16 × 3 1/8 in. (10 × 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

'The Derelict' or 'The Lost Boat', 1916, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; proof of key block printed on semi-translucent paper, Image: 5 5/8 × 3 7/8 in. (14.3 × 9.8 cm), Prints, Arthur Wesley Dow

Two Cupids, One Holding a Wreath, mid to late 18th century, Etching and engraving, Sheet: 18 5/16 × 11 15/16 in. (46.5 × 30.3 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French,

The Lovers, 16th–17th century, sheet: 5 7/8 x 4 1/16 in. (14.9 x 10.3 cm), Prints, Anonymous, Italian, 16th to 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

A Member of the Institute, 1798, Pen and gray ink with watercolor, over traces of graphite, 11 13/16 x 7 5/8 in. (30 x 19.4 cm.), Drawings, Jean-Baptiste Regnault (French, Paris 1754–1829 Paris

Panorama de la Cité, 1860s, Albumen silver print from glass negative, 20.3 x 28.3 cm. (8 x 11 1/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

The Seceding South Carolina Delegation [Photographed by Brady] (from Harper's Weekly, Vol. IV), December 22, 1860, Wood engraving after photographs, Sheet: 15 3/8 × 10 1/2 in. (39 × 26.7 cm), Prints, After Mathew B. Brady (American, born

Josie Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Drawings and Prints, Print, The Hunchback, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

A nymph holding a large dog by the collar, or 'La belle chasseresse', Etching; second state of two, Sheet: 7 7/16 x 5 3/4 in. (18.9 x 14.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

View of the Palazzo Odeschali, from Vedute di Roma (Roman Views), ca. 1753, Etching; before first state of five (Hind), Sheet: 19 5/16 x 27 1/2 in. (49 x 69.8 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Photograph, Card Number 187, Fannie Goldsmith, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Qui aime Bertrand aime son chien (He who loves Bertrand loves his dog), from Proverbes et Maximes, published in Le Charivari, July 22, 1840, July 22, 1840, Lithograph; third state of three (Delteil), Sheet: 13 3/8 × 10 1/4 in. (34 × 26 cm),

Life in Camp, Part 2: Home on Furlough, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of

The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 7/16 x 17 1/4 in. (57 x 43.8 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo

Drawings and Prints, Print, Tiger in the Jungle, L'Estampe originale, Album I, Artist, Publisher, Paul Ranson, André Marty, French, Limoges 1864–1909 Paris, French, born 1857, Ranson, Paul, Marty, André, French, 1864, 1857,

Drawings and Prints, Print, The Gull and the Rook, Publisher, Artist, Robert Hixon, Thomas Rowlandson, British, active London, 1794–1817, British, London 1757–1827 London, Hixon, Robert, Rowlandson, Thomas, 1794, 1757, 1817,

Drawings and Prints, Photograph, Card Number 161, Lena Thibaut, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Whitebait, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

Drawings and Prints, Print, Christmas Time, from the Illustrated London News, Artist, Engraver, After, William Hemsley, Harvey Orrin Smith, British, London 1819–1906, British, active 1847–70, Hemsley, William, Smith, Harvey Orrin,

The Manneporte near Étretat, 1886, Oil on canvas, 32 x 25 3/4 in. (81.3 x 65.4 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), In 1886, the writer Guy de Maupassant published his eyewitness account of Monet at Étretat.

Drawings and Prints, Photograph, Card Number 743, Miss Bella Biltar, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C.,

Les Deux Chaumieres, Etching, sheet: 16 5/16 x 12 1/8 in. (41.4 x 30.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659

The Adoration of the Magi, Etching; second state of two (Bartsch), sheet: 8 1/4 x 5 7/16 in. (21 x 13.8 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome

Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste Aurelle Meissonnier', ca. 1742–48, Etching and engraving, Plate: 21 7/16 × 13 9/16 in. (54.4 × 34.5 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris), View of a wall

Drawings and Prints, Print, Cypress Vale, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1915

Comptez sur Mes Serments (Count On My Oaths), 1789, Etching and engraving; second state of five (Bocher), Sheet: 21 3/8 × 15 1/4 in. (54.3 × 38.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Funerary relief, ca. 150–200, Syria, probably from Palmyra, Limestone, 20 5/8 × 15 1/8 × 7 5/8 in., 98 lb. (52.4 × 38.4 cm), Stone-Sculpture-Inscribed, Inscription: 1-2 This image 3 (is of) Zabda‘ateh, 4 son of Zabda‘ateh, 5 which

The Dead Wallenstein Being Carried Away by Soldiers, 1871, Graphite, brown wash (?), Sheet: 9 1/16 × 10 15/16 in. (23 × 27.8 cm), Drawings, Karl Theodor von Piloty (German, Munich 1826–1886 Ambach bei Munich

Bronze arrowhead, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Bronze, length 1 7/8in. (4.8cm), Bronzes, Flat leaf-shaped blade, midrib and a long four-sided tang

Riding Standard Bearer and a Foot Soldier, early 16th century, Engraving, Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Capital and Base of a Column, 1545, Engraving, Sheet: 3 x 2 in. (7.6 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for the capital and base of a column. Capital has crowned male mask at center, flanked by scrolling

Camille Monet (1847–1879) in the Garden at Argenteuil, 1876, Oil on canvas, 32 1/8 x 23 5/8 in. (81.6 x 60 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), In 1876, Monet made no less than ten paintings of his rented house

아미타불과 지장보살도 고려, 阿彌陀佛・地藏菩薩圖高麗, Amitabha and Kshitigarba, Goryeo dynasty (918–1392), , first half of the 14th century, , Korea, , Hanging scroll; ink and color on silk, , Image: 37 1/4 × 21

Drawings and Prints, Print, Shipbuilder's House, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1920

Wall Elevation with a Double Door, from 'Wandfüllungen', ca. 1748–70, Etching, Sheet: 13 1/2 × 8 1/8 in. (34.3 × 20.6 cm), Franz Xavier Habermann (German, 1721–1796), Wall elevation in Rococo style with a double door in the center. Over

Helen Dauvray, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Sun from The Gods Who Preside Over the Planets, 1528, Etching, sheet: 3 3/8 x 1 15/16 in. (8.5 x 5 cm), Prints, Master I.B. (German, active 1525–1530

Stuttgart, 1663, Etching, only state, Plate: 2 1/8 × 4 9/16 in. (5.4 × 11.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View from a hills near Stuttgart, with tower in a field at center background, houses and

Capitol of Kentucky in Frankfort, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Le Chancelier Michel IV Le Tellier, 1662, Engraving, Sheet: 12 5/8 x 9 13/16 in. (32 x 25 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Battle Scene, n.d., Pen and brown ink, brush and brown wash, heightened with cream-coloured gouache, on brown paper, sheet: 23 7/16 x 14 5/8 in. (59.5 x 37.2 cm), Drawings, Workshop of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

The Last Judgement from the Sistine Chapel, 1546–50, Engraving, Sheet: 22 13/16 × 17 3/8 in. (58 × 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo Buonarroti (Italian, Caprese

Speculum Romanae Magnificentiae: Arch of Gallienus, 16th century, Engraving, sheet: 18 7/8 x 13 3/16 in. (48 x 33.5 cm), Prints, Anonymous

Drawings and Prints, Print, Mrs. Fitzherbert, The Lady's Magazine, Engraver, Sitter, J. Cook, Maria Anne Fitzherbert, British, active 1780s, British, 1756–1837, Cook, J., Fitzherbert, Maria Anne, 1780, 1756, 1790, 1837, 1786

Singing Honey-eater, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in

ZIGZAG BRAID, 1922, Watercolor, gouache and graphite on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Memento Mori, late 15th century, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Drawings and Prints, Sacred Monogram, Artist, Antonius Wierix, II, Netherlandish, Antwerp 1555/59–1604 Antwerp, Wierix, Antonius, II, 1555, 1604

View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane', 1756, Etching, Sheet: 20 1/2 x 15 1/4 in. (52 x 38.7 cm), Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778

The Conversion of Saint Paul, ca. 1587–89, Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint, over black chalk, on paper toned with light-brown wash, sheet: 22 3/8 x 13 5/8 in. (56.8 x 34.6

Ward, Shortstop, New York, from the 'Gold Coin' Tobacco Issue, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284), issued by D. Buchner in 1887 to

Drawings and Prints, Drawing, Amymone (?) with a Lecherous Satyr, Artist, William Hamilton, British, London 1751–1801 London, Hamilton, William, British, 1751, 1801, 1770–80, 1770, 1780

Drawings and Prints, Print, Man wearing an apron and a hat, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

A Fair – A Group of Gypsies – Men and Women in Rustic Clothes in Front of Two Makeshift Tents, 1786, Etching, Plate: 8 3/16 x 9 13/16 in. (20.8 x 25 cm), Prints, After Francis Wheatley (British, London 1747–1801 London

Judith, illustration to Hendrik Jansen van Barrefelt, called Hiel, Biblesche figuren ofte afbeeldingen..., published 1662 or later, Etching, sheet: 3 15/16 x 8 13/16 in. (10 x 22.4 cm), Prints, Peeter van der Borcht (Netherlandish, Mechelen

Townscape with wall and foliage in shadow in right foreground, buildings with smoking chimney and square tower beyond, from the series 'The Small Landscapes', ca. 1641–78, Etching, plate: 1 13/16 x 2 1/4 in. (4.6 x 5.7 cm), Prints, Karel

A Sailor's Family, 1787, Etching, Plate: 9 3/4 x 7 3/4 in. (24.7 x 19.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Print, The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body, Artist, Formerly attributed to, Jusepe de Ribera (called Lo Spagnoletto), Spanish, Játiva 1591–1652 Naples, Ribera,

Lotus Patten Frame, 1897–99, Etching and softground, Sheet: 9 5/16 × 21 3/8 in. (23.7 × 54.3 cm), Prints, Théodore Roussel (French, Lorient, Brittany 1847–1926 St. Leonards-on-Sea, Sussex

Six riders forming a circle, from 'La gara delle Stagioni', 1652, Etching, Sheet: 8 11/16 x 11 5/8 in. (22 x 29.5 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Balthasar, after figure in 'The Adoration of the Magi' by Jacques Bellange, ca. 1610–50, Etching, Sheet (trimmed): 11 1/8 × 7 1/16 in. (28.2 × 18 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach), After Jacques

A Sibyl, 1540–45, Etching and engraving, Sheet (trimmed): 9 3/8 × 6 15/16 in. (23.8 × 17.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Lion, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

Drawings and Prints, Print, Fete, Ornament & Architecture, Plate 10 from Pietro Paulo Bissari, Antiopa, Artist, Artist, Author, After, Kaspar Amort, Francesco Santurini, Mathäus Küsel, Pietro Paulo Bissari, German, 1627–1682,

Drawings and Prints, Print, A blessed soul lifted to heaven, after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Artist, After, Cherubino Alberti (Zaccaria Mattia), Michelangelo Buonarroti, Italian, Borgo Sansepolcro

North Carolina, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series

Harper's: March, 1899, Lithograph, Sheet: 15 3/8 × 10 3/4 in. (39 × 27.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Plate 11: an old man sitting on the ground to left, seen from behind, a peasant woman seen from behind to right in backfround, from 'Caprice faict par de la Bella', ca. 1642, Etching; second state of two, Sheet: 2 3/8 x 3 7/16 in. (6.1 x 8.8

Drawings and Prints, Photograph, Card Number 564, Mary Anderson, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Man between the Two Fir Trees, Engraving; second state of two, Sheet: 5 3/16 × 6 1/2 in. (13.1 × 16.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

[Puyo, Robert Demachy, and Paul de Singly with Model], 1909, Platinum print, Image: 2 11/16 × 3 3/16 in. (6.9 × 8.1 cm), Photographs, Emile Joachim Constant Puyo (French, 1857–1933), A career officer in the French army, Commandant Puyo

Time Smoking a Picture, ca. 1761, Etching and aquatint; third state of three (not recorded by Paulson), image: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm), Prints, William Hogarth (British, London 1697–1764 London